Medley

Avivamiento
Avivamiento

               
Score Metales Miel San Marco

              
 = 140 INTRO

             
Trompeta en Si♭

              

        
                      
  
Trombón



               
Trombón

Saxofón tenor                  
  
         1  
   
           
Tpt. Si♭    
7 INTRO

                 
       
                       
Tbn.

      
     
Tbn.

                         
 
Sax. T.

                      
  

    
14

              
Tpt. Si♭

      

                    
Tbn.

      
  
  
Tbn.

                      
 
  
Sax. T.
                       
       
19

                
Tpt. Si♭

       

                 
Tbn.


    
      
Tbn.

              
    
Sax. T.


                 VERSO
       
 
 
24

            
Tpt. Si♭

     
            
Tbn.

     

     
Tbn.

    
           
 
Sax. T.

      
    
      

44

         
Tpt. Si♭

       
         
Tbn.

       
      

Tbn.

       
 
Sax. T.

2
                                 
    
62 INTERLUDIO

                   
Tpt. Si♭

     

                    
Tbn.

      
  
  
Tbn.

                             
  
Sax. T.

                                    
    
SUBE 1/2 TONO
67

                   
Tpt. Si♭

       

                               
Tbn.

 
      

       
Tbn.

                
Sax. T.
   

                   
     
72

              
Tpt. Si♭

      
                   
Tbn.

      
Tbn. 

                             
Sax. T.
    

3
              
   
         

78
PUENTE

                  
Tpt. Si♭

           
                  
Tbn.

            

Tbn.

                            
Sax. T.
   

              
           
87

            
Tpt. Si♭

               
           
      
Tbn.

Tbn.
         

                      
Sax. T.
   

        
       
          
94

               
Tpt. Si♭

            
             
     
Tbn.

          
 
Tbn.

                        
Sax. T.     

4
           

              
A la segunda cancion
110
PUENTE

          
Tpt. Si♭

              

          
Tbn.

Tbn.
              

           
Sax. T.               

      
   

   


117

           
Tpt. Si♭

   
3 3 3

           
Tbn.

   
3 3 3

Tbn.


               
3 3 3
3 3 3

Sax. T.

               

       
Segunda cancion


118 INTRO

             

Tpt. Si♭

        
3 3 3

            
Tbn.

        
3 3 3

Tbn.

 
                       
3 3
3 3 33

 
Sax. T.

5
                            
 
   
120

           
Tpt. Si♭

           
           
Tbn.

           
 
Tbn.

       
                    
   
Sax. T.

                           
 
   
124

           
Tpt. Si♭

            
           
Tbn.

           
 
Tbn.

       
                    
   
Sax. T.

                           
 
   
128

           
Tpt. Si♭

            
           
Tbn.

 
   
       

 
Tbn.

       
                    
   
Sax. T.

6
                                 

     
segunda cancion


132 VERSO

           

Tpt. Si♭

           
            
Tbn.

           
     
Tbn.

       
                        
  
Sax. T.

             
        
INTERLUDIO


137

            
Tpt. Si♭

         
           
Tbn.

          
  
Tbn.

                 

 
Sax. T.

                                
   
169

                 
Tpt. Si♭

           
                 
Tbn.

 
    
   
     

 
Tbn.

       
                        
   
Sax. T.

7
                                 
   
173

                 
Tpt. Si♭

           
                 
Tbn.

           
 
Tbn.

       
                         
   
Sax. T.

                                
   
177

                 
Tpt. Si♭

           
                 
Tbn.

           
 
Tbn.

       
                        
   
Sax. T.

                               
     
181

                 
Tpt. Si♭

            
                 
Tbn.

 
    
   
      
    
Tbn.

                 
        
   
Sax. T.

8
    
             
 


Segunda vuelta


185 VERSO

    
       
Tpt. Si♭

     

3 3

         
  
Tbn.

     

3 3

     
Tbn.

                
3 3


3

Sax. T.
3

 
      
       
193

 
   
Tpt. Si♭

       
   
 
Tbn.

       
 
Tbn.

         
        
 
Sax. T.

                                   
  
215 FINAL

           
                 
Tpt. Si♭

 
           
                 
Tbn.

 
          
Tbn.

                  
   
Sax. T.

9
                       
  
     
221

           
Tpt. Si♭

           


                    
Tbn.

       

 
Tbn.

    
                  
   
Sax. T.

                            
      
225

                
     
Tpt. Si♭

       

                           
Tbn.

  

 
Tbn.

                  
       
   
Sax. T.

                                
   
229

                
     
Tpt. Si♭

       

                    
Tbn.

       

 
Tbn.

                  
       
   
Sax. T.

10
 A la tercera cancion


PUENTE

 
                    
bateria

            
Entrada de la

  
Solo de violin
233

         
                
Tpt. Si♭

          
    
                         
Tbn.

    
 

Tbn.

                           
     
     
Sax. T.

      

             

249

  

      
Tpt. Si♭

       
        
Tbn.

  
      

Tbn.

                        

 
Sax. T.

         
                  
Tercera cancion
258 INTRO

             

Tpt. Si♭

        

             
Tbn.

        
   
           
Tbn.

            
 

Sax. T.

11
                                 
   
263


                       
Tpt. Si♭

     
 
                      
Tbn.

     

                                
Tbn.

Sax. T.   

  FINAL
                          
   
285

                    
Tpt. Si♭

   
    
                
Tbn.

          
  
                              
Tbn.

Sax. T.  

                     
          
290

                 
Tpt. Si♭

        
                 
Tbn.

         

                             
Tbn.

Sax. T.   

12
                   
 

295

      

Tpt. Si♭

       
      
Tbn.

Tbn.
       

             
Sax. T.   

    
 
300

Tpt. Si♭
C.C Torre Fuerte
San Jose de Guanipa

   
Edo-Anzoategui


Venezuela


Escrito por: Miguel Barrios
15-03-2020

   
Tbn.

Tbn.
 

     
Sax. T. 

13