PEE SVU UU UE UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU av8ra8 ‘Scene 1: A Mountainside near Nonnberg Abbey, early evening 1. Preludiun 2. The Sound of Mu 3. Change Into Scone 2. Scene 2: Nonnberg Abbey, the following morning. 4. Mari 5. Scene 2 (Underscore) 6. My Favorite Things. 7. Change Into Scene 3.. ‘Scene 3: The Living Room ofthe von Trapp Vill, that afte-noon 8. Doortell Rings. 9. Seene 3 (Undercore) 10.Do-Re-Mi (Part 1) 11, Do-ReMi (Part2). 12. Do-ReMi (Part 3). 13, Change Into Scene ‘Scene 4: Outside the Villa, early that evening 14, Sixteen Going on Seventeen 15. Change Into Scene S. Scene $: Maria's Bedroom, later that evening 16. Thunder 1. 17. Thunder 2. 18. Thunder 3. 19. Thunder 4 20, Thunders. 21. Thunder 6. 22, The Lonely Goatherd 23, The Lonely Goatherd (Playoff) ‘Ger oR Te fae |KaKProducions a18128 Scene 6: The Terrace of the Villa, few weeks later 24, Abbey Bells in the Distance... 25, Reprise: The Sound of Music. 26. Scene 6 (Underscore 27.nd of Scene 6. Scene 7: The Living Room, one week later 28, Landle 29, So Long Farewell... 30, End of Scene 7 Into Scene 8.. Scene 8: Nonnberg, Abbey a morning seve days ater 31. Climb Bu'ry Mountain 32. Change Into Scene 9 Scene 9: The Terrace, that afternoon 33.24 Reprise: The Sound of Muse. 34, Reprise: My Favorite Things 3. Change Into Scene 10.. Scene 10: The Terrace, several weeks later 136, Reprise: Do-Re-Mi Into Scene U1 nnnnnon a Scene 1: The Concert Hall Stage in Slur two days ater 7. Edel 38, Third Award Fanfare. 39, Second Award Fanfare. 40. First Prize Fanfare.. 41, The Family von Trapp. 42. Change Into Scene 12 Scene 12: The Abbey, later that evening 43. Finale Ultimo: Climb Ev'ry Mountain. 44, Bows and Exit Musi Th Sond of Mae agq0000 na nnaanaanananaannaannannan GPE VE VE VUUUUUUUUVUUUUUUUUUUUUUUUUUUUUUNUUUUUUU avan2e werwacet “ie tht SCENE 1: A MOUNTAINSIDE NEAR NONNBERG ABBEY EaRzy EVENING Inthe darkness the Abbey belle chime, followed by the NUNS of Nonnberg Abbey chanting Psalm 109, “Dixit Dominus” a eappela in the distance. ‘TRACK 1; PRELUDIUM MOTHER ABBESS GLORIA PATRIET FILIO, BT SPIRITUISANCTO. ALL NUNS (in sponse) SICUT ERATIN PRINCIPIO, ET NUNC ET, SEMPER, ET IN SAECULA SAECULORUM. AMEN. ‘TRACK 2: THE SOUND OF MUSIC [MARIA enters asthe ENSEMBLE creates the ‘mountainside by holding scenery jorming mountains, clouds a brook, trees edelwess and birds. MARIA removes her wimpla, setting iton the ground next 9 the brook. MARIA MY DAY IN THE HILLS HAS COME TO AN END, KNOW. ASTARHAS COME OUT ‘TO TELL ME IT'S TIME TO GO. BUT DEEP IN THE DARK GREEN SHADOWS. ARE VOICES THAT URGE ME TO STAY. SO 1 PAUSE AND WAIT AND 1 LISTEN FOR ONE MORE SOUND, Gere Tove ThkoxProsuctions 418128, 1aN412 (manta) FOR ONE MORE LOVELY THING ‘THAT THE HILLS MIGHT SAY. “THE HILLS ARE ALIVE “WITH THE SOUND OF MUSIC, “WITH SONGS THEY HAVE SUNG FORA THOUSAND YEARS. ‘THE HILLS FILL MY HEART WITH THE SOUND OF MUSIC— MY HEART WANTS TO SING. EVRY SONG IT HEARS. MARIA, ENSEMBLE ‘MY HEART WANTS TO BEAT LIKE THE WINGS OF THE BIRDS THAT RISE FROM THE LAKE TO THE TREES. MY HEART WANTS TO SIGH. LIKE A CHIME THAT FLIES FROM A CHURCH ON A BREEZE, ‘TO LAUGH LIKE A BROOK WHEN IT TRIPS AND FALLS (OVER STONES INITS WAY, TO SING THROUGH THE NIGHT LIKE A LARK WHO IS LEARNING TO PRAY. MARIA 1GO TO THE HILLS WHEN MY HEART IS LONELY, KNOWIWILL HEAR WHAT I'VE HEARD BEFORE. MARIA, ENSEMBLE MY HEART WILL BE BLESSED WITH THE SOUND OF MUSIC MARIA AND 'LLSING ONCE MORE, [MARIA hears the Abbey bells in the distance Oh, n0.. [MARIA starts off realizes she has forgotten er imple hurries back or and daches of the lights dim out, Transition tthe Mother Abbes office. “| Germ 0 vow. The Sound ofc iO} naq00000000000 anannnann 9 AnnAnaaaAannaAn G c GPU V EV VU EV UUUUUUVUUUYUUUUUUUYUUUUUUUUUUUUUUUUUUU ang128 ivr ‘SCENE 2: NONNBERG ABBEY ‘Taz FoLtowinc Mornin A dedk and chair are downstage, a small stool sits to the right ofthe desk Lights come up on MOTHER ABBESS, SISTER BERTHE, SISTER SOPHIA and SISTER MARGARETTA. MOTHER ABBESS [think we should be pleased with our efforts. Ou of twenty-eight postulants, sixteen or seventeen are ready to enter the novitiate. Let's Consider the doubt anes agai, SISTER BERTHE ‘Well sfter lastnight I don't think there can be any doubt about Maria. MOTHER ABBESS | gave hee permission to leave the Abbey forthe day. SISTER MARGARETTA told you, Sister Berth. SISTER BERTHE But she was late! MOTHER ABBESS Sister Soph, they do not see eye to eye about Maria. How do you feel about her? SISTER SOPHIA love hee very dearly. But she always seems to bein trouble, doesa’t she? SISTER BERTHE ‘Exactly what say! ‘TRACK 4: MARIA ‘SHE CLIMBS A TREE AND SCRAPES HER KNEE, HER DRESS HAS GOT A TEAR. SISTER SOPHIA SHE WALTZES ON HER WAY TO MASS AND WHISTLES ON THE STAIR, SISTER BERTHE, AND UNDERNEATH HER WIMPLE ‘SHE HAS CURLERS IN HER HAIR— SISTER SOPHIA I'VEEVEN HEARD HER SINGING IN THE ABBEY! SISTER BERTHE moves to the MOTHER ABBESS. ‘GeraneToROR. He Sand ane | &KOKProdactons SISTER BERTHE SHE'S ALWAYS LATE FOR CHAPEL— SISTER SOPHIA BUT HER PENITENCE IS REAL. SISTER BERTHE ‘SHE'S ALWAYS LATE FOR EVRYTHING EXCEPT FOREVRY MEAL. IHATE TO HAVE 70 SAY IT BUT I VERY FIRMLY FEEL, SISTER BERTHE, SISTER SOPHIA MARIA'S NOT AN ASSET TO THE ABBEY. SISTER MARGARETTA PD LIKE TO SAY A WORD IN HER BEHALF: MOTHER ABBESS ‘Then say it, Sister Margaretta, SISTER MARGARETTA MARIA... MAKES ME..LAUGH! MOTHER ABBESS and NUNS look at SISTER ‘BERTHE, then look front. SISTER SOPHIA HOW DO YOU SOLVE A PROBLEM LIKE MARIA? MOTHER ABBESS HOW DO YOU CATCH A CLOUD AND PIN IT DOWN? SISTER MARGARETTA HOW DO YOU FIND A WORD THAT MEANS MARIA? SISTER BERTHE (raising both hands) ABLIBBERTIGIBBET! SISTER SOPHIA (raising both hands) AWILL-O-THE-WiSP! SISTER MARGARETTA (raising both hands) ACLOWN! MOTHER ABBESS MANY ATHING YOU KNOW YOU'D LIKE TO TELL HER, MANY A THING SHE OUGHT TO UNDERSTAND, © | Gerona ro Kwow. The Sound Mie 20210) o oO oO oe a ic annanaganann an naann ynAAAAANe2998 Se VU UU UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 418128 vanwawer SISTER MARGARETTA BUT HOW DO YOU MAKE HER STAY AND LISTEN TO ALL YOU SAY? MOTHER ABBESS HOWDO YOU KEEP A WAVE UPON THE SAND? SISTER MARGARETTA (OH, HOWDO YOU SOLVE A PROBLEM LIKE MARIA? MOTHER ABBESS (rising both hands) HOW DO YOU HOLD A MOONBEAM IN YOUR HAND? ‘More NUNS begin entering intrigued by the conversation they have happened upon. SISTER MARGARETTA WHEN I'M WITH HERIM CONFUSED, OUT OF FOCUS AND BEMUSED, AND I NEVER KNOW EXACTLY WHERE 1AM, SISTER BERTHE UNPREDICTABLE AS WEATHER, SHE'S AS FLIGHTY AS A FEATHER SISTER MARGARETTA (to SISTER BERTHE) SHE'S ADARLING! SISTER BERTHE (to SISTER MARGARETTA) SHE'S ADEMON! SISTER MARGARETTA ( SISTER BERTHE) SHE'S ALAMB! SISTER SOPHIA, SHE'LL OUT PESTER ANY PEST, DRIVE AHORNET FROMHIS NEST, SISTER BERTHE SHE COULD THROW A WHIRLING DERVISH OUT OF WHIRL. SISTER MARGARETTA (raising both hands) SHE IS GENTLE, SHE IS WILD, Garr TORR TeSand Pae |KekProducons. 418128 rant 99000 SISTER SOPHIA C Crasing both hands) 4 SHE'S ARIDDLE, a SHESACHILD. G SISTER BERTHE 9G {raising bth hands) a SHE'S AHEADACHE! G SISTER MARGARETTA G {dropping her hands) SHE'S AN ANGEL— MOTHER ABBESS SHE'S AGIRL. ALL NUNS hing fo on ctf cap hat ct ening prayer HOWDO YOU SOLVE A PROBLEM LIKE MARIA? HOWDO YOU CATCH A CLOUD AND PINIT DOWN? HOWDO YOU FIND A WORD THAT MEANS MARIA? GROUP 1 AFLIBBERTIGIBBET! GROUP 2 AWILLO'THE-WISP! GROUP 3 ACLOWN! ALL MANY A THING YOU KNOW YOU LIKE TO TELL HER, ‘MANY A THING SHE OUGHT TO UNDERSTAND, MOTHER ABBESS, GROUP 1 BUT HOWDO YOU MAKE HER STAY Aanannnarnnnnacannannnnanga SISTER SOPHIA, GROUP 2 AND LISTEN TO ALL YOU SAY? SISTER MARGARETTA, GROUP 3 HOWDO YOU KEEP A WAVE UPON THE SAND? ALL (OH, HOWDO YOU SOLVE A PROBLEM LIKE MARIA? HOWDO YOU HOLD A MOONBEAMIN YOUR HAND? @ | corre ro svow Ti Sound fae e | G Gq GD kakProductions FE UEVEUUUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 18128 samiiao2n MOTHER ABBESS (at the desk) Now, my children, think I should talk fo Mara instead of about her. Lam ‘grateful to you all. ‘TRACK $: SCENE2(UNDERSCORE) ‘The NUNS exit. MARIA enters and crosses to the desk MARIA kneels before the MOTHER ABBESS who blesses MARIA. Sit down, Maria. MARIA (its on the stool) Reverend Mother, I was on my knees most of the night because Twas late. MOTHER ABBESS (sits at desk) ‘We could only think you had lost your way. MARIA 1 couldn't be lost on that mountain. was brought up on it! It was that ‘mountain that brought me to you. MOTHER ABBESS On? MARIA ‘When I wat little gs used to come dovin the mountain, climb a tree and look over into your garden. I'd se the Sisters at work, and Td ‘hear them sing on tele way to Vespers. Many times Iwent back up that ‘mountain inthe dark - singing all the way. And thet brings up another transgression. MOTHER ABBESS ‘Maria it’s only here inthe Abbey that there is a rule about singing. ‘MARIA ‘That's the hardest rule ofall for me. MOTHER ABBESS ‘The day you were singing inthe garden atthe top of your voice -I wish you hadn't stopped. Iused to sing that song when was a child, and I can't ‘guite remember. ‘TRACK 6: MY FAVORITE THINGS Please. ‘The MOTHER ABBESS getures fo MARIA to sng MARIA RAINDROPS ON ROSES AND WHISKERS ON KITTENS, BRIGHT COPPER KETTLES AND WARM WOOLEN MITTENS, Carmina Raa Te Bad Pe |GKekProductions ai818 MOTHER ABBESS (singing timid as she remembers the Song) "BROWN PAPER PACKAGES — MARIA (helping the MOTHER ABBESS remember the sng) ‘TIED UP WITH STRINGS- MARIA, MOTHER ABBESS ‘THESE ARE A FEW OF MY FAVORITE THINGS. MOTHER ABBESS (CREAM COLORED PONIES AND CRISP APPLE STRUDELS, MARIA DOORRELLS AND SLEIGH BELLS AND SCHNITZEL WITH NOODLES, MOTHER ABBESS WILD GEESE THAT FLY WITH THE MOON ON THEIR WINGS MARIA, MOTHER ABBESS ‘THESE ARE A FEW OF MY FAVORITE THINGS, MARIA GIRLS IN WHITE DRESSES WITH BLUE SATIN SASHES, MOTHER ABBESS ‘SNOWFLAKES THAT STAY ON MY NOSE AND EYELASHES, MARIA SILVER: WHITE WINTERS THAT MELT INTO SPRINGS— MARIA, MOTHER ABBESS "THESE ARE A FEW OF MY FAVORITE THINGS. WHEN THE DOG BITES, WHEN THE BEE STINGS, WHEN ’M FEELING SAD, | SIMPLY REMEMBER MY FAVORITE THINGS AND THEN DON'T FEEL SO BAD! MARIA (crosing tothe MOTHER ABBESS) WHEN THE DOGBITES, MOTHER ABBESS WHEN THE BEE STINGS, MARIA, MOTHER ABBESS WHEN !M FEELING SAD, I SIMPLY REMEMBER MY FAVORITE THINGS 10 | Gerrwero Kvow. The Sound fuse 000000 onoe000000000000090090 Q anannnnnanea Telata G GSESE EEUU EU UUYUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 16128 sayvsran2n (MARIA, MOTHER ABBESS) AND THEN I DON'T FEEL SO BAD! MARIA ‘Mother, where did you learn that song? MOTHER ABBESS was brought up on that mountain myself, (motions MARIA to sit) ‘Tell me, what isthe most important lesson you've learned here? ‘MARIA ‘To Bind out what is the will of God and to doit MOTHER ABBESS (crossesto the dst) -Mati, it seems tobe the wil of God that you leave us. MARIA Leave? (rss) (Ob, no! Mother, this what want This i mye MOTHER ABBESS Bat are you ready fort? Peshasifyou go out into the word again fora time you wil turn tous knowing what we expect of you and that we do expect MARIA now what you expect. MOTHER ABBESS Girmly) Mari, MARIA Ifitis God's wil Where am Ito go? MOTHER ABBESS (ossng tothe desk) “There's a family a family of seven children, They need a governess until September MARIA September! MOTHER ABBESS (picking up the slip of paper she wroteon earlier) (Captain von Trapp expects you this atemoon. He's fine man ~ and brave one. He was given 2 medal fr heroism in the Adriatic. ‘Terie Toren ese ge | TTKeKProductions 10128 MARIA ‘A Captain in the Navy! Oh, Mother, he'l be very strict. MOTHER ABBESS ‘You're not being sent to his battleship. "The MOTHER ABBESS hands MARIA the addres. Abbey belle are heard. 7 INE: [MARIA kneel the MOTHER ABBESS makes the sign of the cess on MARIA’ forehead. God bess you, Mars MARIA rises and lowly exit SCENE 3: THE LIVING ROOM OF THE VON TRAPP VILLA, ‘Tur APrERNOON CAPTAIN GEORG VON TRAPP enters carrying 4 suitcase. He is fllowed by FRANZ, the butler, and FRAU SCHMIDT, the housekeeper. CAPTAIN ‘Why did the last governess leave? FRAU SCHMIDT ‘Whe knows? FRANZ ‘She just said “ve had enough ofthis” and walked out. CAPTAIN ‘Well, there's another one coming today ~from Nonaberg Abbey ~ with orders to stay until September. FRAU SCHMIDT hope youll be at home for time, i. CAPTAIN 1 should be back from Vienna in afew weeks. FRAU SCHMIDT (Ob, there was a cal for you, sir from Vienna. Lhave the number in... CAPTAIN (seting his suitcase near the chats) 1 know the number FRAU SCHMIDT Ofcourse, st. The CAPTAIN ext 790000000000099000 qoannnaannnaagn aAananAnnnano1D KekProductions 29 V9 FE VUU UU UUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 18126 vevauet ‘TRACK 8: DOORBELL RINGS FRANZ exits fo answer the door. FRAU SCHMIDT ‘exis in the opposite direction. FRANZ re-enters, {followed by MARIA. FRANZ You will wat here. FRANZ exits ‘TRACK 9: SCENE 3 (UNDERSCORE) [MARIA is wearing an extremely drab dress and an unbecoming hat. Shes carrying a small carpet bag ‘and a guitar nits case. She comes down into the rooms timidiy and looks around in awe at the handsome tmbellshments. Inthe distance we hear the Abbey bell: MARIA knees and bows her head in brief prayer. The CAPTAIN enters and ashe sees MARIA In prayer, hestops. MARIA croses herself and rises. CAPTAIN T'm Captain von Trapp, You are Priulein.. MARIA ‘Maria ~ Maria Rainer. CAPTAIN (rossng to her) Now; Fraulein, as to your duties here— ‘The CAPTAIN suddenly becomes aware of her ares. Before the children meet you, you will pt on another dre MARIA haven't any other dress. When we enter the Abbey our worldly clothes are given tothe poor. CAPTAIN ‘What about thie one? MARIA ‘The poor didn't want this one. would have made myselfa dress but I wasn't given time. Ian make my own clothes. CAPTAIN Good. Il see that you're given some material - today ifpossible. Now, ‘you willbe in charge of my children. There are seven of them. You will find out how far they have progressed in their studies and carry on from there, Each morning will be spent in the classroom. Each afternoon, they march Terme voTNow He aind Fie | 13KKProduciions 278128 (CAPTAIN) ‘You wil see that at all times they conduct themselves with decorum and orderliness. The fst rule inthis house ie dscpline, MARIA Yessir. ‘The CAPTAIN takes out a silver boatswain's white ‘and blows a sire ike summoning blast, which continues whle his CHILDREN minus BRIGITTA enter from all directions. They are dresad in sailor tuniforms, the girls in skirtz.The CAPTAIN changes Fiscal to one that marks time for marching and the CHILDREN march, forming a lineup across the stage. MARIA watches this with considerable ‘astonsiment, There ian empty space between MARTA and KURT. Slowly BRIGITTA enters, realng a book. The CAPTAIN takes the book, gives ‘her an admonishing pat onthe behind witht, which sends har runing to take her place. The CAPTAIN ‘crosses in front of ther othe other side of LIESL and addresses ther. CAPTAIN hiss your new governess ~Friulin Mara As [sour your signal you wal tap forward and epeat your aa. (aking from his poset a cet cae which holds another white and handing to MARIA) You, risen wilisten and lam thei sgrals. “The CAPTAIN whites th various sas. Each CCEHLLD responds to is ore signal ppg fran ‘nity marmeremmouncing iso kena, ther stepping ack intone, begining with LIESL and nding with GRETL. ‘The CAPTAIN whistles LIESL's signal LIESL (Gtspping forward) ss. {LIES step back nto line. The CAPTAIN whistles FRIEDRICH sil FRIEDRICH, (tepping forward) edsch, [FRIEDRICH steps back int line. The CAPTAIN whites LOUISA' signal The Sound of Mie ° ° oO °o o o Oo a Oo a Qo a c c a a a a a a aan anann naanananannD K2KProductions avers vervwanen LOUISA (stepping forward) Losise LLOUISA eps back nto ine. The CAPTAIN whistles KURT ip KURT (stepping forward) Kart KURT steps back nt lin. The CAPTAIN whistles BRIGITTA signal BRIGITTA (epping forsard) Baga BRIGITTA steps backint ln. The CAPTAIN whites MARTA igual MARTA (Gsepping forward) Mara, [MARTA steps back nto ine. The CAPTAIN whites GRETL's signal. GReTL (eping forsard) ret! The CAPTAIN cose cow the CHILDREN b MARIA CAPTAIN ‘Now, Frei when I want you, this is what you'll hear. ‘The CAPTAIN whites the governs’ signa! ‘MARIA ‘You won't have to trouble sir, Because [couldn't answer toa whistle. CAPTAIN ‘That's nonsense. Everyone in this house answers toa whise. show you. The CAPTAIN whistles the butler’ signal and FRANZ enters. My butler, Franz. ‘Garena ToRNom. Tecan | 1S SV SESE VUE EEUU UU UYUUUUUUUUUUUUUUUUUUUUUUUUUUUUK2kProductions 418128 He shistles the housekeeper’ sgnal and FRAU ‘SCHMIDT enters, coming to attention (CAPTAIN) Frau Schmidt, the housekeeper. This is Friulein Mara, the new governess, Please make eure that her room is ready. FRAU SCHMIDT Yes si: FRANZ takes Maria's bag and begins to exit asthe CAPTAIN crose to pick up his suttase. MARIA blows a blast onthe whistle stopping FRANZ, FRAU ‘SCHMIDT and the CAPTAIN. MARIA Pardon me, sir~ don't know how to address you. CAPTAIN ‘Youwil all me Captain MARIA (rasing to CAPTAIN) ‘Thank you, Captain. I forgot to return this whistle, Capain.1 won't need it, Captain “He takes the whistle as FRANZ and FRAU SCHMIDT, somewhat taken aback by MARIA's ‘pumption exit MARIA notices the suas. Are you leaving us, Captain? CAPTAIN {rll be in Vienna on business and when I return, expect report onthe childcen's progress ~and on yours. You arein command. ‘The CAPTAIN exits MARIA burns othe CHILDREN with hand ap catching then off pur. MARIA “Wel now that there's just us would you tell me your names again and tell sme how old you ae (crosing tthe right of LIESL) Now you'e..? Bach CHILD, tm tury steps forward in mituary ‘manner speaks, and then steps back. LIESL Tm Lisl. I'm sirteen yeas old and I don’t need a governess. LIESL steps back. T6 | Gerzva 10 Know. The Sandie 00000000090000000 noo0o000 ano wn nanan acaadaadnnSEV EEE VEU UU UUUYUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUU 4iat26 21 MARIA Tm glad you told me. Well jst befriends, MARIA passes her as FRIEDRICH steps forward. FRIEDRICH 'm Friedrich. I'm fourteen, 'm aboy. MARIA Boy? Why, you'r almost a man, {FRIEDRICH steps bac, pleased. LOUISA steps Jorward. LoursA Ym Brigit, MARTA gigles, MARIA (crosses bind LOUISA) Yor dida'ttell meow old you are ~ Louisa, BRIGITTA 1m Brigit, She's Louisa and she's thirteen years old and you'e smart. maine and thnk your dress isthe ugliest one I ever av Kurt Brigts, you musa’ saya thing ke that BRIGITTA ‘Whi not? Don' you think t's ugly? KuRT laid thinkso, Iwoulda't sy 0. (napping to atertion) {im Kaa, m leven ~ almost. MARIA That's nice age ob, eleven ~ almost. MARTA (tps forward lift of MARIA, pling he sit) ‘im Marta and T'm going tobe seven on Tuesday and I'd ike apink parol MARIA Pink s my favorite color, too. GRETL steps forward and stamps her foot. Gerri Fo Rv Ta Sofas |K2kProductions 418128 (MARIA) ‘And youre Gret GRETL smiles {fm going to tell you something. Ive never been a governess before. How dot start? LoUIsA (runste MARIA) ‘You mean you don't know anything about being governess? MARIA No. LOUISA ‘Well, the first thing you have todo ist tll Father to mind his own business, KURT No, Louisa, don't. ike her. BRIGITTA (picking up guitar ease) ‘What's ia here? MARIA _My guitar, for when weall sing together. BRIGITTA takes the guter out of its ze. MARTA We dort sing MARIA Everybody sings. What songs do you know? Kurt ‘We dort know any song. MARIA (tang guitar from BRIGITTA) Youdos¥? ALL No MARIA Wal, now I know where to start _MARIA plays the guitar. ‘TRACK 10: DO-RE-MI (PART 1) 18 | Geren 0 Kuo. Te Sound Mase ° ° oO ° ° oO ° ° 9 oO oO anannnnanannnnnannaannaagnonoaggsSUEY UUUUUUUUUUYUUUUUUUUUUUUUUsUUUUUUUUUUUUUU 416126 vane (MARIA) Tm going to teach you how to sing. LET'S START AT THE VERY BEGINNING, AVERY GOOD PLACE TO START. WHEN YOU READ YOU BEGIN WITH— GRETL ABC. MARIA WHEN YOU SING YOU BEGIN WITH DO RE M1. CHILDREN DOREMI MARIA DOREMI, ‘THE FIRST THREE NOTES JUST HAPPEN TO BE DO-REML CHILDREN DO-REMI MARIA DO-RE-MI-FASOL-LATL. Come, Il make i easier. Listen. DOE - A DEER, A FEMALE DEER, RAY ~A DROP OF GOLDEN SUN, ME~ANAMEICALL MYSELF, FAR - ALONG, LONG WAY TO RUN, SEW ~A NEEDLE PULLING THREAD, LA~A NOTE TO FOLLOW SEW, ‘TEA ~A DRINK WITHJAM AND BREAD ‘THAT WILL BRING US BACK TO DO-OH-OH-OH.. GRETL poe! MARIA ADEER, AFEMALE DEER, CHILDREN RAY! MARIA -ADROP OF GOLDEN SUN, Cerra To Frown. TeSadf Mase | 19K2kProdutions: CHILDREN Et MARIA ANAMEICALLMYSELF, CHILDREN FAR! MARIA ALONG, LONG WAY TO RUN. SEW- ALL ANEEDLE PULLING THREAD, MARIA LA ALL ANOTETO FOLLOWSEW, MARIA TEA- ALL ADRINK WITH JAM AND BREAD, MARIA ‘THAT WILL BRING US BACK TO CHILDREN, DOE~ADEER,A FEMALE DEER, RAY-ADROP OF GOLDEN SUN, ‘ME~ ANAMEI CALL MYSELF, FAR ALONG, LONG WAYTO RUN, MARIA SEW-ANEEDLE PULLING THREAD, LA~ANOTETO FOLLOW SEW, ‘TEA~ A DRINK W:TH JAM AND BREAD, ‘THAT WILL BRING US BACK TO DO! DOREMPFASO-LATHDO... (CHILDREN sopo! BRIGITTA Is that what you cll a song? Do, re, mi, fi 0and soon? 20 | Garnwe r0Kvon. Te Sand of sie nnaacdanannnW KeKProdustions: uuuuuuuUuUuUUU u VYUVUYUUVUUVUUYUUUYUUUUUUUUUUUUUUUU 418128 s2niian21 ‘MARIA No. Do; re, mis fa, 0 and soon are only the tools we use to build a song. (Once we have these nates in our heads we can sing a milion diferent tunes, FRIEDRICH How? MARIA ‘By mixing them up. Listen. MARIA plucks G on the guitar, then sings a cappella slowly. (acappelia) $0 DO LAFAMIDORE, ‘Now you doit. CHILDREN, $0 DO LAFAMIDORE. MARIA S0DOLATIDOREDO. CHILDREN $0 DO LATIDO REDO. MARIA Now, let’ put tall together. ALL SO DO LAFAMIDORE, SO DO LATIDO REDO. BRIGITTA But it doesn't mean anything. ‘MARIA So we putin words - one word for every note WHEN YOU KNOW THE NOTES TO SING, ‘YOU CAN SING MOST ANYTHING. ‘Together! ALL WHEN YOU KNOW THE NOTES TO SING, ‘YOU CAN SING MOST ANYTHING, ‘Gervine a Rvon TeSeundefiasle | 2K2kProductons ‘THAT WILL BRING US BACKTO DO! 22, | Gerona ro Kwon. The Send of Mae 418128 pra023) ° ° GRETL > (MARIA leads her) DOE CHILDREN [ADEER, AFEMALE DEER MARTA (marches too GRETL) Ray CHILDREN ADROP OF GOLDEN SUN. BRIGITTA (ures to MARIA an joins the fra 40) ME CHILDREN ANAME 1 CALL MYSELF, ° KURT = (hake MARIA’s hand and joins the others) G FAR ° CHILDREN ° ALONG, LONG, WAY TO RUN. o LOUISA 5 sew a CHILDREN oa ANEEDLE PULLING THREAD. — FRIEDRICH c (bows to MARIA and roses) Ss LA S ie CHILDREN - ANOTE TO FOLLOW SEW. = LIESL c (joining the thers) c TEA c CHILDREN S ADRINK WITH JAMAND BREAD. = c ALL . G G = a GaWD K2KProductions: SV UYUUUUUUUUUUUUUUUUUUUUUUUUUUUUNUUUUUUUUUUU Do MI FA so. Do, Do so FA Do 418126 rena [MARIA cross in front ofthe CHILDREN and then goes behind them. MARIA taps hem on their heads as 1 playing a slophone. GRETL MARTA BRIGITTA KURT LoursA FRIEDRICH LIESL MARIA LIESL FRIEDRICH Loursa KURT BRIGITTA ‘MARTA, KURT, BRIGITTA, MARTA, GRETL Cer aioe Titan le 175K2KProductions MIMI ‘MISO SO FAEA LATITE Do MM MISO so FAFA LATITI Know THE NOTES To SING, you 418128 LEISL, PRIEDRICH, LOUISA KURT, BRIGITTA, MARTA, GRETL LBISL, FRIEDRICH, LOUISA KURT, BRIGITTA, MARTA, GRETL LEISL, FRIEDRICH, LOUISA KURT, BRIGITTA, MARTA, GRETL. LEISL, FRIEDRICH, LOUISA ‘The CHILDREN continue repeating this phrase as [MARIA and LIESL sing KURT,BRIGITTA, —LOUISA, FRIEDRICH. ‘MARTA, GRETL Do MIMI ‘MISOSO RE FAFA LATITI Do MIMI ‘MISO SO RE FAFA LATITI Do MIMI 2A | Gerrmaro Row. Te Seund ofa nvveoniC) Oo acoooooood nanannnnnnanncac1 R2KProductions VEYUE EYE VUVUUUUUUUYUUUUUUUUUUUUUUUUUUUUUUOUUU 418128 saiiti20e1 ‘MARIA, LIESL KURT, BRIGITTA, —_LOUISA, FRIEDRICH MARTA, GRETL caN ‘MISO SO sinc RE FAFA, Most LaTIT! [MARIA holds her ears as they shout. CHILDREN, ANYTHING! Led by MARIA, the CHILDREN march around the DOE, A DEER, A FEMALE DEER, RAY, ADROP OF GOLDEN SUN, ‘ME, A NAME I CALL MYSELF, FAR, ALONG, LONG WAY TO RUN. MARIA sits and CHILDREN group around her. MARIA ‘SEW, ANEEDLE PULLING THREAD. CHILDREN, ANEEDLE PULLING THREAD. MARIA LA,ANOTE TO FOLLOW SEW. CHILDREN ANOTE TO FOLLOW SEW. MARIA ‘TEA, A DRINK WITH JAM AND BREAD. CHILDREN JAN AND BREAD. MARIA (rising) ‘THAT WILL BRING US BACK TODO! (CHILDREN crowd around MARIA. ALL ‘THAT WILL BRING US BACK TO... MARIA DOREMIFASOLATIDO! Garin roRon. Hebd Fase |SKakProductions 418128 ALL (shouted) po! ‘The CHILDREN and MARIA laugh. FRANZ enters, FRANZ Come children, it's time for your exercise. The CHILDREN ad lib their protestations ~ “Do we hhaveto?".. "Not now..." "Cant we go later?” ~ ete ‘as FRAU SCHMIDT enters onthe balcony, carrying curtains and comes down the stairs. Come along now, come slong. FRANZ ushers the CHILDREN off FRAU SCHMIDT enters carrying a pile of curtains as [MARIA returns the guitar ts case. FRAU SCHMIDT ‘Your oom i ready, Feiulein Mari. hope you indi satisfactory. MARIA ts abeady the most beautifulroom I've ever had! What are those? FRAU SCHMIDT ‘The od curtains from your room. MARIA Telooks like they have plenty of wear leftin them, FRAU SCHMIDT ‘The new ones have been hung, MARIA ‘Wher the children return from their exercise [think have them change into their play clothes and take them— PRAU SCHMIDT Theyhave no such clothes. The von Trapp children do not play - they march (refering to the guitar) ‘And you cin pt that away. You won'tbe using it MARIA Why aot? FRAU SCHMIDT ‘The Captatn won't have music here. ‘MARIA He won'thave music? 26 | cerrwaroKvow.TeSundefiiwie SSS noooooccoa c e qanaqnannnnw VVVEUUYUUUYUUUUUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUU K2KProduations 418128 varnvvawen FRAU SCHMIDT. ‘And he used to love musi. His wife would sing and he would play the violin or guitar. But since her death he's shut all that out ofhislife. MARIA So tha's why he's the way he i. But not to have music — that's wrong for him and wrong fr the children too. FRAU SCHMIDT agree, riulen, but youl find thatthe Captain is very st in his ways. ‘Nowallow me to show you to your room. I's going to rain soon, so when ‘we gt there you'd better close your window. ‘TRACK 13: CHANGE INTO SCENE 4 -FRAU SCHMIDT and MARIA exit. SCENE 4: OUTSIDE THE VILLA ‘Eanty Tuar EVENING LLIBSL i seated on a bench as ROLF, a telegram boy, enters. LIESL ‘Well, good night, Rolé ROLF ‘You don't have to say good night this early. Afterall, your fther int home. LIESL How did you know my father wasn't home? ROLF ‘Oh, Thavea way of knowing things. LIESL How did you know two days ago that you would be here at just this time tonight with a telegram for Prana? ROLF Every year on this date he gets a birthday telegram from his sister. Can I ‘come again tomorrow night? LIESL Rolf, you can't be sure you'e going to have telegram to deliver tomorrow night. Garin Fo Kron Te Sean ofMoe | 97k2xkProductons 418128 sarisa0a1@) ° ° ROLF ° (siting bese her) 2° could comehere by mistake —with a telegram for Colonel Schneider. ° He'sher rom Berlin (rng cudnt concerned) No ones supposed to know be'shere. Don't you tell your father. LIESL (ring) Why nott ROLF Well your ithe’ pretty Austan. LiEst Were all Awan. ROLF Some people think we ought to be German. Theyre pretty mad st those who dont thinks, LiEst ‘Well I'm su Tt haveforgoten all abou itby the time Father ets back, Don't wor ROLF The only one worry abouts is daughter. 14: SECTEEN GOING. a LiEsL a Me? Why? Cc ROLF ce How ol sreyou, Lies? c LIESL Sheen, (ats) ‘What's wrong with that? ROLF YOU WAIT, LITTLE GIRL, ON AN EMPTY STAGE, FOR FATE TO TURN THE LIGHT ON. ‘YOUR LIFE, LITTLE GIRL, IS AN EMPTY PAGE "THAT MEN WILL WANT TO WRITE ON. LIESL TOWRITE ON. 28 | Gerewor0 Kuow. The Sond fae nanannagnnnnanncWD KaKProductions VE VEU VEUUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 418128 ay 4264 ROLE YOU ARE SIXTEEN, GOING ON SEVENTEEN, BABY, IT'S TIME TO THINK, DETTER BEWARE, BE CANNY AND CAREFUL, BABY, YOU'RE ON THE BRINK. LIESL 1AM SIXTEEN, GOING ON SEVENTEEN, IKNOW THAT IM NAIVE FELLOWS I MEET MAY TELL ME IM SWEET AND WILLINGLY I'LL BELIEVE. ROLF ‘TOTALLY UNPREPARED ARE YOU ‘TO FACE A WORLD OF MEN. LIESL ‘TIMID AND SHY AND SCARED AMI (OF THINGS BEYOND MY KEN. ROLF YOU NEED SOMEONE OLDER AND WISER TELLING YOU WHAT TO DO. 1AM SEVENTEEN, GOING ON EIGHTEEN, TLLTAKE CAREOF YOU. [ROLF sits next to LIBSL ad tidy takes her hand LLIESL coyly withdraws her hand, and sides away ‘from ROLE. ROLF slides closer to her and once ‘again takes LIESL's hand, but this time with more ‘confidence. LIESL emiles at ROLF ae ther stands, stil. ROLF alo stands, bowing formally o LTEST. LLIESL responds with a cuts. ROLF and LIESL begin to dance ina traditional way, much ike the Léndler ‘Their dance becomes more exuberant, breaking info an enthusiastic polka. ROLF and LIESL end their dance. IAM SEVENTEEN, GOING ON EIGHTEEN. ‘LL TAKE CAREOF YOU. LIESL YLLDEPEND ONYOU. ‘ROLF takes LIESL's hand, kissing it formaly and then exits. As soon as ROLF is out of sight, ESL jumps with joy and shouts. Yahoo! Blackout GerrneroTon. Bond ae | 29KekProductons 418128 ‘TRACK 15: CHANGE INTO SCENES SCENE $: MARIA’S BEDROOM Later THAT EVENING MARIA i kneeling at her bed in prayer. ‘MARIA Dear God, T know that you have sent me here on a mission and 1 pray that this will lecome a happy family in Thy sight. God bless Liesl and Friedrich, Lous, Brigitta, Marta and little Gretl~and ob, yes I forgot the ‘other boy ~ what's hie name? Wel, God bles what's-his-name! ‘TRACK 16, THUNDER 1 ‘There is lightning and thunder. LLESL enters through the window, Her dress amudged wit dirt. LIESL. tiptoe to the hall door. MARIA ses her out ofthe corner of er ee but continues. ‘And, dear Goi, about Lies|— 'LIESL stops and gives MARIA a startled look. Help her to know that lam her fiend and help her to tell me what she's up to LIESL. 1 was ont taking a walk and somebody locked the doors ear than usual = and I didn’twant to wake everybody up ~ so when I saw your window ‘open— You're not going to tell Father are you? MARIA Liesl, were you out walking all by yourselP LLIESL shakes her head negatively. ‘You know, ifwe wash that dress out tonight, nobody would notice it tomorrow. Then all ofthis would be just between you and me. You could pat this on — [MARIA takes off her robe and pute it around LIESL's shoulders, ‘Take your dress in there and put it to soak inthe bathtub. ‘Thunder and lighting. MARIA and LIESL embrace ach other in fright. “Then come bickchere and sit on the edge of my bed, and well have a talk LIESL I told you todsy I didn’t ned a governess. Wel, maybe do. LLIBSL eit ‘TRACK 18: THUNDER 30 | Gerrmezo Kuow. Th Sound aie o99009909000000 a y ne inAnAGANA anaannu SUV EEE UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 418126 varagen ‘Thunder and lightning. MARIA jumps onto the bed. GRETL enters ‘MARIA (hy i's you Geet. Are you afraid? GRETL shakes her head. ‘Thunder and lightning GRETL jumps onto the bed with MARIA. BRIGITTA, LOUISA, and MARTA ‘Come all you. Up on the bed. ‘BRIGITTA, LOUISA, and MARTA jump up onthe bed "Nowall we have todo is wat forthe boys LOUISA ‘We won't see them! Boys are brave ‘TRACK 20; THUNDER S ‘Thunder and lightning. KURT and FRIEDRICH center. MARIA ‘You boys arent fiightened too, are you? KURT ‘Oh, no. We just wanted tobe sure you weren't MARIA ‘Was tis your idea, Friedrich? FRIEDRICH Ob, no. twas Kurt's ‘MARIA ‘That's it, Kur. That’ the one [left out. citi. Br RS Lightning an thunder. KURT and FRIEDRICH run and cower at the foot ofthe bed. MARTA Whi does it do tha? MARIA ‘Well the lightning says something tothe thunder and the thunder answers iebacke ‘Garin TORR. Tsou | 5]K2KProductons: 418128 MARTA | wish it would’t answer so loud. MARIA ‘Maybe ifweall sing loud enough we won'thear the thunder. Now just imagine... aa ‘The CHILDREN climb off the bed and st in emicirde a its foot. MARIA sits on the edge of the bed. HIGH ON A HILL WAS A LONLEY GOATHERD, LAY-BE ODL, LAY-EE ODL, LAY-EE 00. LOUD WAS THE VOICE OF THE LONELY GOATHERD, The GOAT enters GoaT LAY-EE ODL, LAY-EE ODL OO. FOLKS IN THE TOWN enter. MARIA FOLKS IN THE TOWN THAT WAS QUITE REMOTE, HEARD Goat LAY-EE ODL, LAY-EE ODL, LAY-EE 00. MARIA LUSTY AND CLEAR FROM THE GOATHERD’S THROAT, HEARD, Goat LAY-EE ODL, LAY-EE ODL.OO ALL OHO LAY-DEEODL LEE, ‘OHO LAY-DEEODL AY, (OHO LAY-DEEODL LEE 0, LAY-DEE ODL LEE-O-LAY! ‘The GIRL IN THE PALE PINK COAT enters, MARIA, LIESL ONE LITTLE GIRL IN A PALE PINK COAT, HEARD GoaT LAY-EE ODL, LAY-BE ODL, LAY-EE OO. MARIA, LIESL SHE YODELED BACK TO THE LONELY GOATHERD 32, | Gerria ro kw. Te Sound Mis oO nannannnnnnnnnananannagacn0cn0gDD K2kProductior SUV UE VUVEUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 418128 serva021 GIRL IN THE PALE PINK COAT LAY-EE ODL, LAY-EE ODL OO. MAMA enters ‘MARIA, CHILDREN SOON HER MAMA WITH A GLEAMING GLOAT, HEARD LAY-EE ODL, LAY-EE ODL, LAY-EE OO. WHAT A DUET FORAGIRL AND GOATHERD! LAY-EE ODL, LAY-EE ODL 00. ALL OHO LAY-DEE ODLLEE 0, OHOLAY-DEE ODLAY, OHO LAY-DEE ODLLEE 0, LAY-DEE ODL LEE-O-LAY. HAPPY ARE THEY LAY-DEE LAY-DEE LEE O, ‘OLAY-DEE O LAY-DEE LAY-DEE O, SOON THE DUET WILL BECOME A TRIO, LAY-EE ODL, LAY-EE ODLAY. MARIA, GROUP 1 HODLLAY-EE LIESL, GROUP 2 HODLLAY-EE MARIA, GROUP 1 HODLLAY-EE LIESL, GROUP 2 HODLLAY-EE MARIA, GROUP 1 HODLLAY-EEEE LIESL, GROUP 2 HODLLAY-EE-EE MARIA, GROUP I HODLLAY-EE HODLLAY-EE LIESL, GROUP 2 HODLLAY-EE MARIA, GROUP 1 HODLLAY-EE Gerrna vo Fro. Send se | 33K2xPreductions 418128 s2iai202 LIESL, GROUP 2 HODLLAY-EE MARIA, GROUP 1 HODLLAY-EE LIESL, GROUP 2 HODL LAY-EE ALL HODL LAY-EE ODL, LAY-BE ODL AY! By the last note of muzc the GOAT, the GIRLLIN ‘THE PALE PINK COAT, MAMA and FOLKS IN THE TOWN exit Thunder and Blackout. ‘TRACK 23; THE LONELY GOATHERD (PLAYOFF) SCENE 6: THE TERRACE OF THE VILLA AFew Weexs LATER CAPTAIN (to FRAU SCHMIDT) Sul no sign of Feilein Maria and the children? FRAU SCHMIDT ‘Noy ie, but I'm sure theyll return shortly. They be delighted that you're home, [MAX DETWEILER enters as FRAUSCHMIDT cents, MAX s charming and vital. He carrss «small notebook and pena. MAX How would you lie this forthe Salzburg Festival? The finest choral group in Austria, the greatest mized quartet inal Europe, and the est soprano inthe word? CAPTAIN (preoccupied) Iesounds wonderful, Max. MAX ‘Doesnt it though? Unfortunately all I've got ia baso who isn't even, prefando CAPTAIN ‘Max, you always come up with 2 good festival concert. BA. | Germmaro Keow. Te Sound afi a0 000000 900 eooocecco90N oecaa naaG naanannnnnnant© KekPreductions: suveueuyuUUUUUUUUUUUUUUUUU UU UUUUUuUUUUUeeueoU 418128 vanvenet MAX ‘And why? Because my motto is: “Never start out looking forthe people yec wind up gettin,” That’ why ve been telephoning Pars, Rome, Stockholm, London. CAPTAIN ‘Onmy telephone? MAX How else could Ilford it? Me the lowly Third Secretary of the Ministry of Education and Culture. B Georg, is there a cathedral around here? CAPTAIN Nonnberg Abbey. MAX Do they have choir? CAPTAIN A beautifl one. MAX ‘Good! TI have to pay them avi ROLF enters ooking for LIESL. ROLF doesn't see the CAPTAIN and MAX. CAPTAIN (w ROLF) ‘Wht do you want? ROLF turns, startled. ROLF ‘Ob, Captain -1 don’t see... mean, I didn't know... uh.. ROLF holds hishand up in salut. Heil CAPTAIN (ay taking step toward ROLF) “Who are yout ROLF {havea telegram for Herr Detwiler. MAX ‘Tam Herr Detweiler. Cerna ration Ti taad oe 155KakProductions 418128 ROLF hands MAX the telegram. CAPTAIN ‘You've delivered your telegram, now get out! ROLF ext fustered. MAX Georg, he's just boy. CAPTAIN aman Aastien I will aot be helled! MAX ‘Georg, why don't you look at things the way do? What's going to happen is going ts happen Jastbe sure it doesn't happen to you. FRANZ enters. FRANZ Heer Detwele, there's cal for you fom... MAX “Thank yoo, Franz. FRANZ exit, Excuse me, Georg. MAX exits at GRETL runs on and stoops over. Nest we see MARTA leapfrog over GRETL and stoop. MARTA is followed by BRIGITTA, KURT, LOUISA, ‘FRIEDRICH and LIESL, all eaprogging and keeping their heads down. The CHILDREN are dresed in play clothes made rom the old curtains from Maria's bedroom. The las on on i MARLA. Her eapfrogaing tas her to the fet ofthe CAPTAIN. MARIA straighten up in pleased surprise. MARIA ‘Oh, Capain - you're home! CHILDREN (king up jl) athe! Fate, youre bome! ‘The CAPTAIN takes his whistle from his pocket «and blows a preemptory bla. The CHILDREN, dlcmayed lineup in lary fashion, CAPTAIN Straight ne! 36 | Gerrmors Know. TheSandf Muse oo0000000000000 Q oooooococacea c cD K2kProductions PUVUUUUUUUYUUYUUUUUUUUUUUUUUUUUUUUUUUNUUUUUL 418128 canvvent ‘The CAPTAIN crosses behind they inpecting tir strange garb with evident displeasure. He snatches a rch made ofthe curtain material from LOUISA's head. (caprain) Get cleaned up! Get into your uniforms and report back here! ‘The CHILDREN glance appealingly toward MARIA. Atonee! ‘The CHILDREN run into the house. riulein! Where did you gt these abominations - out ofa nightmare? MARIA No, out of some curtains ~the curtains that used to hang in my bedroom. ‘There was plenty of wear left in them, ‘CAPTAIN, Do you mean to say the people ofthe neighborhood have seen my children wearing old curtains? MARIA ‘Oh, yes, they've become very popular. Beryone says, “There ge Captain von Traps children.” CAPTAIN “My children have always been a credit to my name. MARIA Bat, Captain, they weren't. They were just unhappy litle marching machines. CAPTAIN 1Ldon't care to hear fom you about my children. MARIA ‘Well, you must hea fom someone. You're not home long enough to know them, CAPTAIN, I said I don't want to hear 1 know you don't but you've got to! Take Liesl Liel isn'ta child any moze. And if you keep treating her as one, Captain, you're going ta have a ‘mutiny on your hands. And Friedrich ~ Fredrich's aad tobe himself he's shy ~he's aloof - Friedrich needs your confidence! CAPTAIN Don't tell me about my soa. MARIA Brigitta could tell ou about him. She could tell you alot more fyou got Garr TOR Ow. Te und Tae | 37kaKProducons: 418128 rn 2021) ° ° 5 (manta) < tor by Beco ngs Ach chenys latch = ° tspeily when you dont want tober ° The CAPTAIN srk tohave oO haven finished yt! Mara I don lenow about yet, but someone has SNe ent TE ee 9 Captain love Gret love allof them. They need you. ° CAPTAIN ° Stop Stop it You wllpack your things nd return othe Abbey as soon as ° pole ° MARIA ° {Ym sor. Lshouldnt havea thoe things ~ not nthe way Li them Oo ‘TRACK 2S: REPRISE: THE SOUND OF MUSIC ° ist ‘Thedloloe continues initeroped asthe CG CHILDREN begin to ing oftoge _ carTain o After you've goe there be. Wha’ that? = MARIA ‘CHILDREN a Stagg, ‘THE HILLS ARE ALIVE 3 cara a Whossingog? WITHTHE SOUND OF MUSIC, a a MARIA 3 Your eden WITH SONGS THEY HAVE SUNG a CAPTAIN 4 My children ~ singing? FORA THOUSAND YEARS. = MAX exten felloweby the CHILDREN. a Max ie Georg you mus hearst cuILLDREN ‘THE HILLS FILL MY HEART c WITH THE SOUND OF MUSIC. a MY HEART WANTS TO SING : EVRY SONG IT HEARS c MY HEART WANTS TO BEAT c HIKE THE WINGS ‘ OFTHE BIRDS THAT RISE c 38 | cere loons enhanc =© K2xkProduct Se UUUUUUUEUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUO 416128 ravwe02s (CHILDREN) FROM THE LAKE TO THE TREES. MY HEART WANTS TO SIGH LIKE A CHIME THAT FLIES FROM A CHURCH ON A BREEZE. ‘The CAPTAIN tur fron an joins in the song. CAPTAIN 1G0 TO THE HILLS WHEN MY HEART IS LONELY, I KNOW 1 WILL HEAR WHAT I'VE HEARD BEFORE. MY HEART WILL BE BLESSED WITHTHE SOUND OF MUSIC ANDILLSING CAPTAIN, CHILDREN ONCE MORE. ‘As the song fishes there tea moment of poigant ‘iene GRETI, who i carrying a white for looks toward MARIA. MARIA nods to er GRETL gos 0 the CAPTAIN ad hands hin the lowe. CAPTAIN (touched) Edelweiss. ‘TRACK 26: SCENE 6 (UNDERSCORE) MAX Georg, why haven't you told me how talented your children are? "The CAPTAIN puts his arm around GRETL. He ‘motions the other CHILDREN to hint. The younger ‘ones suround him. He puts hs other arm around (MARTA, then reaches out and gently ruffles KURT'S hair. The CAPTAIN looks 9 MARIA. Then: CAPTAIN Children, 1d like you toshow Here Detweiler the gardens MAX (taking BRIGITTA and MARTA by the hares) ‘Yes, do show me the gardens "MAX and the CHILDREN begin to exit, ‘And1'd love to hear yousing another song. Who taught you to sing 20 Deautiflly? ‘Garvne FoR Tr Said se 35R2KProductions 418128 oziC) ° ° BRIGITTA 7 Friulein Maria, FRIEDRICH ‘And she taught me t play the guitar! And they are gone. Muse fades out CAPTAIN (Going to MARIA) ‘You wate ight. don't know any own children MARIA ‘They'te waiting to know you. After I'm gone.. CAPTAIN No. Tant you to stay. MARIA flcan be of any help. CAPTAIN ‘You hive helped already, You have brought music back into my home. ‘TRACK27: END OF SCENES ‘The CAPTAIN exis, leaving MARIA alone. MARIA tosses her kerchie ino the ar catches it, and exits SCENE 7: THE LIVING ROOM, So (One Weex Laer a a ‘The room s filed with waltzing COUPLES and a other GUESTS. BRIGITTA enter interested in a = heated conversation between BARON ELBERFELD c and HERR ZELLER which we cannot hear. The S ‘music ends, BARON ELBERFELD crostes the room, ‘agitated, pursued by HERR ZELLER. ZELLER ‘You hive German blood, haven't you? ELBERPELD (tuming to ZELLER, vehemently) lam not German. 'm an Austean! ZELLER, You'lsee soon enough. 40 | Gerrwo ro Kvow. Te Sud of aie aaaannnananaeD K2kPreductions SUYUUUU UE VUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUO ane vanvewer ‘ZELLER exits ac ELBERFELD croses aay. [BRIGITTA crosses othe CAPTAIN. BRIGITTA, Tathes, 1 don't thins these people arc having very good time. CAPTAIN, Half the people in town are angry a the other haléI thought maybe party would help, bit now I'm not s0 sure KURT enters pulling MARIA by the hand. MARIA Kart, Fhaven't danced the Lindler since I was ite gel KURT (Oh, you rememberit - show me. You std the left hand behind the back. TRACK 28: LANDLER MARIA But ist the boy and gi met. KURT bows. MARIA curses. Then they go for ae trol "MARIA and KURT join hands and cross ina fol dnc step They ty to excete a movement which ia inte sar for KURT. CAPTAIN, No, that’s wrong, Kart Lat me show you. eta: MARIA’s hand and they continue the dance as KURT and BRIGITTA watch them. The dance reaches the point at which MARIA and the CAPTAIN, while holding hands, must ezcutea figure which alle for MARIA to turn under the CAPTAIN's ‘anne and assume a position in which hie arm are ‘around her and his face lose to hers. This physical cemtrace brings an awarencsto both ofthe. When ‘his same figures repeated, MARIA finds herself under ‘he spell ofan emorton that she has never experienced before ad doesnot understand. In slfconscousnes, [MARIA breaks away. MARIA 1... I don't remember any more. CAPTAIN (also self conscious) ‘Well, Kur that's the way it's done Garin voRon. eSond Tae | fyKaKProductons 416128 ‘The muse comes to an end and the CAPTAIN crosses ‘away with KURT. BRIGITTA (cesing to MARIA) ‘Your faces all re. MARIA 1 guess Y'm not very used to dancing BRIGITTA thinkit's because Father's in love with you. MARIA Brigta, you shouldn't say things you don’t know cre true. BRIGITTA Remember the other night when we wer all singing the edelveiss song he taught us? After we Bnished, you laughed ath fer frgeting the werd He dda’ forget the words. He ust stopped singing to look you. [MARIA can't accept this idea because it conflicts with her commitment othe church MARIA No, Brigit BRIGITTA ‘And the way you looked at him just now when you were dancing, You're ilove with him, too. [MARIA stands in stunned silence a: the CAPTAIN crosses to her. CAPTAIN ‘Oh, Feulein Maria ~ you're not going to have dinser with the children ‘tonight. You're having dinner down here with us. ‘MARIA (haking her head in protest) Oh, no CAPTAIN ‘Oh, yes. But you Ihave to change. [MARIA stars to exit but stops as the CAPTAIN speaks, ‘Marla, wear the dress you wore the other night when we were all singing. Tewas lovely. rn ue Te Sd of ie a1 i202) ° ° oO ° ° ° ° ° ° ° Oo e ° eoooooococ n0 ana0ne ar 1 anannD K2KProductions: VVUUUUUUEUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU MARIA stares at him for a moment as he esses away. ‘She sees that BRIGITTA i looking at her a if say, "eld ou so!" Not inoving how to respond, MARIA, exits quickly MAX “Ladies and gentlemen, your attention please. Before we go into dinner, the von Trapp children would like to say “good night” as only they can ‘TRACK 29: SO LONG, FAREWELL CHILDREN ‘THERE'S A SAD SORT OF CLANGING FROM THE CLOCK IN THE HALL _AND THEBELLS IN THE STEEPLE, TOO, AND UP INTHE NURS'RY AN ABSURD LITTLE BIRD IS POPPING OUT TO SAY"Co0-Coo" BRIGITTA, GRETL, MARTA, KURT “co0-coo" co0-coo" LOUISA, FRIEDRICH, LIESL BRIGITTA, GRETL, MARTA, KURT ‘REGRETFULLY THEY TELLUS “CO0-COO* ‘BUT FIRMLY THEY COMPEL US “¢90-coo" ‘TO SAY GOODBYE "c00-coo" CHILDREN, ToYou, SO LONG, FAREWELL, ‘AUF WIEDERSEHEN, GOOD NIGHT, MARTA (steps forward) IHATE TO GO AND LEAVE THIS PRETTY SIGHT. [MARTA is ejected bythe “machine” and exits. CHILDREN, SO LONG, FAREWELL, ‘AUF WIEDERSEHEN, ADIEU, KURT (stepping oreard) ADIEU, ADIEU, Genre ToRow. TS Pass | 43ReKProduetions 1308 (KURT) ‘TO YIEUAND YIEU AND YIEU. KURT exits the same way. CHILDREN SO LONG, FAREWELL, AU’ VOIR, AUF WIEDERSEHEN, LIESL (epping forward) YD LIKETO STAY AND TASTE MY FIRST CHAMPAGNE, (lothe CAPTAIN) Nor CAPTAIN No! LIESL exits CHILDREN $0 LONG, FAREWELL, AUF WIEDERSEHEN, GOODBYE, FRIEDRICH (stepping forward) LEAVE AND HAVE A SIGH AND SAY GOODBYE, Goopsve. [FRIEDRICH exit, DRIGITTA YM GLADTO GO, 1 CANNOT TELL ALIE. LOUISA I FLIT, I FLOAT, I FLEETLY FLEE, IFLY. [BRIGITTA and LOUISA exit GRETL ‘THE SUN HAS GONE TO BED AND SO MUST CHILDREN (om the upstairs landing) ‘SO LONG, FAREWELL, AUF WIEDERSEHEN, GOODBYE, ‘GOODBYE... GOODBYE... GOODBYE. LLIESL takes GRETL inher arms. 4 | Gerrme ro vow The Sound of Mae oo nanannannnaanncFUVUUUUUVUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU c2kProductions #18128 ‘2rvraeet cuEsTs GoopyE! ‘The CHILDREN exit FRANZ Ladies and gentlemen, diner is served. ‘As the GUESTS drift ofthe CAPTAIN intercepts MAX CAPTAIN ‘Max, you know how I ee about — MAX ‘But Georg they're extraordinary! I've been looking al over Austria for something lke this forthe festival and I find it right here! CAPTAIN My children do not singin public MAX. But thisis important to Austria. ‘The CAFTAIN gives MAX a septcal ook and exits Into the dining room. MAX follows him of ‘Andit wouldn't do me any harm. ‘TRACK 30: END OF SCENE7 INTO SCENES [MARIA enters wearing the hat and drese she wore the day she first came to the villa, aad she i earring her guitar case and carpet bag. She loks unhappily toward the dining room as though she wanted to say _goodby to someone. MARIA looks longingly wher the CHILDREN have gone off and then elowly and sadly exits, ‘SCENE 8: NONNBERG ABBEY AMORNING SEVERAL Days LATER ‘The MOTHER ABBESS i seated atthe desk and SISTER SOPHIA stands facing her. A NEW POSTULANT is seated onthe stl by te desk, Signing her name toa pape. Sheis distinctively dresed ina drabeut and hat MOTHER ABBESS (rising) Sister Sophia, take our new postulant tothe robing room. Bless you, my daughter. ‘rr oR Te Sod ae | 4SKeKProductions 418128 ‘The NEW POSTULANT knedls and the MOTHER ABBESS bless her. SISTER MARGARETTA enters ° as SISTER SOPHIA and the NEW POSTULANT ° ent ° SISTER MARGARETTA ° ‘Maia has asked to see you. {know thas taken her long time. oO MOTHER ABBESS ° 1 waited until she wanted to come tome. oO SISTER MARGARETTA ° Its strange. She's happy to be here ~but she's unhappy, too. Oo MOTHER ABBESS oO ‘Why did they send her back ~do you know? 5 SISTER MARGARETTA o She doesn't speak except in pray. 3 MOTHER ABBESS Msehernow. a SISTER MARGARETTA Qo Mai a a [MARIA enters now dred asa postlant. She goes ai to the MOTHER ABBESS and kneels as SISTER [MARGARETTA exits a ‘MOTHER ABBESS Q (essing MARIA) a "This must have been a trying experience for you. 1Q ‘The MOTHER ABBESS its atthe desk. MARIA (ting on the sto) Iw, Reverend Mother. MOTHER ABBESS “Hast taught you anything? MARIA Ive learned that never want to leave these walls agin MOTHER ABBESS ‘Why did they send you backto us? MARIA (fer armoment's hesitation) ‘They dida'tsend me back. Tet. was frightened, qannnnnann non 6 | Sarwar Krom Tn kond cite ano1D K2kProductions: suvuvuvuueUUUUUUUUUUUUUUUUU UU UUUUUUUUUUUU8 arene varvvanen MOTHER ABBESS Frightened? MARIA (with ety) | was confused. I felt... never felt that way before. I couldn't stay ~and 1 ‘knew that here I would be away from it~ that here I would be safe. MOTHER ABBESS ‘Marla, our Abbey is not to be used as an escape. MARIA But I cant face him again ~ those feelings. ‘MOTHER ABBESS “Maia, are you in love with Captain von Trapp? MARIA (tor increasingly emotional) Brigta said that Iwas ~and that her father was in love with me, But Iwas there on God's errand, To have asked forthe Captain's love would have been wrong. MOTHER ABBESS ‘Maria, the love ofa man and a woman is holy, too. What you must find out i — how does God want you to spend your love? MARIA I've pledged my life to God's sevice. MOTHER ABBESS Ifyou love this man, it doesn’t mean that you love God less. You must find cout, You must go back MARIA (rising) Ob, no, Mother, please! TRACK 31: CLIMB EV’RY MOUNTAIN MOTHER ABBESS (rising) ‘These walls were not made to shut out problems. You have to face them. You have to find the life you were born to live. MARIA How do I find it? MOTHER ABBESS Look fort. Gavin ToRon Sand Ge [ATK2kPreductions 418528 sarnvao2t (MOTHER ABBESS) (er arm around MARIA) ‘CLIMB EV'RY MOUNTAIN, ‘SEARCH HIGH AND LOW, FOLLOWEVRY BYWAY, ‘EVRY PATH YOU KNOW, CLIMB EV'RY MOUNTAIN, FORD EVRY STREAM, FOLLOWEVRY RAINBOW ‘TILL YOU FIND YOUR DREAM. ‘The other NUNS appear and join the song. MOTHER ABBESS, NUNS ADREAM THAT WILLNEED ALL THE LOVE YOU CAN GIVE EVRY DAY OF YOURLIFE FORAS LONG AS YOU LIVE. CLIMB EV'RY MOUNTAIN, FORD EVRY STREAM, FOLLOWEV'RY RAINBOW TILL YOU FIND YOUR DREAM. As the song swell fo its finish, MARIA removesher wimp and stands transfixed, asthe light fade out ‘STRACK 32: CHANGE INTO SCENE 9 SCENE9: THE TERRACE ‘Tuar AFTERNOON ‘The CHILDREN are gathered together and MAX is Instructing them. ‘TRACK 33: 2nd REPRISE: THE SOUND OF MUSIC. CHILDREN Ginging poorly, with no gusto) ‘THE HILLS ARE ALIVE. WITH THE SOUND OF MUSIC... MAX (cutting them of) No nono. Look thts vey nie ~ except’ no good, Gre why don't yotsing ood? ei ie G 6 € 4B | Germore vow. The Sod Mane G GBEV YUU VEY VUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 418128 sana GRETL (holding up a bandaged finger) Tve gota sor finger. MAX kises her fnger asthe CAPTAIN enters. LoUIsA ‘We need Frslein Maria, CAPTAIN We do not need Frulein Mara. ‘The CAPTAIN takes the guitar om FRIEDRICH. ‘You can singjust as well with me. [FRANZ enters from the house. FRANZ, Herr Detwiler you have along distance cll fom— MAX [Now who cosld be calling me? FRANZ ext CAPTAIN ‘Max this isn: the first call you've ad from Berlin, MAX Georg you know Ihave no political convietions. And anyway, the Germans have promised not to invade Austria. CAPTAIN ‘Andif they don’t keep their promise? MAX "Then I want to have some friends among them. MAX exits CAPTAIN Now, what would you like to sing? Kurt Fedulein Mara always started with— CAPTAIN ‘We are not tomention Friulein Maria. Louisa did you play any of your tricks ~ any ofyour jokes ~ on Friulein Maria? LOUISA (Only those she liked and laughed at. Garza 0 Kw Te Sofie | 4K2KProductions: 418128 CAPTAIN ‘Yor dida't pat toads in herbed? LOUISA No, Father. CAPTAIN ‘Wel, something must have happened ~forher to leave us witout even, saying goodbye. GRETL Isnt Fetuleln Mara coming back? CAPTAIN, No darling. 1 don thinks. MARTA ‘Butshe was the bes governess we everhad. CAPTAIN ‘Yea well. t's time for your afternoon wall, ‘The CAPTAIN exis LOUISA ‘When Felein Maria wanted to feel better, she used to sng that song — remember? LIESL Yes BRIGITTA Allright Let try it ‘TRACK 34: REPRISE: MY FAVORITE THINGS LLUESL begins and one by one the other CHILDREN jin in, wandering ltl. LIESL RAINDROPS ON ADD LOUISA ROSES AND ADD BRIGITTA WHISKERS ON ADD KURT KITTENS, 50 | Gere Kvow. The Sond oe a a a a S c G S G© KakProductions. seve UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUOOOR aver28 ADD FRIEDRICH, GRETL. BRIGHT COPPERKETTLES AND ADD MARTA WARM WOOLEN MITTENS, CHILDREN, [BROWN-PAPER PACKAGES TIED UP WITH STRINGS— MARIA (catering) ‘THESE ARE A FEW OF MY FAVORITE THINGS. CHILDREN, (excited) ‘Maria! Mari! MARIA, CHILDREN WHEN THE DOG BITES, WHEN THE BEE STINGS, WHEN I'M FEELING SAD, 1 SIMPLY REMEMBER MY FAVORITE THINGS, AND THEN I DON'T FEEL SO BAD! MARIA (hugging ther center stage) Children children, 'm so happy to see you. (to GRETL) How's your sore finger? GRETL ‘You remembered! MARIA Lied ~ are youal sight? LIESL (soberly) Yes, Fiulein Im allright MARIA Any telegramslately? LIESL No, Friulein. Now Il!be glad to goto boarding school. MARIA Lies), you can't use boarding school to escape your problems. You have to face them. ‘The CAPTAIN enter from the howe. Gara oR Te Sond Pe | SYKaKProdscions 418128 CAPTAIN Feiulein Maria ~ you've come back. MARIA ‘Yes, Captain. CAPTAIN Lies LIESL Louis, Brigit, boys! Maria, we'llbe inthe nursery LLIESL ushers the CHILDREN ofitage. CAPTAIN Maria new eres? MARIA We have anew postulant. CAPTAIN ‘You lft us without any explanations whatsoever ~ without even saying goodbye. MARIA Tewas wrong ofme. CAPTAIN ‘You've been missed bythe children. I've missed... everybody missed you very much, Nothing was the same while you were away. MARIA Please forgiveme. CAPTAIN ‘What made you come back? MARIA ‘The Mother Abbess ~she sad that you have to look for your lif. CAPTAIN (Often when you findit, you don’t recognize it. MARIA No. CAPTAIN, [Nott frst. Tien one day ~ one night ~all ofa sudden, it stands before you MARIA Yew SQ, | Gernna ro Kcr Te Sundae 2is2021C) oO a a a i a c noc angannnnnnnac‘D k2kProductions. Ye VE EVE VUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU ane iaras/20 CAPTAIN ook at you now, and realize this is not something that has just happened. You knew, too. What wa it that told you? MARIA [rigita, When we were dancing atthe party— CAPTAIN ‘She was quite ight. That was not just an ordinary dance, was it? MARIA hadn't danced since Twat avery litle gi t's quite diferent after you're ‘grown up, init CAPTAIN, Your whole if willbe diferent now, Mara. take you anywhere you want to go ~ give you anything you wish MARIA Bat I don't want to go anywhere, AIT could wish fri ight here. CAPTAIN ‘You know - those two ought to get together sometime. MARIA Who? CAPTAIN ‘The Mother Abbess and Brigtt. Maria i there someone I should goto ~ task permission to marry you? MARIA ‘Why don't we as the children? ‘TRACKS: CHANGE INTO SCENE 10 The CAPTAIN and MARIA ext laughing, SCENE 10: THE TERRACE ‘SEVERAL WEEKS LATER MAX CCildren, children —look! Salaburg Festival 1938. (holds up the programs) ‘Look here! “The von Trapp Family Singers!” BRIGITTA ‘Uncle Max, are you sure this is going tobe all sight with Father? MAX Brigit, don't you trust me? Girrne oRoow Te Sond fe |SR2KP redactions 418128 BRIGITTA 'No. Lies, what do you think? LIESL ‘Uncle Max, when will hey be back from the honeymoon? MAX "Notin ime fo the concert 'm aad. What «shame. [FRANZ enters from the house with two suiteass FRANZ Children, see what Thave here? LIESL ‘That's Father's Inggaget CHILDREN, ‘Theyre back... They’ home. [MARIA and the CAPTAIN enter andthe CHILDREN surround them. FRANZ exit with the luggage. MARIA Chien, we missed you so very much. GRETL ‘Wha: did you miss most? MARIA ‘We mised all that noise you make in the morning, and we missed hesring. yousing. BRIGITTA ‘You same back justin time to hear us sing. Look, Father, we're going ts sing'n the Salsharg Pectial Priday night. BRIGITTA show him the program as MAX turns away. CAPTAIN Letime see that, ‘The CAPTAIN takes the program and looks at then turns 9 MAX. Max? MAX T'vejust been waiting to tlk to you about it, Georg CAPTAIN You:an't talk your way out ofthis one. ‘S4 | Gernmoro Kom. The Sono Mae eaanaanaannaocaacc annnnesrc VE VE UUVEUVUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUO 418128 sasvaoat FRANZ and FRAU SCHMIDT appear inthe doorway with packages PRAU SCHMIDT Look what we found! FRIEDRICH Presents! CHILDREN (taking presents and extng with FRAU SCHMIDT and ?RANZ) Give me mine... Where's mine... ? Lets open them inthe nursery... Is there one for me... ‘The CHILDREN exit excep for LIESL, who remains in the doorway, Hering MAX ‘Now, Georg tad to make alast minute decision ~ 1 was very fortunate tobe able to enter them at all ~ theyll be the talk ofthe festival - seven children in one fumily— CAPTAIN (quietly, bu firmly) ‘The von Trapp Farnly does not sing in public. MARIA Buti they make people happy— CAPTAIN tis out ofthe question! MAX Georg, it's for Austria. CAPTAIN ‘There ie no Austria. Max But the transfer of power happened peacefully. Let's at lest e grateful for that CAPTAIN Grateful ‘The CAPTAIN exits, MAX croses to MARIA. MAX “Maria, he mus t least pretend to work with these people. You must ‘convince him before you're all in danger. He has to compromise ‘Geren To Row Tend Mie | 55K2xProductions ase128 samvra0e1C) MARIA Max I can’t ask Georg to be less than what he is MAX ‘Then I wil talk to him. Ithese children don't sng in the festival — well it ‘would be a reflection on Austria ~ and it wouldn't do me any good. MAX ete, LIESL (crossing to MARIA) ‘Marl ve always known yu loved us children. Now Lknove you lve Father. MARIA 1 do, Lies Tove him very much. ‘The CAPTAIN enters nervously carrying a telegram. What is it Georg? ‘CAPTAIN ‘This came while we were sway. Berlin ha offered me a commission in theie nay. LIESL Father, what's happened? CAPTAIN ‘While we were away, the German gavernment took control of Aust [Now they want me to command a ship in their navy. LIES ‘What will you do? ‘The CAPTAIN crosses away, degp ix thought. MARIA Wall, Georg? CAPTAIN [can't just brush this aside, It would be a relief to know that my family i safe, But also means— MARIA Georg, whatever you decide will be my decision CAPTAIN know now I can't doit MARIA Ofcourse not ‘36 | Gerrwaro Kor. The Send of© KaKProductos SV UUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUYUUNUOOR 418128 sarini2eet CAPTAIN ‘We'll have to get out of Austria right away. And we n't just pik up and leave. Theyl be watching us now. We need time. FRANZ enters. FRANZ. ‘i, Here Zeller is ere to se you. CAPTAIN ‘Thank you, Franz Please bring him out. FRANZ exits They dida' give us time. ‘The CAPTAIN puts the telegram in his pocket. MARIA ‘Then well have to make time (MAX hurries on. MAX ‘Storm troopers! This is what Iwas aad of, Maia MARIA (robbing o program fom the tbl, urgent) Mas, stay with Georg Led [need the cilren~ quickly [MARIA exit quickly with LIESL. CAPTAIN We must be careful. I need you now, Mar. Keep your head about you. MAX Don't Labways? FRANZ appears inthe doorway, showing on ‘ADMIRAL VON SCHREIBER accompanied by [HERR ZELLER, in cvian clothing, and ROLE, wearing a German uniform. FRANZ exit ZELLER Captain, may I present Admiral von Schreiber ofthe Navy of the Third Reich. CAPTAIN (cordially) ‘Admiral, And may I present Marimilian Detweller. MAX Fist Secretary ofthe Ministry of Education and Culture. Garane 70 Row. Sod hae | 5KakProductons 418128 sania ZELLER "That was inthe old regime. MAX In the old regime Iwas Third Secrotary. Now I'm First Secretary. CAPTAIN (b MAX, knowingly) How nice to have fends. (the others) ‘Would you gentlemen care to sit down? ZELLER We ae here on business. SCHREIBER (Captain von Trapp, a telegram was sent to you three days ago. CAPTAIN have just received it. MAX ‘Captain von Trapp has just returned from his honeymoon, sx SCHREIBER Congratulations, Captain ZELLER Let's getto the point. SCHREIBER (ZELLER) yeu don't mind. (othe CAPTAIN) {In our navy we hold you ia very high regard. That explains why Lam here. CAPTAIN ‘That’ very attering, Admiral, but I've had no time to consider... [MARIA appears in the doorway, unseen by the others, carrying the fetval program. ZELLER ‘Your orders are to report immediately to the naval base at Bremerhaven MARIA (vith feigned innocence) Immediately? Oh, I'm afta that would be impossible for you, Georg. CAPTAIN Admiral may I present my wife, the Baroness von Trapp ~ Admiralvon Schveiber ‘SB | Gerne oRvon. The Sandof tice Qo fh y ananane nannnnneU VEU YUU UUUUUUUUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUU 416128 sana SCHREIBER Madame. MARIA ‘What I meant sr is that we are all singing inthe Salzburg Festival Fridey right. (handing hi he program) You see ~The von Trapp Family Singers” SCHREIBER Fiday night? (te ZELLER) ‘That's only a matter of two days. ‘ZELLER, iitated, takes the program from ‘SCHREIBER. ZELLER Iegives here only the names ofthe children. CAPTAIN Itsays “The von Trapp Family Singers.” 'm head of the von Trapp Family ZELLER [shard to believe, Captain von Trapp ~ you singing ina concert. CAPTAIN Herr Zeller, you may believe what you choose, ZELLER Tedoesn’t say here what you'r going to sing, What are you going to sing Captain? CAPTAIN Ite your privilege to come to the concert and hear us ZELLER dike to hear you sing now. [MARIA gesture toward the doorway and LIES leads the CHILDREN onstage. LIESL is started to see ROLF in fll Naz uniform and i about to call hie name when MARIA, secing this steps into her with a frm hand on her shoulder ZELLER Sing something together. Sing! CAPTAIN, Children ‘TRACK 36; REPRISE: DO-RE-MLINTO SCENE 11. ‘rea 70 Rrow Te Sond ae | 6)k2kProductions 1018 121 MARIA, CHILDREN ‘DOE~ ADEER,A FEMALE DEER, RAY~ADROP OF GOLDEN SUN, MARIA ‘ME ~ ANAMEI CALL MYSELF, [MARA gestures bein her back forthe CAPTAIN to ‘sing The CAPTAIN comes in, explosively a bet late. CAPTAIN FAR- ALONG, LONG WAY TO RUN.. SCENE 11: THE CONCERT HALL STAGE IN SALZBURG Two Davs Laren MAX Lacies and gentlemen, the festival concert has come to its conclsion ~ cexcipt of course, we don't know what the conclusion is goingto be. The Judges ace putting their heads together to arrive at their decision and ‘while we are waiting I think there should be an encore. It seems this may be the last opportunity the von Trapp Family will have to sng together for along long time. Ihave just been informed that Captain von Trapp leaves Immediately after the concert for his new command in the naval forces oF the Third Reich. A guard of honor as arrived to escort him directly from this hall tothe naval base at Bremerhaven. ‘We now se that ADMIRAL VON SCHREIBER, ZELLER, ROLF and other GERMAN OFFICIALS have entered the outer aisles of the auditorium. ‘And now, ladies and gentlemen, the family von Trepp again. TRACK 37: EDELWEISS ‘The CAPTAIN enters with his guitar flowed y [MARIA and the CHILDREN. FRIEDRICH cares ‘chair which he places center stage and on which the CAPTAIN sits. MARIA and the CHILDREN :it on the floor. The CAPTAIN accompanies himzelfan the guitar. CAPTAIN EDELWEISS, EDELWEISS, EV'RY MORNING YOU GREET ME. SMALL AND WHITE, CLEAN AND BRIGHT, YOU LOOK HAPPY TO MEET ME. BLOSSOM OF SNOW, MAY YOU BLOOM AND GROW, a 900090 90 900000009 90 aa0co nacagnannananannannaa418128 ara (CAPTAIN) BLOOM AND GROW FOREVER. EDELWEISS, EDELWEISS, BLESS MY HOMELAND FOREVER. EDELWEISS, EDELWEISS, EVERY MORNING... ‘The CAPTAIN isloking at MARIA intently, Filled ‘with emation, he stops singing. MARIA quickly ‘motions the CHILDREN into the song. MARIA, CHILDREN SMALL AND WHITE, CLEAN AND BRIGHT, [MARIA and the CHILDREN move in othe CAPTAIN, who picks up the song again. CAPTAIN, MARIA, CHILDREN YOU LOOK HAPPY TO MEET ME. CAPTAIN (colo, confident again) BLOSSOM OF SNOW, ‘MAY YOU BLOOM AND GROW, CAPTAIN, MARIA, CHILDREN BLOOM AND GROW FOREVER. EDELWEISS, EDELWEISS, BLESS MY HOMELAND FOREVER. [MARIA takes the CAPTAIN’ hand and they follow the CHILDREN ofige MAX ens and els op MAX Ladies and gentlemen, Ihave here the decision of our distinguished jndges. MAX opars the envelope, looks atthe paper, ther looks after the VON TRAPPS. Hes stalling ‘We will start withthe third award. Fortis honor, the judges have named the Trio ofthe Saengerbund of Herwegea. [MAX gestures and the TRIO enter, The TRIO bows and ext ‘The second award has been given to Fraulein Schweiger, the fist soloist of the choir of St. Agathe’: Church in Masbach. Garrow, The Sand ie | GI SUUEUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUKaKProducions 418128 ann 2021©) ° ° oO ws ARE i Agtn MAX gestures nd FRAULEIN SCHWEIGER ° tnters exuberant, FRAULEIN SCHIVEIGER bows Oo td dy with ectemen bow srl ies ore inall directions then exits. MAX looks ofitage as ito ° resem i fet proceed. ° (tax) ° ‘And the fist prie-the highest mic honor inthe and ~goe to. The ° Famlyvon Tap! = [MAX gestures but the FAMILY VON TRAPP does ° sot epper. “The Family vo Tapp! a iY VON TRAPP. Again MAX gestures there is a commotion oftage. ‘THREE GERMAN OFFICIALS ran across the stage. HERR ZELLER makes hs way onto the tage and SCHREIBER and ROLF hurry from the auditorium. OFFICIAL ‘They'e gone! MAX (¢o the orchestra) Play something! ‘TRACK 42: CHANGE INTO SCENE 12, SCENE 12: THE ABBEY ‘Larer THAT EVENING ‘The VON TRAPPS and che MOTHER ABBESS enter GRETL Isa’ this God's house? MARIA ananannagocoococeccoos Yes dasing MARTA Canwe go home now? 0 n CAPTAIN 'No,Marta, we have along drive ahead of us. C2 | GemmaroKvow. tase naanan(D K2KProducions ® DB a » D> . 3 DB > B » B » B DB » a » » DB D a a D > D> > a a a > > > a > a a a a > a D a area arn van2) MARIA Reverend Mother, we can never thank you. CAPTAIN ‘Assoon as t's safe, wel start ‘SISTER BERTHE, SISTER MARGARETTA and SISTER SOPHIA hurry on ‘We hid our car deep inthe woods. SISTER BERTHE ‘The car wll do you no good. They’ve lef a guard on the roadin front af the gate SISTER MARGARETTA We've been listening tothe wiree SISTER SOPHIA All the roads are blocked, SISTER BERTHE ‘And the borders been dosed, "The CAPTAIN turns upstage an looks at the mountains. CAPTAIN TTvealways thought of these mountains as my fiends standing there protecting us. Now they seem to have become my enemies. MOTHER ABBESS ‘Never your enemies. Haven't you read?“ will it up mine eyes unto the hile from whence cometh my help.” MARIA Georg, know that mountain aswell as know this Abbey, And so do yo. ‘And once we'te over tht mountain, we're in Switzerland. CAPTAIN ‘But the children! MARIA We can help them. KURT Father, we can do it without help. MOTHER ABBESS ‘You'll have help. "For Ye shall go outwith je ‘TRACK 43: FINALE ULTIMO: CLIMB EVRY MOUNTAIN «and be led forth with peace; the mountains and the hil shall break forth before you into singing.” Geran 70 Kr Te Sand fae | G3K2kProductions ‘The lights dim downstage and buld upstage (MOTHER ABBESS) FOLLOWEV'RY RAINBOW ‘TILL YOU FIND YOUR DREAM. ‘The other NUNS enter and join inthe song. MOTHER ABBESS, NUNS ADREAMTHAT WILL NEED ALL THE LOVE YOU CAN GIVE, EV'RY DAY OF YOURLIFE FORAS LONG AS YOU LIVE. We ce MARIA, followed by the CHILDREN, sar up ‘he mountain path A the Fer Is he CAPTAIN with GRETL on his shoulders. ALL CLIMB EVRY MOUNTAIN, FORD EVRY STREAM, FOLLOW EV'RY RAINBOW ‘TILL YOU FIND YOUR DREAM. ‘The FAMILY is about to disappear along the path as the light fade ou. ‘TRACK, TMI 64 | Gerrn ra Know. Then Mane annnaoceeK2KProdudiuns. ane variwa0et The ny ostC Student Vocal Book Garrna To Rv TS fase | 6 seuvvuuuuuUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUOK2kProductions 418128 Musicaz Nomsers 1. Preludium 2. The Sound of Music 4 Matiasseees 6. MyFavorite Things. 10, Do-Re-Mi (Part!) 11, Do-ReMi (Part2) 12, Do-Re-Mi (Part3) 14, Sixteen Going on Seventeen... 22, The Lonely Goatherd . 2S. Reprise: The Sound of Music. 29, SoLong, Farewellesssssseeessees 31. Climb Ev'ry Mountain 33, 24 Reprise: The Sound of Musi 34, Reprise: My Favorite Things. 36, Reprise: Do-Re-Miato Scene 11. . Edelweiss « 66 | Gerrnaro Know Te Sando Mane 12112021)DD K2kProductions SUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUN 410128 Preludium (MOTHER ABBESS, NUNS) cue: Hogictiehts dows, (Un the darkness he Abey bel chime, lle hy the NUINS af Nonmber ‘Abbey chanting Psalm 109, Ct Domus a capelia i ihe dace} Moderato 4 MOTHER AEDESS: Gio ALLNUNS: ‘in response) Siscut @ rat in prineef- pi- 0, BL mune et, semper ang wm Ce er ‘Segue a kant ne | sanwennK2xProductons: 418128 r2inni2021C) The Sound of Music No.2 CARI, ENSEMELE) Som Pan uncer gr ne Esenut cee ra bale eee 6 ge shad-ows ae vole - es tha uye me 10 say. St 6B | Corn re Ron Te Sand fe anaennnaccnannnnnnnananaaaannannagaasoeseasaND K2kProductions: aver sanviveoet ‘ne mor: lovely thing that tbe ills mighty iq Com espresione te _ ‘The hile fT my hear ‘vith the sound of mu = sie My heart wans 10 slag, ev'ry MARIA, ENSEMBLE: a se it hea. My ear vantsto ‘Gerrna To Rv. TS fale | 6 vueuvuuuuUUUUUUUUUUUUUUUUUUU UUKoKProsuetions 416128 saniz021 o o oO oO oO = —— oO tet The te wings of the binds that se fom the ° oO ‘s ° =m = = oO | ia hic the teen My ‘teat wansto sigh lke iat ° Cc oO oO oO oO oO laugh like a brook when it trips and falls o-ver stones in its a a a a a a a pte © == i. Uk who is en ing 0 pay 1p whe hills = when my beat is Wore ~ Wy JO | Serra ra Koa. Te Soandef asc ~© K2kProductions: 18128 vena ow 1 will hear ‘what Pe beard be - fore, Mania. ENSEMBLE: = My heart will be Blessod With he sound of my povorit, MARIA: Meno mosso And Ving a TT oe gE TL veuvuuuuuuUUUUUUUUUUUUUUUUUUUUUUUUUUUUUeUUoOoKoxProducions 418128 Maria GISTER BERTH, sisTER sortitA, sistem MARGARETTA, MOTHER AUBESS, NUNS) cue: SISTER SOPAILA: ove her very dearly. ube ane cr ben ats, ds se? SISTER BERTHES Exacty wat | asl (sisreR peRTHE) Presto 3 parlando 5] she wae = es oon her way wo Mass And whis =the on ein and th - der-neaty ber wim ~ ple she tes aa - er JD | Gerrmare Row. Th Sond foe senza) anaoa00000000000090009999000 Cc c ie S Cc Cc G c a i a Cc c1D KakProductions ier savant SISTER BERTHE, SISTER SOPHIA: Bu Tver sy firm = ly feel Ma- Garr rok bad a= | 7 SYVUUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUKoKProductions 1128 rainni202i©> like tomy a word In her be-hal Mee ‘Tempo guisto (MOTHER ABBESS and NUNS ook SISTSTER BERTHE. then lok ror.) = ——— Fist makes mes. taught How do you solve x prob - em the Ma fh + at MorHER ag 2 How do you catch cloud and pin downt "JA | Grrr va Tend of Mase INAAAANMANNANANANABAODAHOONHAHO0Ed90000090000© KaKProdustions, ° o ° ° ® s B a DB ® B S » DB D> D D » » D BD B D » > B B B a a D 3 B > D > D a > D a > a 418126 SISTER feoteerna sisren peer: aug MARCARETTAS fran bth hands) & — +s) te a ee ow do you find wad tht means Mari - a? A ‘sisTER (ating bth hand + T Aib-ber-ti- gib-beu A. will-d-the-wispl A. clown! MOTHER ABBESS: ‘Man-y a thlag you Know you'd ike 1 etl ber ‘SISTER MARGARETTA: Maney thing sheought to un = sbr-stand, ut Tow do you make her sty And lis-en to all you say? MOTHER 4BBESS: Makanerra: How d> you keep 2 wave up-on the sand? OF, how do you solve a prob-lem tke Ma - aia? Terran taken ofa fie | 75 saneK2KProduclions 418128 (NUNS bei meringue the Comer ey hatha apoe) SISTER and wah her ['m con fused, Out of fo- cus and be - mused, And Lev ser know ex - at - ly where I 76 | Gara ro Kwow The Seundof Mase rar si20e1@) 0000009099090000 o a a a a a a a c noe £ anoanannnnnnnee© K2kProductions: SVUUUUUUEVUUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUOO 41812 vasivenat 7 Wo SISTER BERTHE) ‘He's 3 darting! flight yas feath-or— She's a SISTER MARGaRerna: SISTER demon! Stes tomb Shell oat Soe ern austen wy, His ou a ae - SS - aes a whid_——__ Ste is gentle, Shes SISTER SOPHIA: SISTER BERTHE: (raising bok hands (raising bath hands) wild, She's a eid dle, She's a chill. Shes a ‘rina TONOR Ta Sad Pak | 7]K2KProductions 418128 sanveoarC) loking fon on count of 8c clasp eae hands chest looking up in prayer) ee a, ALLNUNS: How do you sole a prob - lem the Mi =~ a? How do you catch a cloud and pin 1 down? rouPt: Many thing youknow you'd like tll her, nnancdcannnnnan99nenne0gd0000000999009000 78 | corn raRanm. Teondf ae naacoanD koxProduetions 98128 venveni MOTHER ADBESS, 2 GROUPi: Many a thing she Ought te un = der stand, Bue SISTER 2 GKUUPE: how doyou make her sty And s-ten to all you say? SISTER BMARGARETTA, ‘GROUPS: ALL How do you keep a wave up-on the sand? Om, How do you bold moon-beam = in your ana rr Fo Raw Ti ne | 7S) SE UVUEVUUUVUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUKeKProductions 416128 My Favorite Things No. J ocaata morte Dbts3) No.6 men anaess: they ea wr sna aren {the lop of your ve = {wish you fad Singihasong wien sachin set te Rmam (Mone anwESS) Pee (MOTHER ABBESS genes MARIA tongs) conmoto —g MARIA: Raindrops on ros - os and whiskers on Kittens, Bright cop - per kettles and ey (MOTHER ABBESS: (singing tint a 0 » emembers theron) vwilm woolen mit-tens, Brown p= per puck ag - es MARIA: (helping MOTHER ABBESS he sont) Noritie anness: ed up with singe Thue area ew of my BO | ceremeserrom Tesaund fate sarsi2021©) mnannarnnnnneacanngnnnnnnagaddGoae090000 G c G c ie© kexProductions 8128 saivvacet DDoor-bells and sleigh bells and schnitzel with non.les, 1 AbBESS: ‘Wild geese that fly with the moon ox their wings— Mania, MOTHER ANDES: ‘These are a few of my fa vor ite things MARIA: 2 Gite jn whie dress =e with ane pose and ye = lash =e, Sit = yer=whie wines dat Garin ro Rvon Teta ane | BY suvuUVUUEUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUOUUK2KProductions: 418128 sannaonCy favorite things and then 1 don't fel AnancanananannGeooGeoog0a3s0000 MARIA: easing tothe MorHER Motiide Abbess) When the dog bites, When the bee stings, (BD | carrera Avon. Ta Sand fate c es Cc GI c ci c Cc c c G AW K2kProductions ae 2vvv2028 simply re ~ mem-Ber my fa vor ite things and To Room The Sod Pe | BS ve vuvyveUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUOUUUUR2KProducions 418128 Do-Re-Mi (Part 1) No. 10 (MARIA, VON TRAPP CHILDREN) MARIA: Well ow I know wher to sat (MARIA play the guitar) (MARIA) Tm gla to teach you how tosing, Moderato 3 (Mantas Sige real you be > gin with A,B, When you ‘CHILDREN: ‘ing yoube-gin with do- fe - mi = Bo - we - mil MARIA: Do = re = mi. The fist tree notes Just hap-pen to Bd | cere Kvom. Te Sundof Mase sana) oO oO 00 arneanannnaanannannnanaaAnannnngagaasagaaG© KakProductions, 419126 sanvaget ae (MARIA: Come, 1 Bo = ee me fa. e0- faethe pee = dle pulling thread, Le 2 Seren To ROR Tene Tae | BS suvueuveuuuUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUeOOkaKProd.ctons: 218128 sariaeoaiC) 60000999000000 ing us back wD hh chs oh aGRET: MARIA: ed Doe! A dew, Te. milo deer, ‘CHILDREN: seg le MARIA: Bylo of gold acaaqdcarannnnonnaooo0cana 86 | Gerrie 70 Know. The Sound of MusicD lexProducions ane warviraaen le pull = ing thread, Kees dle pulling rend, Girt room He Sond ae |B seuyUVUUUUNUUUUUUUUUUUU UU UUUUUUUUUUUUUUUUURK2KProductons sien 990000000 a Berea ly- i = don St BB | creme ro Kc He Sound of Mae nNKGaNnKANAaNnAcCAnAaANAAaaGacanANnD keKProductions PUYVUYUUUUVUUVUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUU 418128 Do-Re-Mi (Part 2) No. 11 (MARIA, VON TRAPP CHILDREN) Siti: iy em te ut pce er ss sea eee pom aot tom BAF ae vw & kh & mi om, CHILDREN: MARIA: som bh oh om © som bh Wi CHILDREN: de Se dele Ps Do-Re-Mi (Part 3) No. 12 (MARIA, YON TRAPP CHILDREN) cue: MARIA: Now. et’ ptt al ogether, to o amet fe & ie arrINa FOR and ae | Se savageK2KProductons 410128 nannnnnnannnen|enagogsoe|sa00000000 90 | Germ vo Kara Sandie© kaxProdustions avarae vanvweo2y You én sing ost Anianate “GevTna TOROG. Te Sandee | FUUUYUEUUUUYUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUOOKekProducions an9128 8 ong, long way 10 Kuet: (hakes MARIA’ hand and joins the thers). Far Sew, | noe to fol-low ew, FRIEDRICH: (bos MARIA ad roses) fo 92 | Gernero inn Taso Mae 8 anarannananannannannanaaannannggggaagaaaaaogaND raKProaucions ater senna dro with Jam and bread, —__ Lirst: (jeining the cers), Fo__ — Thar wil bring us tack wl (QUARI roes fomof CHILDREN and ‘then goes bend tap en ‘onthe heads asf eying a ylophone) " GRETL: MARTA: BRIGITTA: KURT: LOUISA: FRIEDRICH: LIESL: MARIA: ‘Gerina Toon Teka | 9G JUV UVUU UU UE UUUUUUYUYUUUUUUUUUUUUUUUUUUUUUUUUUKaKProductions 18128 KURT, BRIGITTA, 5 MARTA, GRETL: 94 | cerrwe ro Know. Te Sand fase rag nAnnnannannnneeoansaoonannnneagsgs00N0000D kekPredudions FV UEVU UU VUYUVUYUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUU ante MARIA, Gl Larst: When you (KURT, BRIGITTA, MARTA, GRETL: tim miso so aa kd o nim mi wo fh be fic} (MARIA old rears they shout) mi mimi $0 80 fm mu o Tarte TorOR eDo THE [OS2kProducions ae128 sanrve021) Tempe di Maria Ti nuts 000000900000 (Led by MARIA he CHILDREN march around he 00m) 6 SSE = ee, oe, 3 Fur, a ong, long vay run Tap Maria: (MARIA tt nd CHILDREN group aout er) Sew, needle pulling thread. (CuILDREN: neo dle pulling 96 | Serre 10 Kvow.. The Sound of Music aoNanNaAnANNnAAKnGanAAnNAnaAoL1D keaxPreductons aera cena os, MARIA: (CHILDREN crowd around MARIA Kintempo) ‘bring oe back '.. Do nu: mncpnew 2 MARIA Ta Py {ihoieay “4 emi & © boi dot | De Garr Po Ron Toads | FEE U EEE VEY YUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUKoKProcuations arer8 arrva0ei) »,, nail wait, Tittle gid, on an emp -(y_sage, For fale to um the You are sik - teen, going on seventeen, 98 | Gerria 70 Kwow.. The Sound of Music am anannananannnananaaAaAagannaAnGeaesease0aa0NN‘D K2xProductions awwize verntrecea Baby, We time lo think, Beiter be-war, Be can-ny and cae ful, Ba-by, you're on the brink. 1am snstean, going on sev-en-ten, kno that I'm a = we, Fellows I meet may tell me I'm sweet and willing ~ ly 1M be ~ eve To-tl = ty un - pre ped ae yor To facet world of men ‘im-id and sty and seared am 1 of thungs beyond my Gisima rotvon. WeSand fae | 99 PUVUUEUUYUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUOUUKokProdactions 418128, fo-ing on eighteen, Luke cm of you. (ROLE sts net to LESL and imi tks hr hand. LIES cyly withdraws hr hd, {eae om ROLE ROL es lero her ne oe anes LIES Aen tine i mre cone, ES le PO an hea ROLE lp ans bowne formal reponat wih cy. OLE COTLIISL Benign a radtlonawy-mac ee andr The anc becomes mart ecaboran, rating no an endaci polke, ROLF and DESL ender cance) tate 1 o vee ee [am seven-teen go-ing on cight-cen, VL. take 1001 Gerrne ro Kwa. Te Sando Mase sar2021) alolelslsio[121e12) slelelelelelslelelelelelelelelelelelele) raananannnnner1D KekProductons at6128 renee (ROLE toes LIESLs han, Keng ‘and then ext Ar soon ar ROLF i ‘Tes jumps wth oy and shows.) Gira To Row eso Mae TOT PESVU UE EVUYUYYUUUUUYUYUUYUUUUUUUUUYUUUUUUUUUUUUUK2KProdactons 419128 rare The Lonely No. 22 Goatherd (MARIA, GOAT, GIL IN PALE PINK COAT, 'VON TRAPPCHILDREN, ENSEMBLE) cue: Sta: nt ea got ru SN et ited NB abe (The CHILDREN clinb of the bed land ina semterele ats foo. ‘MARIA ss om the edge ofthe Bed) Moderato 90000000000000 (MARIA’ High on a fill wae 8 lone ly goat-herd, (The GOAT enters) Lind wis the voice OF the fone - ly goat ~ herd, foam FOLKS INTHE TOWN enter) rangnaaecacoooNgsD c Tie oh gee od ow c MARIA: eG 7 G 5 ‘Folks in the town that was quilo ro - mote, heard 102) Geremaro Know. The Sound ef Mase nan onNnn1D KeKeroductons 418128 raven Ly-ee 0-d, hy-e o- dh by ew. Len + y and clear tom the goat - nents cat, teand ° to lysde od leo (The GIRL INTHE PALE PINK COAT enters) Garena wo Ror Te Sun fase 1.03 FV VE EEUU UUUUUUYUUYUUUUUUUUUUUUUUUUUUUUUYUUUURoKProduciow 418128 rasre0iO 90090000 Lycee od, mye o-d, by - What a du set for gid and gout = fer 1041 Gerrwe ro vow. Te Sound of MacD raxeroducions 418128 aint ° bo Wyrie ed ke, Lay-dee o- dl ke = 9 - hy Hop = py we they lay.dee 0 ayadee lee, © lay-dee 0 tay-dee ay = dee oy ‘Gerrna 0 Kron. Te Sande Mae 1S JUVUUUUYUUUUUYUUVUUUUUUUUUUUUUUUUUUUUUUUUUUUUUK2KProducions a8. 000000090000000 a aaqnggaqcecoocoas lay -8 Hot by- ee - ee 1061 Gerrncro Rom. The Sound of aie c & c & Gg « Cc G G Ga > > D> 3D 3 DS a > D 2 B 2 > D D > » a » D a > a D> D D> a » > > > > > > 2 > > a a > 2 2 a K2kProductions 418128 ly - ee Ho-dl- ly - ee Ho-dl hy - Ho - at (By the las nove of ruse e COAT. the GIRLIN THE Pate PINE COAT, (MAMA and FOLKS THE TOWN exit, Thunder and Blacks.) lyoe o-d, bye o- dl ay! Lye od, aye 0-day! ‘Geren TO Rv Tran fase 7 rarerKkProductons 316128 Reprise: The Sound of Music (VON TRAPP CHILDREN, CAPTAIN) cue: MARIA: shoul’ have si hose things ~ oti the way Tid them coins ainerpi athe YOu pl Re'lbe..Whas that) MARIA: Singing. ‘CAPTAIN: My CAPTAIN: Who'ssinglag? MARIA: Yourcildren, _hldrea singing? ‘With songs they have sing (MAX caer followed by the CHILDREN’) For a thou = snd yours The MAX: Georg, yoo must hea this! hls fl my heat With the sound ofr sis 108] Gernnaro vow. Te Seund ofa sanne0aC) c aaqnan ananannagnanan2 418128 sera0e z 8 a 5 My heart wants ing BY "ry cong a 99 a & SSS SS ve My ew wats bow Whe fe wigs of be Winds that rac From the lake tothe tres, My eat wants io sigh tke 2 chime that flies From a (The CAPTAIN tar front and joins inthe sont) CAPTAIN: huh om 8 ome, 1 go tothe hills __ When my heart is lane = iy, Germ raFaow TaSnd ae |QH FEV EVE EUV UUUUUUUVUUUUUUUUUUUUUUUUUUUUUUUUUUUKexProducions ane18 sarv2021©) My heat will be blessed o0o000009009900000 110 | cerrne 10 kom. Te Sound of MusicK2kProductions 2 3 3 D Ss a » BS 3 » D a > » DB D D » a a 3 > D » D > D a BD » > 2 D > a a > > > a 2 a a a 18128 saris So Long, Farewell No. 29 (VON TRAPP ERILDREN, GUESTS) cue. MAX: Before we go ino diner, the von ‘Trepp chlden woul Ike wo Say *Bood aight Senly ey an, eel 3 (CHILDREN: 44 ——— Tes 8 a sad tort of clanging Poum the clk the hall Al the sunt Tittle bind ts papeping out to say “coo = suigrrta, Gert, MARTA, KURT: “Qo0-co” “oo” e00 — eo s Re geet ful ly they fll us But ‘Gerrne ¥0Roow Teenie FYK2xkProduciions, 418128 senv201) MARTA: hie goad aqocoooo0essda (MARTA jected bythe nach ete cupren: So long, fare-well, Aut Kurr: 4 (stepping forward) oone Whe - der -sehen, 8 = dieu, — Ae dies, a 112 Gemma r0 Know. The Sound ase —_ yaaanannne© heaKProavetons an612e savers (KURT ests the same wa) 3 fies, 10 yew and yi and yi. CHILDREN: 53 So long, fare well, An ~ voir, al wieder ans: (aepping forward) sohes, Td ke we stay, anda my fst cham ‘Garena akon Tad ae FR JEVUYUUUUUUUUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUONKaKProdscions. i818 sanw2021 (FRIEDRICH exis) 0o00c0000c09000900990099000000 Puumose Mati tanqilo (amr nt Urs ext) y 38 xen: + if SS an ‘cunoren: 18 . Fe stn c c ic iS S TIA Germ ro Avo. Te Sandee ananannag1D KaxPreduetions PEEVE EEUUYUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 418128 Meno Meno bye. God = bye Good = (LIESL takes GRETL In her arms) (The CHRDREN exit) Meno ‘GUESTS: bye. PP Good = bye ‘Gerrne Fo Rvow. Te Sund ofan |] 15 sansaKaKProducions an3128 Climb Ey’ry Mountain (MOTHER ABBESS, NUNS) cue. ‘MARIA: (ising) Ob, no, Maher, lease No. 31 MOTHER ABBESS: sing) These walls were not made to shut ot problems Tranquil 6 to Climb “ev = "ry moun-tin, Seach high and low, veto nd the lite you were bor ives Clin ev = ty muta, Fo ey =p aman, Fol = lov ev = “y rainbow Tw IG] Gerewaro vow. Te Sound ef aie you find your sannvaon©: yanannnaeAnnnnnannaAg|esea|oecog0000000009000000DkarProductons ansr28 saniieaen all the love Bey GerrnaTo or eed ase VP JUYVYUUUVUVUUUUUVUUVUUUUUUUUYUUUUUUUUUUUUUUUUUUKekProductions 41808 24 Reprise: The Sound of Music cue: Sept fom No.2 Chang In Scene 9” Hu peen: nin TIQ) crmereroe Demme rans202© NN80e800000000000000099000000 fe c c G G G e c G G G -1D KekProductions JVVUVUVUUUVUYUUEVUYUUUUUUUUUUUUUUUUUUUUUUUNU aneree Reprise: No. 34 My Favorite Things (VON TRAPP CHILDREN, MARIA) (LIES ogin and one by one the oxher ‘CHILDREN join wandering sles) 2 LIES: +LOUISA: Raindrops on ro ses and Drown pa- pet pack a= gested up with stings— CHILDREN: (erind) Masia! Mari Ties are few of my fa vor ite things. TRG FOR Sa ETT rennetKaKProductons. ate18 san slow ply ce = member my > vor = te things, And then 1 dent fet » 201 Germ ro Rom. Te Sound fis oaannannnannanannonagne|s90e0000090000000009000001D re2KProdutions JSUUUUUUUUYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUOOU aver venviaan Reprise: Do-Re-Mi No. 36 Into Scene 11 (CAPTAIN, MARIA, VON TRAPP CHILDREN) ee, Ray— dopo golden cn, (MARIA gestures behind her back forthe CAPTAIN to a MARIA: Sing. The CAPTAIN comes in, explo, bea' late) Gerrne ro Roe Te Sa Mase LDKekProductions 476128 Edelweiss N (CAPTAIN, MARIA, VON TRAPP CHILDREN) SEAS And now, tdi and gemlemen, ‘hefamily von Tapp again (esr ar prt stentetaeasha eT cr Sede ies cerom erat, floor. The CAPTAIN accompanies himself cn the guitar.) - @ Moderato ‘carran Ble sem 0" snow, my you Bloom — and ghoms DD Gerrmero kvow. Te Sandof aie senwe201Q 2AanaAaAAGgANlAANnNeNee060000N0000NSNINSAINNGAGN© keaxProductions anerad venvvews Bloom and gow for-ev - ee B del weis, Edelweiss, Bless my ome-tand for - ev E+ dele weiss, E+ del webs, Fhe Ara ating a MARI ry, ‘uickiymoins he CHILDREN nthe sng) {ARIA ad he CINLDREN Manta, ‘ove ino the CAPTAIN, Small and we, lean and bright, You took hap - py to meet me, Gane ToRoR Ted a FDS, 2suueuUUUEUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUOoN216328 2 3 CAPTAIN, MARIA, ‘CHILDREN: ° oO oO oO oO ° ° a) oO oO oO oO °o oO o oO oO oO oO oO oO oO oO oO o oO a oa a ‘ ej Cc 24] Gerne r0 Roc. The Sond of se© kexProduaons JEVSUUGVYUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUOUO 418128 santeo2 Finale Ultimo: No. 43 ‘Climb Ev’ry Mountain (MOTHER ABBESS, NUNS) cue. ‘MOTHER ABBESS: You'l hve help. or Ye stl go ot With oda. (MOTHER ABBESS:). nd be ed forth with eee, the montane and he is shal reak for before nc singing ‘Te ils din downstage and buld upstage) Moderato 4 __ morneranness Bos we. rea women none “ NUNS: rain tow TT yeu Geet your dream. a ‘dean that will aed AIL the Jove you can ve Evy day of your ite Garr Fo Ro We Sand ase WDSKaxProductons 418128 eo at pty cnt es mn hie teomeneae CATR th GRE oni shoulders.) HT yo find your ream, ‘he FAMILY is abou to dsgppear anal ‘long the pth este lights fade on) es a 1261 Grrrmoro Know. Te Sound e/Maie senso) 00006000000096009000000000800 gaanannaacnncnnn