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PYKO- MMcH Osi. cosmAHEI Yepes TOR MOCTe OCBAIIEHH Hosoi MonacTsIpeKoit GasnamKH, coopyxenHoit a6- Gaom Jlesnaepuem no o6pasuy panHux xpucruaHe- Kix Gasuaux Puma, Io saxasy a66ara Monactstp- cxaa GasusuKa, Kax cooGujaer B cBoeit XpouuKe crronpwoxnue Jlesnaepus, snoctencTHH enucKom Ocruiickuit, Jlen, 6s11a ykpamena pusanruiicxua XYAOKHMKAMH 1 HOCIMAIMEL KOHCTARTHHOTIOEC- xux Mactepexux.” Tlocrpoiixa nonoii Gasmamin mpursamenne 8 a6Garcrso wexay 1068 #1071 rr. BHaanTiiicKHx macTepos crasiH cocTaBHOit 4aCTHIO HoBOrO Mpontecca B2KHaHH HirasHH 10 BOSpOxTeHHTO 6sux014 exaBs pumcKoit Lepknn. Jrormponece Mom- HO 3AXBATHT HCKYCCTRO, KOTOPOe MINeT MYTH BOS- panlienvisk nasteoxpucTHAHCKHM XyO2KeCTBEHHEIM nennoctsm. Atri HaMpoBaHHbte (pOPMBI 1.18 OBTO- peHHs B CBOHX TpousBeneHHAX PoMaHcKIe macrepa Operant kak B paHHexpuCTHAHCKHX NAMsTHHKAX Puma, Tak WB BUSAHTHIICKHX H OTTOHCKHX TpOHs- BeneHuax. Pyxonuen N99 1 98 Monactsipexoro coGpanus conepskaT TOMMIMM Ha OCHOBHBIe XPHCTHAHCKHE MpaamHMnu 1 10 conepakaHio AOMOMHAOT APYT APY- ra, OHH HMeWwrT OAMHAKOBEIi KPyTHEIt PasMep (350x250 mm), 06e npowsinocrpHponanst croxcer- HIME KOMIOSHIHAME B BIAJI€ PUCYHKOB B JIHCT H OD- HaMeHTHpoBAHEBIME MAMIMAIAMH. PyKomMcs NE 99 HIMeeT BBIXOMHYTO MITHHATIOpy ¢ HSO6paxeHHeM cHle- HEI MOgHOMIeHHs KoreKca cs. Beneamecry (1. 3), pace nomoxenmstit Ha oGopore TeKcT cooGm\aeT o Aare MCHOHeHHA MAHYCKPHNTA HO BKaze ero B Gas amy Cp. Benequira.” B nenom pykonncn conep- sear 8 NOCTpAHMHEIX MITHHATIOp, 6 13 HX BKTIO- ‘uaior 8 eBaHrenSCKUX CIleH, COOTBETCTBYIOUTEX 10 ‘Teme fomunn, Kotopoit onn npenmectayror. B py- Konwen N: 99 — oro cqpoenHaa mumHaTiopa «Bza- ronemennes u «Con Hocndpar (11. 5),«Toxronenne pomxnon» (1. 317), «Bosnecenmer (1. 409); 2 pyxo- nucu N: 98 — «Cperenues (a. 6), «Yenenne Boroma- ‘repit» (a. 186), capoeHHas munMariopa «SintenHe anreza Saxapuu» u «Poxjectso Hoanna Kpecru- tean» (x. 456). Tp crpanunst pyxonucu Ne 99 (a. 23, 233, 303) nepen navanom Tomuanit xa Pox aectRo Xpuctono, Bockpecenue u Ilatujecatauny OcTARIeHE HEsATOTHEHHKIMH H, BHHMO, TAKIKE MpeqHasHavaTHcs NOX MHHUATIOPHI; Ha ee MpeTO- 109Tlogsomenme xorexca ca, Beuesuncry. Toxaumapitt, Miniaopa 1072 r. Apxum a6Sarersa Mosrexaceaio, Ne 99. J1. 3 caequem amcre (1. 501) HaxoquTes 1.10x0 coxpaHHE- nite pacyHOoK apxurextypHBIx bop, TAKKE, BOd- MODKHO, CBAZAHEBI ¢ TemaTuKoik PoumTH, « Hemy br o6parimes nipxe. Ha 1. 502 uMeeTcH PHCYHOK ¢ go6paxenuem Dopryxtt, KoTopoe HecrexonaTemit oruocar x XIV B. 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BerennK- ‘Ty aGGaTom Jleaunepuem, moHaxom HoaHnom x rc- nom Jleonom. AGGar Jleanmepit mpexcran.ten ¢ KBagpaTHBIm HUMOGOM. Y Hor CRATOTO Ha0GpaxKeH nucer, Jleox. Uxonorpadus crenst Tognonrenns, ‘Tanda 221 eKpunTopua MonreKaccuHo.® Onaa- Ko ngo6paxenne GasiaMKH B crHene Tocnaments pyxomnen N: 99 noxasstBaet ee oGmty10 KoHeTpyK- THO H pa Aeraselt, oTAMHHBIX OT Gonee panHHx Munmuaniop. Mecrexonaresm pyKoruct eBaasisaror To na06paxkentte ¢ KOHKpeTHEIMH (pOpMAMI BOSBE- xennoro Jlesuaepuem coGopa.”” Crozet ero necbos 1a MMHHATIOpe TOMep>KMBAIOT KOTOHHEI ¢ KOPUEG CKUMH KamTeALAMM, CTBOABI KOTOPBIX yKpanIEHEt 110) KannemopaMn 11H pesEGoit. PucyHOK, BOsMOrHO, ROCTATOUHO TOMHO HepesaeT BIN ANTHMEBIX KOIOHH Gasuaxn,® Koropsre, cornacno Xponuxe JIsza Ocruiickoro, Bo BpeMsi eTporTembcTBA BOGHTemTH a6- Gar passicxast » Puoae u nepeses 8 Montexaccuno.” Taxi o6pasom, 8 peaxbHOcTH H Ha MHEHATIOpe KOJOHHDI OTPAKATH AHTHKHSHPOBAHHEIe BEYCHI a6Gara JJeaunepus, ero HamepeHue noBTopHTE & -Monacriapexofi Gasimmnke nepsble xpHcTHAHCKHe xDa- est Puna. Cruas siixogHoi muxuariops cooTHocuM ¢ Mponanenennamn GenesentcKolt mKosEL MaEH- aniopucros XI 8., HO BEIBepeHHEIe MpomopnnH 1 mpocrparicrsenttaa paccranoska (buryp BbIXOAHOIt MHEMATIOpSI, aTACTHIHBIe CKAATKH APAMHpOBK Tonopsr 06 ypoKax, YCBOeHHBIX 3a BDEMSI KOHTAK- TOR ¢ BHSAHTHItCKHMM MacTepaMH WIM Hepes na- MaTHUKH BHgaHTHiicKOrO HeKyccTBa.”” Tlepopast ‘TexHika MHAMATIOpHT, Kax H CHVIOMHAR saTHBKA MepHHTAMH OTREIBHBIX Aerated, THMHIHA sts Me~ cTHOit IKONS! MUHMATIOPHCTOR, HO pasHas TOX- ima aHHMit, ANH Ha KOTOpHX HarHcamer ¢ Ha- oRHMOM, @ APYTHe — TOHKHe, BHOPHPYIOMHE HTH Mpepsinnicrsie ~ KONUNKOM mepa, HeOOHIUHA [tH cxpuntoput Montexaccnno. He serpeaetcs 5 ADYTHX PyKoNMcsx, HCnOTHEHEBIX B AGGaTCTBE, H Jerkax TOHMpOBKa AeTaxelt pucyuKa, Kax B MH muariopax pyxonuceli N: 98 1 99. Tocennaa 70- BoubHO rpy6o yeHeHa KBeTOM B HOSAHEe BpeMst (uexoropsie yensie cuNTaIOT, WTO TepBoNavatb~ Ho MHKHATIOpsI He UMeuH 9TUX NBeTHEIX AOOT- nenuii’'), [lus ermis Gexenentexoit mKozBt B ero -AMCTOM BHLe Obi XApAKTepeH AOBOABHO *ecTKUIt KOHTYPHBIit PHCYHOK ¢ TEMHBIMA SATHBKAMAt OT enbHBIX geTanel, MHOAA HosHOCTSIO pacKpa- menustit, XyAooKHUK BLIXOAO! MHEMATIOpHI BHO Gsis1 aHAKOM ¢ MpoManereHHAMH rpabuKn MEOH, He MeerHoit ky mhTypoI. Canin conepmienHbiM 13 puicyHKOB Ha eRaHtneth cxHe TeMBI #BJLAeTCA MUHMATIOPA CO CABOCHHBIME cueHann, «Baaronemenses u «Cou Hocmipar 8 py- xommci N: 99. Tlepo cnoGomHo c nepemenoit Tom- yan aunMH OGpucoBEIBaeT OGBEMEI huryp, Hepe- AaBAd YeTKYIO KOHCTPYKTINO CKAAOK, OTMCIA Sarexentis rio xpaio (bopmest. Hexoropsie era.te pu- cyHka cenueii orrenenbt 1peTOM: HOnyIAKa Ha TpO- ue Borowarepu ~ roxy6sim, store Mocmda ~ po- aonnmm (06a ToHA yenTeHB pH MOAKOBTeHHH). Tlswxexns cbaryp cB0GoxHe1, mporroprum conepmieH Hb, KH OTMeveHEI KpacoToll aHTHuHOTO THM. Uso6paxxeute uxon no cpastenmo.c onexkamit 60 nee jeraauanpopano. BaswtaKastsHas bopma xpa~ Ma c saHanecom y BXOa AaeT MpoctpancTBeHHO ‘Baarovenjene. sIatenme anresa wo ee Hi Tonuauapuit. Munuaropa. 1072 r. Apxats aGGarerua Mourexaccino, Ni 99. JL. 5 ‘erkuit propoit max » Kommosunum «Baaronenye- Hie», Koco TocTansteHHOe 02Ke Hoeuda oGosHaua- ermpocrpancraenttit apex nmxneli centr. Bee ucculenonatenn 9Toit MHBMATIOpE CXOAAT- cs BO MHeHHM, 1TO Ona ToBTOpseT BHSANTHIicKOe MpousnexeHMe, KoTOpoe onpestesIseTes M0-pasHo- my"? HanGoaee yOeqntesbHbimn npencraBsmior- ca muons O. Jemyca n E. Kurumnrepa. Meppstit cpannupaer anresa «Baarosenenia» na maHWaTIO~ pe c Mosamxoii nepzoii nomosunet XI B. 8 coGope Baronena, ormeuas oGujee Maepe Hs00paxeHHA uryp.” Bropoit suaur anaxorv dburype aurena Ha MHHMaTiope B NepByt Oveper® BCTPYKTYpHOCTIE MOqeTHPOBKH CK.aNOK MepBOHAYATEHO! MOIAHKH. 111Co6op » Casepno. Oxon0 1085 r. ‘par Aurea,Tloxsouenue posxvos. Tosutamapuit. Muuianopa. 1072 r. Apsus a6Garcrua Mourexaccuno, N99. JI. 317 coGopa Casepxo oKos10 1185 r." Yerpourestemt co- Gopa usaKas4nkom MosamuHoro YOpaHcrsa Obi Ca- sepucKnit enncKon Asscbaxo, Onipmimtit KaccnncK nit Monax cHoqpuaKHink JesuAepus, Hos, npocs1a- BuBLIMit B cBoux eruxoTBopHBIX KapMuHax HOBy!O GasuamKy Monrexacenno ee yOpanerso. Kak c4n- raer E, Kuraumrep, mactepa Cazepo moran Garr ‘urenann apremm, ykpamanmteii coGop Monrexaccn- HO, HoT Hx yueHMKaM. TaKHM OOpAsOM, PUCYHOK B knure TomHanit oxasnisaetes 10 ocobenHOcTsIM MKoHorpadhin x erHsis HenocpexcrBenHo cOmmKeH- HbIM C MORYMeNTATBHBIMI MAMATHHKANH, BUSAN THiicKUMM 1 BHGAHTHEMaMpyrouAME. Toxo6HEre cpannenna morro mporomKnTe. Lyre BEITARyTEIe Qurypst ¢ TOHKHMH sanscTBAMH, Wx onacTIHAR dopma, Kak 1 cBoGOAHOe ABUDKeHHe, KoTOpOe NOA- MePKMBAWOT JerKo OTTeTAIOMIHe CKTATKH, KAK Ha pucyHKe ns MonteKaccuHo, xapakTepHBI UIA MOSa- ink Jadu sropoit nonosment — Konna XI B., xors ocalegmite oTanrHaioT yeroNKHeHIDIe ApATUpOBK, KoTOpLIX He SHaeT MacTep KaccHHCKHX PHCYHKOB. Conocrapnnest 5 namaTHkax qeraam (bora, apxit- ‘TeKTYpaH MeGezr, B (bopMaX KOTOPERX Yena1orcH ax miraimte ucTounHiH. Ms00paskentsie NocTpoiKH 8 MMHMaTIOpaX MpOCTEIX, HO OGBeMEBIX (OPM, Hare Beero aT0, Kak 4B «Buaronemennny, OasHaHKa c Apamposkoii Bxona, cxoxast, HaTpHMep, ¢1OMOM Aust 5 mosauke [adam («Mosenue npanennoit Anni 8 cagy»).” Jloxe Hocuba 8 muxuatiope, cKOHCTpyHpoRaHHoe Hs To¥eHBIX OastaciE # yora- HOBEHHOe Ha PesHEIX HOAKKAX, OINSKO TO eTa- am nomy Anmpt p mosanxe Jada «Poxxaectso Boromarepne.%* Mecritoe nponcxonnenne puconansinusKa «Baa- rosemenna» u «CHa Homa» tem He mene He BBIShIBAeT COMHEHHI. OG oTOM cBHAeTeTBCTBYET, Bo-TepBDIX, BOfiHAR apKa, OKaliMaMOMIAR cHeRY Baaronemertis, ekopuponanitas poMaHckHM opHa- MENTOM Ho OILIeTEHHEIX PeMHAMH BBePHHLIX TEA. Tlo muenmo [ix. Opodana, ora cxorKHo AeKopH- ponarnas qpoiitas apka Karlomunaer yKpameHsbtit uannua «Ms B excre pyxonucu N: 99% 1, ra KEM O6PasOM, MOxKeT ABIATECA TOMEITKOI OOD exMHHT naobpaanrensaEtit TMK PyKonMeH ¢ ee opHaMeHTHKoit. Cam npummum o6pamrenis Ha06paxenHoil exe- Ebi apxutercrypHOit apKoii, Jor1omHeNHOIt ZeKopoM, Mor OxIT 3AMMCTBOBAH MacTepaMM KaccHHCKOTO expunrtopus 13 orroHOBCKOii HsHOMMBANH,* ¢ KO- ropoli cOmmmaer MUHHATIOpy H ABOitHAH KopUEG)- ckag Kannrems TomepymBAIONyAX aPKy KOIOHH. B noxpay mpunagsexnocrm mactepa mecrioit IKOsIe TOBOPUT H TeXHMKA paGOTsI MePOM, XOTH ee McTIOmBsoBAHHe HMeeT HexapaKreprBtit 7x5 Gexe- BeHTCKOM MIKOABI XyRO-KecTBeHHBI abhexr. B «Baaronemenum» w «Ce Mocudpa» » ropasno Comsmreii crenens, vem B BBIXOAHOH muHaTIOpe pyKonucH, paGora nepom npHoGperaer He cBoit- eTBEHHY10 MecTHOIt IKOe TOHKYI0 H MHOTOACHeRT- Ho BBIpAsHTeTBHOCTH, AHHMM CTaHOBATES astAc- THIRGIMH H CoMpoBoxRAIOTEA AerKoit TyMIEBKO!, ro nepenaer mactHMHOCTS Hs06paxKenntit. Tlo- nOGHBIe ober! XapaKTepHEL Aus BUBAHTHIICKO- TO PHCYHKA KMCTBIO, Kak As HORTOTOBHTETbHO- TO, TAK H /UIH PHCYHKA B UMCTOM BH, T. e. Ges Aabueitmero ero TepeKpsiTHst 2kHBOMHCHIO. Pasnepayrstit rpadruecksrit nxn, neromentsit ‘renoit 0 Tony oxpoik ¢ pacrymenkoii meer mpure- Hen, ¢ OeMHIBHEIMH OTMeTHHAMH 110 BEICOTe bop- Mbt Ht TOHMpOBKOI TBETOM OTAEATbHBIX AeTALTE!, CO- crapaaet HxMocTpaNHH BHBANTHiICKOrO CBUTKA 114Tloxsouenue noaxvon. Moaamxa coGopa » monacrispe Hadi. Bropaa nozosuna-Kowen XI 8.Boanecenme. Tosxuapsii. Mustnariopa. 1072 r. Apsus a6Gareraa Mourexaceuno, Ni 99. JI. 409 Mneyca Hanna nepnoit nononmmntX p. » Baraxan- cxoii Gu6amorexe (Vat. gr. 431). Cymma ncex Ha- SBaHHEIX IpHeMOB JaeT BemTHECOTeMTHYTO paspaGoTKy oGsemos. HimeHHO ¢ oTHN 1aMATHUKOM, HecMOTpa xa Gone cxpontmbrik Xaparcrep TexHIeCKOrO HCTIOST- HeHLa, cpanHusaior MHOrue HeeeOHaTesmH «Bua- ronemenner m «Con Mocuiba,» a raise BEIXOAHYIO Munmaniopy pyxomncn N: 99." KeeTBeHHOCTH; 2KECTEI ATOCTOTOB C SaKMHYTEIMH Ha TOAOBEL HIM TIPHACATEIMH Ke JIHTAM pykawnt Apamarannr. Bee sBuiser oxempeccupuntiit BapHaHT cHeHbI, XapakrepHBtit 1 KOHCTANTHHO- OmBeKOTO HeKYceTHA Ha Mepexoyle K KOMHHHOBCKO- My ctumO, 7. e. cospementoro mirHitaTiopam Kacen- xo. Kontosmuis nanomomaer mummmaniopy pykomen, Waxova Koxknnosadcxoro sropoii terseprn XII n. (Paris, BN, gr. 1208), 7. e. spemexm pacttpera KoM- amumoneKoro crauia. XapaxrepHo, 470 «Bosecene> ‘BuaLmoerpann Poms monaxa Maxona nomemte- HOBHYTpH HGOGparkeHHOTO MATHKYNOMsHOTO xpAMA, 1. €,, BUOMIHE BePOHTHO, MEET CBOM MCTO“EHKOM MO HyMenTasmsHoe nexyceTR0. Juxm anocto10s 8 pucyxxe Montexacenno HMeIOT TOHKYIO HeuxXoTOrMMecKy!O BEIpAaHTeTB- HocT, To HaxomHT cooTBeTeTEHe B MosAMKAX JLady- uu (RHO CUMTaTS pesystbTATOM CHH- ‘Teaa apXHTeKTYPHBIX MOTHBOB, MMCIOMIHXCH B OT- ‘TOHOBCKOM H BHGAHTHIicKOM HCKYCCTBE. MonymenrarbHas WemHocts cies cxpoeHHoii MUHATIOPHI aCTaRsAeT MpeATIOsAraTs NpoTOTH- TIBI MHHMaTIOpsI CpeqH MAMATHHKOB HacTeHHOit axunommcn. PaanepHytas ciietia speHust area Baxapun, rae mpucyterayer m Hapon, cormacHo enaHresscKomy TeKcTy, IpumequMit Ha Goro- cayReHMe 1 OXMAABLIMI MepHOCBAMeHHUKA y creH xpaMa Bo ppemsi ero Bxona B CaaTaa CBATBIX (ik. 1:8-12), peaxa » Buaauran, Hxonorpadu- MecKast aaOrust, KOTOpy!O MBI MOZKeM Mpest0~ 2xuTs, ~parmenrsr peck Co>uu HosropoxcKoit 1108 r., rae mpocmatpunaeres na06paxkenHe aH- rena m ronopni nyjees. Kparkuii papmanr crenst, 6ea uso6paxkenss uyqeen, HMeeTCH B KeliMe HC- noanenubix 8 Konetantunonoste oxox0 1076 r. GpousoBs1x spar GasnamKn Monactsips Cant Ana ake Ha rope Paprao.” PaanepxyTstit napuant cient uaRecTeH B poMaHcKoii munuaTiope,” HOB Apyroii wkonorpadum (Hapon Ha06paxkex rpynmoli snojeii B podria, crosmeii 3a creHaMH CBATHTH- mac rayxumu crenamn). «Poxxnectso Hannay Ha munmariope 6:13K0 ‘aKOHW4HOMY Bapnanty «PoxqecrBa Boromare- Dil» B pusaNTHiicKol MoHYMeHTambHOi 2KMBONH- cut cepeguat XI .,- Hanpumep, dpecka Coan Kuencxoii,”* ¢ koropoii copmaqaior Kax nOsbI Tpex nes y noma Annet, Tak Tex, KT0 y KynemH. CBO Sonsas nosa sexameit Enusanerst Hanomunaer nogy Anunt Mosauke «Poxjecrao Boromatepy» 2 Jada.” B ninaviope aso wenompsopana cxe- Ma, HMeBuIas IMpOKOe XoxAeHMe B MOHYMEH- ‘TasIbHOM HeKyecTBe. «Cperennes, merrHsHoe no cBoemy cTusuerH- ‘ueckomy pemmenio cxpoeHHOl MIEHATIOE PYKOT- cu N98 x, nto nceik BuAHMOCTH, HCHOTHeHHOE TEM gke MactepoM,™” Tak:ke nopTopseT MactiTaGHBIe pocrpaxierbeiio weTkMe KOMMOSHMMH ¢ pasBUTEIM BIOPBIM IL1aHOM, XApAKTEpHBLE JL MOHYMEHTAITE- voli pnsanTuiicKoit xusonmen. Bawkaitmer ama- siorueit Mosker ObiT HagBaHa citexta Ha OpoHsOBEIX mparax Can Taosto Qyoput se mypa, ucrosHeHHBIx 2 Koucrantunonoe 8 1070 r.®* Cosnaqaior Kax, Smad KoMMOsHNMs, TAK H HeTATH, B TOM UHeTe slerkamle KPYTKIMH CRIA KAMH TKAHM Ha PYKAX MpHuuMatomfero Marazenna Cumeoua u Hecyiiero ronyéeit Hocupa. Kax a» us0Gpaxtenmax na xDY- rx 6poHORBIx BUGAHTHicKHX BpaTax XI B., Ba Matuuxe Can Haoso (pyopH xe mypa omymaerea BAe ¢ MOHYMEHTAIBHBIM HCKYCCTBOM. Mecruniii pomaxcxuit crust macrepa «Cpere- HMMs» MpomBaAeTCs B yNPOMeHUH BUsANTHiCKUX aulemeHton: NocTpoliKHT HoKasaHEt OHOH cTeKOil, He OObeMUBI, OT/e-THHBIe APANMPOBKH YILTOMIeHEL. K pomancum vepram orHocarea Tun m4Ka CuMeo wa ero ocrpas oxempeccna, unin Mocnipa # AnH. IlpuyMenbmenne pasmepa # HMesweHHOCTS mponlopunit @uryp BropocrenenaEix mepconaxeit 118Takace MoryT OBIT HagBAHBI OCOGeHHOCTHIO, CBA- aamoitc pomancKyn HeKyccrBom. PucyHox Ha temy Verena Boromatepi 8 pyKo- ncn N: 98 nanGosee yqazex 10 cso (bopsa.te~ HBIM KavecTBaM oT BHSAHTHiicKOrO OpurHnasta, KO- ‘Topomy on cstenyer. Ero ucriomHeHHe IpHIIMCHIBAIOT Pyke Tpersero Mactepa, TpyquBuleroca Ha 1306- paxkenviem enanremcKnx cen.” JKesanme xyAox- HMIKa HACHITHTTD METHHLATIOPY MECTHBINM YepTAMHC TAK 2ke BeHKO, KAK My BTOpoTO Macrepa mMKsTa. Xapak- ‘TepHO, TO BMECTO sapanuposaxHoro stoxKa Boro- Marepi, oOsTHOTO B BHBaTHicKOM HCKyCCTBE, XY- FOxHHK Ha0Gpaxaer capKodar ¢ S-oGpasHEIMHt KaHHestiopaMi Ha trepestueii ero creHKe ~ THN TpOG- HBL, PacnpocTpaneHHEtit BO Bpemena pantero xpnenancrsa p Pame 1 OxHoit Hranun.” Bee uecrenonaresm, oOpaniannmnecs % W.10cT- panuam pyxonuceit 13 Montexaccuno N: 98 1 99, eMMHORYITHO CBAGKIBAT COSRAHMe PHCyHKOB Ha enartresisckMe TeMBI ¢ HOBTOpeHHeM KOMMOSHILE ‘KoncranTuxonomscKoro ucKyccTsa. Pasmsunis CTH Ad DHCYHKOB OTHOCAT K PASHEIM TROPYECKHM BOS- MoxciocTaM Macrepon B OcBOeHMH BHSAHTHIeKUX XYAOMECTBEHHEIX HOPM, a TAKE CTOAIIEM Teper, Mn camocTomTeMBHBIM TBOPHeCKHM aaavaM. IPH 9ToM pam Hccrenonarezelt, penn nx IT. Bassaac, cunraer, 470 macrepa Mortexaccuno o6panancs pH ncniommenmu pucyHKon k MHEHATIOpAM PagsIHe- six suganTulickux pyxonuceli."' B aayanoii 2n- ‘Teparype NOCKEAHHX Jer BBICKASKIBACTEA MLICIIE O eqHOM IHK.Te KoMTOSITINT, MeaKATTUAX B OCHOBE PH cyHkos romsmapues. O TOM, KAKOMY BEY HeKyC- cra mpnagmexasr nao6pasurenbubtit HK, 10- cayscusmnnii 1x opHrHHastoM, MHTeHHA pasomLTHcD. T. Brox cnsiaan ncrioamenve pucyHKon cOopHHKos ¢ nostopexuem pocrtuceii cobopa MowrexaccHo, Ko- ‘TOPOMY H MpenHASHAMATMCS OTH CHIy>KeOHBIE KHH- ru. Ile. Opodbuno cunraer npeamonrHrestbstbIMt DHAeT HCTOUHMKH PHCYHKOB B MEKUIe KOH TEMI- 01a, nppesennbix uo Koucrantunonons, 4 octo- POXHO JOMYcKaer, YUHTHIBAR HX TeEXHHKY Heros HeHHs, yuacTHe aqecb OGpasiios UKOHRUKA.” Tlonamemy nnenmto, pucynin na epanrexbcre ‘reubt 8 pykomucax N: 98 1 99 BocxonaT K enMHOMY w0GpaanTerbHOMy HMKAY, KoTOpEIi mpHHaAe- 2KHT KOHCTAHTHHOMOECKOMY MOHYMeHTATBHOMY nexyccrsy cepenmsi—Bropoit notoButst XTB., 1, Ce AOBATENBHO, ITOT TINK Mor GEITb CBABAH ¢ POCTTHCA- Mu MonacréipeKoit GasHmHKH. OnHAKO AAHHAs THT10- ‘reaa Tpe6yer jabuielimero yrounenmst 1 paspaborKHt. Bee ake apyrue mpeslooKeHHBIe BapHaHTE pH GH 2xalimmem pacemoTpeHai To pasHBIM MpHUHHAM BOI ‘gaIBawor pay posparKertsit. Venomsonanne nmkaa susantuiicnnx mmana- ‘Tiop B KaNecTHe OpHTHHa.tOB KaCCHHCKHX PHCYHKOB COMHUTeNBHO, TAK KAK HKOHOTpADHs CTH PH- cYBKOB cooTseTersyIor BHoaNTiHitcKoit aKsBOTMCI cepesuHbt — Bropoit nozoBnust XIB., Korga nocTpa- TITIHBIE MINMATIOPH! YK He OMIM THMMMEEL A susanrulicKolt KHIDKHOM WAMOMMHANME axe B pykonmeax Enaxresma anpaxoc. Monymenrass- abit CTH KACCHHCKHX PHCYHKOB He HAXOAHT CO- ompercranil B KANTMTpAHUeCkHX H HOMENBEHHEIX HO cBOMM (opMaM BUBAHTHIICKHX MHHMaTIOpAX aroro Bpemeni. Onpesetenmo opHrmnasa pacyn- KoB Kax MUHHATIOp PyKonHCelt Memaer 1 rpadbu- MecKas TEXHHKA HX HCTOTHOHHS, XOTAH BUBAHTH- cxast no cnoemy xapaxrepy. B XI 8. » Buganran ne wanecTHBt matocTpanmH Terpoesanrents H.1H Enanrenus ampaxoc, Kak 1 AYTHX cayxceOHEIX KHMT, cyrenaHtsse B OAOOHO!K TexHUKe: OHK HCTOT- HAI JIM MHOTOCION HOH >HBOTIHCHIO. Caeayer yaursinare TaKxe, 4TO MoHACTHIp- cxaa Xpounka um4ero He cooGuaer o npusose Hs Koxcranranorions no aaxaay a66ara Tesnsepat rpeveckix KHnr: 6 1066 r. Goi sakasanet 8 Kon- cranTuromoste 1 npHnesenbt 8 Montexaccuto 6pon- aonnie qnepH Avis GasHsmKH, 8 1068-1071 rr. GEL CIOAHeHEI H AOCTABTEHEI B MOHACTHIPS OPOHSOBEIC H CepeOpaHible JUTHIe HAeTHA, B TOM MHCAe Mper- aurapHas mperpaqa ¢ HKoHaMM, « yKpameHHEstit Maziamit sox0TOit axreneHAMyM. ‘Yro KacaeTed HKOH Kak BOSMOXKHDIX OOpasioR KACCHHCKHX XYOOKHHKOB, TO MBI He aHaeM MPHMEPOB va08parkeHns Ha TeMTLIOHAX, Me OOBIHHO TOMeIIa- sme pByHanecaTste mpasEMKH, «IlOKTOHEHHA BOX BOB» WIM cHeH MpenTeveHcKoro mura. K-TOMY 3K CTH KaccHBCKHX PHICYHKOB YKasbtBaeT Ha MOHYMeH- ‘TambHoe HCKYCCTHO KaK CBO! HeTOUHUK. Magen T. Broxa o cas munuatiop ¢ mosauKa- Mu H peckamM MoHacTEIpeKOTO coGopa BEITAANT yGequTexbHoit no norm npwsmnam. Bo-mepsErx, yeranossiena 3aniicHMoct pucyHKoB OT MOHYMeH- ‘rambHoro KOHCTaHTUHONOMKeKOrO HeKycer#a. 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Hacxasbubie CBHTKH H MpaKTuKa HX HCMOMESORAHUA MaBeCTHEI TOABKO B IOsKHO! Virazvit, 3axonomepHo, 70 alec BOSHK.1a OcoGas HeOOXOAUMOCTS YNOROGHTS HOC TPAILMH CAYCE Holi KHUTH usoOpaxennsM Ha creHax OaaHIHK. ‘Tarn o6pasom, rpadbuveckue wunocrpanim py- xonuceii Monexaccuno N: 98 1 99, Kak i BBI- Xoguaa Minvariopa OKcyspTera H3 a6Garersa B BpurancKom Mysee, cKonmponans, m0 Hamemy MHeHMO, ¢ BHOAHTHMCKO# KEMTH O6pastoR MOHY- MeHTANHCTA, H MEI HMeeM BOSMOXHOCTS Wepes HUX mpeqcrasurs xapakrep us06paxkennit mesesHya- IHX BHBaNTHicKMX HUF Momeneit XI B. * Hutter I. The Magdalen College «Musterbuch»: A Pais ter's Guide from Cyprus at Oxford // Medieval Cyprus: Sti dies in Art, Architecture, and History in Memory of Doula Mouriki / Id. by N. Patterson-Sevéenko, Ch. Moss. Prin- ceton, 1999. P. 117-148 (nanee ~ Hutter, 1999); 0 tex >xe pueykax, Ho B uo umrepnperanun em.: Velmans T. Le dessin a Byzance // Mon. Piot. 1974. N 59. P. 137-170. Tlox- yto ny6nkamne pueysxon ex.: Hutter [. Corpus der byzan- tinischen Miniaturenhandschriften. Vol. 5. Oxford College Libraries. Stuttgart,1997. N 28, 71-83. Fig. 237-357. "Hutter, 1999. P. 121-127. “Ibid. P. 118. “Ibid. P. 129, Tid. P. 128. “bid. * Buchtal H. The «Musterbuch» of Wolfenbittel and its Position in the Art of the Thirteenth Century. Wien, 1979 (Byzantina Vindobonensia, 12). " Degenhart B. Autonome Zeichnungen bei mittelaterlichen Kiinstlern // Minchner Jarhbuch der bildenden Kunst. Dritte Folge B. I. Miinchen, 1950. S. 110 (1asiee~ Degenhart, 1950). "Ibid. P. 56-59. Demus O. The Mosaics of Norman Sicily. London, 1949. P. 445-446. 06 atom conposoaxraiomnx ero aucrax ‘c mepemexenneM cioxeTon xutrH oGpaauion » Myaee satise- pa Anrycritua Bo Dpaii6ypre raxoke em.: Scheller R. W. A Sur- vey of Medieval Model Books. Haarlem, 1963. Cat. N 1. 85; Eaceeaa JI. M. Adouexan xara opasiton XV n. M., 1998. C. 112-114 (gaxtee ~ Eaceesa, 1998). " Baceeaa, 1998.C. 114-115. Tam one. C. 115-116. Baruxancxue rpabuveciite aucrst (GuiaH ompenenewu Kax tacrHHHO coxpasiEuaRcn Kira 06 pasuox JL. Poccom (Ross D.¥J.A. A Late Twelfth-Century Artist’s Pattern-Sheet // Journal of the Warburg and Courtauld Institutes. 1962. 25. P. 119-128) n 0. Jewyeou (Demus O. Byzantine Art and West. London, 1970. P. 82. Fig. 82). " Beceeaa, 1998. C. 42 “Der Nersessian S. Le carnet de modéles d’un minia: turiste arménien // Btudes byzantines et arméniennes. Lou- vain, 1973. P, 665-672. “Onucauue aueron ¢ pucyxxamu » pyxomuex Garret, 7 pusexewo no ax.: Der Nersessian S. The Glory of Byzan- 126tium: Art and Culture of the Middle Byzantine Bra A. D. 843-1261 / Bd by H. C, Evans, W.0. Wixon. New York, 1997. N 50. P. 96. " Degenhart, 1950.8. 104. Abb. 30, * Beceeea, 1998, G. 109-112, O mirmnariopax pyxonien ranace ow? Mold W. Lee miniatures de I'Evangéliare de Lawrystey // L’Art bysantin cher lee Slaves, L’Ancienne Rinsie, les Slaves eatholiques. Deuxitme reciell d&aié la Inémoire de Théodore Uspensiy. Paris, 1932, P. 421-437; Smorag Ruzycka M. Miniatury «Evangeliarza Lawrys- zewskiego». Zagadnienie stylu // Folia Historiae Artium. Krakow, 1092. 7, 28, 8. 13-29. ° Beceoa oT, M,TipoGnewa oOpaon 8 msairicxon geen x maura pownenod pywonien Hortus delicia- rum 1176-1196 rr. // JJPH: Mcxyccrso Pycu ™ crpan Busax- Pro sepa XM pra, C11,, 2002, C. 94-112. "Orofino G. Homiliarium (Cod, Casin. 99) // L°Bta daabbate Desiderio. I, Manoscrittcassnes del secolo XI. Catalogo della mostra a cura 8. Adacher~ G. Orofino Montcensino, 1999, P. 37-94. Fig. 22, 26-91, 34-49 (an. ate ~ Orofino, 1989); Adacher 8. Homiliarium (Cod. Casin 98) // Tid. P. 110-141, Pig. 1-15 (tance Adacher, 1989); The Glory of Byzantium, Art and Culture of the Middle Byzantine Bra A.D, 843-1261 / Ed. by H.C Evans, D. Wixon. New York, 1997, N 309, P. 470-472, Vaaauna » eye 32007 tomy Sxdauorpadieo. Adacher, 1980, P. 140-141. *Chronica Monasterii Casinensis / a. H. Hoffman // Monumenta Germaniae Historia, Seriptores 34. Hannover, 1980, I, 27. P. 396 (nance Chronic, 1980) *orfino, 1989, P38. Hpi, peynior Bervope Kapaaswo: «Tloeoueue ‘oaxBos» H «Cpetennes B expan (L’Opera completa di Car- acco, Milan, 1968. P. 101, 108). *Raldas P. Disegn della sevolaeassinese del tempo di Desidero//Boletinod' Arte. 1952, N37. P. 112-118 Gace ~ Baldas, 1952); Orofino, 1989. P. 139. SOrfino, 1968, P. 48-52. * Newton F.Introdurione alla Guida all mostra det mano- sertti del eta di Destderio. Montecassin, 1987. P 9 "Orofino, 1989. P. 44. sth. Cronica, 1980. I, 26. P. 394. *Baldas, 1952. *Orofine, 1989. thi P- 60-62. = Dens ©. The Byzantine at and the West. Landon, 1970. par. * kitzinger E. The First mosaic decoration of Salerno Cathedral // Kitzinger E. The Art of Byzantium and the Medieval West: Selected Studies. Bloomington: London, 1916, P. 271-286, * tasopen BH, Veropnn mnsanmaicno® snonnen. My 1986, Tan 281 (mance JTasape, 1986). tam we. Taba 277. Orofino, 1989. P. 85. 2 Hpeotep, cura eXprovos m aocroms, Veunpesnte yp 2 Keanreman Orvons xonna X a. coxpontmyrnna co- tape Aaxene. Cx: Backes Me, Dolling R. L’Arte in Europa GTX secole. Milano, 1970. Il. p. 158 ance ~ Backes, Dating, 1970). *Orfine, 1989. P. 79. ‘© Hiapomvemse rentom XII 3. 9 womscrupe Co, Eua- sepa a Cunae, cw: Jasapee, 1986. Tax. 333-338, ‘"Ghronica, 1980, I, 82, P. 403-404. © Millet G. Recherches sur liconographie de I'Bvangile aux XIV, XV" et XVI sidcles d'aprés les monuments de ‘Mistra, de la Macédoine et du Mont-Athos: 2-¢ éd. Pais, 1960. P. 145. Fig. 94. “ Kitzinger E. Byzantine art un the Making. Cambridge (Mass.), 1977. P. 75. “ Lazarides P. The Monastery of Dafni. Athens, w. y. Pl. 18 (nance ~ Lazarides, w.y.). “Grabar A. La peinture byzantine. Genéve, 1953. P. 181. “ Lazarides, w. y. Pl. 15, 29. Orofino, 1989. P. 84. “Ibid. P. 87. © Adacher, 1989. P. 131. % Tapoo6pasunie agua » pykax ABAKOHOS HsOOPEXKeH bo (ppecxe «TTepenecenue mouelt cx. KouuenTa Pune Kouta XT~ navaza XII s. 8 moxselt nepesn Cs. Kamenra 8 Prove. Cw.: Roma, San Clemente. A cura di C. F. Guglielmi // Tesori dartecristiana. Bologna, 1966. Vol. 1. P. 317. Fig. 3. “Backes, Délling, 1970. Il. p. 160. © Lazarides, w. y. Pl. 12. Grabar A. La porte de bronze byzantine du Mont-Gargan. et le Cycle de l'Ange // Grabar A. L’Art du Moyen Age en Oceident: Influences byzantines et orientales. London, (1975) 1980. P. 355-368. Adacher, 1989. P. 131. © Copus Kuencxast / Asn. erarou u cocr. PH. Jlorsun. Kuen, 1971. Hx. 156. *JTasapeo, 1986. ra6n. 277. TAdacher, 1989. P. 128. 8 Baldas, 1952. P. 104. fig. 2 Adacher, 1989. P. 135. id. Baldas, 1952. “ Bloch H. Monte Cassino in the Middle Ages. Roma, 1986. Vol. 1. P. 69 (xanee~ Bloch, 1986). © Orofino, 1989. P. 78. Ibid. P. 60. ©©Chronica, 1980. I1l, 26. P. 397. Cu. raxxe: Acocella N. La decorazione pittorica di Montecassino dalle didascalie di Alfano I (see. X1). Salerno, 1966. P. 53, 61. bid. P. 68. "Ibid. P. 59. Ibid. P. 53. “Ibid. P. 47. ™ Aspanoeus JI. H. Kueno-Tlewopestt narepine. ¥ Ku 1831, Tlase'ariat Monit 7a rutemeneraa aanusol Viepalis. T. 4 (pemp. aq. Kueso-Tlevepexuit nazepuxc. Kuen, 1991). C. 11. * De’ Maffei F. Sant’ Angelo in Formis. TI: La dicotomia tra le scene dell’Antico Testamento ¢ l'originario ceppo bizantino (seconda parte) // Commentari. 1977. N 28. P..226. "Thi. P. 208-210. " Bloch, 1986. Vol. 1. P. 69; Adnacher, 1989. P. 134. ‘Weitzman K. Studies in Classical and Byzantine manu- script illumination. Chicago; London, 1971. **Vergnolle E. Un carnet de modéles de I'an mil originaire de Saint-Benoit-sur-Loire (Paris. B. N. lat. 8818 + Rome, Vat. Reg. lat. 596) // Arte Medievale. 1985. 2. P. 23-52 (aasee — Vergnolte, 1985). %Orofino, 1989. P. 40. "Vergnolle, 1985. P. 40-42. Fig. 10. “Ibid. Fig. 28. ™ Belting H. Byzantine Art Among Greeks and Latins in Southern Italy // DOP. 1974. 28. P. 17-18. Pl. 22, 28 (naziee ~ Belting, 1974), 127“Ibid. P. 19. Pl. 26, 27. “'Avery M. The Exulted Rolls of South Italy. Princeton, 1936, P. 19. Pl. XLII ® Baldas, 1952. P. 111. ® Mayo P. Art-Historical Introduction to the Codex Be- nedictus // Codex Benedictus. An Bleventh-Century Lectio- nary from Monte Cassino / Ed. by P. Meyvaert. New York; Ziirich, 1982. P. 55, not. 87, “ Toubert B. Le Bréviaire d’Oderisius (Paris, Bibl, Maza. rrine, Ms. 364) et les influences byzantines au Mont-Cassin // ‘Mélanges de I’Ecole Francaise de Rome. Moyen Age, Temps ‘Modernes. 1971. N 83. P. 242, not. 7. * Baldas, 1952. P. 105-109, © Belting, 1974. "Ibid. P. 15-16. Pl. 3, 20. "Ibid. P. 15, Ibid. P. 16. "Ibid. P. 16-17. Pl. 19. " Degenhart, 1950. 8. 104. Abb. 31. "Ibid. L. M. Evséeva PROBLEME DES MODELES DANS L’ART BYZANTIN ET DANS. LE MANUSCRIPT DE MONTECASSIN VERS 1072 Un corps de modéles des decorateurs cypriotes de XIle siécle était découvert par Ingmar Hutter dans la bibliothéque Magdalen College A Oxford (gr. 3), ce qui confirme les hypotheses de l’existence de livres pareils a Byzance et de leur technique graphique. Le livre cypriote atteste que ce type de livres etait predestine en premier lieu aux monumentalistes. ‘On peut considerer aussi que la multiplication (compléte ou partielle) des corps de modéles, ce que confirment les compositions du livre cypriote, etait un fait répandu au Moyen Age. Quelquefois les livres de monumentaliste étaient reproduits lorsqu’on miniait, Jes manuscrits. Crest exactement cette source que nous avons établi pour les illustrations graphiques de deux homiliaires du monastére bénédictin de Montecassin (Cassin. 98 et 99) faits dans le scriptorium de I’abbaye vers 1072 pour la basilique reconstruite que était decorée par des fresquistes byzantins. La commande des homiliaires faisait partie du projet général de V’abbé Desiderio concernant la basilique. ‘Tous les chercheurs considérent unanimement les dessins des manuscrits 98 et 99 comme répétition par des maitres romains des compositions des oeuvres byzantines qu’ils déterminent de maniére differente. A notre avis les dessins de thémes évangéliques dans les manusctits 98 et 99 qui remontent au cycle figuratif unique lié avec l'art monumental de Constantinople du milieu ou de la seconde partie du Xle siécle. Ce cycle pouvait étre relationné avec les fresques de Vatrium de la basilique du monastére. Mais les dessins probablement ne reproduisaient pas les fresques de l’atrium comme considére Henry Bloch mais étaient copiés sur un livre de modéles appartenant aux monumentalistes byzantins qui sont venus & l’abbaye pour exécuter les fresques. Cela explique aussi la répétition dans les dessins faits par plume des particularités de la graphique byzantine faite par pinceau. L'image monumentale du Christ trénant dans l’Exultet des années 1070, destiné pour la basilique de Montecassin (Londres, Brit. Lib. lat. Add. 30377) est copié, lui aussi, a notre avis, sur un livre de modéles d’un monumentaliste byzantin, peut-étre du méme qui servait aux illumineurs des Homélies. La mosaique de I’abside de la basilique cassinése représentait un Christ trénant, et la fresque de l’abside de la basilique de Sant’Angelo in Formis donne le schéma icono- graphique proche de la miniature de I’ Exultet. On peut aussi voir des exemples pareils de répétition des compositions dun livre de modéles de monumentaliste dans la production du seriptorium de Bari, proche par son temps d’exécution, par exemple dans les miniatures et l’ornementation de I’Exultet des annees 1043—1078 des archives de la cathédrale (Exultet, N I). On peut considérer comme habituel le recours pareil aux corps de modéles des monumentalistes byzantins dans le travail des miniaturistes de I'Italie du sud. 128