Saxophone and Trombone Duet

Alto Sax.
1
Trombonetta

(1975) J.Pauer
Allegro vivace
    1    
                  
   

   2
              
             
 
     
         

 
     
3  
   

  
   
           
4

         


                
   
5
    
                
                
                    
  

6
        
    

Arr. von P. Struck

          
2
       
 
 
7

       
   
  
8
        
  
 
     9
    
   

  10   
   

     
    
     
 
11
      
         

      
      
  
   
  
 
  
  

  
  
  
3
                     12 
  
  
           
 
       
     
               


         13   
    
            

       
      
  

14

         
15
        
 
 
                  
        
       


16
       
 
          
17 
           
      

   
    
    
 
    
                    
               
       
4
                          
   
         
Comodo 
   

19 

    


5
20 Allegro vivace
22
       
21
  
     
   
 
    
          


       23  
 
           
    

           
                 
         
24
         
         

25
              
      
 
       

  
26    
     
                
  

6
  

             
  
                
 
  
27
           
 

  
28
    
       
 
29  
 
         
  

   
            
  

30
  
           
31

              
         
 
       

                          
       
       

7
32 Maestoso
         
 

 
          
        
  
            
               

   

Alto Sax. 2
Trombonetta
(1975) J.Pauer
Allegro vivace 

   1 
            
     

             2
             
         

          
      
  
 
3
 

       
 
    4      
                
    

                  
5

                  
    
                            
        

6
     
     
 
Arr. von P. Struck

2
           
       
 
7

       
    
 
8
       
   
 
   9
       
 

10
       

   

        
  


11
      
               
 
   
 
          
            
  
3
12
              
                     
   
 
           

   

          


   13
 
       
            

 

       
     
 


14

         
15
        
 
 
       
      
             
         


16
       
  17
            
  
     
     

                            
       
                  
4
                       
                 
  
19 Comodo 

20

  
      





5
Allegro vivace
   21    22
          
 
        
   
    


   23
                  
   

 
               
                        
    
24
 
                 
 
   
25
           
     
 
       

26      


                      
  

 
             
6
   
                
 
27
         
      

 
 

28
      
 
 
29  
    
  
    
 

      
  
        
 
30
       
31
    
           
 
        
              

 
 
7
          
          
 
 
 
 
 


32 Maestoso 
        
   

 
               
   


                          
     
  
 

Baritone Sax.
Trombonetta J.Pauer

(1975)
Allegro vivace
   1 
   
           
 

2
 

              
        
  
 
   
           

 
  
3   
    
 
 
4
          
 
     
   
 
   
     
   
  

            5
                             



       
  
  
                    
       
     


6           
           

Arr. von P. Struck

2
  
8
  
7
     
     
 
       
  9 10
         

11
             
         

    
12
                
    
 

    13 
   
          
 
 
    
 
  
     

  

 
  
14 15 3
 
            
              
    

   
    
                    

  
16
       
 
      
   
 17 
      

        
       
 
19 Comodo  Allegro vivace 
   20   21  22
 

   

        

  
    
  
 
23
                    
        
       

        
                     
   
    
      
24
   25 
  
        

4
26

                       

   
             

       27 

            
      
    
 

         28
  
      

29
 
    
     
     
 
   
         
 

       
  
30
    

                  
 
  
  
                         
          

            
     
                                                  
        
       
31
   
  
          
               

5
   
   

            
   
     

        

   
   
                   
         
     

     
           
 
Baritone
Trombonetta

(1975) J.Pauer
Allegro vivace
   1   2  3 
 
   
4
                
               

                
5
                       
               
   6 

                     
     
   7  8  9 
        
   

10
  11
   
      
  
 


12
             
        
 
                        


    

Arr. von P. Struck

2
13
   
     
             
  

    
14
 
        

          
          
     
15
    
                         
 
 
  16   17 
     
  

3
 19 Comodo
             

 
 


                 
20
     
           

 
Allegro vivace
         
       

21
  22  23
            
      

                      
                  
     
            
24    
       

25
   26   27 
  
     
4
   28   29  
  
    
30
             
31

         
 

        
             
       
        
       

                  
                        
    

     
 
                    
 
           

                          
     

Bassoon
Trombonetta
 (1975) J.Pauer
Allegro vivace
 1 
          
         

2
 
               
   
 
   
            

  
3   
4
            

    

 
                           
       
   
5
        
                                     
            
6 
           
  

Arr. von P. Struck

2
 
                   
7 8
 

 

         9  10  

  
11     
           


  
12     
            
    


              
   
 
3
13      
        
      


   14

       

    
                
         
15
                        
   
 
16
     
  
       
 
    17  
  
         

Comodo 
 20
          
19
          
 
 
  21 
        

4
22
 
           

  
 23
                
 


     


  
                           
            
        
24 25
 
        
          
  
5
26
 
                      
       
     
      

        27  
       
   
  
  
  

      
28   29
   


     
    
     
   

      
 
30
  
     
      
   
  
                                                      
   
        
                                                  
       
       
6
31
             

            

    
 
             
       
           

       
                        
 
         
 
 
    
         
 
 
Clarinet in B  1
Trombonetta J.Pauer

(1975)
Allegro vivace
 
 
                                 


                                 

 
                                 


                                 
1

                                                 

                                         

                     
2
                
 
     
            
           
  
Arr. von P. Struck

2
       
3
         
       
  

           
4
   
 
 
               
                       

           
      
          
      
5     
  
  
    

                    
     
     


6
   
                               
 
           
       
     

                                  
   
7
 


     
                                    
3
8
  
                          
               
    
  
              
        
     
  
     
            
9
             
   


  
                                             
 

                        
           
     

 
10
    
                               
                                            
      
                     

      

  
      
 
 
11
    
     
  
  
        
    
   
4
      
        
   
 
  
  

              
  

     
  
12   
                   

         

            


        
  
13 
        
     


             
            
 
  
14                 

                     
         
          
 
 
                                         
     
15    
         
       


16  
          5

                            
                             

        
       17   
      
      
           

   
 
   

    
  
 

           
           
20
 
   
            

 
  
           
     
6

 
Allegro vivace
 
                                 


                                 


                                 

 
                                 
21

                                                 
   
                                       

   
22
     
       
     
      
  
  
   
23  
  
   
    
 
     
  
                              
       
          24 7
    
 
              
 

    
         


              
                
25
  
 
                
               
 
                         
26
    
      
 
  
   
  
                

                
        
        

                 
               
    

       
27
        
                          
   


28
             

              
 
                       
    

8
     29    
             

  
       
    


       
     
               
  
30
     
       
            
  

      
                                
     

       
                               
     
            
31
  
        
 
   
         
 
        
   
     
            
    

      32   
Maestoso
                 
              

         

           
9
              
  
  
    
    
 
 
     
     
          
     
 


Clarinet in B  2
Trombonetta
(1975) J.Pauer

 
 
                                 



                               

 
                                


 
1

                                

                                 
    
        
                         
  

            
2
    
                     

  

Arr. von P. Struck

          
2
     
 
                        
3
     
 
4           
               
 
 
                 5     

                          
  
                             
     
    
  6 
               
   

           
                
    
 
7
                             
    
             
                          
3
8
 
                       
                      
  

     

          
       
 
        
 

     
9
                 
  
 
 
       
                                       

 
                            
          
 

10
    
                                 
         
                                            
      
                          
      
  
             
11
  
         
   
          
 
4
        
 
     
  
      
   
                          
      
 
12
             
         
 
   

       
          
    
  
  
  
13 
    
     
       



  
14
   

     
                      
     
  
                                        
             
   
                          

        
15  
          
         

5
16
 
                         
                  

   
 
    
      
 
 
            
                  

17
               

       
      
        
 

 
                  
   
20


                   

 
 
       
      
  Allegro vivace 

 
                                 


 
                               
6


                                


 
21

                                

 
                                
   
22

                           

              
           
  
         23 
            
      
 


                
                   
         
        24
  
          
 
 
             
7
              
    

25
                                
        


                 
           

26

                                  
         
  
             
           
        

  
27
           

 
   
            
      
 
    
28
         

       
                                   
  29    
                                
       

      
                 

  
    
 
8
30
       
     
             
  

       
                                
                     

      
                               
     
                   
31

       
 

     
     
                
        



  
                       
             

               
     
         


         


9
         
      
   
  
         
   
 


Clarinet in B  3
Trombonetta J.Pauer
(1975)
 
 
                                


                                

                 
               

                                  

1

                                


                               

                    
       
        
  
2
                           
           


Arr. von P. Struck

2
           
    
  
   
3
              
       
 
4    
     
           
 
5  
                     
                   

               
                  
      
      

       
      
6
          
    
      
     7 8
   
        

 

                    


 
           
    


       

     


   
  
 
3
9
 10 
       
11
  
        
      
           
    
  
  
  
  
 
             
 
  



    
  
12
    
                      
       

                  
   
     
  
13
         
 
 
   

 
 
                 

     
   
14
      
                                      
   
                               
      
                     
4
15 


        
                 

 16
                       
                       

     

 
                         

  
17
      
       
19 
   
Comodo
  
   
      
 

 
               
  

 
            
20

  
           

 
  
          

 
5
Allegro vivace
                         
                       


                                                     

                                       
       
21

 
                                                 

22
   
                          

      
                 

 
 

      
23    
                             
      

    
              
                   
    
24
              25
         

6
26
 
                            
          
 
                  
                
   
         
  

       
27
    
      
    

  
 
  
                        
           

                  
28 29
                       
                 
         
    
 
                
  
               
     

30
    
        
            
  

       
                                
                     

      
                               
     
7
          
31

        
 

    
    
 
         
   
                
 
  
32
Maestoso 

                         
    

       
              
    
             

  
     
   
 
   
             
  

Cornet 1
Trombonetta
(1975)
Allegro vivace  J.Pauer
   1   2  3 
 
   
4
                
               

    
          
5
                                    
    
   6       

               
     
7  8  9 
     
         


10 12
  11       
    
   

         
               
     
 
             13   14 
  
     
Arr. von P. Struck

2
15
       
   
16
   
     
 
   17   
    
    
19 Comodo  

    
Allegro vivace
20 21 22
  
  
23
      
                      
 
    

                          
            
24
 25 
 
                        

26
   27   28 
   
    
   29   30  31 
 
    

3
32 Maestoso
        
                     
            

   
  
     
 
       

      

   

     
    
    
  

    
   

Cornet 2
Trombonetta

(1975) J.Pauer
Allegro vivace
   1   2  3 
 
   
4
          
                  

5
  
     
 
                                     
    
   6       

             
    

7  8  
      9
         


10
  11      12
     
   

       
           

            
 
      13   14 
   
     
Arr. von P. Struck

2
15
  16 
           
 
 
Comodo 
   17    19 
    
20
   21  22  23
   
      
  

       
                                  
  
       
24
     
              

  
25
    26  
       



27
    28   29 
   
     

3
Maestoso
   30  31  32     
       

  

     
 
                          
      
        
            
            
    

Double Bass
Trombonetta

(1975) J.Pauer
Allegro vivace
                                 
pizz.


                                          
1
                                              
 
 
            2 3
           
 
  
4
      
                  
       
5
                                  
         
       
    
                 
pizz.
      
    
                            
6

       
Arr. von P. Struck

         
2 arco
             
pizz.
  
 
7
            
           
                      
                 
8
                       

 
    
9 pizz.
         
     
 

       
  
                   
   
10
     
                               
                                      
 
11

              
    
  

3
   
12
     
   
     
 
 
 13
        
arco
         
 
  
      
pizz.
       


 
14
                         
  


                      
15 arco
     
arco
        
    
  
16
                             
     
 17  
4
    
  
Comodo 
 19 pizz.
 
                         

                          
              
20
                          
             

                           
arco pizz.
 

                                           
21
                                
 23 
            
22
           
 

                                 
           
  
5
24 pizz.
                           
        
     
                  
      

25

                           
pizz.
                              
     
26
       
  
                      
    
 

       27
                   



 

                         
pizz.
 
28
 29 
                   
6
30    

        

       
                             
   
31 arco
                     
             

                         
 
pizz. 32 Maestoso 
                
      

   
     
   
  
  
 
   

         
 
Drum Set
Trombonetta

(1975) J.Pauer
Allegro vivace
                    
     

1
                   
    
           
                                        
2 with timpani sticks
  
                    
   
   
 
       
   
 
3
 
        
  
  
4
    
                             
         
          

Arr. von P. Struck

2
5
                       
   

        
           
6
                            
       
   

          
          
 

7
    
                   
                                       
         
8
      

        
 


with timpani sticks
  

          
 
9
                                    
                 
3
10
 
                        
          
    

    

with timpani sticks
11
                          

          

     
          
    
  12   
    
   

 13 
                  
         
14
                    
             
15
                     
                         

4
16
                          
             


              
  










  
Comodo 
17    19  20 
   
   
                                         
                   

21
                   
    
               
22 
            
 
 
   
with timpani sticks
    
   
  
 23
            
       
       

5
   
                      
         
         
24
                          
              

 25
 
                       
     
                                       
         
26
                                       
             
 
 
       
    

 


 

27

                      
         
28

                
           
6
29  30 
                 
         
       
    
     
  
  
  
  
  


       
        
31
            
 

 

 



 

 



32 
       
 




             
     
  
 
Euphonium
Trombonetta J.Pauer

(1975)
Allegro vivace
   1   2  3 
 
   
4
         
                          

              5
                        
               
   6 
         
      
   
    

  
7  8  9 
        
   

10
  11    
      
  
 


 
12
         
         
 
 
                        


    

Arr. von P. Struck

2
13
        
          
 
 

     14
 
       

          
        
      
15
    
                        
 
 
  16   17 
      
 19 Comodo 
   
  

 
        


                  
20

               


3
 
       
 
  
   21  22  23
              
       
   

                        
            
       
24
      
           
   
25
   26   27 
  
     
   28   29  
    
30
     31     
           

    
   

   
           

         
       

   
32 Maestoso     
       

4
 
  
   
 
           
    
                
  

       
 
                     
 
          

                         
       


Flute 1
Trombonetta

(1975)
J.Pauer
Allegro vivace
 1   2   
   
  

                  
      
  
 
     3     
 
     
  
 
      4  
      
 
                
            
        
5                
 
 

         
    
      
                         
 
   


6               
      


Arr. von P. Struck

2
            7  8 

 


       
9
     
    
        
   

           
      
        
    
    
               
    

    
    
                   
 
         10          
             
      
            
            
          
   
    
            
  
    
     
     
3
11        

       
 
       
         
  
     
     
 
12
              
      
 
       
 
                     
 
  

        
 
     
13
       
          

14 15  




  

 16   17 
 
  

4

Comodo
   19



 
    


20 Allegro vivace 
  21  22                  
   
 

         
   
  

  
 23     
 
  



    
 
            


             
         
         
    

24
    
      

          
        
25
  

 
                   
      
                        
5
       
26                    27
 
         
  

   29        
28 
  
 





          

 30  31              
      
 
 
          

       
                
          
  32         
 
    
        

            
           
        
  

  
            

 
  
    
    

Flute 2 Trombonetta
(1975)

J.Pauer
Allegro vivace
 1   2  3





   

              
  
 
4                 
      
         

              5                  
  
      
                  6
  
 
   
                  
   


     
  
7
 8  9
    

               
           
Arr. von P. Struck

        
  
2
     
      
 
                 
 

  
          
  
 
       
10
      
    
         
    
          
  
    
            
        
      
11
          
          
  
3
            
  
      
    
        

12               
   
    
 
                      
             
  
 
     
13
     
  14 
    
  

15      16 
      
      

Comodo 
 17    19 
   
  

 23        
20 Allegro vivace
  21  22
    
 

                          
   
         
4
         24
         
         

     

     
               25
            
      

               
         
                   
            
26
                    27
 


                 


   29      
28  
               

   


 30  31       

             
  
      
5

     



          
   

   
32
 
Maestoso
   
       
 
 
 
 
 
  
  
 

         
          
              
  
  


             
 
   
 
       
  

Piccolo Trombonetta
(1975)

J.Pauer
Allegro vivace
               
 
1 2
   
  


         
3
 4 
        
 
              
          
          
     
     
   5          
     
  
  
                 
          
  
 
6
            
       
7
 

 


8
    
  9  10 
    

   
  
    
            
11 

    
 
 
Arr. von P. Struck
2
       12    
               
          

          
    
   
 
                   13 
         
 

             14  15  
      
   
 
   16   17 
    
   
 
   
Comodo Allegro vivace
19 20
   
   
23 
3
             
21 22
  
   
   
 
             
         

          
                     24
        
       
               25
   
26
 
   

        
    
27
 
                    
    

 
 29        
28

                
                 
  
 30  31       


       


      


     
           
 


    

4
32 Maestoso
         

           
   

            

       
    

 
            
   



             
     
  

Horn in F 1
Trombonetta
(1975) J.Pauer

 
                            


                                    
1

                                 
     
     
           
                 
   
2
  
  
      
     
 
 3  4        

       

                 
                   
   
5
                                 
        
Arr. von P. Struck

 
2
                   
        
 

6
       
                           
          a 2     
                    
 
7
                    
               

     
                               
   
8
             
                  
 

   9  10 
          

    
3

  
11
              

     
   
      
                           
 
    
  12    
               
 

     
     
       
 
13
  
                        
          

14
                               
         
   
            
                                

15
                
                   
     
 
     
 
16
            
4
        
                         

                     
             
        
17  20
  19  
Comodo
    
    

5
Allegro vivace
 
                                     


                                    
21

                                

22
                
 
 
  23
       
              
  

                     
                      
  
24
               
                         

                  
     

6
25
   
                        
       


                                
       
26
                                  


      

 
                       
    
 

7
27
 
                    
         
 
28
                               
             
29
           
        

30
  
         
   
31
  
                         
       

         
                

                      
       
      
                  

8
        
                           
          

              ando
 
          G  
 
l i s s
 
Horn in F 2
Trombonetta
(1975) J.Pauer

 
                            


                                    
           
1

                                    
   
     
                                  
   
   2
    
   
      
 
  3  4
              
      

                     
          
             
5
         
                     
           
   
    
Arr. von P. Struck

2
 
                
    
 
 

6

                    
   
     
                      
             
 
7
                    
               
  
                                 
       
8

                        
  



      

  9  10 
    
  
 
       
11
           
    
     
     

         
 
           
      
    

12   
3
         
    

     
   
        
 
13
  

                          
       

14
                     
         


    
                       
                      
  

15
                  
     
 
                 
    
 
16
                   
                
   


               
a2
          
          
4
17 19 Comodo 
     
  
  
20 

Allegro vivace
 
                           


                                    
           
21
              
                      
    
22
                


  23
          
      
  

                   
                  
24

                                  
          


5
                            
        
25
        
                        
 
                    
               
26
                               
        
  


                           

     
   27
             
   
  
28

                                       
       
  
29 
                



       

 
     
  

6
30
 
              
         

31

      

           
 
     
           
  

          
         
                   

                  
              
    

      
         
 

       

     
  

     
  
o
sand

Glis

Horn in F 3
Trombonetta

(1975) J.Pauer
Allegro vivace
 
                           

 
                                   
1

                                    
    
                      
   
  2  3  4
           
 

        
                         
         
   
 
  5
                
         
              
         6            
     

Arr. von P. Struck

2
7
        
                             

                    
              
8
    
                                   
 

 
                  
         
  9  10   
        
    
11
        
               

     
                 
        

  

12           
       
 
 
   13  
  
      

3
14
 
                     
       

15
                       
                      
 
 
        
16
                     
            

   
                               
    
    19  20 
    

                
                     

                
                    
21
                
                    

22  23
                       
  

4
                                 
         
24
                      
       

    
25  26    
                         

    
               
 
        

  27  28 
5
        
 
 
29 
    
      
 
 

30
 
     
    

31
      
                       
   
            
           
                
                 

          
   
               

                                
        
    

     
            
ndo
 
Glissa

Horn in F 4
Trombonetta
J.Pauer

(1975)
Allegro vivace
 
                            


                                    
           
1

                                    
   
    
                               
   
  2  3  4
      
  
 


                             
               
 
5      
                               
   
     
      
          6 
 
          

Arr. von P. Struck
2
7
 
                             
       

                    
              
8
                 
                     
   


            
             

  9  10   
        
  
 
11
       
        
 
    
 
   
 
   
                
      
  
 12         
          
   
 
3
   13  
  
       

14
 
                         
       

15
                 
 
                     
        
 
16
    
                              
       

        
                             
 
17  20
  19  
Comodo
    
    

                
                     

        
                            
4
21

                                    

22  23
           

 

 
 
    

 
                           
   
            
 
24       
  
                    
     
    
25  26
                      
 

                
            


5
  27  28 
  
     

 

29 
  
        
  

30 
                           
          
31

      
           
         
               
                 
  
            
                      

  
                             
          
    

     o    
      sand 
                 G 
   
l is
 
Oboe 1-2
Trombonetta

(1975) J.Pauer
Allegro vivace
 1   2  3 
   
 
        4
       
  
                
          
  
           
            
            
5
       

    
6

        
 
               I.
7
                   


       
8
                      
                             
        
Arr. von P. Struck

2
 
 9  10     
        

 
     
                
11
   
  
   
12
  
       
 
      
       
      
  

                
13
     
    

  15   
  
14
    

16
  17  
      
Comodo  Allegro vivace  3


19  20   21  22 
  

    
23
       
                           

                    24
      

    
           25  26 
         


 27   28  
     
29
   
  
  
30
          
                   

    
31
      
        
32           
          


4
            
           
                
     

Tenor Sax. 1
Trombonetta
(1975) J.Pauer

   1                   
 

                 
2      
        

   
      
   

  
      3     
 
  

 4 
                 
               

     5                

                       
    
  
          
             
      

6
   7 
            
 

Arr. von P. Struck

2
8
     
    

 


   10  
   
9
  
 
     11
 
         
 
          
   
     
            

  

                                    
        
 
12          
                
      
 
        13  
          
 
   


           
     
 

  
14
 
           

        
3
          
    
15
      
  
     
            
             
     
 
16
             
                  

    

     
            

17
 
                       
         
             

          
                   

      
        
    
 
  19 Comodo 20 
       
   

 21              
22
   
    
 
 
              
23
        
 

4
                
       
                       
  
24
            
    
       

 
               
25 26
 
             

    
            
       
        

 
27 
   
       
  


 
28
       
    

    29


         


        
                 
  
30 5
  
                      
  
  
            
                                        
     
    
                                      
     
          
31
           
    
 
     
 
 

                  
  
       
 
  
       
              

                  
 
 
 
        
             
     
 
              
  

Tenor Sax. 2
Trombonetta
(1975) J.Pauer

   1             
     

2
                  
         
 

    


 

    
  
 
3
      
 
 
  
         
4       

              

                   
5
    
                
             
                  
  

   
 
6 
   7 
        
   

Arr. von P. Struck
2
8
     
    
  
 
   10 
      
9 




    
   
 
    
11
  
         
 
         
           
  
                          
                   
 
12
         
               
      
    
 
        
    
  
13
 
  

    
 

        
      
 
   
3
  
14
 
          


                
              
15
 
                 
 
                        
      
 
16
    
                  

   
   17
                
          
 

           
    
    
    

    
       
      
      
  
 
                         
           

Comodo  Allegro vivace 
 
19  20   21      
   
  


4
 
22
   
          
 
 

    23
           
   
 
           
      
                  
    
  
          
24 
    
      
    
5
25 26
                         
             
 
        
          
         
      
 

27
             
    
 

28
    
          

29
 

          
  






             
   
 
30   
                             
   
  
         
                                       
     
6
      
                                      
     
31
                     
                    
 
       
         
      

 
      

          

           

                
 
       
          
 
  
  

                 
       


Timpani
Trombonetta

(1975) J.Pauer
Allegro vivace
                         
        

                                        
1
                                
                   
         
2

          
  
     
  
3  4
         
    

                                
 
       
5
    
    
                                     
       
Arr. von P. Struck

2
 6    
                   
    
 7  8 
    
   
9  10  11 
 
           

12  
      
         
 
13
  14  15
        
     
 
 
 16   17  
    
    

Comodo 
3
 19
 
                         

                        
             
20
                     
          

                                                
  

21
                                       
22 
                               



           
         
  
23
      
    
 
      
   
             

4
24 
                                     
    
25  26   27  
   
  
28   29   30 
   
  

                      
           
31
                              
    
  
       
             
       

       


                 
     
   
Trombone Solo
Trombonetta

(1975) J.Pauer
    
Allegro vivace
         
      

 risoluto
          1
 
              
                        
        
     
 
2
  
                  
  

                 
       
     
3 3 3 3 3
    
     
3
   
  


4
       
     
         

                 
   

Arr. von P. Struck

5 
2
        
          
6

            
 
 
 con calore
                   
     
    

3
               
     
7
 

    8       
  
3
3
 
               
         
3
3
                    
      

             
9
      
        

3
3
                 
3
   
        
                    
10
 

                

 
  
 
11                 
     
 3 3
3 3
                        
 
3 3 3
3
      
12
  
     

 
   
 13
      
   

    
            
 

4
       
14
   
   

                   
 
                  
15  
        
                  
   

16
                          
  
            
   
          
                         
17
         
    


3 3 3 3 3 3 3 3
                        
           
3
 
3

3
3 3 3
       
3
   
        
  


3 3 3
19 Comodo  5
 
con sord.
            
 
 
         
         
5
          
 
     
       
20

     
              
   

      
          
       
 risoluto
       
                 

21
        
                  

 22   

     
      
 
 3
              
            
3 3 3 3
 
6

23
                 


 
        
    
    
   
24 
             

       
   
   
 

3
con calore
        25         
      

    

 
     
             
  
                         
26 
    

3
3 3
3
            
                            

            

               
 27
 
   
 
  
7
     
           
 
  
28
            

                             
 

             
    29   
       
      

    
               

 

30
         
  


 
            

 


                
                      

         31                     
      
             
  
3
3
32 
Maestoso
                          
  

8
       
   
           
  
    
           
   

Trombone 1
Trombonetta
J.Pauer

(1975)
Allegro vivace
                                     


                                    
1
                   
                                        
     2 
           
 
       
3 4
  
               

  5     
                                         
         
       
       6
 
                

 
     
7 8
          

Arr. von P. Struck
2
          9 
           

10
      11 
          
 


 
12  
               
  


                     
  
 
13   14  15 
         
      
 
         16  
 
  

 
  
17
   
 
Comodo  3

 19  20 
         
Allegro vivace
   
   

                                    
21
       
                                             
           
                                 
22  23
 
      
                 
     

                                 
         
 
24  25  26      
                 
 
     

        
         
      
  
4
 27   28  
    
   
29   30       
         
 

         
              
   
31
                
                     
 
                    
    
          

                      
                     


    
                    
   

  
Trombone 2
Trombonetta
(1975) J.Pauer

                                     

                                    
1
                                        
   
 2 
         
        
   
3  4
                    
        

5
         
                        
             
        
 6       
                 
     
      
 
    
7 8
              

Arr. von P. Struck

2
 
    
9
                

10 11
           
  
      


  
12
 
         
        


     
            
     
 
13
  14  15





 
  
      


 
 
16
             


 17  
       
3
 
   
Comodo
19 20 Allegro vivace
           
  

                                             
21
                                          
 23
                    
22
    
 


               
                   
        
24 
                        
       
       
25  26
       
               
     

 27 

  
            
  

4
 28 
 
 
 29   30 
   
                                         
    
  

31
                            
  
         
              
              
      
  
                 

   
                               
             


           
         
  
Trumpet in B  1-2
Trombonetta

(1975) J.Pauer
Allegro vivace
   1   2  3 
 
   
   
con sord.

4  5 
   

    6  7  8  9  10 
    
11
   
12 
senza sord.
           
     

    13  
      
14
                              
      
senza sord.
       

15
            16 
                     
       
 
  17   
       
Arr. von P. Struck

 Allegro vivace 
2
Comodo
19
   20   21  22  23 
   
    
 
24  25  26  
   
        
27
    28   29   30 
   
      
                           

31
       
     

             

          

       
      
          
  

 


                           
 
   
             
 

Tuba 1
Trombonetta
(1975) J.Pauer


                                        

                              
                        
       
1
                        
                   
        
  

           
         
3
 
2 4
             
    
   

       5
                 
      
     
      
                                
          
        
                

Arr. von P. Struck

2
6
         
                      
   
7

                            
     
 
                                  
         
                      
         
8
                       
                 
 

  9
   
                       
     

                               
            
10
              
        
                      
   
3
   


                               
         
11
  
            
      
  
12
 
     
             
  


 13
            
     
  
             
 

14
  
                       
     
    
                            
15
    
           

     
  
4
16
      

  
    
               
 
 17   
        
    
                             
              

                               
              
20
                            
           

5

Allegro vivace
                       
              


                                    
     
21
  
                                  
 
22  23  
           
                       


                                  
           
 
24
                                
      
     

                          
       

25
                                      
           
 
6
                               
     
 
  
   
26
 
                      
     
 
     

27

               
      
 

28
                                
   
 29 
           
   

   
30   
        
    
  
                              
     
         
31
         
               
   
7
                   
    
        
   
                    

   
  
     

    

          
  
Tuba 2
Trombonetta
(1975) J.Pauer

            
    
                       

                      
                       
1
        
           
                   
  
                  
       
       
2  3  4
 
         
   
   
 5
           
               
          
     
   
                
          
          

            
       
Arr. von P. Struck
2
6
                
          
7
             
          
        
 

                                 
         
                
           
8

                        
          
 

 9
        
     
     
   
    
  

 
                          
      


       
10
                 
                          
           
3

                                     
         
11 
     
       
    
    

12
    
                
  
 
 13
       
        
 

   
       
 14 


15
           
 
             

 
16
           
    
        
  
 
4

           
         
17    19 Comodo 
   
          
     


                      
              
20

                
           

 
             
         

5
Allegro vivace

                        
                   


                   
               
21
      
        
                 
        
       
          
22  23
                                
         
     

24 
                 
           
       
25 

                    
       
 
26
  
                                   
                 

6
           
         
       
           
 
 27
  
                 
              

28 
            
  
       
7
29

 
  
    

30
            
             
 
     
                   
         
         
31
         
                
           
                

          

  

        
    
 
  
   
 

Saxophone and Trombone Duet

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Saxophone and Trombone Duet

Uploaded by

Copyright:

Available Formats

Alto Sax.

Arr. von P. Struck

Allegro vivace 

Arr. von P. Struck

Arr. von P. Struck

Arr. von P. Struck

Arr. von P. Struck

Arr. von P. Struck

                     

Allegro vivace 

Arr. von P. Struck

  Allegro vivace 

Arr. von P. Struck

    

Arr. von P. Struck

19 Comodo  

Arr. von P. Struck

Arr. von P. Struck

2 with timpani sticks

Arr. von P. Struck

      

    

Arr. von P. Struck

Arr. von P. Struck

    

Arr. von P. Struck

     

Allegro vivace 

Arr. von P. Struck

Allegro vivace 

Arr. von P. Struck

Arr. von P. Struck

Allegro vivace 

Allegro vivace 

Arr. von P. Struck

Allegro vivace 

Arr. von P. Struck

Allegro vivace 

Arr. von P. Struck

Arr. von P. Struck

Allegro vivace 

Arr. von P. Struck

Arr. von P. Struck

                           

             

Allegro vivace 

Arr. von P. Struck

Allegro vivace 

You might also like