SCALE SYLLABUS

Relationship Of Chords To Scales

Major Family
Chord Type (1) Se ale Form
Major -1 3 57 9 ...............Major1 2 345678 I de un MAYOR
Major ( #4 )1 3 57 9 •11 ..........Lydian1 2 3 J45678 IV de un MAYOR
Major (#4.# 5)1 3 -57 9 �11 .......Lydian Augmented1 2 3 �4 # 5678 III de un MENOR
Majar (l:>6-9)1 3 5 7 911 13 .....Augmented1 #2 3 5 b671
Major1 3 57 9 .................diminished1 b2 b 3�3-456 b78
Major1 3 57 9 .................Harmonic Major1 2 345 b678
Majar1 3 57 9 .................blues1 b3 �34 #4 5 b78
Major1 3 57 9 ................. minor pentatanic1 b34 5 b7 8
Major1 3 57 9 .................Majar pentatanic1 2 3 568

minor Family
Chord Type Scale Form
minor, tanic (1) Function ..........Darian1 2 b3456b78 II de un MAYOR
Natural minar1 2 b345b6b 78 VI de un MAYOR
Phrygian1 b2 b345b6b 78 III de un Mayor
Ascending Melodic minor
1 2 b34567 a
Harmonic minar1 2 b34 5b678
minor pentatanic1 b345b78
Blues1 b3 =34 #45b78
minor7th (11) Function ...........Dorian1 2 b3456b7 9
Ascending melodic minar
1 2 b34567 a
Harmonic minor1 2 b345b671
minor Pentatonic1 b345b78
Blues1 b3 34 #4578
diminished (start with whole step)
1 2 b34 #4 �567 a

Dominant Family
Chord Type Seale Form
Daminant7th unaltered ..........Mixalydian1 2 3456b78 V de un mayor
1 3 5 b7 9 Lydian Daminant1 2 3 #456b78 IV de una menor mel.
Majar Pentatanic1 2 3 568
minar Pentatanic1 b34 5 b7 8
Blues1 b3�34#45b78
Dominant7th #11 ...............Lydian dominant
1 3sb7 9 #11 1 23#456b7 a
Dominant7thb5. # 5 or both .......Whole Tone1 2 3 #4 # 5 #6
1 3 bs �7
1 3 #sb7
1 3 (b5 # 5) 1,7