Bass Daft

Punk Medley Written by: Thomas Bangalter,

Guy-Manuel de Homem-Christo,
Anthony Wayne Moore, Nile Rodgers,

4
Pentatonix's Tribute to Daft Punk
Pharrell Williams, George Duke,

  4
4                
 = 133 Carlos Sosa, and Edwin Birdsong
 Arranged by Dan Satter

          
         
Write it, cut it, paste it, save it, Load it, check it, quick re write it,

   
7

cresc.


           
Plug it, play it, burn it, rip it, Drag and drop it, zip un zip it, ooh ooh ooh

   
    
12

    
       
ooh Tech no log ic.

     
       
       
 
A Bwuh Bwuh Bwuhh up wuh doom doom doom doom
17



               
Ah, ah, ah, ah, ah,
B Ah, ah, ah, ah, ah, Ah, ah, ah, ah, ah,

              
23


              
Ah, ah, ah, ah, dyoom! dm dm dm dm dm dm dm dm dm dm dm

                  
27 cresc.

 
dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm

                          
30 Fall immediately,
ascend on beat 4

           
dm dm dm dm dm dm dm dm dm dm dm dm dm doo

                       
33


  
              
dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm


                           
36

 
                
dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm

             
40


  
                   
dm dm dm dm doo woo dm dm dm dm d ba dm dm dm dm dm d b d b

        
43

             

dm dm dm dm dm dm dm dm dm dm dm dm dm dm d ba dm

                 

46

dm dm dm dm d b d b dm dm dm dm dm

dyooh ooh doo doo
Transcribed by Dan Satter
          
                  
     
C Daft Punk Medley

  
51

       
                       

55 dm dm dm dm dm dm dm da dm dm dm dm dm dm dm dm

     
                    
         
58 dm dm da dm dm d b dm dm dm dm dm dm dm dm da dm dm dm

    
   
                            
61 dm dm dm dm dm dm dm da dm dm d b dm dm dm dm (plus wind sound effect)
dm dm

       
       
          
ths
dm Swing 16

   
dm dm da dm dm dm dm dm dm dm dm d bD
dm dm da dm dm(ascend the wind)
ooh
65


                  
               
73 ooh ooh ooh dm dm dm dm

            
          
Straight

  
E dm

   
dm dm dm dm dm dm dm dm dm dm dm dm dm
77
 


  
     
.
g l is s

     
dm dm dm dm dm dm dm mm ah Work it, Do it, More than,


83

 er, doom doom doom

     
         
    
86 O ur nev er ov doom doom doom

  
                             
  
         
89 doom doom doom doom doom nev er ov er ep eh ep eh

              
ep eh ep eh ep eh ep eh ep eh ep eh
92


  
       
       
94 doom doom doom doom doom doom doom doom doomF doom doom doom

 
               
      
  
doom doom doom doom doom doom doom nev er ov er *wuh Te le vi


97


      

     
    

  
the na G tion, Oh

  
sion wuh wuh, Rules Te le vi


101
 yeah,

sion, wuh wuh Rules the na tion ooh ooh ooh ooh ooh

2 Transcribed by Dan Satter

     
                              
Daft Punk Medley

 
110


ooh ooh ooh dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm

     
                              
H

 
116


 
dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm doo dm dm

              


    
     
121 cresc.


dm dm dm dm dm doo dm dm dm dm dm dm

       
 
     
      
  
         
I


125


 
dm dm dm dm dm dm dm dm dm dm dm dm dm doo dm dm dm dm

  

       
 
    

 

 




  
  
129

dm dm dm dm dm dm dm dm dm dm  dm dm dm doo dm dm dm

                
                  
132

dm dm dm dm dm dm dm dm dm dm dm dm dm dm dm doom  
ov er.

Transcribed by Dan Satter 3