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A THEATRE PIECE FOR SOPRANO & ACCORDION DEDICATED TO MARY MORRISON { JOSEPH MACEROLO COMMISSIONED WITH FUNDS PROVIDED BY THE ONTARIO ARTS CouNCIL. zB N44%4 — “Dugaron(s ca. £4 Males 55.2 LA TESTA | Bb°>ADRIANE APPEARANCE ‘The head of tho cingor appesrs to be sitting in the centre of a all table, but benesth the table no body fe seen, She table ts Situated in’a snali Fiosk, feed with s curtain by which che Betker (accordionist) may expose and hide the bodjless head coussaverzon The MOrK depends on the effective execution of a magician's trick. In reality ‘the singer 1s" seated on a stool beneath the abies but Ehincie Maton ty too sory clone piste Siaee ietees Ot nae wrath Ste"astened between the front ani tro side loge cf the table” (hese mirrors sctuaily obscure the back leg ef the tale Due tf he audience potices this st all it will aesune thet the beck Les ie hidden behind the forenost-) The mitrore will reflect the inser wells end floor of the Kiosk, (V = W ~ x = ¥); but the reflections Wiii'be taken by the audience £0 be the back wall (2) to IE the audience is situated below the kiosk, more of the vall wil be reflected. “IF it ie situated higher then the kiosks ‘More of the floor vill be reflected, Por this reason ft is vital Ehat he interior walle and floor of the kiosk be coversd with {the sane naterial and that Joine between walls and floor should bei thsolutely sessiess. To achieve this, unifors lighting will Slee be necessary ‘The table may be smal and possints ft Found, with a tole in the centre For the singer" head. The top coud therefore be hinged, thus ‘The mirrors should be permanently ‘Hed t0°the Loge, bts Ringe dn fhe. lose sould also make it possible a Eevadjuse the angle of reflection. } { (0.5. Te table has only three egs.) =7,—= ‘mre kiosk should be about two meters square. the walle should bevabout two meters high. “While the walle and floor nase be tiiformly. covered. (possibly with dark cloth) the construction Mstbe made so that it can be taken apart and packed for trevelling. Across the front of the booth is a colorful, full-length curtain, She sort seen at faire and cirovess, he exterml walls of the Kiosk should also be brightly painted. ihe barker (accordionist) ‘ike On stage briskly at the beginning of the plece, Be weare top hae, bright sow tie, well-worn black taile with bagey ponte: 4a face oy sig bevnade sp. Arriving before the booth he howe ‘Speaking and’ playing. ee a Nore 90 accororonrs” eee es easeaia ey eaeie erat anrnrs BE eas ete Bie teamitare Te cere Donan et ts Se tect e shay Bahia oer ease te he ci: ae a! we RE eS Be lee Te en ‘The composition Le without text, but exploys vocsbles and speech EEggnente. The promancistion of the sounds employed te a8 ft Gos 32 ae Sn achn (comand & 1 ak sh dene creencty 5 aeinget Gz + atestontiveyin ninat. Pronounce as in Hen pretadee’ oy 2a" 4) = ae in nengure, prefaced by *¢" Savin) > ge Sn arable E,tue.. 9 protracted sherynan] Resende Gesataliy SeSselSg SSE Ram co — 3. — Sn ILE {tapes ¢ cennenen! NIL 4 “PREEEEESENTING + N ? LA TESTA D'ADRIANE ! WW STEP RIGHT UP TO SEE THE ONE, THE ONLY, THE LAST SURVIVING FRAGMENT OF A BEAUTIFUL WOMAN ADRIANA! A PRINCESS, A CHARMER, “THE DAUGHTER. OF A KING! LADIES AND GENTLEMEN! THE SPECTACLE OF A LIFETIME, LA TESTA D'ADRIANE ! w ADRIANA, A PRINCESS, CAUGHT PRESERVED BY THE FANTASTIC ART-OF LEGER DEMAA, EMBALMED A SPLIT SECOND AFTER DEATH, SUSPENDED BETWEEN THIS WORLD AND THE NEXT; COME BACK FROM THE DEAD, Sue 1S Auve ! LADIES AND GENTLEMEN , THE HEAD oF ADRIANE, LA TESTA b/Apriane! REPEAT THe music OF SECTION © ENDIns AS Fouows: eas “as THE ACCORDIONST'S RIGHT AND KOUES DEFY FhOM THE KeyBonk> TOuMlDS THE CURTIN, FREEZING MOMENIMKILY, THEN wiMisKinG IT BACK 7D REVEAL THE HEAD Of A WOMAN OW A TABLE. HER EYES ARE CLOSED. [8 SHE DEO Ok ASLEEP? RETER A LONG PAUSE, THE fccoldousT RESIMES, SPEAKING IN PUSHED TONES —4.- SHE 1S MoT DEAD SHE SLEEPS ONLY ‘A TRAGIC STORY A YOUNG GIRL, CONFUSED, DISAPPOINTED IN LOVE... SHE RIED HEISE... gp No ONE coup SRP HER. ply ® “Bie ae a @ inn ae? fen SHE ws Sale aha tee w=, = eS Gp (noreonis) L Ano 1s maseuey HEE > Hig oT By A SECRET yn = Skene EE Music... MyHe TOUCHES WER DISTANT Sout AND DRAWS IT BACK [7D THE LING Worn vans sapey fPRANE. AonnNE... ft 18 WERE... ABRIANE... ADRIAME., sn tistenls. prune some Se MER Bye AD \ve - anasto Poe ar foars Boo a ees i atuniy oneuee Ae 7H io tas stray Byes oeneone Exes. puree chose. Ase Scena Bore cet ie BS catmvauly, omen col ape, soe BEE EL ne Bog — not xg Saittaasy rat 19 pouae BSE 7 , “ 4 mesiphigtae~ “sete i ABE Soe os tae Ages anen, 105i ons'a? um aye st eS a goeme’s nag 18 stoury poem ATE fecoeonusr sums Hs Meee aR Eneie aly Sia tee Piss, Ronee eos: pe Siok "ane "ovenie is weno see Ope fda ek tend TERS UP Reve 1 THe sue bain ee a ccoomust me [AEGIS 1 S90 9 pnseERT SearhechLy, oy AoW fogng Toses em wenn apmny et oe ADRIAN We PNtw nin | wy ater” ala | ataratar SW Fs Tt ete wo wotles Bint og preter / TE i et te tide a, otis toes Aber senosay Pom 5186 0 S106 Tete Taare ve agers ete, OO — E ? > =e. ADRIAN! 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