woh 212 UNTr TWO: NINETEENTH-CENTURY CHROMATIC PRACTICES Ehhavmonie. Practice Assignments, Aural Drill, Use ft Chids and Comprehension Test Practice Assignments for Part One A. Identify each chord as either a Gr'8 or a **4 and name the key in which it would normally appear. Then resolve the chord in an appropriate manner. 3 4 ad Cy M8 ie : ple ate ua Cdowble onal? Uv 6 p 8 7 need : nol ye e Key: a Chord: on b heck’ ae RB Gy" [ ) Aepaa r L we & eet ape fbn 0 a er more ays ot fer Ne te ae ’» (& ve 8 Indie, wee ae ea iss Th? ‘5 4 (oh % a be a 4 : dg dt LHadad 30 fr i respell as V7 g a fount b feat tL reopell as 4 ¢ eee “pl | and resolve and resolve . ont eave BD 6 7 , 8 y 2 7. 10 E rd oh pd ird ye sf] a dt a w i respell and ecbive toEmaor case SEs ee: xf age mittee | pr’ ‘ Realize the following fi figured bas lines, adding soprano, to, : tent Then i provide ae iFMOnIC analysis, (Be sure to-indicate changes of tonality.) The chords marked with asterisks have ‘enharmonic finetions described inthis chapter. Identifyand explain these functions. respall nd a secie repel tt ret ese and resolve respell and resolve.(CHAPTER 10: ENHARMONIC USE OF CHORDS 219 © D. Provide a harmonic analysis of the following excerpts. Be careful to point out and describe any of the harmonic techniques discussed this ch ‘chapter, 1 Beethoven: Sypliony Na. 5, Op. 67 (1) (piano reduction) = Te 3 aids heyy Gets hing J- Straus: An Arties Lif, Op. 316 (Waltz No.5, Goda) i sh Qn £6 A een pre eeeML t © by m yh 7 Et 286 gurrvo; weesemsrscneruny mcm 4 GN )0 G.The following harmonies are spelled ea three ways, ay, Dna the key in which each would most probably function as 8 yr sn and provide a Roman numeral designation, ¢ 1 ip)* AB ye 2 mH hD rey, by! ey A wey O28 ey: 6 cg? t 3 4 rel by Ge PY tt HS np Tea Athen B, Oi 4 y br ye aM a ty 36 1 Ry )p ; Gm icany? © } OQ D. Respell the following diminished seventh chords enharmonically we to resolve as indicated. Provide the chord of resolution, using correct voiceleading procedures. 1 Respell to resolve to B major 2_—Respelll to resolve to of minor 4 be bp bD be be 6 Gt =\ fl laid Aa qb \ oe one a an a a) ap aevie’§ 3 Respell to resolve to Bb major _Respell to resolve tof minor a —\ = a 9 a = are Boe € g ay 4 4 peutic ao WBx DD ee MUWSe (CHAPTER 10: ENHARMONIC USE OF CHORDS 225 E, Provide a harmonic analysis ofthe following passage. Identify the beginning key and the ending key, Identify the enharmonic chord involved, and usc Roman numeral symbols to express its dual h: § monic finction in the modulation. } ‘Liszt: “Die Glocken von Genf” (No, 3 from Tagebuch eines Wanderers) ae s ee ee 2 gn, TA", ™m (May te * te * & . ———_ ft —— fee ol MESH ——— mn lenses P: nanan L C ae alae 6)