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Devapuja Paddhati:

(Abridged From 'Arcata Prarcata / Puja Rahasya'

of Brahmatmadasa Pt. Vidyasimhacharya Mahuli
With English Translation)

English translation by Prof. P. Venkataramana Rao

Published by:
Gopalacharya Janma Shatamanotsava Samiti
Ananda Teertha Vidyalaya
(Gopalacharya Vidyapeetha)
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 Devapfrje-paddhatih
(With shlokas & instructions
in Sanskrit & English -
including Nirdyala-mantra-japa-kramah;
vai.vad.va, Bariharana
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and Brahma yagnalr Vidhih
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Abridged from the book "Arcata prarca

sH{rftrTB:
ta / puja Rahasya,, Sth Cross, Shankarpuram, Basavanagudi BANGALORE - 560 004 Ph : 080 - 2242 6203
written by Kulapati Pt. shri. vidyasimhacharya Camp: Chennai Date : 3-02-2010
Mahuri
English translation by: Prof. p. Venkataramana ssrldrdl
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Published by p,e !,e 1008 9e Sen d"geCr $eandorl$dd

: Gopalacharya Janma shatamanotsava
sarniti
Edition:
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January 2010
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4
 _

ll Sri Digvijaya Ramo Vij"yat.

tt
srimad Jagadguru sri Madhwacharya
Moora Maha samsthanam ASHIRVACHANA
UTTARADI II,IATHA: By

rl?:f;:m*'rpuram, Basavansudi, Bansarore -

s80 004.
VIDYA GURU SHRI MAHULI ACHARYA
Ph: 080 - 2242 620g
Date : 03-02-2010 Kulapati, Shri Satyadhyana Vidyapeetha
Jagadguru sriman ltladhwach Mulund, Mumbai- 80
aryan,toor,
Srimad Uttaradi nlainadheesha
llaha"rfilI
Parama Pujya Mahuli Gopalacharya was a great visionary,
sri sri satyatma Teertha sripadangaravara
100g
founder of many institutions, founder Kulapati of Satyadhyana
Anugraha Vachana Vidyapeetha, an author of high rank. a profound scholar, an orator par
God has bestowed us infinite
excellance. Pandits, products of his Vidyapeetha, have spread in
facilities. He has provided hundreds of places of our Country and piopagating Vedic Philosophy,
physique' mind' the sensory us with this
organs apart from the roving imbibing Sanatana Dharma and inculcating good character among people
kin' He has created the air parents, kith and
to breathe, water to drink around. lt is very apt to conduct Centenary Celebration of such a great
see' lt is humanly not possible and the brilliance to
for us to offer anything in personality.
who is omnipresent return, to Him,
and contended. He nffi ,, g"in
by the offerings that
we have made' But we rnust
be grateful by offering those On the occation of Centenary Celebrations, lectures have been
given by Him to
Him. This is the primary purpose
of worship.
organized on Mahabharata Tatparya Nirnaya, Bhagavad Gita and various
other topics. Lectures were held at many places all over Tamil Nadu that
we pray to sri Mularama, Digvijayarama include Coimbatore, Tirupur, Dharmapuri, Krishnagiri, Srirangam, Neyveli,
and vedavyasa to shower
choicest btessings, on the his
members of Goparacharya
satamana
Chennai and also in suburban areas pf Chennai.
sava samiti' shri P' venkataramana Mahoh
Rao, the transtator in English Books in Tamil and English were released on topics like "Mantra
chandrika Ramprasad, the and smt
Translator in Tarnit, for
in their enthusiasm, faith,
attaining the perfection Stotra Mala", "Dasa pada manjari", "Puja Paddhati", "Sandhya Vandana",
"Narayana Varma" and "Sundara Kaanda - Question & Answers" etc.
devotion anc knowredge,
this who have brought out
volume following the style-sheet
of rtarnrri"o.nr"a, arong Audio and Video CDs on'Sandhya Vandana', 'Deva Puja', 'Mantra Stotra
exhaustive explanation with and
in Tarnil and Engrish, oo
the Lord.
the method of worship of Mala', 'Sarva Moola Patha (including Gita Bhashya,Gita Tatparya, Tantra
Saara, Upanishad Bhashya of lshavasya, Kaathaka, Kena and Atharvana
Upanishads) etc. were released during this occasion.
with many remembarance
of Lord srirnan Narayana,
I sincerely pray Sri Hari, Vayu, Devata, Gurugalu and Sri Satyatma
r Signed Teertba Swamiji to bless bountifully Pandit Shridharacharya Joshi,
by -
Chennai, and all other admires who have been conducting successfully
sri 1009 sri satyatma Teertha swarnrji the Centenary celebrations of our great Acharya, with Bhakti Jnana
Sri Uttaradi Matha. Vairagya, health, wealth and prosperity.

Bhahmatmadasa,
Paramapuiya Mahuli Gopalacharya Padapadmaradhaka
Vidvasimhacharya G.Mahuli.
iv

'**;*'**
{ ...*r+
 (i'e' English
the sanskrit & Diacritical
Preface chi. sudheendra has typeset
transliteration) text' a
God has given us a great gift in the form of this human body. The good hearth, propsperity and
we pray Lord sri Hari to bestow them to achieve many laurels
only purpose of this human birth is to worship "Sri Hari". Whatever we them. r arso wish
rong rife to everyone of
do should. be considered as the worship of Sri Hari. lt is very difficult to
in this religious field'
accomplish this level. The act of worship is called puja and it is the duty
pt. sri Hari Acharya for making the audio
of everyone to perform Saligrama puja and the puja of Prathimas daily we sincerery thank
without fail. By doing this we can gradually understand the Greatness of of this book'
. A, -rT'S'
6 E),r*ra Elan chennai for
Rama Rao' for the
whole-heartedly thank sri
the Lord and spend our time on devotion. The "Holy Saligrama" always
we we earnestly
resplendents the omnipresence of Lord Sri Hari. lt has to be worshipped in sponsoring this publication'
financial contributions made for his financial
with great devotion and according to the procedures defined in our of Atlanta, usA also
thank Dr. sri Anand V. srinivasan,
Shastras. One should always use fresh and pure water, "sacred book'
supPort in Publishing this
"Thulasi dala" and aromatic fresh flowers while performing Devarapuja.
grace on ail of them in abundance'
We must strictly follow the practice of having our food only after we pray God to shower His
'Vasantha Achagam' for their
neat
performing Devarapuja, Vaishwadeva and after taking the
We also thank the printer
Devarathirtha. short time'
printing of this book within a
His Holiness Sri Sri 1008 Satyatma Tirtha Swamiji, the present
pontiff of Srimad Uttaradi Mutt has showered his special blessings on Werequesteveryonetomakegooduseofthisbook.
Gopalacharya Shatamanotsava Samiti and has also granted the
Anugraha Sandesha. Our ananthanantha Namaskaras at the Holy feet Pt. Shridharacharya Joshi'
of Sri Sri Swamiji. Utsava Samiti
Gopalacharya Shatamana
Our Vidya Guru Paramapujya Sri Mahuli Acharya used to perform
Devara puja as per the guidlines detailed in "Tantrasara" and with great
devotion and faith. He has written a book on Devara Puja Paddhati in a Date : 05.02.2010
simple and easily understandable Kannada, infusing Bhakti and also Place:Chennai -5'
showing the Correct norms and means of daily Devara Puja.

We have tried to translate a small section of the book in English.

Prof. Sri. P.Venkataramana Rao has translated the book in English with
great effort over a period of time. He has striven hard to get a good
grasp, sought clarifications on his doubts in order for himself to first
have a better understanding of the finer and often difficult concepts. He
has presented them in a lucid manner tor the reader's benefit.
Smt Chandrika Ramprasad has also helped this publication with
her valuable feedbacks/inputs as well as with her assistance in
preparing the diagrams in this book.
'Satyan Layout' is indeed to be credited with the actual task of
drawing most of these diagrams, as also the good cover page design.

vi
 ACK]YOWLEDGEMENTS
I into this fietd of spiritual stutly by my leamed
w'as initiated
vidyasimhacharyo ptbtishzd p: puiatasri.shreedhara"yr, t.:!:
?*: !:.::r:ri
"pooJA RAHAS1A. rn ror*ao'a-
rr"''""'tu
bo:u*.
P'.Dttsnect the btu .* o. .r,-" ..h* ! .no,
t)escription or the tho,,o^
.., -^--^-,'ll:
Tnis book gives an e)c;;;:,#:;:,-#:::,Y:::i ,;":"'Tft;::::::'::;:::::'::;
r,"y d.,o" y .\*:!
';;:;*!::,y:lr,y oio
",",*,iiu,','::;:;;r:'",;:::::e
e
yepara.i:,i"{*:
rhroughont.the
:.:h "*
il:'; fX::, ,ry ::,:.,, 'r*" ;;;;;;;:; tr '::;;;:;';,nor been rossibtl. r ,y:r o:
.hae
,ne,butoustt.a d c.,ticaily
F,
the ben"nt .t
:::et
b.
lrovilc ii ti i;:;: ;:^::"ff,?"':,vsgestions
tn* un he mode for preparing the fnat Jorm of the book has sreatty
kh.ow ei'her sarck or Ko,hada so ,*, ,*, uu nt
P.ersPediw of the Pooia maruras
.i*"'ii iilu ,nhanced the presentarioa oJ rhe booL No words con stfficienrly convey
Bratefulness to him. Mysclf and my family offer our "Pranaams" ro
kannadaTen. so bcautifu y
;r""*;";; ;; :;;i;'n!
---.--
htr and seck his blessings.
rhar ilte
writet does ,ot have I thank Sri Sudharshan .for critically reviewing the manuscriltt
! :: {:j,r,_:::::, prec.isetv le eirher.
elther th,tht
und for the many* useful suggestions he made.
convev au the ideas
:,7:;,:,I ;:,,:::,.::?:':o:' 'o. rrom th,,
tiu,,;t,te ,*,,-i,,,,"i";,:;,,':::,1:::,,':
i:;i:::,::::.,::"^:";":":an
truly as po,r.tt ! !J'!{!{e 0
,-{! My sincere thanks are due to Sint. Chandrika Ramaprasad who
sible only a few af the
important concepts exprained has been working with me on this project while making the translation of
original Text. in thr
this work in Tamil and for the numerous valuable suggestions.
First and foremosr _ a
sacred I
thank Sri Sudheendra Srinivasan for taking part during the
r;:'lf ,::y:i^::::::,";;;-i;oi::;,|:,,':::;:f-:,::-,::;:,
this work at the totus feet of the
*Orri"iir;;;;;;r';;:;;r";;rilr;;
tnuny discussions and for preparing this work ready for publication with
his skill in computers.
t:::::,,,:,:, know te d s e o unde rta
":::^,::_, :*: He! ",and.
contplete it successfutly. ke hi s w ork an,
t
has been,n" r"rr*"r*';;;.;;;";;:;,
My sincere thanks to Sri T. S. Rama Rao, Parthasarathipuram,
t
l"Nagar, Chennai and Dr. Anand V. Srinivasa, Atlanta, Georgia, USA,
prav n Hint b contl
,t tu
,ji,";:::::,1':-"'*::ttre
His Grace on' tne forever andltlceretv
lead me in ilte righteous
continue b bestow Irtr the financial contribution to publish this work. May Srihari bestow
path. I lis blessings on them and their family.
I deem it c
btessinss*r,**i-iiil!:;';:i;;;!:!,;,:::;#,::,,:r:;:;:; Finally, I dedicate tltis work os an expression of my gratitude to
of uttaraadhi mata. I sincerery submit my hearty pranaants Kulapati Pujyasri Pt. Vidyasinthacharya who has inspired and prepared
and thank him
for his Anugraha sandrrha and
at hisfeet nruny Scholars to study and spread the Madhva Philosophy.
throu gh his,,Amriahastagalu,,. for rereasing rhe book

(:IIENNAI
P. VENKATARANIANA RAO

j
ix
Tranliteration Rules followed in this book: (Diacritical ontents

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55
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95
coruna (t) = 1.;, fullstop 1tl) = (..) 7. BigvEdiYa Balihara4arp
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For the sake of better readablity, T, tr, g. Gurfl4flm Hastodakar.n (NaivEdya kramatr) 109
1. etc. are transliterated f 110
in this book, as kpi, tyi, ppi etc. only (and not as kp, tp, pp, etc.) 1.0. BigvEdiYa Brahma Yagnab
while $'is transliterated as klpi C and not given as k!) 119
11. YajurvEdlya Brahma Yagnatl
2.Yedic Svaras like Udatta, Anudatta, Svaritha are not indicated in
the tranliteration of the Veda Mantras. II: g:I"jtn*rv" lrygrish lrr:l*i:9 127

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50 11|qrnrefr: ll 51

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52 Devapriia Paddhati[r 53

..Sri[.. tritrdcamanam krina

karar.n milrdhni nyasya Sirasi
Niriyarya-mantra-iapa-krama h urrtulamandala-madhyasthah SvEtavarnah varuryablja-
t'(rcyah sartkhacakrapadmagaddyudhah varur.tdntaryamt
Kara-Suddhih s ud ev 6 bha g av dn mac c han1ary dp ddamas t akar.n amrita-
t' t t

6r.n ya+ 6m iti manibandhe. 6ry ram 6m iti prakdsthE.
6m vam 6m iti kiirpar4.dry ya+ dm iti hastasandhisu.
Ory rary 6m iti tatpristhd.6m vam 6m iti pdrSvaydh
spariar.n kurydt.
Pdpa-puru ga-visarianam
hrit - p admas tha- dev am s us umnd- mdr g E na nltv d
sva-milrdhani nidhdy a v dmakukg itn sp yi; lv A
brahmahaty d- Siraskam ca s var .r a- stEy a-bhuj a-dv ay am.
surdp6na-hridd yuktam guru-talpa-kati-dvayam..
rt'istyd. varundna dpldvayatu. ityukna 6m varyt 6r.n iti
, t il u rt imfi ativ aram j ap Zt.
Tattva-nydsalS
Srlgurubhy0 namah. SrTparama-gurubhy6 namah.
,r imhd-Enandatlrtha-bhagavat-pEdEcErya-gurubhy6 namah.
.r I vEdavydsf,ya namah. Sn--bhdratyai namah. Sn--sarasvatyai
,r,rttralg. SrI-vEyavE namah. SrT-brahmanE namah. Snr-
rr rl halaksmyai namah. Sn-ndrdya46ya namalr. (EkddaSa-
hiinE up6sya-devatf,yai-mantra-pratip6dya-dEvatdyai
. t

tat-samy6ga-pada-dvandvam at'rga-pratyafl ga-pdtakam . r I t v f, nt&r! dml Sri- nd r-ay andy a n amal.r. m6ks a-prad a
rr

upa-pdtaka-rdmalam rakta-SmaSru-vilocanam.. ,r t-vdsudEvdya nama[..

khadga-c arma-dhara+ lqi q+afn kuks au pap ary vicintay i' t

6r.n 6ry nam6 nEr6yan6ya dry

ity ukt arlty d c int ay e t.
'tt
( 12) millamantZna prdrydydmam krind.
tam ndbhid1iamdnrya ndbhim spyigyvA. satkdnamandal,,
"rrr bh[b. agnydtmanE aniruddhdya ftidayaya namalr.
madhy as thah ntl av arnah v dy ublj av dcy al.t S ankha g addb.1,,
rrrr bhuval0. v6yvEtmanE pradyumn6ya SirasE svahE.
,
cakrdyudhah vdyvantarydml pradyumnd bhagatlt,
,irtr svah. stirydtmanE 5rT sarikarsar.rdya SikhEyai vauqal.
mac charlrasthar.n pdpapurup am v dyund f 6 s ay atu.. ityukt r,
, irr r bhflrbhuvallsvall. prajApatyahnanE vdsudEv6ya kavac6ya hum.
6r.n ya\n dm iti sadvdram japet. tum Suskary bhdvay€t.
,,nr satyAtmanE ndrEya{rEya asfrdya phat. iti digbandhah.
tatastar.n hyidayaddsamdnTya hyidayary spyi;lvA ffikdlt,t
,'I.'si-rm tattvamantra$Ar.n antarydmr- risih Sirasi. daivl gEyatrf
mandalamadhy a- sthah raktav aryab agnibli av dcyap s afikl n,
padmacakragaddyudhah agnyantarydml saikarsalt' lrlndah mukhE. Snln6rdyand dEvatd hfdaye. dhydnE
,

bhagavdn macchartrastham pdpapurusam agnin, , rrriy6ga[r

nirdahatu. ityukfiA dryt raryt dm iti dvdda(avaraqn iapdt. tttr r'rrn pradhf,n6pamavar+Ani dvibhuj anyapyaSEsatatr.
dagdham matvd tadbhasma vdmandsdputZna bahih k;ipCt k ri tafrj aliputdnyEva pradhf,nar.n tar.n hari+ prati..

ffi
54 D€vaPtrja Paddhatih 55

tattvdntary[mI SrlndrdyaqaprEragayd Srrn6r6yanaprftyarth, r l .lrrrnhastasya arigug[hidipaff cifiguligu

tattvanydsamaham kari sYe. I rlrrr par6ya v6gdtmanE vahnayE namah.
.' orrr par6ya pdny6tmanE daksdya namah.
6ry pardya SaktyatmanE Srilaksmln6rlya46bhydm namah .

6m parIya pratiqthdnnan6 Sflalqminarayaqabhylry namatr.

I irrn par-aya p6ddtmanE jayantdya namah.
,l rlln pardya pEyvdtmanE mitr6ya namal?.
6ry pardya samviddtmanE Sn-l aksmlnaray aqabhydm nam a I r

1 .rnl pardya upasthltmanE manavE namah,

6m parlya sphflrtyafrnanE Srfl aks. rrfinarayar.rabhyfu .n namah.
pardya pravrittydtmanE Snlaksnfindrdyandbhydm namah.
+rl plnapidasya ariguglhidipafr ciriguligu
64
6ry p ardy a kaldtman6 5n1 aksmlndr6y andbhy ar.n n amah. I orn pardya SabddtmanE brihaspati prdndbhy6m namah.
6m pardya vidy6tman6 Srrlaksmrndrdyaqabhyar.n nama[r.
l nnr peu6ya spar6f,tmanE apindya namah.
I nnl parIya rflpdtmanE vy6n6ya namah.
6r.n p araya maty dtmanE Sn-laksmln6rdya4 abhy ary n amalr .
I rrnr pardyaras6tmanE ud6n6ya namah.
6ry pardya niyatydtmanE 5n-laksmrndrdya+abhyar.n namalr
1 onl pardya gandhdtmanE samdndya namall.
6r.n pardy a m6y dtmanE Snl aksmrln Erdy an6bhy Em namal.r.
tnrrpf, dasya ahguglhidipaft cihgul igu
6ry pardya kdldtmanE Srllaksmlnaraya46bhyafn nama[.
Ory pardya purusdtman6 brahmavdyubhyary namah. I Rnr par6ya dkdSdtmanE mahdga+apatayE namnll.
I .rr!r paraya v6yvdtmanE pravahavdyavE namah.
iti dvddasa d7vatdh urasi mdldkdr4na vinyas7t.
t iirrr pardya tEjdtmanE vahnayE namah.
6m pardya avyaktdtmanE brahm[nithdratibhydr.n namah I {lrn parEya abdtman6 varulEya namah.
(dakpiqtabhty 1 rtrrr pardya prithivydftnane Sanai6caradhar6bhydry namah.
6r.n par6ya mahad6tmanE brahmav6yubhydm namab -
(vdmabfuty . F I I rl l nt vany6sEna tattvEntarylmr- Sn-laksmrndrdya$ah
! r

, ,ti rrllltF pna6 bhavatu.

6m pardya atrank[r6tmanE garuqa SEsarudrEbhyd namah
(dakginAruu mit;ik-inyilsa
dr.n pardya mana [tmanE skandEndrAbhyary namah - , r gur rrhhyd namah. Srl-parama-gurubhy6 namah.
(vdmdntn , r n rr rr I - ii n andatr-rtha-bhagavat-p dd[cdry a-gurubhy6 namah.

dakgipahastasya arigugfh6dipaft c6fr guligu , i r r'rlirvyasdya namah. SrI-bhdratyai namah. Sn--sarasvatyai

1. 6ry pardya SrdtrdtmanE digdEvatabhy6 namab. , .,l tr I r, (n-vdyavE namah. Sn--brahmanE namah.
2. -oryparaya tvagdtmanE vdyav6 namal.l. , i n n I rii lakgmyai nama[r. Sn-nf,r6yapdya namalr.
r

3.0+ paraya caksurdtman6 siiry6ya namah. I nr lrrsl-sth[nE upEsya-d€vatdyai - mantra-pratipddya-

4. 6ry parf,ya jihvdtmanE varu!6ya namah. i,., l I il y il i tattv[ntarydml Sri-ndr6yar.rdya nama[.
5. 6r.n par6ya ghrln6tmanE a5vibhya+ namah. .,' rl,rrr prada-Srl-vdsudEvdya namalJ..

,
6 DEvaPf,ja Paddhatilr 57

(2) (dakqipabihusandhicatugtay6 tadagrE ca)

om om nam6 niriyapSya 6m IJ.6m kar.n kapildya namah"
( 12) mulamantrE4ta prdndydmom kriwA. 18. 6m kham khapatayl namah.
n bh[h. agnydtmanE aniruddhdya hridaydya namah' 19 . 6m ga{n garud[sanay a namah.
n bhuvah. vayvdtmanE pradyumnaya SirasE svdh6. 20. 6m ghary gharmayanarnah.
n svah. siirydtmanE 5rr saflkarqaqdya Sikhayai vausat' 2I . om nar.n nasdrdya namah.
m bh[rbhuvatrsvatr. prajdpaty6finanC vdsud6v6ya kavacdya httt t r
(3) (vimabihusandhicatu$laye tadagrE ca
n satydtmanE ndrdyandya astrdya phat. iti digbandhah' 22. 6m cary cfuvangaya nama[r.
elslm mEtrikdmanffi+afn antarydrnl risih Sirasi, daivl gdyafti chatrr I
23. 0m cham chand6gamyaya namah.
ukhe,. ajadimpi srtrlrayaqro dEvata hfdayc dhyanc viniy6ga[. 24. 6m jary janf,rdanaya namah.
om tddrigr[p65ca paflcdSacjfl 6namudr[bhay0dyatAl+' 25.6m jhary jhatitdraye namah.
tankr da1r{i ca dhanvr ca tattadyuktastu vdmatah" 26. 6m flar.n flamaya namah.

ad ir[pr5rIndr[yaqaprEranayd Srinaraya! apnlyarthary

(4) (dakgipapidasandhicatuglayE tadagrE ca
27. 6m !ar.n tankinE namah.
atri kSnydsamaham karigYe..
1) l. 6r.n aryaj-ayanama[r. (Sirasi)
28. 6m thary thalak6ya namah.
29. 6m dary darakdyanamah.
2. 6m dam dnanddYa namalr. (mukhe) 30. 6m
3. 6ry iry indrdya namall. (daksinanEtrE) dhary dharinE namah.
4. 6r.n ir.n Isdndya namal]. (vdmanOtrE) 31. 6m +ar.n r.rdtmanC namah.
5. 6+ um ugrdya namal.r. (daksinakar4E) (5) (vdmapidasandhicatugtayE tadagrE ca)
6. 6rp [r.n flrj6ya namal]. (vAmakarnE) 32. 6m tar.n tdr6ya namah.
7. 6+ frry riatambhardya namah. (daksinandsdputE) 33,0m tham thabhdya namah.
8. 6+ Iifn fighAya namal0. (vdman[s[pup) 34.6m dary da+dinE namah.
g. 6m l(r)im l(f)iSaya namal]. (daksinakapole) 35. 6m dham dhanvinE namah.
36. 6m nary namy-ay a namah.
10. o1n lflifn l(f),jaye namal.l. (v[makap6le)
I 1. 6r.n Em Ek6tman6 namah. (urdhv6sthe) (6) 37. 6m par.n par6ya namah.(daksinakuksau)
12. Or.n aim airlya namah. (adhar6sthe) 38. 6m phar.n phalinE namah. (vamakuk$au)
13. 6m 6m Ojobhft€ namah.(urdhvadantEqu) 39. 0mbaln balinE namah. (pfi$!hE)
14. odl aum aurasdya nama[r.(adharadant6su) 40. 6mbham bhagdyanamah. (guhye)
15. 6m am anant[ya namah. (mfirdhani) 4L.6m mam manavE namah. (udarE)
16. 6m atr ardhagarbh6ya nama[r (vaci).

a
58 Devapiiia Paddhatih 59

(7) 42. 6m namah. (hfidaye)

yar.n yajfidya Pafrcangulinyasah
43. 6m rar.n r6mf,ya namah. (tvaci)
1. om kruddhOlk dy a anguqthabhy[ry namah.
44. 6m lar.n laksmlpatay1 namah. (carmani)
2. 6m mahOlklya tarj anibhyam namah.
45. 6m vary varaya nama[ (marysC). 3. 6m vTr6lk6ya madhyamabhyary namah.
(8) 46. 6m Sar.n SdntasamvidC namah. (rudhire) 4. 6m dyfilk dy a anamikabhy ar.n namah.
47. 6rn $ar.n $adgu$aya namah. (mEdhasi) 5. om sahasrOlka y a kanisthikabhy ary namah.
a

48. 6m sam sf,ratmane namah. (majjayAry)

49. 6m har.n hamsdya namah. (astilu) AStnnganyisall
50. 6m lary lalukdyanamah. (pr6nO) 6m 6m vi6v6yanamalJ Sirasi.
51. 6m k$ary laksmlnrisimhdya namah. (ilve) 6m naln tarjasaya namah nEtrayOh.
anEna mEtrikdnyds€na aj adirflpi SrilaksmlnarAyaqa[r 6m m6r.n prajfidyanamah n6s[grE.
pnyat[ry. pn16 bhavatu. 6m nar.n turyf,ya namah vaci.
6m ra{n f,tmane namahhridi.
M0lamantraf ( Ndrdya4a mantrall)
6ry yar.n antaratmane namah n6bhau.
Srl-gurubhy6 namah. Srl-parama-gurubhyd namah.
6m +ar.n paramdtmane namah janv6h.
SrImad-6nandatirtha-bhagavat-pEddcdrya-gurubhyd namah.
6m yaln jflfnltmane nama[r pdday6h.
Srf vEdavyds6ya namah. SrI-bhtuatyai namah. Sn-- sarasvaty a i
namah. Sn-vdyavE namah. Srl-brahmanE namah. Agldngulinyisa[t
Sn--mah 6l aksmy ai namah. SrI-n 6r[y a +dy a namah.
,t tl gustharyt v ihdy a ari guli c atustay E daks inahast E kramEna-
(EkEdaS a-sthEnE updsya-dEvatlyai - manff a-pratipddya-
devat6yai tattvf,ntary6mr- SrI-nEr6yarldya nama!. 1. 0+ 6m viSvdya namah.
mdksa-prada-Sri-vasudEvdya namul+.. 2. -orytnam taijasdya namah.
or.n 6r.n nam6 niriya46ya 6m 3. 6ry mor.n piainayu namah.
iti (12) mfilamantrdna praqtdydmam krind. 4. 6ry n6m turydya namah.
us tham v ihdy a an g uli c at u s t ay € v dmaha st€ kramZ na'
PaficiganyisaI ,t rl 14

1. 6m kruddhOlk dy a hrida y5iy a namah . l. 0+ r[m dtmanE namah.

2. 0m mahOlk[ya SirasE svaha. 2. Ory yary antar6tmanE namah.
3. 6m vIr6lk6ya Sikhayat vausat. 3. Ory {r6r.n paramdtmanE nama[r. ]
4. 6m dy[lkdy a kava cdy a hur.n. 4. 6ry yary jffandtmanE namal.r.
5. 6m sahasr6kaya astrdya pha[.
 61
60 Dcvapiiia Paddhatih

asya ndriyandstdksara-mantrasya antarydml risih. ti. japakdla ftantrasarokta dhydnaildkdnusarena

Sirasi, daivT gdyatrT chandah mukh6, SrTndrdyan6 dEvatd
hriday6, dhydn6 viniyogah.
hhagavadrilpary sat-cit-dnanda-dtmakaln
tiv a r anad ev atds ahitam ni rant aram dhy dy d t.
udyadbh6svatsamd,bh6sah cid6nandaikadEhav6n.
ramdbrahmAdibhyi atiSay€na sarvottamatvam
cakrasankhagaddpadmadhard dhyEyd'hamrtvarah. .
unantagunakriydrilpatva\n viivasya srististhitilaya-
laksmldhar[bhydmds]istah svamtirtiganamadhyagah. amanaj fi dndj fidnab andhamdk; Arytup dAtrin am s arv Z s dm
n iy

brahmavEyuSivahlsavipaih Sakrddikairapi. ucdtandndr.n muktdmuktdndm cdtandndm ca svdmitvaqn

sEvyamdnd'dhikam bhaktya nityani6sEsaSaktimdn. watantratvar.n ramddisarvajlvZsu sthina sarvakriyd-
mfirtayO'stdvapi dhyEyascakrasankhavardbhayaih. kurtritvam,
yukta[ pradpavarndsc a s arv dbharanabhfi sitdh. anurEnuprabhritisamastabrahmand7 tadavaranesu
saikhacakravar6bhltihastdnyEtdni sarvaSah. wy dkritdkdfi € c a vy aptatv am anady anantakdlC s u s arv e s am
miil arDp as av arn dni kr-r $r.r av ar+ E 5 ikhdc y atE. . tilimittamahOpakarinam sarvat1'tipr4sthatvam sarva-
k vma s u p ilj y an am guru d Ev at dnt ar g at atv ar.n c a s mar e t.
I aks mln i r dy ana pr6ranayd laks mTn iriyan a p rTtyarth am
ndriyanamantrajapam karisyE. arah d1;dlt tadviruddhdh ndrdh gultAh tudayanatvam
trrayanatvdbhdvar.n naram jlvasambandhijfidnam visaya-
" 64fr 6r.n Nam6 Niriyaniya 6m " tt r.y d taday anatv am naral.t nird1 s ah muktah tuday anatv amiti

tuiriiyaqtafiabddrthdn guqtapuryatvam dosaduratvam

iti mantram a{l1fiaraflatavdrary japnd punah prdndydmant,
ili 0y atv am gamy atv amity adidharmdn smar€t.
paficdriganydsam paffcdrigulinydsam astdriganyasattt
astdngulinydsarp kyina , dhydnasldkar.n pathind "yasyrr manasistham vdsandmayam jadarft rilpamdva
smritye'ri samdpaydt. limgavdniti na dhydyAL api tu vdsandmayd rilp€ vdyur.n
viyau ramdrTt tatra sacciddnanddtmakar-n ndrdyaqtaqn
ttvdhya upaslta.
 62 Devaptria Paddhatill 63

..6r-1h..
dipaprajvilanam.
.. P0ia-Paddhatih .. '
r etyasya mEdhatithih k6nvah fi$ih, agnirdEvatd, gdy atxl
1r r r i n

ndrdyan6ya paripflryagu$ary av dy a ' I rrurda[r, dlpaprajvdlan€ viniy6gah.

vi Sv6dayasthitilaydnniyatipraddya. 6m agnindgnih s amidhyatE kavirgrihap atiryuvE.
jfr Snapraddya vibudhdsurasaukhyaduhkha- havyavdd juhvasyah.
satkEran6ya vitat6ya nam0 namastE..
tt nruntrdna dtpar.n prajvdlya, lk;a1tEna divisthdn
@ Afi p Adau p rakg dly a ) v i g r.tO fi p ilj d g riuha sy a dv ar a s amtp t u t, t t,l p ak{ Ep d 4ta ant ariks a g at dn, p dr ;ryi ( gulphasy a
g atv d dv drap dl dnnamd t. , t, I I ul b hd g ah p ddamfilary
) ghdt at r ay d na b hilmi s thdn
ty,lmdn uccdlayZt.
dvirapilanamanam
p[rvadvdrE Sriyai namah jay-ayanamah, vijaydya namah bh0t6ccifanam
.

daksinE Sriyai namah bal6ya namah, prabalEya nama{r . rpasarpantu yE bhuta y0 bhiita bhuvi samsthitlh.
paScimE Sriyai namah nanddya namah, sunandaya namah. y0 bh[ta vighnakartf,rastE naSyantu Sivajfraya.
uttarE Sriyai namah kumuddya namah, kumuddkqdya namlt tt t hI fit dn u c c dt ay d t. t at al.t nd r dc amudr ay d di S alt b an dhay € t.
iti bhakty d namas krity a tadanuj fidmav dpnuy dt.
prirthani
d6vaggihaprav66ah t, t t t h d adhah s thi^) a v inay ap ilrv akam b addhdfij
ve d ikdy alilt
vEyavityasya madhucchanddh vaiSvEmitrah fr qih, vdyuh rttn prd.rthayEt.
dEvat5, gdy atfr. chandal0, dEvagrihakav6tddgh6tanE viniyOg,r Iaksmrt6nta namastE' stu svEmin bhftO bhavEmbudhEh.
6m v6yava yahi darSatE mE s6m6 arankritdh. pfij aydmyahamadya tv6ry prasTda purus6ttama.

teqa+ pahi SrudhI havam. tvdmEva Saranam ydmi Sarandgatavatsala.

iti mantraryt pa[han ddvag yihadv dram udghdtay e t. kurusva saphal[m p[jafn pfijarha4 mar.n ca m[dhava..
t dl at r ay am kr in A d d haltm a sp yi S ann d v a dakg indri g hrim kayikdn vdcik6n d6sdn mdnas6napi sarvadd.
puraskritya vais! avadv€sahEt0n mE bhasmasf,tkuru mddhava.
y accakifl cijj agats arvam dri SyatE Sr[yatE'pi v[. apar6dhasahasrE .r
i kriyante'harniSam mayd.
antarbahi 5c a tats arvaln vydpy a nEr[y anah sthitah. .
tdni sarvdni mE dEva ksamasva madhusfidana.. iti.
iti mantrary pa[hannEva ddvagriham pravisdt..
 -

64 Devaptria Paddhatih 65

mdnugagandhanivirapam ghaqfivddanam
yebhya ityasya gayah plata[ fi$ih, viSvedEvdh dEvatdh, gha4@kin-fadandEsu svare ndlE krame4a tu'
jagat1 chandah, manusyagandhanivdranE viniydgah.
brahmdnar.n garu{ar.n nf,gary vigdEvTm ca prajdpatim"
6m yebhyO mdtd madhumat pinvatE ttyuktaddvan dvdhya natva ghal\Aryt vddayZt' tatd
payal.l piy[qary dyauraditiradribarh[h. tttyttfiikdttt tYaieL
mantapadhYinam
ukthaSusmdn vrisabhar6n tsvapnasastdrtr
rrr r ilptojjvalak[flcanena racitam tufigangarangasthalap.
adityarir anu mad[ svastayE. .,r
rt ltlhiphdtikabhittikdvilasitaih stambhaiSca
haimaih Subhaih"
ddvasya dtmanaSca madlryE javanikam kalpayEt. vddikdm r rktajdlavilambimantapayutam vajraisca sopanakaih.
rr r

druhy a b rahmap dra s t av am p ayhd t. rrrrr rtratnavirajitaiSca kala6airatyantaSdbhdvatram"

, I vlrailscdmararatnajatakhacitaih Sdbhavaham manditam.
brahmapirastaval;r
r n I lgryairapi Sankhapadmadhavalaih
rr
prabhrajitam svastikai h.
pracEtasa [cu[r -
brahmapdram munE Srdtum icchdmah paramam stavam. rrrIr ky6jj valadlpadr-ptivilasallaksmlvilasdspadar.n
rr i

japatd kandund dEvO yEnarddhyata kESavah.. , tt r yriy6runan{apamarcanesu sakalesvevamvidham sadhaka[..

t \w ktar1ty d mantaPam dhY dY €t.
sdma uv5ca - t

parah parary visnuraptuap[ra! parah pardndmapi pdrapdrah. kripay6tthryatdry talpat tava pfljd kriya Ylta[,
sa brahmap6rah parapErabhtitah paral.l parEbhyah paramdrthariipl.. ay atabhy am vi 5 dldbhy afn Sltalabhy am kSipanidhe''

sa kdranam kara .ratastat6'pi tasyEpi hetuh parahEtuhetuh. karundrasaptirn6bhy6m lOcanabhyaq vilOkaya"

kdryEsu caivam sa hi karmakafi{i (ft4)r[pairaSEsairavatlha sarvam.. tri prdrthya ddvamutthdpya pryhe upav€SayZt'

brahmaprabhurbrahma sa smvabh[tO brahma prajanar.n patiracyutd'slrr nirmdlYavisarianam

brahmEvyayar.n nityamajam sa visnurapaksay6dyairakhilairasangi.
tttttrh nirmdlyam visrij\t. " rudrah d7vasya vdmabhdg7
brahmEksaramajam nityar.n yatha'sau purus6ttamah. rvtriirasi pdtram dhrina fisthati " iryanusandhdya
tath6 rdgldayd d6qa[ pray[ntu pra6amam mama.. ,I t' t, av dma - b ha g a s thap dt r d ni rmdly am v is rii €t'
6vam vai bratrmap6rdkhyam samstavar,n paramam japan. tt i arj anE " aaham rudr6bhir" iti ambhrinl- s frktam
r mdly av is
av-apaparam6m siddhim sa sam6rddhya kEfuvam.. iti japet. aln p ayhdt
1
u t t hE t. nirmdly dbhi ; eke tu purus asfikt

1
truthamd.bhis Ekai alam nirasy a dvitly anirmdly dbhis Zka-
1
t il am laksmyddibhy ah nirmdly a-ttrthaddndya
 66 DEvapuia Paddhatih 67

b r ahmay aj ftdn a-tarp ar.tdy a c a p rit hak s t hap ay e t. rut ah

g
kau 5 Ey apltav a s an 5m a ra v i ndanetr6m
laks mlv dy u S d s a g aruda- p ratimdndryt nirmdly am v i s yijy a
p admadv ay abh ay a v arO d y atap admah as t6m .
abhisificdt.
u dy ac c h atark a s ad ri STr.n p aram Ankh a s am s th Im
ev a amb h r inli rts ukt a dib h i h I ak s mlr.n, p av am an a -
ar.n dv dhy
dhyayed vidhiSanutapadayugam janitnm.
h alircha- s undara kdqtQa-v dyus tuti -madhv av ij ay ddib hih

mukhy ap r dryar.n ab hi s ifi c d t. tti mukhyaprarytas),a antah laksmlr"n dlryd.tuA dvdhya

paksirdj dya vidmahE vakratu+{aya dhlmahi. udyadbhasvatsamf,bhdsah ciddnandaikadEhavf,n.

iann6 garudah prac6daydt. Sankhacakragad[padmadharo dhy6y6'hamrSvarah.
iti garudary (6ry SEfn ) S6sdya namall iti S€sar.n ca tt i I aksmy antahstharyt narAy a(tam dhy dtv d
abhisificdt. "('hy6hi mama hritpadmasthitanaraya$a. laksm
muklry ap r dnasy a tlrtham p rithakp dtrE s thdp ay Et. any Es am g,,',, ii rnartah- stha- (tOj a[rs ara pratimdntah stha) mukhy apran e

t{rthcini p atrdnt ard p arity aj Et. ;

rrtt imd-gatalaksmlr[pa-cinmayapratimEyam l aksrnya n tar
I
ltltam n6r6yalam tvdm lvdhaydmi avahayf,mi
I i isnu pratimdydm iya ramdviiyupratimaydh api gdlaka- ttt't|vdhayEt.
itl v aryt tm anu s andadhy dt. t adittham. mukhy ap r drlalp p ratha-
Itna,ri golaknm. tadantahsthd laksmlh dvitlyam gdlakam.
atha vdyupratimdydrTt pilrvavadZva "udyadravi';
itatla ntcth ndrdvanah iti.
"kiruSEyaprta" "udyadbhdsvata" iti vdyur.n lak;mlryt
lJ'
I niruyanar.n ca dhydtvd "6hyEhi mama hritpadmasthita-
E a g aru d ddip r at imd s u t u g 6 I akat r ay arn anu s an da dhy dt.
1i i rrnrlyaqa. vEyupratimdntahstha (tCjah sarapratimlntah-
it e rl i tt h am. 3 e g al.t ity ddih t att atp r at imd d 0v at d p r athamam
s t h a) mukhy apr[nar[papratimdgata-laksmlr[pacinmay a-

lgolakam. tadddvatdntar gatah mukhyaprdnah dvitly am prati mdyf,m vayvantargatam ntuEya! am tv6m dv6haylmi
g o lakam. tadant ahs thd laks mlh tritly am g dlakam. tadar ah
"t
ir v ilhayam 1" ity av dhay Et.
ndrdyaryah iti.
prathamar.n lakgmipratimiyir.n 6vihanakramal.l. evam garudapratimayam "pakqirajdya.... "iti
u dy adraviprakara s annibh amac y u mnkE
gtrudam "udyadravi" "kauSEyapfta" "udyadbhf,svat" iti
sv asrnarnas y a nutinity av ac ab pravritti m.
viyum laksmlm ndrayanaryt ca dhyAtvA "Ehy€hi mama
dhyayEda gad['bhay akarar.n sukritaflj alim
lrritpadma-sthitandrdyaqa. garudapratimdntah-stha-(tEjah-
siirapratimdn-tahstha) garuddntargata-mukhyapr6na-r[pa-
tary prdt] ar.n y athE p gatanurnunn atakarmaS aktim .
ratimdg ata-laksmrrtip a-c inmayapratimayar.n garuddntar-
r
iti I ak mtp r atirnfry dm p r athnmnr.n mbtkW ap r dryar.n dhy dtv d dv dlry a 1

pltam n6rf,yalam tv6m Sv6hay6mi dvdhaydmi"

-,
itvavahayet.

68 Dcvapiiia Paddhatih
Bh0t6ccitallam.
asane upavisya.
apasarpantu yE bhfita yE bhiitd bhuvi samsthitdh.
yE bh0t[ vighnakartdrastE naSyantu Sivdjflaya.
apakrdmantu bh[tdni piSdcdh sarvat6 diSam.
apasarpantu yE bh[tah kriir66caiva tu rdksas6h..
yE cdnyE nivasantyeva dEvatd bhuvi samsthitdh.
te s dmapy avir6dhEna brahmakarma s amdrabh e. iil.
Asanam
p5rthvr-ti manffasya mErupriq$uh fi$ib, k[rm6 dEvatd,
sutalam chandah, f,sanE viniy6gah.
prithvi tvayd dhrita l6kd dEvi tvam vislund dhrita.
tvam ca dh[raya mdm dEvi pavitrary kuru cdsanam.
mary ca p[tam kuru dharE nat6'smi tv[ry sureSvari.
iti bhiimim prdrthya
6r.n pary paramapurusdya namah. dm [dhEra5aktyai namah
Ory kur.n k[rmaya namah. dm mam mandiikdya namah.
6m vam vardhdya namah. 6m SEm SEsEya namah.
Ory kary kallgnirudr-aya nama[. 6r.n va4 vayaya namalJ.
astrdya pha!.
iti isumudray a di gbandhanam kury dt.
"aindryddidiksu badhnf,mi nama6cakrdya svdhd"
iti c akramudram s arvadikgu sv af iras i dari ay Zt.
69
puiisankalpah
tt t' afttla prdqtdndyarnya tithy ddi s anklrtya
an an takal y ar] ag u r.l ai ka s indhu
SrIvi snuna preri tamdnas O'ham.
tasyaiva v-rryEla balEna rcjasa
s aflj Ivita s vf,nta- v apu 5 c idindriy ah. .
prrtyarthamasyaiva kar6mi p[j [vidhim
pradi$fary khalu tantras6rE.
brahma+ das ahas rap atErday 61 6rbhakty 6
yathd6akti yathaiva sampat.. iti.
Snlvisnu-prEranay6 Snvisnu-prltyartham bhagavatd
"
I rt lena bhagavat6 vIryEna bhagavatas-tEj asd bhagavatah
L lrmand bhagavat6 v5sudEvasyEjflayd yathlmilit6pacara-
, I ra vyailg Sn-mad-dnandat-rrtha-guriidita-tantrasdr0kta-
rt k drEqa indriyadya-dhisth6trd v6sudEvEna prErit6'ham
r
;
I I a gavataf v6sudEv asya s6daS6pac draih piij akhya+ karma
r r
L ri syE"
rr f/i
s arikalp ay €t. tatalt ndrdya4tamantraqn j ap et.
dEvaprirthani
nlrpusTda ityasya vair0p6 nabhafprabh6danah risih. ind16 dEvatd.
Ir lptup chandafi. prirthan6 viniy6gah.
rri su sr-da galapat6 ga1tE$u tv6mdhurvipratamam kav-rnf,m.
rur ritE tvat kriyate kim candrE mah6markam maghavaff-
citramarca..
iriidhyasE pranabhgitiim pranEfrE pra4adhin6thEna sanrlrar.rEna.
t
rrrirlyana jffEnasukhaikapfirna svlmin mayi Srlramana praslda..
bimb6'si pratibimbd'smi tava yadyapi c[ntaram.
svdmin nirddsa madddsdn virEcaya nam6'stu tE..
t t i vadan prdrthandmudrtup pradarSaydt.
 D€vapoia Paddhatih

kalaSapUia sarvO samudrassaritah tlfthani jaladd nad[h..

ayf,ntu dEvap[jartham abhisEk6rthamddarEt.
t at kdrt h arp b r ih at k al a i ar.n kumb h ab hi s 0 ka r t h ar.n
r a ab hi sE

s uksmakalai am c a s thapayiru d ityasya sindhuksit praiyamEdhah risih, nady6

Irrrar.n mE

ni rv i stkar anarthar.n I arudamudram rl€vatd, jagatT chandah, nadTprirthan6 viniyOgah

Ory paksir[jdya vidmahE vakratu4{aya dhlmahi. imam me gangE yamunE sarasvati
tann6 garudah prac6day-at. iti. (utudri stOmam sacata parusnyf,.
amrit tkar anartham dh e numud r dm, asikny[ marudvridhE vitastayf,"r-
sarvak[madughE dEvi sarvattrthdbhisEcini. jikiye Srinuhya sus6m ayl..
pavane surabhiSrEsthE devi tubhyam nam6'stu tE.. iti.
gangE ca yamune caiva g6d6vari sarasvati.
p av it r tka r anartham i ankhamu dr ary, narmadE sindhu k6vEri jalE'smin sannidhim kuru.
6m nam6 bhagavatE p6flcajany6ya mahdSankhlya
s arvapdt[l avdsin ar.n viks6bhakdy a hur.n pha! sv 6h6. . it i
tr i m antrdbhydr.n kalaiadvaye rulastdald nidhaya,
t t t t t h s ndnty akal ai a sy a mukh7 p ilrv
t
ddic at urdiks u
s amraks andrtham c akramudrdm q t t n d hat ulasldalail.t arc € t.
6m namah sudarSan[ya matrdcakr-aya hury phal sv6hE.. itr

di gb andhanartham addmudrdm
g
I ttIt t,( a- dv ay a -j a I e s nanry a - kalai d aj ddi f at a- kal ai a-
-

6m nam6 bhagavatyai gaddyai bhdvar[pinyai tlr vtt[ibhih sahitaryt "Srr-nf,r6yalam Ev[haydmi dvlhayami"
kaum6dikyai hur.n pha! svf,hf,.. iti. tt t tlviruccaray€t. .

j alaiOdhandrthary padmamudrdqn pradarfuy4t. l. 6ry ary aj-aya namab

2. 6m dam ananddya namah.
hastEna kalaiau spyislvd 3. 6m itn indrdya namah.
kala6asya mukh6 visnuh kanthE rudra[r samd6ritah. 4. Ofn -rfn isanaya namah.
m[le tatra sthit6 brahm[ madhyE mf,triganf,stathE.. 5. Or.n u+ ugr6ya namah.
kuksau tu sdgardssarvE saptadvr-pd vasundharl. 6. Or.n [ry tirjaya namah.
rigvEdO'tha yajurvEdah sf,mavEd6 hyatharvar.lah.. 7. 6ry firy ritambhardyanamah.
8. Ofn lifn IighEya namah.
angaiSca sahitassarvE kalaSam tu samESritah. 9. ofn l(f)im |(r)iSdya namah.
atra gdyatrT s6vitri Sdntih pustikan- tath6.. 10. 6m l(f)ifn l(f)ijayE namah.
dyf,ntu dEvapEjdrtham abhisEkf,rthamadritah.

I
Llr!
72 D€vapflfa Paddhatih
11. om Om Ekltmane namal,r.
12. 6m air.n airaya namab.
13. 6m Ory 6j6bhrit0 namah.
14. om aur.n aurasaYa namah.
15. 6m am anantaYa namah.
16. om ah ardhagarbhdya namah.
17. 6m kar.n kapil6ya namah.
18. 6m kham khaPataYe namah.
19. 6m gary garu{dsanaYa namah.
20. Om ghar.n gharmaYa namah.
21. 6m nar.n nasf,rdYa namalJ.
22. 6m car.n carvang dY a namah.
23. -omcham chand6gamy6ya namalJ.
24. 6mjar.n jandrdanaYa namah.
25. 6m jhury jhatitdrayE namall.
26. om flar.n flamaya namah.
27.6m lary tankine namah.
28. 6m thary thalak6Ya namah.
29. 6m 4ary darakdya namah.
30. 6m dhary dharile namal.r.
31. 6m qar.n natmanE namal+.
32.6m taln tdrdya namah.
33. 6m thary thabhdYa namah.
34. 6m dary dandinE namah.
35. Om dham dhanvin6 namah.
36. 6m nar.n namydya namah.
37. lrypar.n pardya namah.
38. Om pha+ phalinE namah.
73
39. 6m bar.n baline namah.
40. 0m bham bhagdya namatr.
41. 6m mar.n manave namah.
42.6m yary yajflEya namah.
43. 6m rar.n ramlya namah.
44.6m lar.n laksmr-patayE namah.
45. 6m valn vardya namah.
46. 6m Sar.n SantasamvidE namah.
47. 6m qar.n gadgu+dya namalr.
48. 6m sary sardtmane namah.
49. 0m har.n hams6ya namah.
50. 6m Ia+ lalukaya namah.
51. om k$uq, laksmrnrisimhdya namah.
tt r ( 5 I ) ekapaficaflanmurtrh.
52. 6m kESavdya namah.
53. 6m narayandyanamalr.
54. 6m madhav-ayanamah.
55. 6m g6vinddya namalr.
56. 6m vis{ravE namah.
57. 6m madhusfidandya namah.
58. 6m trivikram6ya namah.
59. 6m v6mandya namah.
60. om SrTdhar-aya namab.
61 . 6m hrislkES:aya namah.
62. 6m padmandbh[ya namah.
63. 6m dlmddaraya namah.
64. 6m sankarsa![ya namah.
65. 6m vf,sudevaya namah.
66. 6m pradyumn6ya namah.

74 D€vapiiia Paddhatill
67. 6m aniruddhlYa namah.
68. 6m purus6ttamdYa namah.
69. 6m adh6ks ajdYa namah.
70. 6m narasimhdya namah.
71. 6m acyutaYa namah.
7 2. 6mj antudanEYa namal.r.
73. 6m upEndr-aya namah.
74. dmharayE namah.
75. 6m SrikligPdya namah.
iti kE iav adicaturv imiatimilrtll.t (24
76. Om viSvdya namab.
77.6m taijasdYa namah
78. 6m prajflaYa namah
79. 6m turlydYa namah
80. 6m atmane namah
81. 6m ntaratmane namah
82. 6m paramatmanO namah
83. 6m jfldn6tmane namah ityastamilrtlh (8).
84. 6m vasudevaya namah
85. om sankarsal1Ya namal.r
86. 6m pradyumnf,Ya namah
87. 6m aniruddhdya namah iti caturmiirtlh
88. 6m matsyf,Ya namah
89. 6m k[rm6Ya namah
90. Ory var6h[Ya namal.r
91. Ory narasimhdya namah
92.lmvaman6Ya namalt
93. 6m bh6rgavdYa namalJ
94. 6m rlghavdya namah
J
75
95. 6m vedavyasaya namah
96. 6m kfiq+aya narnah
97. 6m dattatreyAya namah
98. 6m buddhdya namall
99. 0m kalkinE namah
100. 6m SimSumaraya namah rti trayddaflamurtllt ( l3 )
\ttttn tyakalafE avahayet.
i't'tutt pil,rnakalasd ory SimSum arayanamalr ityarabhya 6ry
rr | ;r)il namah ityantaryt vyutkram€na dvdhay€t.
) -
namall haraye. upendrdya.janlrdanaya.
t',r r krisn aya
,rt yutola. nf,rasimh[ya. adh6kgajdya. purus6ttamf,ya.
,rrriruddhlya. pradyumnaya. vlsudevaya. sankars a\aya.
-ay
rIrrrr x)d&r a. padmandbhdya. hrislkE Sdya. Sndhardy a.
vrunanoya. trivikramdya. madhus[danaya.
r r :;r.ravE.g6vinddya. madhavay. n[r6yanaya. kESavaya.
I' tItt .fut dEv at dbhy alt ; 0 (as 6 p ac ardn s amarp ay e t.
I' t I t t,( adv ay at? s p ri s tv d s dnni dhy drtham dv ddai av ar am
t t t t t I t t mant raqn j ap € t.
kalaSah krftim[yu$yary vidy6m mEdh6m Sriyam balam.
y0gyat6ry p[pahEnim ca pulyavriddhim ca s6dhayEt.
(4).
sarvaksetramayO yasmdt sarvadevamayd yatah.
ato haripriyO'si tvam prirnakumbha namO'stu tE.
tt rltrcrrthya "yasyasmrity6' iti samapya "andna
l. rr I n(ap[janEna budhavarun6ntarydmi mukhyaprdqdntar-
y I l i laksmlndr6ya! ab priyatlr.n suprlt6 bhavatu. "
i rr
76 D€vaptiia Paddhatih

6ankhaPUia
**(sambhav6 kifr cidvistgiti) pTlhapujd
"..Sankhapiijary karisyE" iti sankalpya
p c1rv am omkarah ant7 nam alfi a b dai ca ucc dryah. )
tvam pura sagarotpanno visluna vidhritah kare .
(

(rnadhyd paradEvatdyai namah. tasya savye om gurubhyd

namitassarvedevaiSca paflcajanya namo'stu te . I u k.s ine sarvadevat[bhyo. p una s s avy E
narrah.
,
saw agurubhyO.
Sankham candrarkadaivatyam madhy6 varunad6vatanr
pifhapidadhod6vati[ -
prr$lhE praj[patim vidySt agre gang[ sarasvatr.
[gneyE garud[ya, nairrityE vedavyasaya,
trilokydm y[ni trrthani vasudevasya c[jflaya. vf,yavyO sarasvatyai, ISanyE durgEyai.
SankhE tisthanti viprEndra tasmdccha' ar.n prapflj ayEt' plf hapid6rd hvadEvati[r -
iti Sankha\n prdrthya snantyodakam uddhariftyA Saikhe IgnEyE dharmddhiparayE yam6ya.
nidhdya tulasr Puparyt ca ksiPnd nairritye jfr anadhiparayE vayave.
vayavye vairagyadhipatayE Siv6ya"
6m nam6 bhagavato paflcajanyaya mahasankh[ya ISEnyE aiSvaryadhipatayO indraya.
sarvapatalavasinam viksobhakdya hury phat svf,hd pifhaphalakad6vatah -
6m paficajanyaya vidmahE pdvamanaya dhrmahi. piirve adharmEdhipatayE nirritayE.
tannab Sankha[ Praj6daYdt. daksinasyer.n aj fl [namEni durg dy ai.
pratr-cy 5mavair[gy6dhipatayE kdmlya.
iti mantrena abhimantrya Sankham sampiliaydt. uttarE anai6varyEdhipatayE Siv6ya.

paficaPdtraP0ii l)aramapurusaya. t a dup ari Sdhfuasaktyai. b rahmdndddhdra-

r u k[ rm ay a. and dnt ah - s t hdy a a g ddh a -j at a dhdra - v i s r.r u -kir: rnal", t at -
s rr
'
vayavyE arghyam Snh, nairrityEm pddyar.n sarasvatt, t, t' c h d i r it a -v
tt
-ay
u-kDrm6y a. t at - p u c c h a i rit a- SEs dya. t at - p han a iifi-
aiSdnyam [camanryary ratib, EgnEye sn6nryam varut]al+, l, r I r irvyabhimaninyai
I bh[m y ai. t adup ari ksrra- s5garaya varunay
r, t I p a r i ram[r[pa- Sveta-dvrp dya.
madhye madhuparkam brahm6, punaracamanlyar.n sdntih. t rt t ad up ar i ramariip a- suvarna-
rrrirrrdapaya.

s atra tulas tm niks ip Z t. tatah tulas tdalay uh ena i ankha

arv ttt n madhyz ramariipakandandlasahitasaddalapadmf,ya.
gatatTyZna piljddravydqti d€vam ca trivdram pr1ksayeL
I

t \ tt Im ap r i s thadal e srz s atvabhimIni SriyE. raj 6bhim6nibhuv€.

vis! 6rf, sanabh[tdya divyaratnamay a ca.

dy t n rn6'bhimf,nidurg6yai.

pradhdnapurus6sdya mahdpTth dy a tE namah' lxrdmasyagradalZsz sflryaya. s6mlya. hut[San[ya.

Snmadanantaya namah. tadupari ramayai t ul rv adidiks u atmane. antaratmanE. paramatmanE. j fl 6natman0 irr

,,r1t11pgj@Vat1h,

iti ptthaddvatdh smrina nam€t.x* t t ul up a ri a$ adal ap adme vimal[yai utkarsi ny

ai j fl rndy ai kriylyi
r rtp-lliyai pravhyai satyayai rsandyai anugrahayai.
78 D€vaPf,ia Paddhatih 79

Paficim;itaP0ii bimbarlpivihanam
t rZ 0v inda(t' p urv E ,rlrnetyasya vat6yanah, v[sudevah, tristup, svabimbamlrty[-
afic ap dtrapilj anant aram madhy e k;
g
p
pascimE madhuni vrrlranE viniy6gah.
dadhni vamaialn, dak;in€ diy€ visnum,
smarZt' tatrtt zrtma devanam bhuvanasya garbh6
madhusudana . , uttar€ Sarkardydr.n acyutam
r E n a abhimantr ay e t' yath[vaSar.n carati deva Olal.r.
t ul a sTm nik s i py a mul amant
gh6s[ idasya Srinvire na rlpam
hgitkamalavikisah
yar.n 6m" ifi
tasmai vataya havisl vidhEma.. iti mantrar.n ,
tatah adhOmukham hritkamalam " 6r.n
d, p r anav Ena unmukham
t,tl tu,sraitrsa iti ricam, mulamantram coccarya
v dy ub tj Ena ab him"ukham krin

t yit a, jfidndrkErya vikasayet. tatra

naraya(tary dhydyCt' "Ehi Ehi mama hrit-kamala-sthita-tatva-devatantargata
', r r I n ukhyaprf,r,rantargata bimbariipin laksmr-narayana
bimbar[PadhYinam
t I I r a - s thitai-tat-prati mantastha tEj ah- s ara-pratimanta- sthi ta
an' r

dy adbhas v ats amabh 6s ahciddn and aikadohav

;
u
',r r I nu khyapralar[pa pratiman-targata ramar[pacinmaya-
5 ankhacakrag addpadmadharodhyoyo'hamt sv aral.1.'
I' r i t i rnay am madan taryamir.lar.n manniyamakam madlklraq"l
r
g a r,r amadhy a g a h
I aks mldh arabhy dma 6 li q Pl.r s v amlrti r r i t I t(ray ar.n madddh aram m adutpadakarn matp al akam
r r

brahmav 6yu si v 6hTs avip ail.1 s akrddikairapi

.
0 s as aktiman .'
sevy am6n6' dhikar.n bh akty a nity ani s s
r r rirl s:rmh[rakam matprera-kam mannivartakam
r r rr I sattdpradam madryad6sdtidflram madatyantavilaksanam
r

h fi dayasthabhagavad r[ pavarnanam rrrrrrlacintyar.n maduttamam nar6ya+am tvSm Evf,hayf,mi

hridayo sarvaso vy[pl prddEsah purusottamal.r'
jivanary sthanamuddistah sarvadaiva sanatanah.
hritkarnikdm[lagatatr so' ngusthlgrapramanakah'
m[losa iti ndmasmin sarvE jiva! pratisthita!'
angusthamatre puruso karnikagrasthit6 harau'
pravisanti susuptau tu prabudhyantE tatastath6..
s6'yam trir[p6 bhagavan hridayakhyah prakrrtitah.'
hridisih[ y[ harerm[rtih jivo yatpratibimbakah'
yadvase vartate jivah sa tu jrvakala smrita..
iti bimbaruPam naraYaryat? dhYAYeL
;t vrrluryami" iti dvirucc drya avahanamudraya tamavdhayet.
sannidhyary kuru devESa sarvasampatkar6 bhava.
vibh6 sakalal6kESa visn6 jiq+O hare prabh6..
I vam bhakty6 p[jaydmyadya
hh6gairarghy[dibhih kramlt.
ttt 1tt'tlrthya
matrikanyasam tattvanyasam ca pratimayam krina
trtlttlJ
t,t ttlinrurf spfi$lvd dvddaflavaram millamantrar.n japCt. tatah
yagavasanaparyantam atra sthitvd janardana.
bhaktasya mama pUjary ffam grihltvd pahi mar.n vibh6..
 li,

80 Devapflia Paddhatih 81

bh6 svamin jagat[m natha yavatp[javasanakatn. madhu vStE ritt[yate madhu ksaranti sindhavah.
tdvatsamprltibhavena bimbe'smin sannidhau bhava.. mEdh v-rrn ah s an tvO s adhih.

iti prarthya mulamantrena dvahanam sthapanam madhu naktamut6sasO madhumat parthivam raj ah.

sdnni dhy am s an n i r o dhanar.n s ammukhrka r a(tar.n madhu dyaurastu nah pitl.

madhumdnn6 vanaspatirmadhumali astu stiryah. mddhvr-rgdvO
av a gunthanam ity Ev am s anmudrdh darfl ay Et.
bhavantu nab.
tatal.t "cakradydyudhadevatabhy6 namah, abharanebhyolr tti madhund abhisicya
namah" iti tani visarjayZt. svEduh pavasya divylya janmanE
svEdurindrEya suhavrtunf,mnE.
abhi96kavidhi[.
svadurmitrdya varu[ 6ya vayavE
"Ohi Srlbhagavan vis!6 snanf,rthary majj an6layar.n" brihaspahye madhumEy ad6bhyah..
iti prdrthya pdduk€ samarpya snanapllh€ sthdpay€t. tt i .furrkarayd abhisicya
mulamantrena, yIh phalin-rryd aphall apuspd yE6ca puqpi4il.r.
brihaspatiprasiitEstf, n6 mufrcantvamhasah..
laksmrhastena idam G arghyam. sarasvat-rhastena idam te
tt i phalaih samsndpay€t.
padyam. ratihastena acamanam. brahmahastena ayam te
rnarclhuparkah. Santihastena idam te punaracamanam. Suddhnbhig6kah
varunahastena idam te maldpakarsanasndnam
i ndnam g hantdnddam kurv an f artkh€naiv a
ru k I hd dakas
iti mni samarpayZt. lnrydt. tadd purusasuktam pathet.
(SuddhibhigEkdt p[rvam ) pafrcdmlitdbhigEkaf. Ittttth pilrnakumbham uddhritya t1naiva "6r.n am ajdya
d pydyasva samEtu t€ viSvatab s6ma vrislyam. nrrrnah" iryadi "or.n SimSumdrdyanamah', ityantaih
bhava vajasya sangathe. ntt til I raih abhis Zkam kurydt.
iti payasa abhisicya
m il I u mantr€ na v as t rd na an g amarj anary kyin d Sdta g rdma -
dad hikrav{ro akari $ a..n j i sndra6vasya vdj inah.
surabhi no mukha karat pra !a 6y[msi t6risat..
t t fi rfiikitani nidadhydt.
itr dadhnd abhisicya yuvam vastr6.ri pIvas5 vasathE
ghritam mimiksE ghritamasya yuvoracchidr[ mantavO ha sargd{r.
yOnirghrite Srito ghritamvasya dhama.
avatiratamanritEni vi6va ritEna
anusvadhama vaha madayasva
mitrdvaru+a sacEth€ . iti vastrar.n samarpya,
svdhakritam vrisabha vaksi havyam..
w tl,luyanffmdldm, kaustubhor.n, s rTvatsam, cilddmanim
iti ghrit4na abhisicya ca
mtmasd samarpya
 t,

82 D€vaprlia Paddhatih

yajfrOpavrtam paramary pavitrary

7) pfirvadiii indrdya. agndyydfn agnayE.
praj Epateryat sahaj am purastdt.
daks inasy am y amay a. na i rri tyarf nirri taye.
ayusyamagryam pratimuflca Subhram paicime varur,raya . vayavyam vdy avl.
yaj fl dpavrtam balamastu tEj ah. it i y aj m0 p av tt andatv a utt arasy am somay a. r Sa ny dm TS-andy a.

gand ha-tu lasi-pu gpasama rpa nam. .nirritiva runamadhy E adhd vd 6EsEya.
indrd Sanay d rmad hy € firdhvafn vd. brahmanE.
ardram tulas t s ahit am7v a g andham i ankhA s amsp ar Sy a affik dEvatdh dvdhya piijay€t.
"gandhadvdrrr-am' iti t u t ah vaj ran abh'ya namah, harlS varaya, garigltanayaya,
( ir n
khani dhl( var[ y a, jay dya, v ij ay6yi afrit.e]
tulaslpatrarTt pu{pA(ti mdldh dilrvdngurdn ca kCiavadi- vi dhatre, bhud.ay u,
srrbhadraya, amrite(varlya, virUpa[$6ya
c at urv i m S at ib hih m at sy a di - d a i ab hib n a r ay ar.td dy a g t o t t a n r

S atena viSv ddibhiS c a namabhih arp ay Et. it i dvarapalan pfijcy1t.

(sam bhavE kifr cidvistfita) ivarapadEvatipfijd dh0padipau

tataP dv aranad €v atdlt dv dhay d t. nardyanamant rd na vanaspatyudbhavO dhupo gandhadhyo gandha
paraddvatdmdvdhay€t. utramah.
aghrEyas s arvade vanam dh[po'yam pratigrihy
1) vdme laksmyai namatr. daksinE dhar[yai namal.r. atam. .
tti rlhupam vyajandna vljayitvd
2) diksu purvadisu Ory kruddh6lkdya namal.r, mah6lkaya,
vrrolkdya, dyulkaya, catursu l<Dryd;u6m sahasrOlkEya namah. s6jyar.n trivartisamyuktar.n vahni n6 yojitary
maya.
3) pilrvddidiksu puru;dn k1n€su striyah - drpary grihrna dEvEsa trail.kyatimir'jana..
vas udE vay a namah, mlyayai, s ankars a! [ya, jay -ay ai, prady umnay a, tr i t,ivareupetarp drpar.n ( sdrdhatrivdram
kritaye, aniruddhaya, Sdntaye namah.
bhrdmitam) datva
i'ttun dlpar.n svayam Sdmaydt.
4) diksu dvau dvau, kope;u Ekaikah
kESavdya ndrdyaldya, mddhavdya, g6vinddya visnavE, naivEdyavidhih
madhu s [danaya, tri vikramdya vdm andy a, Srldhardy a, hrisrkE S[y a t t k a d a sy ddi din €s u k Ev a I am p ha I amadhu du g
padmanabhaya, d6m0dar[ya. dhddikam ev a
,t t tlanlyam. na tu annadik"r.".
t,F
I
5) diksu dvau dvau, kdndsu Akaikafi - matsydya k[rmdya, vardhdya,
, lt vusya agre bhuvam samsddhya caturasramandalam
nlrasimhdya vlmandya. bhdrgavEya. rEmdya kfrq+aya. buddhEya.
kalkinE viSvar[pdya. anant[ya.
t, t i r v a s rtbtj
ar.n likhitv a t idup ari * *p at'r e"a"""i
rutriv4{la tulastr.n k;iptvd suddhajilam hast€ grrhrna,
iiriii,
6) dik;u purusdn , k1nEsu striyah -
,tr'lttvdram mulamantrarn japtvd
brahma+E gdyatryai v6yavE bhdratyai anantdya vdru+yai Isdndya t\na jalEna iaiv€dyam
girijayai . agratah garud6ya vdmE sauparlyai. 1,t fik;ya spristvd millamantrEna

&e

84 DEvaPtiia Paddhatih
sth[liv ary airmar.ri g a1r a-
s auv arn aib
khacitaih goghritaktan suPakvan
bhaksyan bh6j YamSca lEhYdnaPi
pararnamahacc6 syamannam nidhaya.
n6ndSdkairuPEtam dadhi madhu
sughritam kglraPf,nlYaYuktam
tdmbfilary c[pi visn6h pratidivasa-
maham m1nasE cintaY1mi..
iti mafirena ca abhimantraYEt.
amrit tkar an dr th arP dh E numud r dm
"kamadhEn6 amritam duha" iti dhyana
sarvak6madughe d6vi sarvatr-rthlbhis6cini.
p6van6 surabhisr€qthE dEvi tubhyam nam6'stu te.
amritasr6vilyai surabhyai namah iti
s amraks anartham akramudr dm
c pakvamannam sapanryam sarvOpaskarasamyutam..
6m nam6 bhagavatE sudar6andya
mahdcakr-ayahu+ Pha! svdh6.. irf
ni rv i slkar andrtham I a r u damu d r dm
ory paksirlj[ya vidmahe suvarnapakslya dhlmahi.
tann6 garudah Prac6daYdt. iti.
p av it rrk a r an dr t h ar.n S ankh amu d r ayn,
6m nam6 bhagavate pdflcaj an yay a mahdsankhaya
sarvapdtdlavf,sindm viks6bhakdya hur.n phaf svdha..
annasya vipulatvdya merumudrdm, iltalatvdy a candra-
mudrdm ca pradarSaY4t.
parivEsayatlsam Sril+ mukhyapranastu vIj ayEt'
bhdraty ady ah paricarantyo j ay ady d dv arapalakah .
iti ca smardt.
L
85
ttre jalam grihltvd " satyam tvartena parisiflc6mi" iti jal€na
n t i v 0 dy am p aric ims Et.
,
mahf,l ak$mya sudharflpar.n kare tE daksi{re'nagha.
ap6'5anary dryamanam piba deva ramapatE..
sudharasar.n suvipulary dp6'Sanamidary tava.
grihEna tv am suraSrEqlha yathE stamupabhuj yat6 m. . iti
"amritopastaralamasi sv6ha" iti pdtrdntar€ jalorr niksipdt.
0m pralatmanE nlr6ya\-aya svf,hd.
eiry apdnatmane vasudevaya sv6ha.
om vyanatmane sankarsa .raya svdhd.
rum uddndtmanE pradyumnaya svf,hd.
om samdndtmanE aniruddhdya svEha
,t
l,ttiicavdram udakam fankh4na pdtr€ nik;ipet.
rnadhu vdtd ritdyatE
adya tisthati yatkiflcit kalpitar.n cdparam gfihE.
y ath6k6l ar.n manu sy ddy aih bh6ksyamdT am S arTribh ih.
I atsarv am vi snup[j 6'stu pAy aEr.n mE j andrdan ah. .
(rlniv5sa namastubhyary mahdnaivEdyamuttamam.
rr i tyatripta grihanedam kfrpaya bhaktavatsala..
patraffi pu$par.n phalary t6yar.n yO mE bhakfya prayacchati.
t : rd aham bhaktyupahritam aSnami prayatatmanah. .
s v atantra nird6$ a gur.lapfirr] a j fl Eya vimuktida.
rr'
r r i hspriheSvara sarveSa Subhasdrabhugavyaya.
rrramey a ramdbrahmaru drEn drddin amaskri ta.
p
satyasankalpa kdrulyanidhe nityanirdmaya.
hhaktavatsala pdhlti pr6rthya dEvEsvaram harim.
 li liilnlll!!i1""

86 DEvaPtrfa Paddhatih 87

naraya{ra tvatsvar[pan rasan laksmyatmakan rasan. jay aty as ankhyOrub al a m b u p I ro

bhunksv6'thO prakritan dristvf Suddhrkuru jagatpate .
gu+Occaratnakara atmavaibhavab.
iti vadet. sadl s adatmaj fr an adibh ir[pyah
"kapilatmakacaksusd naivEdyam paSya. nrisimh[tmtr l'., r
kfr l+avattuO harirEkas agaratr . .
ghrdnEndriyena tad-gandham ajighra. bhrigurdmltmaka-
vdgindriyEna mar.n s antvay. mahdk[rmatmaka-j ihvendr i y,' r
" raj adhirdj [ya prasahyasdhinE .

namo vayam vaiSravaldya kurmahE .

sv6khyarasam asvaday.'
sa me kaman kf,ma kdmdya mahyam .
samarpakasy a hridisthasya bhOktuh saligramasth rt s t,
kameSvarO vaiSravar.rO dad5tu .
bhdjy asy a naiv e dy as tha sy a bha g av at alt s arv athd ailq an t
kuberaya vai5ravanaya. nraharAjAya nama ..
cintayet.
eim svasti .
madhy € p anty am s amarpy a bhufii dnar.n b ha g av ail t t r t

c int ay an mul amant r am a s t 0 t t ar a S at av ar anr i ap e t. slmrajyam bhaujyary sv[r6j yam vairaj ya+
p Sram6qthy ary r[j y ary mah6r[j yar.n ayar.n s arnanta
(tatal.t anuyagam kurydt ) tatah
pary6yr sydt sarvabhauma sarvayusa antat
" amritf,pidh[namasi svdhd' iri a parardhAt prithivyai samudraparyantdyd Ekardliti
mahalaksmyl dlyamEnar.n karE te daksi! e'nagha. tadapyesa Sl6kO'bhigltalr. marutah
uttarap6sanam divyam piba dEva ramapate.. parivEst6rO maruttasyavasan grihE
it i
utt ardp 6 S anam datv d has t ap raks dl andrthar.n aviksitasya kamapreh viSvE dEv[h sabhf,sada iti .."
dv adas a I afidil{ artham i alary dady dt.
ttr tilafltrapuspam trivarar.n pu;pAmjalim ca samarpayet.
t amb A I am hi r a(ty ap u { p adak s inar.n c a s amar p ay e t.
,, t ti k ham i uddhat1ye na pilrayind
tatah ntraj andni ( mang aldratlh) kury dt.
im[ apah Sivatamah Subhah Sitalalr santu
j ay aty q6'khar.rdagu ! Orumand alah
putdh sfiryasya raSmibhih.
s ad6dit6 j fl 6naman-c imah .

s abhaktahlrd6cc atam6nihant6
v
tt t t t t ( t tttrena iankhabhramaryat.n kritva tajj alam patrantare
,t tlr,t'ip0t.
v y as av atard harir[tmabhEskara[r. .

j ay aty aj 6'kstn asukhf,tmabimb ah ladanantarar.n ramavayvadtnam ttrtham trivaram

sv ai 5v ary akdntipratatah sadOditah. t u rpla nirmdlya- gandha-tulast-puspdni samarpya
,tt tt

,
:',' abhaktas antapaduri stahanta r, \ rs.vd ramayai haridrd-kunkumd samarpayZt.

', rnavataro harirl(acandramah..

 T

88 D€vaptija Paddhatih
89
ramabrahmadayo dEvdll sanakadyah (ukadayah. na jdnE karma yatkifrcinndpi laukikavaidikE.
drrnrisimhaprasadO'yam sarve grihnantu vaisnav[l].. na nisEdhavidhr visn6 tava das6'smi kEvalam..
it i ramadinaiv 0 dyam kuryat. k6yEna vEcE manasaindriyairvd
buddhyatmand vd'nusritah svabhEvam.
( t atraiv ar.n vy av as tha. b ha g av at e niv E t i d a m € v annam
karomi yadyat sakalam parasmai
v ai Sv adev artharyt g rdhy am. p arantu ramadib hy ah ap i
ndrayan[yEti samarpaydmi.
niveditam c1t tadannam vaiSvadAvaya na grahyam. atah
bh agavatE niv editat anndt kificidannam vaiSvadEvartham yasya smritya ca nam6kty6 tapa[r p[jakriyddisu.
r a ma clinaiv € dy dt - p urv ame v a p rithak s am s t hdp ay E t. p r it ha k nyiinam samp[rnatam y6ti sady6 vande timacyutam..
samstltdpitdt annat anyat samagram annadikar.n ramdyai mantrahln am kriy dhr-nam bhaktihrnam ram6p
vayave ca niv1dayEt. ate.
yatkritar.n tu may6 deva parip[rnam
tadastu me..
ta t uh r amdv ay univ e dit dt anndt kifi c itkifi c i d annadi - rilp ary
rrr ay6 pDj aya asmad-gurvan tar gata tattva-
r
b h d g am p rit hakkrity a i e s ddibhy ab s anakadib hy aS c a de vatant ar gata
r r Ibh aratr -ramaBa-
rzuiveCyam samarpayet. avasi$la\n (= rama vayu niv1ditartt mukhy a-prdqantargata bimb arDp a- abhi nn
k rrI ade vata-abhinnah Sril
-"
ah
aksmi-narayinah pn-yuta*. rrpriio^
:{ i',t u d i bhy ah aniv E dit am c a y adannadikam t adev a as mdb h i I t

itlr ,.jarttltam. na tu s1sadibhy7,pi niveditam.) lrhavatu..

.. Sri Klig4irpanamastu ,.
p r a rl a k s i n an am An krin d mul amant r am
a s kdr as fi t t ar a -
i at av dr arp j ap c t. p r at i may afn tuttv amdt r ikdny a s au v idhaw t

;rksayam karma yasmin par€ svarpitam

ydce'ham tvdm hrislkESa namami purus6ttama. praksayam ydnti duhkh[ni yannEmatah.
hridi mE kuru samvasam Sriy[ saha jagatpatE.. rr k sar0yO j arah sarva-daivamrita[r
it i p ra
rthy a hritp adma(n p raviiy a tatras tharup E na k uksigary yasya vi6vam sadajadikam..
ektbhiltaqn cintayinA pn nayamo vasudevam dEvata-ma4dala-khqrda-ma+danam..
sv ay amap i mtn any as amdtrikdny as au krin d
dv at ri m S adap ar ddhan v i s arj ay e t. I'unrah prEsthah parah svEml vydpta{r karta upakfuakah.
r ir k s.tyeva tadr-yam
m6m karmfucyO gurudovigah..
tatal.t
nE'ham kartd harih kart6 tatp[j6 karma cdkhilam. .. Sri Klig4irpanamastu ..
tatha'pi matkriE p[ja tatprasadena nanyatha..
tk*{<**{<ik*
90 D€vaprlja Paddhatih
91
.. Srill..
saptahasrascatuhsringO saptajihv6 dvisrrsakah.
.. BigvEdlya VaifuadEva Vidhih .. trip6t prasanna vadana .r sukhasr-nah Sucismitah.

acamya, prdytanayamya, deflakalau smritva, svEh6m tu

daksinE p6rsvE dEvrm v6me svadhf,m tathl
bibhrad taksina hastaistu saktimannam ,*.u.n
.... agnyantargata bh6ratrramaTa mukhyapranantargata ,*ru*..
h arin-rpati paraSurdma prEra! ayd harinr-pati p araSurdma tomarary vyajanar.n vEmaitr ghritapItram ca dharayan.
prrty arthar.n p afl c asfin6 prdy a6c i ttarthary c a prdtah/s ay am mestuDdh6 jala- baddhO gaura var{r6 mahaujasah..
vaiSvadeva h6mdkhyary karma karisyE.
dh[mradhvaj 6 ldhiEkga[r sapt5rcih sarvakamadah
"6ry bh[rbhuvahsvarOry" atmdbhimukhamasrna evam rDp6 hutEsanah..
iti aksatail.t visnu vtryatmakam agnim pratistdpayet. (ityagnir.n dhyay\t)
jult6 dam[na iti mantrsya, EtrEy6 vasuSrit6 risih, agnir esa hi deva ityasya hiranyagarbhO
rr$ih, agnir devara,
dEvatS, triqlup chandah, agnydvEhanE viniy6gah. tristup chandab, agnisammukhrkarane viniyogab.
juqf6 dam[na atithirdurOla Esa hi deva pradiSEnu sarvEh
imam nd yajflamu pa ydhi vidvdn ptirvo hi jdtah sa u garbhE antah.
viSv[ agne abhiyuj6 vihatyl sa vij6yam[nah sa janisyamd{ralr
Satr[yatamd bhard bh6jandni.. praryanmukhastisthati vi Svat6mukhah. .

ehyagna ityasya mantrasya, rEh[gan6 gautamah figih, agnir ( iti mantrena agnim
dvahay€t)
devatf,, tristup chandah, agnyav6hane viniy6gah. udyadraviprakara sannibhamacyutanke
ehyagna iha hora nis-rdadabdhah svasrnamasya nutinityavacah pravrittim.
su puraEt[ bhav6 nah. dhyayed gad[bhayakarar.n sukritAflj alim
avatam tva rodasr viSvaminve tar.n pran am yath6 s tatanumunnutakarmaS aktim.
.
yaj[mahe saumanasaya devan.. ( i t i dhy atu d a g nv antar g
ata mukhy ap rdnam dv ahay zt. )
6m catvlri Sringetyasya, gautam6 vdmadEv6 risih, agnir kauS6ya prtavasanam aravindanetram
devata, tristup chandah, agni mfirti dhylne viniy6gah padmadvayabh ay a varOdyata padmahastdm.
catv6ri Sringd trayd asya pada udyacc atarkkas adri srm paramankas amsthf,m
dvE SIrsE sapta hast[s6 asya. dhyayed vidhlSanurap6dayug6m janirnry..
ridha baddh6 vrisabh6 r6ravrti ( i ti tadantalt lak;mtr.n
dhyAyet. )
mah6 dev6 martyan i vi vesa.
 92 D€vapflia Paddhati[r
93
angaravarnamabhito'pdabahih prabhdbhir-
tim bhfih sv6hr agnayE aniruddhEya idam na mama.
vyaptam paraSvadha dhanurdharamekavrram.
irm bhuvah sv6hd vryavE pradyumnaya idam na mama.
dhyayedaj66a puruh[tamukhail] stuvadbhih
om svoh svah6 s[ryaya sankarsanaya idam na mama.
avTtamatmapadavrry pratipddayantam. .
rlnr bhDrbhuvasvatr sv5hE prajdpatayE
vasudevaya idam na mama.
( iti tadantal.t p arai uramam dhy dy eL )
i djy€na sodasasamskarartham
it

agnE vaiSvanara Saldilyag6tra mEsadhvaja mesar[{ha ;dQasavdram( I 6 )

v.vahritihdmaryt hutva,
ag ny an tar gata b h aratrraman a mu kh y apr6lr an tar gata
ttttah (k€valam visnav7 nivzdit1na na tu ramddibhyoh
harinlpati paraSurama mama abhisammukho varado bhavrr
n i v editdna) ann€na vaksyamdrya
(iti prarthya, s1dakEna panina agnim pradak;hinam mantraill ahuffriadydt. )
parisamuhya paryuk;ya paristtrya, ) r)rn naffiO nErEyallya sv6ha. nErryar.r dyaidary na mama.
6m viSvlni no durgah[ jatavedah
(iti astavdram (g) anndna hutva)
sindhum na nEvE turimti parsi. , rrrr klrry kfrl+aya svaha. kli$+6ya idam na mama.
agne atrivan namasf, grinan63 - (iti sadvararyt (6) ann€na hutva)
,,'smakam bodhyavit[ tan[nam.. ,III sUry-aya svdhf, sDry[ya idam na mama
yastva hrida klrind manyamano- ,,rn prajEpatayE svdhE .
prajapataye idam na mama
'martyam marty6 j6havlmi. rlnt agnayE svEh6 agnayE
,'rrr praj[patayE svEh6
,, ,,
j6taved6 yaSO asmasu dhEhi prajEpataye ,, ),
sOmaya vanaspatayE sv5hE
praj apiragnE amritatvamaSy6m. . 'inr
inr ilgnls6mEbhya+ svEh6
s0mEya vanaspatayE ,, ,,
yasmai tvam sukritE jdtavEda u
r
agnls6mdbhy6m ,, ,,
rinr indrEgnibhyEm svdh6 indr6gnibhydm ,,
ldkamagnE krinavah syOnam. ,,
,,r r r rlyf,vagithivibhydm svdhd
aSvinam sa putrir.lar.n vlravantary dyav6prithivibhy[m ,, ,,
,irrr tlhanvantarayE svEhE dhanvantarayE ,,
g6mantam rayim naSate svasti.. ,?

(iti mantraih astangula parimite desh7 puspdksataih

.lur indrdya sv6hd indr6ya ,, ,,
nrrr viSvEbh/O dEvebhyah svdhE vi5vEbhy6 devEbhyfr ,,
arcay€t) ,,
rirrr hrohma.rE svdhd brahma{rE ,, ,,
tatalt agnaye visnoh ttrtha gandha tulasttdalani
iri juhuydt.
i
samarpayet. tatalt ahuteranujfia iti vriddhan prarthya
t' t t dhuty
rt ham p unall vy dhyt ib hih j uhuy dt.
rn a
h1mam kury,67.
, rr r r bh[tr
svdhE agnayE aniruddhEya idam na mama.
,rrtr hhuvah sv6hE vf,yavE pradyumnEya idam na mama.
I

ir

ll|,
 D€vaprlia Paddhatih 95

6m svah svaha s[rydya sankarsanaya idam na mamir .. Yajurvddtya Vaiivadlva Vidhih ..

6m bhflrbhuvasvah svah6 prajapatay1 vasudevaya idam na mamir
t atall hut aS e s am niv e daY et.
om ca me svaraScam6 yajfl6pa ca te namaSca.
yattE nfinam hsmai tC namal]' 6m svasti'
icamyct, pra1tanayamya, d€iakdlau smrituA,
. ir g ny an tar gata bh dratlraman a mukhy aprar,r f, n t arg ata
lurriqlpati para6urama pr6rar]ayd harinlpati paraSurama
;
rlty artham p afi c as[ nd prdy aSci ttarthar.n c a prdtah/s ayam
r

vir i Svadeva h6mdkhyary karma karisyE.

Sraddh6m medhA+ YaSah Prajfl[m
vidydm buddhim Sriyam balam' " 6r.n bh[rbhuvahsvarOry "
dyusyar.n Gja dtlgYam tti aksataih visnu vrryatmakam agnim pratistapay€t.
dEhi mE havyav-ahana (iti prdrthya)
lrrsto dam[na iti mantrsya, dtrEy6 vasu6rit6 risih, agnir
om manast6kE tunaYA m[ na [Yau ,lt'vatd, tristup chandah, agnyavf,hane viniyOgah.
ma nO g6$u ma nO aSvesu rrrisah' juq[6 dam[na atithirdurOr,]a
vTrdn md nO rudra bhdmitO vadhlrhavismantah
imam nO yajflamu pa ylhi vidv6n
sadamir rva hav6maho.. (iti vibhiltiry gyhTna)
viSva agne abhiyuj6 vihatyd
tryayusam jamadagnE iti lalate . kaSyapasya tryf,yusam iti Satr[yatama bhar6 bh6j andni..
kanthe . agastyasya fiyayu$ar.n iti ndbhau. yaddCv6ndm
,'lryagna ityasya mantrasya, rdhflgald gautamah fiqih, agnir
trayayu$ary iti daksir.raskandhE. tanmE astu try[y.g$ar.n iti ,h'vittf,, tristup chandah, agnydvahane viniy6gah.
v[maskandh6. sarvarnastu Satf,yusam iti Sirasi. balEyusam itt
s arv ang E vibhutim dhd.raY et. Ehyagna iha hota nisld[dabdhah
su pura6td bhavd nah.
anEna vaiSvadEvah6rnEna bhagavf,n agnyantargata
avatam tvf, r6dasl viSvaminvE
5rI bhdrattrama! a mukhy apr[n dntarg ata harinlp ati
yajdmahe saumanasaya dEv6n..
SrlparaSurdma pnJa6r.n. .
,,nl catv6ri Sringetyasya, gautamo v6madEvo risih, agnir
gacca gacca suraSrEf lha svas thanar.n y aj fl ap[ru s a.
,k'\,irtf,, tristup chandah, agni mfirti dhydnE viniy6gah
y atrabrahmadayo devastatra gacca hutasana..
catv6ri Sringd tray6 asya pada
(ityagnim visrij0t)
dvE Srrse sapta hastdso asya.
ridha baddh6 vrisabh6 r6ravlti
mah6 dEvO marty6n A vi vEsa.
 97

96 D€vaPuia Paddhatih angaravarnamabhito'! dabahih prabhlbhir-

g 6 s aptaj ihv 6 dvi S rrs akal}' vyaptam paraSvadha dhanurdharamEkavlram.
s aptahastaS c atuhSrin
dhyay6dajeSa puruhfitamukhaih stuvadbhih
tripltprasannavadanarrsut<trdslnahSucismitah.
v-ame svadham tatha
avrtamf,tmapadavrm pratipddayantam. .
svdham tu daksino parsve devTm t i tadantah paraSurdmam dhydyeL )
srucam sruvam" tt
bibhrad taksinahastaistu saktimannam
ghritapatram ca dharayan' tgnE vaiSvf,nara dilyagOtra mEsadhvaj a mesErudha
Sar.r
t6maram vyajanar.n v[mailr r
I n ] &nt ar gata bh Eratrraman a mukhy apr[! dn tar gata
r

mes-ar[dh6:qabaddhOgauravarr.r6mahaujasal.r.. lrrrrinrpati paraSurlma mama abhisammukhO varad6 bhava.

s arv akamadatt
dhfimradhv aj 6 16hi6kq al.r s aptarcih r tti prarthya),

ltmabhimukhamastnaEvamr[p6hut6Sanah.. tristrih samm6r$[i. trydvriddhiyaj fl ah.

(iryagnim dhYdYet) atho mEdhyatvaya iti parisam[hya.
Esahid0vaityasyahiranyagarbhorisi[r,agnirdevata, rrf,nalE namalJ. hutavahdya namah. hutaSane namall.
agnis a**uttitara! e viniyogah'
rriglup chandah, namah. dEvamukhdya namall. saptajihv ay a
I r r,)lravartmanE

Esa hi dEva PradiSEnu sarvlh rrrrnroh. vaiSvdnardya namatr. j6tavEdase namah yajfla-
pirvo hi jadh sa u garbhd Ttq' I
rr n usdfltarydmi paraSur6m6ya namal,r.
sa vijaYamlnah sa janisYamdqa[r ,tt rt,rladik;u aksatan k;ipAt.
pratyafl mukhditi qlhati vi Sv at6mukhalq''
adite'nu manyasva. anumatE'nu manyasva.
(iti mantrZna agnim dvdhaY€t) sarasvatye'nu manyasva. devasavital.r prasuva.
udyadraviprakara .s annibhamacyutanke
pravrittim' r t4 |s ftQna p anind a gnim p radak;hinam p aris amilhy a
svaslnamasya nutinityavacah
alim ',,r r',rftfy a paristlrya,
dhydyEO gaAaUhayakaram sukritdflj .j'
akti +.
tar.n p*+i+ y athd q
laranumunnutakarma
S -
,r,tlt (kevalam visnave nivedithna noitu ramadibhyal.t
(rtidhyafuaasnyantargatamukhyaprdryalndvdhay,t.) ,, t Iit 7na) annena vaksyamdfta mantraih dhutlrdadydt. )
"'
kauSEya pltavasan6m aravindanEtr6m ,rr rrilrn6 ndrdyar.rdya sv6hf, ndrdyar.rdya idam na mama
paomaavayabhayavarOdyatapadmahastar.n. (iti astavdram (8) annena hutva)
amstham
udy acc attukkas adf SIry pamrynkas
j anitrfm'' 'rr k lrrrr krisldya svdhE kfiq+aya idam na mama
dhy ayEd vidhlsanutap6dayugdm
(iti sadvdraqn (6) ann€na huna)
(iti tadantalt laksmTm dhYdYZt')
 9B Devapflia Paddhati[r 99
sfiryaya svaha. s[rydya idam na mama. ttttttl.l
agnayO svah6. agnayE idam na mama.
agnaye svistakritaye sv[h6. agnayE svistakritayE idar.n flo rliurr,r rrrt'rlhavr bh[yasam. varcasvi bh[yasar.n. tEjasvl bh[y[sam.
agnaye svf,hd. agnaye idam na mama. ,rrrrradO bhiiyEsam. sarvasamriddhO bh[ydsam.
viSv0bhy6 dEvEbhyah svdtra. viSvEbhy0 devebhyul, idary na maun;r
dtiruvaya svf,hd . dhruvaya idam na mama 6m manast6ke tanaye mh na 6yusi
dhruvdya bh[m6ya svdh6 dhruvdya bhflmaya idam na manur ma nO gO$u ma nO aSvesu rrrisah.
dhruvaksitayE svf,h[. dhruvaksitayE idam na mama vrran ma nO rudra bhamitO vadhrrhavismant6
acyutaksihye svdh[. acyutaksitaya idam na mama namasa vidhema te. (iti vibhutim dharay€t.)
agnaye svistakritayE idafn na mamir
I

agn ayE svistakritayE svdhE.

vaiSvadevahomena bhagavan agnyantargata
I

rrnOna
t
on'r hlr un svana -l -
agnaye aniruddh6ya idam na manrr .rr hharatrramala mukhyaprf,ndntargata harrnrpati
,trul bilurut, svahd vayave pradyumnaya idam flo rnanr,r rr
llaraSurama pnyatam..
rirm svah svdhd siiryf,ya sankarsanaya idam flo rnrrnr,r gacca gacca suraSresta svasthanam yajfr ap[rusa.
irrr i Lrhfi rbhuvasvatr svdhd praj6patayE vasudEvlya idam ro rlilnr,r yatra brahmaday6 devastatra gacca hutaSana..
,
o t * l;t. hutaf €s am niv €day €t. tttt'ugnim visrijEt)

aCi t0'nvamalhsthah. anumatE'nvamalhsthdh.

.. Sri &il+arpanamastu..
sar"asvatye'nvamalhsthdh. dEvasavita prasavrh.

6m yajfla namaste yajfla. namo namaSca te yajfla.

SivCIna me santisthasva. sy6nena me santisthasva.
subhrltEna me santisthasva. brahmavarcasena me santistha:, r

yajfrasyardhimanu santisthasva. upa tE yajfla namah.

upa te namah. upa te namah.

svasti. Sraddh[m medhary yaSall prajfldrn

vidydm buddhim Sriyary balam.
ayusyam tEja dr6gyam dEhi me havyavahana..
iti prarthya,
 h

100 D€vaptiia Paddhatil.r

101
.. Eigv Etty a Balihar&ltat.n.. tttundaldd-bahifi
Itttrve 18. indr-aya svdhE.
acamya prananayamya @Afakalau sanklrtya. . Srr
indrdya idam na mama.
vi squprera! ayd Sn vi snupntyartham balihara+ar.n karisye.
ntut'pi pilrv€ 19. indrapurusebhyalr sv6hd.
j al € n a b h ilmim p r aks at y a v a rt uman dal aka r e na
t at al.t indrapurusEbhya idury na mama.
p urv adi S amarabhy a kifi c i dannab alim b humau k; ip e t.
,hk;ine 20. yamdya svdhd.
1. 6ry s[rydya svaha. s[ryaya idam rt& ffiilnr., yamdya idary na mama.
2. praj-apatayl svaha.
-i -
prajdpataya idar.n o& rlanr, htt|'pi dnl<sin€ 21. yamapurusEbhya svdhE.
3. agnayE svaha. agnaya ida.n rt& fililnr,
yamapurusEbhya idam na mama.

4. prajdpatayE ,) prajdpataya ,, rr
tut.k:im€ 22. vara+aya svdhd.
varur]5ya idamnanumn
5. s6m[ya vanasp atay1 ), ,,
s6mf,ya vanaspataya ,,
r,tli'pi paflcim€ 23. varu+apurusEbhya sv6h6.
6. agnlsdmEbhyary ), agnlsOmabhyd ,, ,,
varunapurusEbhya idam na mirma.
7. indrdgnibhydm ), indrIgnibhya tilkrE 24. s6mdya svaha.
8. dy6v6-prithivibhy6m ,, dy6v6-prithivlbhya sdmdya idafn na marnil
9. dhanvantaraye .,, dhanvantaraya nili'pi uttar€ 25. s6mapurusEbhya svf,hd.
10. indr-aya ), indrdya s6mapurusEbhya idafnnanumruL
1 1. viSvEbhy6 devebhya[r t, viSvebhy6 dEvEbhya ,n(t\dala madhye 26. bratrmanE svah6. bratrmana idamnamama
12. brahmale ), brahmaqa hturh pilrv€ 27 . brahmapurusEbhya svEh6.
13. adbhyal.r ), adbhya brahmapurusEbhya idar.n na manuL
4. Osadhi vanaspatibhyatr Osadhi vanaspatibhya r,ulrlalcsine 28. viSvebhy6 dEvEbhya svdh6.
1 ,,

15. grihdya grih6ya viSvEbhy6 dEv6bhya idar.nnanmrnzL

))

6. grihadEvatdbhyal.t grihadOvat[bhya nillnicim7 29. sawebhyO bhfitEbhya svdhE.

1 ,, ,,,
sarvEbhyd bhiitEbhya idafn na numul
17. vdstudevatabhya[r ,, vf,studEvatdbhya )) )'t
huluttar€ 30. divdcdribhyah svana.
-l-

at p il rv a d i i am a r ab hy a
( d t dv v a r t um aryt Q al akd r E r.t a
divdcdribhyah idar.nnailumuL
niksepyar.n.)
31. naktafrcdribhya sv6h6.
naktaffcdribhya idar.nnanuuna
 ll

102 D€vapoia Paddhatih : [EvapfijE-Paddhati[r 103

Sn-
mary(aldhbahilt
.. $igvEdlya Balihara+arp.
tSanyam 32. raks6bhyall svdhd. raks6bhya idar.n D? rrirr r r,r

4rrrrr,,yu irlau antE ca kram6t drikdra-sv6ha-iabdau , "idam na mama" iti ca praydktavyau.

(apasavy4nn) "0m indrxya svEhE, indrdya idam na mama" iti.

dgndyydm 33. piribhyah svadh['stu. pitribhya idam na man rr

pErva
udakam upaspfi{y a, ( s avy Ena) I f .indrapurusebhyaf svIhE.
nairrityam 34. SyAmaya svaha. Sy[maya idam na mama l8.indrdya svdh6

vdyavyam 35. Sabaldya svf,ha. Sabaldya idam na mama.

::[ilffilun,u. 1'ut1i surlir4 .svadh'pitribhyair
tfanydryt 36. manusyEbhy6 hanta.
F"atabhlan N

ffP-
manusyebhya idary na mama.
-"r)
tataB gfihAdb ahilt afiga4tE
yE bhtitlh pracaranti divd naktam
balimiccantO vitudasya prEgthah.
'I., ,(

2T.brahmapurusEbhya
tEbhyd balim pustikdm6 har6mi Y .1F\
E
L
. z.\
mayi pu$!ir.n pustipatirdaddtu svEhf, . lc6

i E* B
ts (!t !e'i ?
g\g
aindra vf,rur,ra v6yavyd ydmy6m nairriti k65ca ye .
rc kakah pratigrihr,rantu bh[myary pi+{ary maydrpitarp
s
n
-
B;H
;.E
f ,E 26.brahman€
€
'9
,o
sid
*,ii
X :EE #
or
E=crh i

g,
iti jalam k;ipnd, ':.'i, 'i : 'E;llHz i
fva-cdnQdla-bhiita-vdyas€bhyah annrtrtt
€; :3
.; '8;l
E',l I
gl*
bhilmau niksipdt. 1, I K s'i
</
tttl
'E
E
((l

tatal.t p ddau p rak; dly a j aldna netram-upasp risy a, dc amE t. E 29.sarvEbhy6

bhEtEbhya
.rrj
" sarvdristaSantirastu. " iti g rihdntah dg ac c Et.

"yasya smritya... " \. rflB

an6na baliharanEna karmand bhdratlramar,r amukhya-
prf,nf, n tar gata SrIvi s nuh pn-y atdr.n.
35.sabardya
\ k-.*us'e1
e{ururuufg# -^-^*g{ 34.sy6maya
.. Sn- Kfrqnarpanamastu..
pa6cimE
23.varunapurugEbhya sv6h6.
22.vnrupEya svEhil
 104 DevaPflia Paddhatil'r 105

.. Yajurvedlya Baliharaltaryt .. ,, t
l,( t savy ena) daksin€
' l. svadh[ pitribhyah svaha.
ac amy a p r ananay ainy a @e i akdlau s anktrty a. .. . SrI
v i s r.rupr Er anay d, v i snu prr ty arth am b al ih ara4 ary kari s E
y . svadhf, pitribhya idafnnanumra
tttlakam upaspfifya, savy€na)
j al d na b hiimim p r ak; dly a v artuman dal akar e na
,
t at al1
',1. nam6 rudrdya paSupatayE svdhd.
tSany adi S amar ab hy a kifi c i dannab al im b hhmau ks ip € t.
ru dr6ya p aSup a tay a idar.n na numuL Qt ari s i cy a. )
1. dharmdya svdh6. dharmdYa idar.nII&ITltltlr,
2. adharmaya svEha. adharmdYa idaln lls lrtlttlr r
t, rtl(tanay amy a ), agrad5narp kariEyE
3. adbhyal.l ,, adbhya ,, ,l '1,viglrurmE kamah samridhyatEm svltra. vislava idar.n na mama.
4. Osadhi vanaspatibhYah ,, Osadhi vanaspatibhYa ), ,, "adit6numanyasva.." ityadina agnim pari;icya
5. raks6devajanebhYa ,, raks6dEvajanebhya ,,, .,r
rinanalamya) dEvayajfrEna yakEyE
6. gdhydbhyah ,, grihy6bhya ,, ,' r
'r, dEvEbhyah svdhf,. dEvEbhya idam na mama.
7. avas[nEbhyah avaslnEbhya ,,
( "aditEnu.." iti parisificZt
8. avasdnapatibhya[ avasInapatibhya ,, )
9. sarvabhfitebhyab sarvabh[tEbhya ,, 1,t'ilndndyamya)
10. kdmdya klmdya ,, t vaiydsika dEvebhyah svdha vaiydsika dEvEbhya idary na mama.
1 1. antarikgdya antarik$aya ,, ti ( apas avy a ) pitribhyall svadhastu ( apradalqifrorf, p arig icy a. )
12. yadejati jagati-
pitribhya idam na mama.
yaccEstati nf,mnO-
bhagOyam ndmnO svEtr6. vdyava idar.n flzt llrtl tr ,t t yvar
prananay amy a) bhfltayajfiEna yak;ye.
13. prithivyai ?, prithivya ,r.t It
'|l hhutebhyd namall. bh[tEbhya idar.nnamarniL
14. antariks[ya ,, antarik$aya ), tr
,t\tlae prananayamya) manufya yajfiEna yakgyE
I5. dtve ,, divE
itr rnanusyebhyO hanta. (ityagnau hutvd)
'16. s[ryaya ,) slrydya
17. candramasE ,, candramase rnanusyebhya idam na mama.
18. naksatrEbhyah ,, naksatrEbhYa 'l lrrajdpatayE sv6hd. praj[pataya idam na mama.
19. indraya ?, indr6Ya I paramesthinE svEhE. paramesthina idam na mama.
20. brihaspatayE ,, brihasPataYa
!
21. praj-apatay9 ,, praj[Pataya ))
: yathd k[pab Satadh6rall sahasradhEr6 aksitah.
22.brahmaqE ,, brahmana 2) t:v6 mE astu dhdnya(g+) sahasradhdramaksitam.
(s arvdn s akrit parisicY a) tlhanadhdnyai svdh6. dhanadhdnyd idam na mama.

itr
I

106 DEvaprlia Paddhatih 107

34. yC bhUtah pracaranti div6 naktam \ caturdaS6 l6kaga+O ya esah

balimiccant6 vitudasya prEqthab. tatra sthita ye'khila-bhfitasangh6h .
tEbhy6 balim pustik[m6 harami triptyarthamannar.n hi mayltisristam
mayi pugtiry pustipatirdadhatu svdha.. tesamidam te muditd bhavantu ..
vaiy6sika dCvEbhya idam na mama. (parisicya). lam k;iptvd, Sva-canddla-bhuta-vayasepyah
t
t t i rr

35. aindra-varula-vayavya ylmy[ vai nairrit[stath[. ' w r,( istdnnam bhAmau niksip €t.
t

v5yas6h pratigrinhantu bhfimau dattar.n mayd balim .

36. dvau Svdnau Syf,ma, Sabalau vaivasvata kulodbhavarr
tdbhydm balim praddsydmi sydt6m Etau ahimsakau
tatal.t gfihdd-b ahilt afigaryE
1. dEvd manusydh paSav6 vaydr.nsi
siddhah sa yaks6raga daitya-sanghdlr .
prEt6h pi Sdcd- starav a- s samasffih
yE clnna-micchanti may6 ca dattam ..
2. pipilikah a-patak6dy6
kr-f
bubhuk$iffib karma-nibandhabaddhah
prayEntu tE triptimidam maydnnam
tEbhyO'tisristam sukhind bhavantu ..
3. yE$ary na mdt6 na pit6 na bandhuh
naivdnnasiddhir-na tathf,nnamasti .
tattriptayE'nnam bhuvi dattamEtat
tE ydntu tliptiry muditd bhavantu ..
l\ ttlau praksalya, j alena netramupaspfiSya, acamet.
',itt'v6ristaSantirastu. " iti grihdntam dgacc7t.
.
Sant6 prithivl Sivamantariksam
dyaurn6 dEvyabhayam nO astu.
Siv[ disah pradisa uddi56 na
itp6 viSvatah paripf,ntu sarvatah..
6m Santih Santih Santi[r.
yasya smritya...
.
anEna baliharanEna karma? 6 bhdratrramaqa
, , rrr k hyapran6nt
argata SrTvisnu prTyatar.n.

4. bhliEni sarvEli tath6nna-metada

ahary ca vis?ur-na tatO'nyadasti .
tasmadidam bhUtahitEya bhiitam
annam prayacchami bhavdya tEs6m ..
 _ifl

109
108 D€vapoia Paddhatih
Srr ..Atha Gurfiqtam Hastodakar.n (Naiv-edya kramab) ..
..YajurvEdlya Balihara+arP ..
mantrasya Sdau ant€ ca kramat 6nkdra-sv6hd-Sabdau, "..idam na mama" iti ca pray6ktlr r
v nddvanasthagurubhyah tr-rtham tulasrm gandhadikam ca
ri
"0m dharmdya svdha. dharm6ya idam na mama" iti ,lirlva naivEdyam (hastodakar.n) patrE parivE$ya apoSanam
,lrrtly6t . tatah
piirva

yatihaste jalam dadyrr bhaiksam dady[t punarjalam.

25.visnurme kdmah sam... 26.dEvebhyalt . vaiSvadEva
e agnikundah tadannam merund tulyam tajjalary sagar6pamam..
2T.vaiydsikadEvEbhyah 30.manusyEbhydhanta.
yatir yatra grihE bhunkte tatra bhunkte harisvayary.
33. yathd kupab... hariryatra grihE bhunkte tatra bhunktd jagatrayar.n.
vatau tu samadattam syat grihasthC dvigu+aln bhavEt.
vanaprastho satagulam yatau dattamanantakam..

gurv an tar gata b h 6ratl-raman a-

mukhy a-prEr] dn tar gata slt[p ati Sn-ramac andra
;. priyatlm. prIt6 bhavatu.
6
ct
iE
/a'
tr
rO /o{ pran[ya svaha. apdndya svaha. vyanaya svaha.
iE, @
a. 2
,o
I() N
ro
la
gI
ud[ndya svaha. samandya svaha.
t, >\
G
q, d t,
E

4
o\ F q
E
f
T
>,:11
-o *r
,ttttrrdpoianAm, hastapraksalanam, garydil{am ca datva
34. ye bhutah Pracaranti...
(tt
E .9
o.;, ttttha, tulasrm ca datydt.
6
lr
({ .\o
q
oo
E
',

fil
d
ie 5
b-
(\1
r.r Or
'a.)
\? .>,
a! ij
\o
\a sl
.s/
.Qr
;, . ,.1

b!
d
,h
,l
.. iti hastOdakam..
\?o.'
\'+ #/-s;
>';'"1
\4,
\
\+.
c..

b'/
p/
.s\ 1
(!
E
\b.
,1

^\' '/ 6 ,,.

CO t' .. Sri X.fiq+arpanamastu..
\2.n
^s,./
*lo!)z'
&'*-g*gir:lrg:y*'r j49
32.paramEsthinE. 3 l.prajApataye.
,.
pascrma

ll
 111
110 Ddvapoia Paddhatih
.. Sn-h..
yadanga daSuse tvamagne bhadram karisyasi .
tav6t tatsatyamangirah .6.
.. Atha &i:r:drya Brahmayaifiah.. upa tvagne dive divE dosa vastardhiya vayam.
dcamanarTt. pranayamah. dASakalau smritva namo bharanta Emasi .7 .
brahmayajfiEna yak;y€. i,ti vaddt. raj antamadhvaranam gOpamfitasya drdivim.

"or.n vidyudasi vidya me plpm6namamritatsatyamupaimi. " vardhamanam sve dame .8.

sa nah pitavE s[nave'gne s[p6yano bhava.
iti jalam spyi;{vd
sa ca sva nal.lsvastaye ..9 ..
pranavah: 6m l,t'rlhmana - agnirvai devlnamavam6 vis .ruh paramah.
vydhritih: bhDrbhuvahsvah. ,tr tt1tyakam - atha rnahavratam. esa pantha etatkarma.
padakramah: om tatsaviturvarelyam. bharg6 devasl,;, athatah saShhitay[ upanisat.
dhr-mahi. dhiy6 yO nah prac6dayilL. vidl maghavanvida. mahavratasya
pafr cavimSatim samidhenyalr .
ardhakramah: 0m tatsaviturvarEr.ryam bharg6 devasyl
dhlmahi. dhiy6 yb nah prac6daydt.. ,, t jurvEdah-

purnakramah: 6m tatsaviturvarEnyam bhargO devasya om ise tvdrje tva vayavatr sthOp6yavah stha
dhlmahi dhiyd yO na[r prac0day-at.. tlOvo vab savit[ prdrpayatu Sresthatamaya karmarla

Rigvedah - l pyayadhvamaghniy[ dEvabhdgam[rj asvatrh

grayasvatlh prajavatTranamrva ayaksm[h
agnimrla ityasya mantrasya madhucchand6 fi$ih, gdyatri rna vah stena rSata ma'ghaSarhsd rudrasya hetih
chandah, agnirdevata, brahmayajfrE viniy6gah. pariv6 vrinaktu dhruvah asmin gopatau syat
6m agnimile pur6hitary yajflasya dEvamritvijam. hahvrry aj amdnasy a pa([n pahi. . sv [hd. (chandobhya-idar.n.)
h6taram ratnadh[tamam . 1. ,,ttnavedah -
agnih p[rvEbhir risibhirldy6 nfitanairuta.
offr ogna dy[hi vltaye grindnd havyad[tayE.
sa dOvam eva vaksati .2 . nih6t6 satsi barhisi.
agnina rayimaSnavat p6sameva divEdive.
yaSasamvlravattamam .3. ,ttltrtrvanavAdah
agne yary yajflamadhvaram viSvatatr paribh[rasi . om Sanno devrrabhistaye apd bhavantu pltaye.
sa id dEvEsu gacchati .4 .
(ar.n yOh abhisravantu nah.
agnirh6t[ kavikratulr s aty aScitraSravastamah.
dEv0dEvEbhiragamat .5.
 ,ffiw

11,2
DEvaprlia Paddhatih
113
Srautasutru.n - athatO darSap[rnamasau vy[khyasyamrr I r hrahmasutrabhasya
sutrah - athaitasya samlmndyasya. n Er[ya4 a+ gu
$ aih s arvai ru drrnam do s avarj i tam.
niruktam- samamndya samamn6tah. jfreyam gamyam gur[mscEpi
natva sfltrdrtha ucyate..
chandah- mayarasataj abhanalaga sammitam.. lurrubhasya-
nighanluh- gauh gma jma ksma. nam6 nam6'Sesad6sad[ra p[rqagundtmanE.
jy0tisya- pafl cas amv atsaramay am. virif, c i s arvap uivedyavandy5y a s, var dy
aro. . )
,.1
SIKSA- ata Siksdm pravaksy6mi. 0m tacchamydravrilrmahE. g6tum yajflEya.
vyakararyqry - vriddhirataic. g6tum yajflapatayd. daiv-rh svastirastu
nah.
smriti- svastirmanusEbhvah. [rdhvam jigdtu bhegajam.
y6glSvarary yaj fr avalkyam.
,-
Karmammtdmsa-
Sar.n n6 astu dvipatE. Sam catuspalO.
athatO dharmam vy6khyEsydmah.
purvamtmamsa- 6m nam6 brahrnane nam6 astvagnayE
athatO dharmajijflasd.
namah prithivyai nama dsadhlbhyah.
uttaramtmamsa_ Ory 6ry athatd brahmajijflasa 6m. namd vIcE nam6 vacaspatayE
mahabharqyqnx - nam6 visgave mahate kar6mi.. iti trih.
ndrdynqarn suragurum j agadEkanatham ,rnt Santih Santi.r Santih..
bhaktapriyary sakalalokanamaskritam ca.
i] rr r vri stirasi vrisca mE pEpmanamrit6tsatyamupEgEm.,,
traigu yavarj itamaj am vibhumddyamT$ary
.r
,rt jttla\n sprifut.
vand€ bhavaghnamamarasurasiddhavandyam. .

nErf,ya+aln namask{tya naram caiva narottamary. i, t t r v ab himukha[t tarpp aryaryl kurydt.

dEvrrn sarasvatlry vy[sam tat6 j ayamudrrayEt. .
DEvatd-tarparyatn.
bhagavata -
d y u I yag rdqta s avy Ena E kaikavdrarp
tarpay et.
or.n j ynlEdy
tEnE
asy a y at6' nvay dditarataS c
brahrnahridd ya [dikavaye muhyanti yam s[rayah.
arthe s v abhij fl all s v a r,, r

I agnistripyatu. 2. visnustripyatu.
tEj OvdrimriEr.n y ata vinimayo yatra tris arg6
| . praj [patistripyatu. 4. brahma qrpyatu.
ryrq a 1. ved6stripyantu.
dh6mn[ svEna sada nirastakuhakam satyam parary dhrmalrr 6. dEv6stripyantu.
/. risayastfipyantu. 8. sarvdli chandEmsi tripyantu.
r,. <lnkfuastripyatu. I 0. vasatkdrastripyatu.
 115
11,4 DEvaprlia Paddhati[r
11 .vydhftayastripyantu. 12. s6vitrr tripyatu. Acdrya-tatparyam.
ta rj anl mill €na ap a s avy E na (j Tv atp it rika i c E t v dmaha st a
13. yajflEstripyantu. 14. dyAvlprithivl tripyEtdm.
1i u s thap ary a nt am y aj fi d p avlt aryt dhriru a ) tu rp ay € t.
t t tl

15. antariksam tripyatu. 1 6. ah6r6trani tripyatu.

1 7. s[nkhydstripyantu. 18. siddhEstripyantu.

| . om sumantu jaimini vaiSampayana paila sltra
bhdsya bharata mahlbharatadharm[caryah
I 9. samudrastripyantu. 20. nadyastfipyantu.
tripyantu. tripyantu .. tripyantu ..
21. gtayastripyantu. 22. ksltrausadhivanaspati -
gandharv6psarasastripyan t r r
l. j6nanti bdhavi gargya gautama Slkalya
bdbhravya mdldavya mdnd[kEyah
23. ndgdstripyantu. 24. vaydmsi tripyantu.
tripyantu. tripyantu.. tripyantu..
25. gdvastripyantu. 26. sEdhydstripyantu.
l. glrgl v[caknavr tripyatu. tfrpyatu.. tripyatu..
27. viprdstfpyantu. 28. yakqdsfipyantu.
29 . rakgEmsi tripyantu. 30. bhiitani tripyantu. .
,1. prlthitEyf
vadav6 ,, ,, ,,
maitrEyl
5. sulabh6 ,? ,, ,,
(r. kah6la+ ,, ,, ,,
$igi-tafparyaryt
/. kausltakam ,, ,, ,,
kani s t hdn g ulT mill €n a y aj m 0 p avTt ar.n mdl dkd r am dh r i n a It. mah[kausltakam ,, ,, ,)
tarpanar.n kurydt. t). paingyar.n
,, ,, ,)
1. Satarcinah tppyantu. tripyantu.. 10. mah[paingyam ,) ,, ,,
2. mddhyam[l] ,, ,, I l. suyajflar.n ,, )) ,,
3. gritsamadah tppyatu. tfipyatu.. l.l. sankhydyanam tarpaydmi. tarpaydmi.. tarpay[mi..
4. viSvdmitrah I l. aitarEyar.n
5. varnadEvah l,l. mahaitarEyam
6. atrih I 5. (Xkalar.n
,, ,,
7. bharadvdjah l(r. blskalam
,, ),
17. suj6tavaktram
8. vasisthal.r ), ,,
It{. audavdhim
9. pragathatr tripyantu. tripyantu..
It). mahaudavahim ,, ), ,,
10. pf,vamdnyatr
,10. saujami+ ,, ,, ,,
I 1. kgudrasiiktf,tr ,) ),
J l. Saunakam ,, ), ,,
12. mah6s[kr6h ,, ,, ,rJ. aSvalayanam ), ,, ,,

I
LL5 D€vapuia Paddhatih 117

Pity-tarpporyaryt.
ap as avy ena an gusthamtilena tarp ay et. il,}lil1T,:,l1ilffi ;;lTffi ..
*u"am

asmat pitaram . Sarm6+ar.n g6trary rr',nrorrilf,tuh prapitdmaham .... Sarml+ar.n ..... gOtram
vasvantargata bh6ratlramana mukhyaprd! Entarg ata
,rrlitya.. bh6.mukhya... vasudevam....
pradyumnam svadha namah ....tarpaylmi. tarpaydmi.
tarpaydmi. ir\nrilnmdtEmahlr.n. .abhidh5m. gotram
asmat pitamaham ..... Sarm[+ar.n ..... g6trar.n
ru drln t ar gata b h dratlr am an a mukhy aprd! 6n tar gata
sankarsa+ar.n svadhf, namah. ....tatpay6mi. tarpayEmi.
tarpayami.
asmat prapit[maham .... SarmE+ary ..... g6trary r\nranmltuh prapitdmahrm ..... abhidh[m ..... g6trlm
6dity [n tar gata bhdratlramana mukhy aprdT 6n tar gata rr lrlya... bh6.mukhya... vasudevam....

v6sudEvar.n svadhd namah ....tarpay6mi. tarpay6mi.

ir,,nrirtpatnrm .. abhidhary . g6tram
tarpaydmi
r ;rsvanta... bh6.mukhya... pradyumnam.....

asmanmataram .. abhidhary ....... g6tr6m

vasvanta... bhd.mukhya... pradyumnam....
lirsvanta... bhd.mukhya... pradyumnam....
asmatpitamatrlm .. abhidhary g6tr6m
rudr6nta... bhE.mukhya... sarlkarsanary....
r,,rrrudbhr[taram Sarma.ram ...... g6trary
r ;rsvanta... bhd.mukhya... pradyumnam....
asmatprapitamahrm........ abhidhAm ....... g6trf,m
adity6... bh6.mukhya... vdsud6vam....
r',rrurtpitrivyam . Sarmf,+ary gOtram
r irsvanta... bh6.mukhya... pradyumnam....
asmats6patnam6ta^ram..... abhidh6m ....... g6trdm
vasvanta... bh[.mukhya... pradyumnam....

asmanm1tlmatram ...... Sarmlqam ...... g6trary

r',nrirt duhitaram (sabhartukam sasutdm).... abhidhary
gOtram vasvanta... bhd.mukhya... pradyumnam....
 ilfl,,,,,

119
118 Devaprlja Paddhatih
.. Atha Yaiurv1ftya Brahmayaifial.t' "
asmat bhaginim ........ abhidham ....... g6trdry
vasvantarkata. . . bh6. mukhy a. . . pradyumnam. . . amanam. prdltdy amah. d0 sakdlau smriw a
dc
',t ttltnayaifi€na Yak;YZ. iti vadet
asmatpitrisvasdrar.n .. abhidha+ . g6trdm
vasvanta... bh6.mukhya... pradyumnam....
r irrr vidludasi vidya mE pIpmdnamamritatsatyamupaimi"'
,tt lttlam spristva
asmanm6trisvasfuary ...... abhidhdr.n ....... g6trdm vasv&nt,r 6m
it, ttt.lUVAh:
bh6.mukhya... pradyumnam....
, r',tltritih: bhiirbhuvahsvah.
asmat SvaSurar.n ........ Sarmdnam ........ gotram 6m tatsaviturvarEnyam. bharg6 d6vasya
t,,ttlttkramah:
vasvanta... bh6.mukhya... pradyumnam....
dhrmahi. dhiy6 yO nah prac6daydt"
asmat gurum . Sarm5+ar.n .. g6trary ,tt,lltakramah: 6m tatsaviturvar€4yary bharg6 dEvasya
vasvanta... bh6.mukhya... pradyumnam.... dhlmahi. dhiy6 yO natr pracodaylt"

asmaddc-aryam . Sarmdr.lary ......... g6tr[ry t,trrtlukramah: 6m tatsaviturvarelyam bharg6 devasya

vasvan tar gata. . . bhd. mukhya. . . pradyurnnam. . . .
vt
yE kE casmatkulE jdt6 aputrd gdtrind mfiEh.
tE grihnantu mayd dattam sfltranispldan6dakary.
dhlmahi dhiy6 y6 na[r prac6daydt"
jtrrvEdah-
orn ise tvorjE tva v[yavalqr sthop[yavalr stha
,le vO vah savitd prlrpayatu SrEsthatamdya karma?a

"yasya smrityd... rr rr pyf,yadhvamaghniya dEvabhagam[rj asvatlh

l,uyasvatfh prajEvatrranarruv[ ayakqm6! . - .,
anena brahmayajfl Ingatarpaqena Sn-majj anardana i,,a uah stina isata ma'ghaSarhsO rudrasya hetih
vasudevah prlyatlm. parivo vrir.raktu dhruvflLr asmin gopatau sy6t
i., ahvlry aj aman asy a p aS [n pahi. . s vah6. (chand6bhya-idar.n.)

.. Sri Kfrqlarpanamastu.. ltrdhmana -

6m bratunasandhattary tanmO jinvatar.n '
ksatrafhsandhattar.n tanme jinvatam'
isarhsandhattam tary mE jinvatam '
[rjarhsandhattam tdr.n mE jinvatar.n '
rayirhsandhattam tdr.n mE jinvatary '
120 DevaPtria Paddhatih 121

pugti&sandhattam tary mE jinvatam ' wthabharatam -

jinvatam '
|tdjarnsandhattam t6ry mE naraya! am suragururn j agadCkanatham
paSfin sandhattary t1n me jinvatam ' bhaktapriyam sakalalOkanamaskritam ca.
itut6'ri janadhd . d€vdstvd Sukrap6h pra+ayantu' traigu+yavarj itamaj am vibhumddyamlqary
suvirah Praj6 PrajanaYan Parlhi ' vande bhavaghnamamar6surasiddhavandyam..
RigvZdalt - n[r6yar] am namaskritya naram caiva nar6ttamam.
om agnimTlo purohitar.n yajfl asya devamritvij am' dEvrm sarasvatrm vyasary tato jayamudlrayet..
hOtaram ratnadh6tamam' l,lttigavata -
Samavedah' .ianmddyasya yatd'nvaydditarataScdrthEsvabhijflah svardt
rr I I
'

6magna6y[hivrtayegrin6n6havyadatayE. tr'rr[: brohmahridE ya ddikavayE muhyanti yary siirayal.r.

nihot6 satsi barhisi. rr';rrvf,rimritdm yatd vinimay6 yatra trisarg6 mrisd
,llurrnn6 svEna sada nirastakuhakam satyam parar.n dhrmahi..
Atharvanavedah
6m sann6 devr-rabhistayE 6p6 bhavantu pltayo' !,r ttltmasutrabhd{ya
Sar.n yob abhisravantu na[' n gu! aih s arv airu drrn am do s av arj itam.
[rdy ar.r ar.n
athat6 darSapfir{ramdsau vyf,khydsyam .ifrCyam gamyam gurDmSc[pi natva s[trartha ucyate..
rr I'
,vrutttttsutram -
sutrah - athaitasya samdmn[Yasya. ,,tttttbha{ya-
niruktam- sam6mn[Y a s amamnatalr. namo nam6'SEsad6sad[ra p[r! aguBdtmanE.
chandah- mayarasataj abhanalaga sammitatn" v i rifl ciS arv ap[rv Edy av andy 6y a SrIv ar ay a t0 . . )
nighan{uh- gaul.l gma jma ksma. om tacchamy6r6vrinlmahE. g6tury yajfldya.
jy0tisya' p afl c as amv ats aramay am. gatum yajflapatayE. daivrh svastirastu nah.
Siksd- ata SiksSm PravaksY[mi. svastirmanusebhyah. [rdhvam jigatu bhesajam.
vyakara(tary - vriddhirdtaic. nd astu dvipatE. Sary catuspatE.
'(ar.n
smriti- yO grSvarar.n Ydj fl av alkYam' om nam6 brahma4E nam6 astvagnayE
karmamlmdmsd- athat6 dharmam vY 6khY[sYdmah' namah prithivyai nama Osadhlbhyah.
purvamlmdmsd' athat6 dharmajijflasa. nam6 vdcE nam6 vdcaspatayE
uttaramlmdmsd- 6ry 6ry athat6 brahmajijfldsa 6m' nam6 visnave mahate kar6mi.. iti trih.
om Santill Santih Santih..
 J

122 DEvaptiia Paddhatih 123

" 6r.n vri stirasi vri Sc a me p[pmdnamri tats aty amup ag ar.n. " praj6patim kandariliry tarpayami
iti jalam spri(dt. s6mam ka+dafiqiry tarpaylmi.
agnim kaq{a1iqiry tarpaydmi
p ilrv dbhimukhah tarpp aryar.n kury dt. t-
visv6n devan kandarisen tarpaydmi.
DEvatarpalta\n sarhhitl devam upanisadury tarpayEmi
1. bramh6day6 yE dEv6:t6n dEvdn tarpaydmi y Aj fr ikirdevatd upani s adary tarpayami.
2. sarvan devaga+an tarpay6mi varunrr dEvatE upanisadar.n tarpayEmi
3. sarva devapatnll.r tarpayEmi brahma+ar.n svayambhuvam tarpaydmi.
4. sarvan devaputran tarpaydmi satasaspatim tarpaydmi.
5. sarvan devapautrdn tarpay[mi
6. sarvdn devaprapautran tarpaydmi Pitr-tarparyary
7.0m bhlr devtu tarpayEmi
s6ma pitruman yam6'ngirasvdn agnisvItta
8.6ry bhuvard6vdn tarpaydmi
agnikavyavahan6dayo yE pitara:. tan pitrun tarpay5mi
9. Ory suvardevan tarpaydmi
10. 6m bh[rbhuva suvardEvEn tarpayEmi l. sarvan pitrfln tarpaydmi
2. sarvan pitruga+an tarpayf,mi.
Sigi tarpat aryt
3. sarva pitru patnrh tarpaydmi.
krisnadvaipayanddayd yd yi;aya tdn yipln tarpaydmi
4. sarv6n pitruputrEn tarpay[mi
1. sarvan Srgln tarpayEmi 5. sarvan pitrupautrln tarpay6mi.
2. sawan risiga+an tarpaylmi
6. sarv6n pitruprapautrf,n tarpayf,mi
3. sarva risipatnrh tarpayEmi
7. bh[: pitrUn tarpay5mi.
4. sarvan risiputrdn tarpaydmi
5. sarvan risipautran 8. bhuva pitrun tarpay6mi.
tarpayEmi
6. sarvan risiprapautrf,n tarpaylmi 9. suva pitr[n tarpay6mi.
7.or.n bhD: flqrn tarpayEmi 10. bhUrbhuva suva pitrtin tarpaydmi.
8. ory bhuva flqln tarpaydmi
9. or.n suva flgln tarpaylmi
i j lv atp it r ikdndmap
rl am p i t 1' - t a rp aryar.n i. sva sv ap it ri -
p i t dm ah d d i t a rp a(t a\n aj rv atp i t r ikdndm Ev a y i g v e dty av at.
10. om bhiirbhuva suva flqIn tarpayEmi
 125
724 DEvapfria Paddhati[r

Pitr-tarpalraryt
ap as avy ena an gusthamillena tarp ay €t.
ilsmanmdtul! prapitlmaham .... Sarmlr.rar.n ..... gOtram
asmat pitaram . Sarmf,tlar.n gotram
rtdity[.. bh6.mukhya... vasudEvam....
v a s v an tar gata bh lratlramana mukhy apr6! 5n tar gata
pradyumnam svadhd namah ....tarpaydmi. tarpaydmi. nsrnanmf,tf,mahlm ........ abhidhAry ....... g6tr6m
tarpaydmi. vasvanta... bhl.mukhya... pradyumnam....
asmat pitamahar.r, ..... Sarm6+ar.n ..... g6trary
usmanmdtuh pit[mahTry abhidhEr.n ...... gotram
ru d ran t ar gata bh [ratrraman a mukhy apr[rJ an tar gata
r rrdranta... bha.mukhya... sankarsalar.n....
sankarsa+atn svadha namah. ....tarpaydmi. tarpayami.
tarpaydmi. nsmanm[tul] prapitlmahrm ..... abhidhdm ..... g6tr[m
asmat prapitdmaham .... Sarmdr.rary ..... g6tram irtlitya... bha.mukhya... vlsudEvam....
[di ty dn tar gata bh dratlraman a mukhy aprd! dn tar gata
vasudevar.n svadhI namab ....tarpaydmi. tarpaylmi.
nsmatpatnTry .. abhidh[ry. g6tr6m
vasvanta... bh[.rnukhya... pradyumnam.....
tarpay[mi

asmanmataram .. abhidhary . g6trdm

rrslnatsutar.n .Sarmf,+ary .gdtram
virsvanta... bh[.mukhya... pradyumnam....
vasvanta... bh[.mukhya... pradyumnam....
nsmadbhrdtara{n ...... Sarmd+ar.n gOtram
asmatpitdmahrm .. abhidhary . g6tr6m
vasvanta... bha.mukhya... pradyumnam....
rudranta... bhd.mukhya... sankarsalary....
rrsmatpitfrvyary ....... Sarmf,nam ...... gOtram
asmatprapitamahrm. .abhidham. g6tram
vasvanta... bh6.mukhya... pradyumnam....
adity[... bh6.mukhya... vdsudEvam....
asmatsapatnamataram..... abhidh[m . gOtrf,m
lusmanm6tulam . Sarm6+a+ ....... gOtrary
vasvanta... bhd.mukhya... pradyumnam....
vasvanta... bh[.mukhya... pradyumnam....
nsmat duhitaram (sabhartukam sasut6m).... abhidh[m
asmanm[tamaham ...... Sarma+ar.n g6tram
.. gOtrdm va$vanta... bhd.mukhya... pradyumnary....
vasvanta... bh[.mukhya... pradyumnam....
126 D€vapoja Paddhatift
asmat bhaginrm .. abhidham ....... g6trdm
vasvantarkata... bhd.mukhya... pradyumnam...

asmatpitrisvas[rar.n .. abhidhdm ....... g6trf,m

vasvanta... bh6.mukhya... pradyumnam....

asmanmdtrisvasdrar.n ...... abhidhary ....... gOtram vasvantit

bhl.mukhya... pradyumnam....

asmat SvaSurafn ........ Sarmf,nam ........ g6tram

asmat gurum Sarmf,nam ........ g6tram

vasvanta... bh[.mukhya... pradyumnam....

asmadacaryam . Sarm64am ... g6trdm

vasvan tar gata. . . bh6. mukhya. . . pradyulrulam. . . . POOJA RAHASYA

yE kE casmatkule jdta aputrd g6trin6 ryita[.

tE gfihlantu mayd dattam siitranispldanOdakar.n.

"yasya smritya... "

anena brahmayaj fl aAgatarpaqEna Sn-majj anardana

v6sudEvatr prTyatdm.

.. Sn- Kfrq+arpanamastu ..
*---- . ,. .,'-''"iffi

128 Devapuja Paddhati Pooja Rahasya 129

CONTENTS 24. Manushya Gandha Nivarana

25. Brahmapara Stotra
1. Narayana Mantra Japa
26. Ghanta Vadana
2. Karasuddhi
27.
3. Papa Purusha Visarjana
28. Nirmalya Visarjana And Abhishekha
4. Tattvanyasa
29. Golaka Chintana
5. Matrukanyasa
30. Devata Aavahana ln Pratimas
6. Pranaayaama
31. Bhutocchatana
7. Anganyasa
32. Preparing The Asana
8. Aksharanyasa
33. Sankalpa
9. Rishi Chandas And Others - Devatadhyana
34. Deva Prartana
10. Narayana Mantra Devatadhyana
35. Khalasha Pooja
11. Meanings Of "Aja" And Other Shabdas
36. Shankha Pooja
12. Method Of Doing Japa
37. Arghyadi Pacha Paatra Pooja
13. Rules To Be Observed While Performing Japa Pooja For The Pachamirta Substances
38.
Puja Paddhati
39, Peetha Pooja
14. lmportance Of Tulasi 40. Hrudhyakamalavikasa
15. AntharangaSaadhana 41. Birnbaroopa Dhyana, Avahana
16. Bahiranga Saadhana 42. Abhisil?eka Vi*ri
17. Method Of Collecting Tulasi 43. Pancfiamr rta Abtrish eka
i

18. Agryodaka 44. Suddhaiaila Abhisheka

19. Dwarapala Namana 45. Gandha Tulasi Samarpana
20. Devagruha Pravesha 46. Pooja For Srihari's Weapons
21. Deepa Prajvalana 47. Aavarana Devata Aavahana, Pooja
22. Vighna Nivarana 48. Dhupa Deepa
23. Prarthana 49. Naivedya
 ,M

130 Devapuja Paddhati Pooja Rahasya 131

50. Dhrushti Dosha Parihara llsri: ll

51. Ramaa Naivedya
POOJA HAHASYA
52. Pradaksina
53. Namasakara I. NARAYANAMANTRA JAPA

54. Rig Veda Vaishvadeva Homa Narayanamantra japa should be done before performing the pooja.
55. Yajur Veda Vaishvadeva Homa
Many do not perform Pooja to Srihari. Those who perform it, do it
56. Rig Veda Baliharanam rrrochanically and ;urnpiele the Pooja. For some, performing pooja is
qrr inevitable job. $ome are indifferent while doing Pooja. Number of
li7. Yajur Veda Baliharanam
;rnople performing Pooja with devotion (Bhakti) is few.
58. Hastodakam
qo Rig Veda Brahma Yagnam Some times when persons with some faith in God desire to do the
I'oojo they are unable to focus and concentrate. Performing Pooja
60. Yaiur Veda Brahma Yagnam
wtlhout Bhakti, with an insincere heart or unfocussed mind will not yield
e1. Shcdasopachara nny reward. To get some benefit, Pooja should be performed with at
62. Mudras For Kalasha Puja lnrrst minimum devotion.

il3 Mudras For Avaahana Performing Pooja without Bhakti and interest is improper and is a
64. Pooja ltems wrong deed. This is not useful and is also harmful. Narayana mantra
ljrl)a has been devised to induce devotion.

Narayana Mantra is the origin for all mantras. There is no other

rrr;rntra which is equal to this mantra.

Whoever chants this mantra with devotion is certain to be freed

trorn earthty bonds. As one is chanting Narayana mantra, he should
lroditate on Srihari all the time and without break even for a fraction of
'r fiocord and think as follows:

t Srihari is not dependent on any one; He is not affected by

blemishes and is free from all defects (Sat). He is the embodiment
of knowledge (Chit); He is full of bliss (Ananda). He is my Lord and
Lord for one and all (Atma).

lLi
,llltr

lll
132 Devapuja Paddhati Pooja Rahasya 133

2. He is superior to Goddess Lakshmi and Lord Brahma by countkr:,. T. KARASHUDDHI

times. He is the possessor of innumerable attributes, forms, rr',,
activities. He is the great Lord who is the giver of creation (Srustrtrr
destruction (Samhara), existence (Sthiti) - sustenance (Niyamarr,rr
knowledge (Jnana) - ignorance (Ajnana), and bondage (Bandharr,,
- liberation (Moksha).
3. He is superior to all inanimate substances and also all anim;rt,,
souls which have bondage and liberation. He is independent. lt,,
gives existence to all. He is the controller of everyone. He is tlr,,
motivator. He is present in Ramaa, Brahma and other devataas iur,r
carries out all their activities.
4. Beginning from a small speck, He pervades in the entire univer:,,,
the enclosure that surrounds it and the infinite space; He is
great benefactor of all Jivas from the beginningless period until tlr,
endless period. He is the well wisher for all. He is very great. Hc r'
worthy of adoration through all activities. He is the indweller in or,,
Guru and also in all other Gurus and Deities. He hears ol
difficulties and is very sympathetic. He is the protector ond liberat,,,
for those who surrender to Him. The benefits received by us frol
Him are infinite.
Meditating thus, visualize image of Bimbaroopi Srilr,
(Vaasanamaya roopa) and the (peetha) Avarana devatas in our mincJ
It should not be understood that this mental image (Vaasanaffiaf.r
roopa) is God. ln this image meditate Vayu .deva, and Lak6hmi Dov
and invoke the, spiritual intelligent form (chinmaya roopi - embodimonr
of supreme spirit) of Srihari in them and worship. Meditate or tlrr
handsome roopa of Srihari. This type of thought gives devotion towarrt'
Srihari.
"Yam (?rq)" is Vayu Beeja; "rarn (1rr)" is Agni Beeja; and "vam
t(r[)". is Varuna Beeja. Chant these mantras and touch each of the
prrlts, Viz., the mid -
palm, its back, wrists, forearm in the front and
lrnckside, joints in the hands and fingers of both the hands, right and
loll side of both the the hands mutually with the Wvo hands. Then,
rrrrrrgine that srih'ari, the indweller in Vayu Deva, Varuna Deva and Agni
llova, purifies our hands.
Chant "Yam (?trq)" and touch the wrists;
Chant "Ram (H) "and touch the forearm;
llr,'
Chant "Vam (qq1" and touch the elbow;
Chant "Yam (?Tq)" and touch the joints of the hands;
Chant "Ram (Irt) "sn6 touch the backside of the hands;
Chant "Vam (Tq;"rnd touch the sides of the forearm.
:I, PAPA PURUSHA VISARJANA
r,
(GETTTNG HrD OF THE EVIL PERSON lN US)
Reflect on our sins and the papapurusha:
Bimbaroopi Paramatma resides in our heart (Hrudayakamala).
llring this Bimbaroopi through the Sushumna nadi to our head and seat
lllrn on the lotus (kamala) in our head. Then perform Papapurusha
Vtsarjana.
A Presiding Demon (Abhimani daitya) is present in every one of us
rrraking us commit all the sins. He is the evil person (Papa Purusha).
We are not doing just one or two or hundreds or thousands or lakhs
nrrd lakhs of sins but crores and crores of sins everyday and we
r:ontirue to do them.
 ll

134 Devapuja Paddhati Pooja Rahasya

Some of the sins we make are:
Wasting time;
1. Abusing Srihari; Abandoning Practice of the correct Shastras;
2. Deceiving God;
:

Jealousy;
3. lgnoring Deities; Making friends with persons who do not accept the existence
4. Abandoning the Guru;
5. Abusing the Guru; Making friends with persons who are not Vishnu
6. Abusing the shastras; Praising wicked people;
7. Abandoning the Mantras; Being impatient;
8. Disregard to Guru; Not performing pooja because of laziness;
9. Making fun of Guru; lt, Being vain;
10. Challenging the Guru and addressing him
disrespectfully; tl. Listening to the greatness of Srihari with indifference;
1 1. Not giving due respects to Gurus and elders
by standirg up
'lll. Gossiping while a discourse is going on;
wlr,,,
they come;
ll). Deception;
12. Getting seated on par with Gurus and Erders; 40. Not doing Sandhyavandana;
13. Kiiling the chitd; 41. Eating food on Ekadashi day;
14. Listening to abuses of good people; 4?.. Eating food which is not offered to Srihari as Naivedya;
15. Killing a woman; 43. Being harsh;
16. Aborting a child; 44. Eating prohibited food;
17. Kiiling the father; 45. Spreading rumors;
18. Kiiling the mother; 46. Eating along with unsuitable person in the same batch;
19' Making rove to women beronging to rower caste; 47. Killing harmless animals;
20. Desiring other women; 48. Murder;
21. Getting money from sinners; 49. Tormenting helpless animals;
22. BetrayingBrahmins;
50. Stealing;
23. Showing disrespect to Brahmins;
51. Earning money by unlawlul methods;
24. Hating Brahmins;
52. Duplicity;
25. Not listening to elders;
53. Saying no to do anything, although it is feasible;
26. Cruelty;
54. Mercilessness;
27. Reading literature which opposes shastras;
55. Not returning loans;
 ',fl

136 Devapuja Paddhati Pooja Rahasya 137

56. Deriving pleasure; "Brahmahatya sheeraskam ca...." The asura who controls and
57. Seeing things which should not be seen; motivates to do the sins is the papapurusha. Brahmahatya sin is his
58. Cheating; head. Sin as a result of stealing of Gold is his hands. Consuming
59. Hearing things which should not be heard; alcohol is his heart. Desiring his Guru's wife are his two thighs.
Friendship with persons doing these four paatakas, namely,
60. Adultery;
Atisumahapaataka, sumahapaataka, mahapaataka and upapaataka
61. Not parting food with others; nre his legs. All his limbs are sins (Patakaas). Each of his hair is these
62. Consuming liquor; rrpapaatakas. Each of his limbs is a paataka. He has a red moustache
63. Behaving as if you do not have anything; nnd red eyes. He holds a sword and a shield in his hands. Think that
64. Being ungrateful; auch a devil exists on the left side of our Stomach.
65. Carrying tales about others; .
Drag this devil and bring him to the navel (Nabhi) where there is a
66. lnsulting others; hexagon shaped figure of vayu mandala. God Vayu is present in the
67. Not keeping ones words; Vayu mandala. ln that Vayu deva Bhagavan Pradyumna is present
68. Ruining another man's life; trolding the bow called "sharnga fflr*)" in his hands along with Arrow,
Chakra and Shankha. His hue is blue. He is the indweller of Vayu. He
These sins arc described as (i) very heinous sins (Athi ln known by the beejakshara "yam (qq;".
sumahapataka), (ii) very dreadful sins (sumahapataka), (iii) atrocious
sins (Mahapataka), and (iv) subsidiary sins (upapataka - not thar
Meditate on this form of God and chant the mantra "Om yarn om
heinous sin). tril qq eil)" ri* times. Contemplate that this form of Pradyumna blows
nlr and dries and shrinks the Papapurusha.
Sufferings and miseries in this life, being born as animals, birds,
insects, trees and plants in the next birth, going to helt, dreadful hell, Then bring the devil papapurusha to the heart (Hrudaya) where
dark and dirty hell (tamas)" and andanthamas (one of the 2t hells) etc lhere is a triangular shaped Agni mandala. The deity Agni is present in
are the result of all such sins. lhe Agni mandala. ln that Agni deva Bhagavan Sankarshana holds a
pestle, yoke, shankha and chakra. His color is red. He is the indweller
It must be realized that there is no possibility that fearful and tho
ul Agni. He is known by the beejakshara "ram (1'q)"
most severe sins will be driven away by performing this papa purusha
visarjana. However, when one with the proper knowledge that Srihari is
Supreme and with complete faith in His Supremacy surrenders totalty
Then chant the Beejakshara mantra "Om ram om (eil q e*)" t Z
llrnes and pray to Lord Shankharshana to burn this papapurqsha and
and repents sincerely and takes a vow with devotion that he will not
roduce him to ashes with Agni.
repeat these sins, then there is a chance that severe sins like
Brahmahatya and other doshas are wiped out. Then, exhale papapurusha who is thus reduced to ashes through
lho left nostri!. Perform Achamana touching the right ear.

138 Devapuja Paddhati
Then keep the right hand on the head. There is a circulor shalrr',r
varuna mandala. Varuna deva is present in this Varuna mandala lr,
that Varuna Deva Lord Vasudeva is present holding the Shanklr,r
Chakra, Padma and Gadha. He is known by the Varuna Beejaslr;rr,'
"Vam (Etr)". Chant this Varuna Beejakshara mantra "Om Vam ep ( rtl
q sil)" twenty four times and pray to Him to pacify our body
pouring Amruso rain (rain of Nectar). Then bring the God, who lr,r,,
been placed on the head, back to the heart and seat Him there.
4. TATTVANYASA
Tattvanyasa means inviting the tattvaabhimani Devatas
Brahma, vayu, Rudra Agni and others to be present in the respectiv,,
parts of our body which they control. This is done before and after w.
perform a Japa of a sacred mantra like Gayatri Mantra or Narayarr,,
Mantra or Krishna Mantra etc. Tattvanyasa and Matrukanyasa or,
essential to ensure that the Japa Mantra attains its full potential arrrt
yields the desired results.
Perform pranaayama three times chanting the Moola Mantra "Orrr
Om Namo Narayanaya Om". The Vyahruthi mantras Bhu:, Bhuv;r
Sva:, Bhurbhuvasva: and Satyam, describe the five forms (roopas) ot
srihari, namely, Aniruddha, Pradyumna, sankarshana, vasUdeva anrt
Narayana. These five roopas are the indwellers of Agni, Vayu, Adityir,
Prajapathy and Satya. Meditate upon these five roopas with devotiorr
and know that they are present in the respective places as explainott
below:
Chant the mantra "Om Bhu: Agniyaatmanae....." and think
thar
Aniruddha who is the indweller in Agni is present in the Heart and touclr
the chest;
Chant the mantra "omBhuva: vaayavaatmane..... "and think that
Pradyumna who is the indweller in vayu is present in the head and
touch the crown of the head;
h 'iil**
Pooja Rahasya 139
Chant the mantra "Om Suva: Suryaatmanae....." and think that
iinnkarshana who is the indweller in Aditya is present in the tuft
tshikha) and touch the tied lock of hair in the head;
Chant the mantra "Om Bhur Bhuvasuva: Prajaapatyaatmane ....."
nrrd think that Vasudeva who is the indweller in Prajapati is present in
1,1
lhe armor and cross the hands in front of the chest;
Chant the mantra "Om Satyaatmanae ....." and think that Narayana
who is the indweller in Satya is present in the Weapon and snap the
thumb and the middle finger together successively in all directions
boginning from the East so that a clicking sound is heard.
lik,,
"Pradhaanopamavarnaani....." Think that the Rishi (Paramatma)
who is the indweller in these Tattvamantraas is in our heart and touch
the head; Gayatri is the meter (Chandas) for this mantra; thinking thus,
louch the face. Think that Narayaana is in the heart. Meditate thus.
lmagine that Srihari is in the center of the heart; The twelve
Devataas (from Shakti to Kaala) are only other forms of
Lakshminarayana and Purusha is the form of Brahma and Vayu; they
have the same color as that of Srihari and are around Him offering
Salutations with folded hands.
Think "lnspired by Narayana who is the indweller in these Tattvas I
am doing this Tattvanyaasa with the one and only purpose of ,pleasing
Srihari".
Chant the following twelve mantras starting from "Om Paraaya
Shaktiatmane Lakshminaraayanaabhyaam Nama:'to "Om Paraaya
Kaataatmane Lakshminaraayanaabhyaam Nama:" and the Mantra "Om
Paraaya Purushaatmane Brahma Vayubhyaam Nama:"; imagine that
these twelve Devatas are present in the various places around the
Chest in the clockwise direction in the form of a garland; touch those
places around the chest.
Ghant the mantra "Om Avyaktatmane Brahmaani ...." Otfer
Namaskaras to Srihari who is the supreme ordainer of the
Avyaktatattva; remember the presence of Saraswati and Bharati who

140 Devapuja Paddhati
are the presiding deities of the Avyakta tattva and touch the right
shoulder.
Chant the mantra "Om Mahadaatmane Brahma....' Offer
Namaskaras to Srihari who is the supreme ordainer of the Mahat tattva;
remember the presence of Brahma and Vayu who are the presiding
Deities of the Mahattattva and touch the left Shoulder;
Chant the mantra "Om Ahankaaraatmane Garuda...." Offer
Namaskaras to Srihari who is the supreme ordainer of the Ahankaara
tattva; remember the presence of Garuda, Sesha and Rudra who are
the presiding Deities of the Ahankaara tattva and touch the right thigh;
Chant the mantra "Om Mana aatmane Skande...." Ofler
Namaskaras to Srihari who is the supreme ordainer of the Mana tattva,
remember the presence of Skanda and lndra who are the presiding
Deities of the Mana taWa and touch the left thigh.
Remembering the presence of the five "Jnanendriyas":
Meditate on the Digdevataas who are the presiding deities of the
ear in the right thumb; Offer Pranaams to Paramaatma who is the
supreme master for this Tattva.
Meditate on Vayu Deva who is the presiding deity of the skin in tho
right forefinger; Offer Pranaams to Paramaatma who is the supremo
master for this Tattva.
Meditate on Surya who is the presiding deity of the eyes in the righl
middle finger; Offer Pranaams to Paramaatma who is the supremo
master for this Tattva.
Meditate on Varuna Deva who is the presiding deity ol the tongue in
the right ring finger; Ofter Pranaams to Paramaatma who is tho
supreme master for this TaWa.
Meditate on Asvini Devataas who are the presiding deities of tho
nose in the right littte finger; Offer Pranaams to Paramaatma who is tho
supreme master for this Tattva.
'll ll,,lll'1 l "'
Pooja Rahasya 141
Remembering the presence ol the five ',Karmendriyas,,
Meditate on Agni who is the presiding deity of the speech in the left
thumb; Offer Pranaams to Paramaatma who is the supreme master for
this Tattva.
ll
il
rl,
Meditate on Daksha who is the presiding deity of the hands in the
left forefinger; Offer Pranaams to paramaatma who is the supreme
master for this Tattva.
Meditate on Jayanta who is the presiding deity of the foot in the left
middle finger; Offer Pranaams to paramaatma who is the supreme
master for this Tattva.
Meditate on Mitra who is the presiding deity of the anus (excretory
organ) in the left ring finger; Offer Pranaams to paramaatma who is the
aupreme master for this Tattva.
Meditate on Mana who is the presiding deity of the reproductive
organ in the left little finger; Offer Pranaams to Paramaatma who is the
supreme master for this Tattva.
Remembering the presence of the five "Tanmaatras"
Meditate on Bruhaspati who is the presiding deity of the sound
(Shabda) in the big toe of the right leg; offer Pranaams to paramaatma
who is the master for this Tattva.
Meditate on Apaana who is the presiding deity of the touch
(Sparsha) in the second toe of the right l"g; Offer pranaams to
l)aramaatma who is the master for this Tattva.
Meditate on vyaana who is the presiding deity of the appearance
(Roopa) in the middle toe of the right leg; Offer pranaams to
f
)aramaatma who is the supreme master for this Tattva.
Meditate on Udaana who is the presiding deity of the taste (Rasa) in
lhe fourth toe of the right leg; offer Pranaams to Paramaatma who is
lhe supreme master for this Tattva.

142 Devapuja Paddhati
Meditate on Samaana who is the presiding deity of the smell
(Gandha) in the little toe of the right leg; Offer Pranaams to
Paramaatma who is the supreme master for this Tattva.
Remembering the presence ol the live "Mahabhutas"
Meditate on Mahaganapati who is the presiding deity of the space
(Aakaasha) in the great toe of the ]eft leg; Offer Pranaams
Paramaatma who is the supreme master for this Tattva.
Meditate on Pravahavaayu who is the presiding deity of the air
(Vayu) in the second toe of the left leg; Otfer Pranaams to Paramaatma
who is the supreme master for this Tattva.
Meditate on Agni who is the presiding deity of the glow in the fire
(Teja) in the middle toe of the left leg; Offer Pranaams to Paramaatma
who is the supreme master for this Tattva.
Meditate on Varuna who is the presiding deity of water (Jala) the
fourth toe of the left leg; Offer Pranaams to Paramaatma who is the
supreme master for this Tattva.
Meditate on Sainaischara who is the presiding deity of the eartlr
(Pruthvi) in the little toe of the left leg; Offer Pranaams to Paramaatmrr
who is the supreme master for this Tattva .
Thus, by performing this Tattvanyaasa, May Sri Narayana who
the indweller in all the Tattvaas be pleased.
..TATTVA" CHINTANA
(THOUGHTS ABOUT THE TATTVAS)
The universe is filled with a number of primary substances
elements which are called "Tattvas" from which everything else likc
Earth (Boomi), Water, Fire (Agni), Air (Vayu), Ether (Akaasha) etc. arcr
formed. ln a sense, the collection of these elements (Tattvas) is tho
universe.
${il, ,pl[
Pooja Rahasya 143
All the tattvas of the Universe (Brahmanda) exist in this physical
lrame (Pindanda). When these tattvas take a form different parts of the
hody are created.
The shape obtained when these tattvas are housed in the different
parts of the physical frame is called ',Deha (Body)".
As a result, the Tattvaabhimani Devataas controlting these
to
nloments outside also pervade the entire body.
Our existence depends on their support. Their stimulation (Prerana)
lBnecessary tor our progress. They are the best among the deities. we
ruo poor and weak common people.
Their grace is our prosperity (Sowbhagya). Remembering them is
,rrr good fortune (Punya). We are indebted to these deities for ever.
There is gradation (Taratamya) among these deities who control
llrose tattvas. Lakshmi Devi is superior to all other deities. Next are
llrahma and Vayu. others respectively are Saraswati, Bharati, Garuda,
'ioshE and Rudra etc.
These deities pervade the respective tattvas which are assigned to
llrom. They have powers which surpass all our imagination (achintya
'llrakti). They possess crores and crores of virtues.
However, they depend solely on Bhagavan. They are devotees of
'irlhari. They are appointed by Srihari. They are commanders of the
is; rnnpective tattvas given to them by Srihari. (These devatas have
' r)r)trol of the respective tattvas given to them by Srihari); hence, they
rllo these elements.
ln all these deities, Srihari's infinite presence is there. When these
'lnvatos are in Heaven and other lokas a certain amount of demonical
lroserlcs (Asura Aavesha) and ignorance will be there. These qualities
wtll not be to the same extent when they are indwellers in these
olornertS as tattvabhimani Devatas.
All these deities are all knowing and all powerful. These Deities
lossess crores and crores of more virtues than what we have. They
Iro far superior to us.
 pooja Rahasya
144 Devapuja Paddhati 145

(shabdha, sparsha, Roopa, Rasa, and Gandha), pancha

These tattvabhimani devatas are commanded, established, and Mahabhutaas
(Akaasha, Air, Fire, water, and Earth). He is the master
motivated by Srihari and other devatas who are superior among them. for all of them.
These tattvabhimani devatas reside within us and make us do
Establishing these deities in our body in each and every limb,
everything and control our actions. '.
recognizing their help and prostrating before them is ,,Tattvanyasa,,.
These devataas who motivate us to do all our acts earn much morc
virtue (Punya) when compared with the amount of virtue (Punya) wo "omparaaya avyakthaathmane Brahmanee Bharatheebyam
get for doing those acts. namah (3b rRr{r srtrfiffi+ fgfuhTgfrq{f Tq:),, is
the mantra for
It is obligatory on our part to remember these tattvas and their tattvanyasa. "Paraaya $tra),, is supreme; ,,Avyaktha (efo+ffi.),,
means the
respective controlling deities who possess the above said greatnes:r avyaktha thatva; "Aathmane 1erymt1" means
and the supreme all powerful.srihari who ordains them.
to Srihari who is the
ordainer; "Namah (ag;)" means Namaskaara; The two
words
When performing this Taitvanyasa we remember all these Devata:;,
"Brahmaani (qfilfuft)" and "Bharati (qTnfr)"
meditate upon them with devotion, offer our pranams and prstors to refer to the presiding deities
them and, as a result, get their blessings. of the avyakta tattva. We have to utter their names to remember
them.
Although it seems that there is a grammatical error between ',paraaya
By performing Tattvanyaasa, Srihari and other deities guide us irt
avaykththathmane" which is masculine in gender, singular
every moment and help us rnove forward along the righteous path and
"Brahmani" and "Bharati" are feminine
Hence, performing Sadhana and attaining N[nksha becornes easy. and cJual, there iS no harm in
doing so.
These elements (tattvas) are as foltows:
6. MATRUKANYASA
' The substances which are neoessary for our living are included n
Perform Matrukanyasa next.
the first twelve tailvas. These are Shakthi (Energy), :prathisht,r
(strengrth), Samvidh {intellect), Spurthi (Vision)" Pravruthi r(behaviour), Ferform pranaayama three times chanting the Moola Mantra ,,om
Kala (fine arts), Vidya ,(knowledge)" ,Mathi (serre), Niyathi (tortuno;, om Namo Narayanaya om". The Vyahruthi mantras Bhu:, Bhuva:,
Maya (deceit), and Kadta (time) are the eteven elements. For ther;r, [iwa: Bhurbhuvasvah and satyam, describe the five forms (roopas)
of
elements Sri and Hari are the two masters. lirlhari, namely, Aniruddha, pradyumna, sankarshana,
Vasudeva and
Narayana. These five roopas are the indwellers of Agni,
Purusha is the twelfth element for wfi$ch Brahma and Vayu ar€ ttr, vayu, Aditya,
f)rajapathy and Satya. Meditate upon these five roopas
presiding deities (All devataas). with devotion
and know that they are present in the respective places
as explained
Srihari is the indwetler for all the twenty four presUing deities ot holow:
Prakruthi, Mahat tawa, Ahankaara tattva, Manas, the ftve organs o,
chant the mantra "om Bhu: Agniyaatmanae....." and think that
perception (Pancha Jnanendriya Ear, skin, eye, tongue, and noso)
- Anlruddha who is the indweller in Agni is present in the Heart
and touch
the five organs of action (pancha Karmendriya,- mouth, hand, lou, lho chest;
excretory organ and procreative organ), pancha Thanmaalr,r
 146 Devapuja Paddhati
Chant the mantra "OmBhuva: Vaayavaatmane..... "and think tlurt
Pradyumna who is the indweller in Vayu is present in the head arr,t
I
touch the crown of the head;
Chant the mantra "Om Suva: Suryaatmanae....." and think tJt,rl
Sankarshana who is the indweller in Aditya is present in the tuft (Shik;rr
and touch the tied lock of hair in the head;
Chant the mantra "Om Bhur Bhuvasuva: Prajaapatyaatmane ...
and think that Vasudeva who is the indweller in Prajapati is presenl rrr
the armor and cross the hands in front of the chest;
Chant the mantra "Om Satyaatmanae ....." and think that Nara!?tr,r
who is the indweller in Satya is present in the Weapon and snap tlrl
thumb and the middle finger together successively in all directiorr,,
beginning from the East so that a clicking sound is heard.
Think that the Rishi (Paramatma) who is the indweller in thes;r'
Matruka mantraas is in our heart and touch the head; Gayatri is ttrn
meter (Chandas) for this mantra; thinking thus touch the face. Thirrh
that the Roopas Aja and others are none other than Narayaana Himsoll
is in the heart. Meditate thus.
"Taadrugrupaasca.....". Out of the fifty Roopas of Aja and Anand,r
three Roopas are holding a Weapon (Tanka), a sacred stick (Dandir)
and a Bow (Dhanush) in the left hand; they are displaying the Jnaanrr
Mudra in the right hand. All other roopas are displaying the Jnaan;r
Mudra in the right hand and Abhaya Mudra in the left hand.
Think "l am doing this Matrukanyaasa as motivated by Srihari willr
the one and only purpose of pleasing Srihari".
While performing Matrukanyaasa, meditate on each form (Roopa)
from Aja onwards and establish them in the various parts of the body
such as head, mouth, eye etc. lmagine the presence of various roopa:;
in these parts and touch the parts when possible as stated below,
otherwise, just imagine the presence of the roopas.
Pooja Rahasya ' 147
l. 1 ) Om Am Ajaaya Nama: (touch the head)
2) Om Aam Aanandaaya Nama: (mouth)
3) Om lm lndraaya Nama: (Right Eye)
4) Om Eem Eeshaanaaya Nama: (left Eye)
5) Om Um Ugraaya Nama: (Right ear)
6) Om Oom Oorjaaya Nama: (Left ear)
7) Om Rum Rutamabaraaya nama: (Right nostril)
8) Om Ruum Ruughaaya Nama: (left Nostril)
9) Om Lrum Lrushaya Nama: (Right cheek)
10) Om Lrum Lrujaye Nama: (Left cheek)
1 1) Om Em Ekatmane Nama: (upper lip)
12) Om Eam Eeraaya Nama: (lower lip)
13) Om Om Ojobhrute Nama: (upper row of teeth)
14) om Aum Aaurasaaya Nama: (rower row of teeth)
15) Om Am Antaaya Nama: (Crown of head)
16) Om A: Aardhagarbhaaya nama: (mouth)
'1, Touch the four joints of the right hand (shoulder,
etbow, wrist,
beginning of the finger joints) and tip of the fingers chanting the
mantras from "om Kam Kapilaaya Nama: to om Gnam Gnang
Saaraaya Nama:"
Touch the four joints of the left hand (shoulder, elbow, wrist,
beginning of the finger joints) and tip of the fingers chanting the
mantras from "om cam carvaangaaya Nam: to om Jnam
Jnamaaya Nama:'
{, Touch the four joints of the right leg (Thigh joint, knee, ankle,
beginning of the toes) and tip of the toes chanting the mantras from
"Om tam Tankine Nama: to Om Nam Naatmane Nam:,'

148 Devapuja Paddhati
5. Touch the four joints of the left leg (Thigh joint, knee, dnkh'
beginning of the toes) and tip of the toes chanting the mantlas lrol
,,om
tam Taaraaya Nama: to om Nam Namyaaya Nama:"
6. Om Pam Paraaya Nama: (Touch the right side of the abdomen);
Om Pham Phaline Nama: (Touch the left side of the abdomen);
Om Bam Baline Nama: (Touch the back side; when
possible to touch, then mentally think that you have touched it);
Om Bham Bhagaaya Nama: (Mentally imagine the ptesenco
Bhaga in the reProductive organs);
om Mam Manave Nama: (Touch the belly, above the Nabhi);
Om Yam Yagnaaya Nama: (Mentally imagine the presenc()
Yagna in the heart);
Om Ram Raamaaya Nama: (Touch the skin);
Om Lam Lakshmipathaye Nama: (Mentally imagine the presotr"
of Lakshmipati in the feeling of touch in the Skin);
Om Vam Varaaya Nama: (Mentally imagine that Vara is presettl
the flesh);
Om Sham Shaantasamvide Nama: (Mentally imagine the presorr'
of Shaantasamvidh blood);
om sham shadgunaatmane Nama: (Touch the abdomen);
Om Sam Saaraatmane Nama: (Mentally imagine the plesehctt
Saaraatma in the (core ol the) bone marrow);
Om Ham Hamsaaya Nama: (mentally imagine the plosooco
Hamsa in the bones);
Om Llam Laalukaaya Nama: (Mentally imagine the pleseoco
Laaluka in the Praana); .'
Om Ksham Lakshninrusimhaaya Nama: (Mentally imagine ll '
presence of Lakshminrusimha in the soul);
,J
Pooja Rahasya 149
Thus, by performing this Matrukanyaasa, May Aja and other forms
ul Narayona be pleased.
All the substances that we use in life are means for serving Srihari.
llkewise, the knowledge that all the letters of the alphabet are tools
lroflrt to praise the greatness of Srihari and to take pleasure in it is
it is rrr i rrrovitable.
The alphabets "A8", "Aaa" etc. describe the form of Vishnu "AjE",
r't Arrnanda" etc. Within each and every alphabet from "Aa" onwards
rrrrrltiple meanings are hidden.
All these are realized only by Rishis. Only when they attain the
,rlltrnate stage after sustained yoga practice meanings of the
"r
, nrnbirotion of alphabets will flash in the minds.
Each and every letter forms a part of the Japamantra. Different
, ()rnbinations
of these letters form different Japamantras. When they
lr,r:orle Japamantras we are able to chant them. The power of the
qilnsory organs (lndriyas), the mental prowess required for chanting
,"
tlrurn and the manner in which these mantras are to be uttered is
s,rovided by the Devatas and the Paramatma who is the indweller in
'' llros€ Devataas. The meanings of these mantras should also be
ln()W[, these are made known to us by the favor of these Devatas and
tlrn Paramatma. When these mantras are chanted after knowing their
lrrranirgs we get devotion. The Devatas are pleased when Japa is
"t srrrrformed thus. As a result, we are bestowed with some reward (phala)
ilrd we achieve success. All these are the results of the satisfaction
ollnined by the presiding Devatas of these letters. One should realize
r'i
tlrrrt we are able to perform the Japa according to the order,
lrnrmission, blessing, inspiration and command of the Paramatma who
r"
rq lhe controller of these letters and varna Devatas. Matrukanyasa is
,lone to get this type of thought.
 i

150 Devapuja Paddhati

pooja Rahasya 1S1
Knowing that Srihari resides in all the parts of the body and our
souls in the form of "Aja", "Aananda", etc. and offering prayers to Him ir;
By doing this Matrukanyaasa, the severity of the sins that
accumulate because of the extravagant usage
"Matrukanyasa". of the words is
minimized.
As a result of Tattvanyasa and Matrukanyasa another immensl
Everyday a fewtimes or at least once, one should recognize that all
gain is achieved.
these alphabets and words are under the control
of paramatma who is
The letters from Aa onwards are the property of Srihari. They aro supreme among the Devatas and the Lord of the arphabets. They
His wealth. We cannot claim ownership for these. Hence, we do nol demonstrate all His attributes. Not only are
they instrunrents to praise
have even the slightest right to use them. Him one should arso think that it is He who gives the capacity to
understand their meaning.
ln spite of this we employ these alphabets and the abundant worrl',
that have been formed by these alphabets in an arbitrary manner. One should have
this type of thought in tattvanyasa also. As stated
oarlier, this universe and all the tattvas that are
The reasons behind their use are the evil qualities in us such ;r', in the body both inside
,nd outside, are under God's contror. They berong to
selfishness, greed, arrogance, desire, anger, enemity, hatred ?1rrl the Bhagavan.
jealousy etc. are. When God created they came into existence;
and at the time of
tloluge they were destroyed. When He
Besides, it is true that we employ the combination of words for orl motivates from inside, the action
ls successful. They are passive if they
advantage. For example, we use them to praise the elders and Guru:, are not motivated.
to glorify the Devatas and to perform the religious rites in yegrro arrrr Their existence, strength, pervasiveness, manifestations,
various
yaaga. rrspects of their behavior, the different
consequences are all ordained
Ity Bhagavan. He is the supporter for
Although this is a good use in the day to day transactions, it is a lrr,r them; He is the refuge (protector)
krr them,
offence from the vedic point of view.
Tattvas are not earned by us; they are not
Any alphabet or word or sentence expresses only the great Qualilr," our grandfather,s
property. Tattvabimani Devatas are not
of Paramatma; they do not mainly describe the persons dependenl or our captives.
Paramatma like Devatas or Gurus or elders. we have no power to exercise control over these tattvas
at any
Itrne. However, we have not given
Therefore, these sentences and words should be used only t, up using them.
describe Srihari and His greatness and never for any other purposo ,rr Not only do we use them, we also misuse
them beyond limit. lt
any time. )pears to us that Bhagavan is looking
(f
at all of them silently. That is
why He is merciful; His forbearance is
ln spite of this, we have not given up their usage; nor can we c;rr,, like that of an ocean.
up their usage. Hence, great sages devised this Matrukan!?sd tr None of these substances are ours; nevertheless,
these are created
rectifying this offenie. 'rrl of kindness by God for our sake. For ail these things God is the
lx rSS.

lll
 fillliiii.1ii
i.r'1,ttti
1tlr I

152 Devapuja Paddhati Pooja RahasYa 153

When we use these substances, we should not forget llr,' ( ilow in one's appearance (Tejas)' divine splendor
supremacy of Srihari over these tattvas and their presiding Devirl,r,, Irrrrlrmavarchas), physical and mental
prowess will increase not only
Paramatma is the Lord and controller of these. :,, r)r three times; it grows one hundred times'
"Only because of His grace, l am able to use them". This typo ,'t while performing pranayama, meditate upon Vayu Deva who is in
personal reflection (thought) and practice all the time will remoVe lll' ,,rr lreart (Hrudayakamala) and the Paramatma in the swan form
illusion and destroy the feeling "l am doing; I am enjoying; all tlrr''.,, rrrrrrrsdloopi) who is worshipped by Vayu Deva'
organs of the body, mind (Manas), house, wealth, orrlaments, arc ,rrr t)uring pranayama, one should be constantly chanting in the mind
irril li:lpa mantra along with its meaning' we
mine", etc. must firmly believe
that our
,rtrrrling and exhaling are all because of the control exercised on us by
Likewise, pride, attachment and other sinful bonds will be driv.r'
'irllr;rri and VaYu deva.
out. The bonds around us will be destroyed. Performing tattvanlo;r',.r
and matrukanyasa with this thought is essential. / ANGANNYASA
is the presiding
6. PRANAAYAAMA Anganyasa follows pranayama. Narayana deity for
rrr', NaId]ana Mantra'
Perform Pranaayamaa chanting Narayana Mantra. This Prafldlolrr,r
perform Pranayaama chanting Narayana Mantra twelve times.
is an excellent devotional practice founded by our ancestors.
are Kruddholka, Maholka,
There are five parts around this. These
ln addition, bodily, sensory and mental shortcomings ore drivll
Vucrolko, Dyuolka and Sahasrolka'
away by Pranaayaama; it enhances the sharpness of the sensory
Ulka means fire. The five ulkaas,
namely, Kruddholka etc. are the
organs.
ltvo roopas of Srihari. They burn continuously' They have brilliant
Pranayama removes the vacillating nature (chanchala) of our mirrrl nl)pearance.
Praanaayaama increases confidence, helps in remaining focused, arrrl five roopos of Srihari reduce
As proclaimed by Vijayadasaru, these
helps us to be better prepared for Japa and Dhyana. are darkness (Tamas), attachment
rtro five spiritual ignorances which
ignorance (Tamisra)
ln addition, it has been established scientifically that Prano!?rrr;r rMoha), great attachment (Mahamoha)' and large
assists in keeping the blood pure; it prevents constipation rrrrlouht of ignorance (Andhantamishra)
to ashes by the fire called
krrowledge (Jnana).
Also, the heart, the lungs and other parts will be healthy and wcll
Establish the first three roopas (Kruddholka,
Maholka and Veerolka)
nourished. Longevity will increase.
ln the heart, head and the tuft
(Shika) respectively; wear the fourth one
According to Shastras, when one does pranayama even for onu armor (bhadrakavacha) and visualize the
(Dyuolka) as the protective
day he will get rid of all papas (sins).
litth roopa (Sahasrolka) as weapon'
lf one does it continuously for three years he attains remarkablc
control over his sensory organs. Eating will be less; sleeping also will
be less.
 ruil ,,u,[&

154 Devapuja Paddhati Pooja Rahasya 155

Chant the Mantra "Om Kruddholkaaya..... ." Ashtaanganyaasa is performed next.

and touch the chest.
Chant the Mantra "Om Mahotakaaya..... .,,
and touch the crown of the head.
Chant the mantra "Om Veerolkaaya ....,'
and touch the tuft"
Chant the Mantra "Om Dyuolkaaya....,'
cross the hands in front of the chest.
Chant the Mantra "Om Om Vishvaaya..... ."; touch the head.
Chant the Mantra "Om Nam Taijasaya....." touch the eyes.
Chant the Mantra "Om Maam Praajnaya..... " touch the nose.
Chant the Mantra "Om Naam Turieyaaya..... ." touch the mouth.
Chant the Mantra "Om Raam Aatmane....." touch the Chest.
Chant the Mantra "Om Yam Antaraatmane..... ." touch the Navel.

chant the Mantra "om sahasrolkaaya..... ." and snap the thumtr Chant the Mantra "Om Naam Paramatmane..... ." Mentally imagine the
presence of Paramatma in the tongue.
and the middle finger together successively in all directions beginninr;
from the East so that a clicking sound is heard. Chant the Mantra "Om Yam Jnanaatmane..... ." touch the legs.

The words "Nama:, svaha, Vaushat" denote Namaskara. Tho 8. AKHSHARANYASA

words "Hum Phat" denotes that the fear from enemies is removed ancl
Now Aksharanyaasa. All the alphabets (Aksharas) in the mantras
the enemies are expelled. disclose the different roopas of Srihari.
PANCHANGULINYAASA Bhagavan's predominant presence is there in these letters.
Perform Panchangulinyasa next. By uttering these sacred letters (Varnas) in which Srihari is present
completely, even impure tongue becomes holy.
Pray that these five roopas once again are present in the five fingers
ot
the two hands and meditate on them. Whatever is uttered by our tongue becomes valid (Satya). Boons
and curses fructify. With mind filled with the thought of Bhagavan, who
Chant the Mantra "Om Kruddholkaaya..... ." is manifest in the mantraaksharaas pray to Him and request Him to be
and touch the thumb' present in each and every part of our body.
chant the Manyra ,,om Mahorakaaya.....,,
and touch the index finger. When prayers are thus offered to Bhagavan, He will exist within all
Chant the mantra "Cm Veerolkaaya......,, parts of our body.
and touch the middle finger.
Chant the trlantra "Om Dyuolkaaya,..,. .', The words uttered using our tongue do not become false. When the
and touch the ring finger. roopas of the Bhagavan which are described by these letters of the
Chant the Mantra "Om Sahasrolkaaya,.... . " mantras (Mantra Aksharas) pervade all parts of our body, it is purified.
and touch the little finger.
This way a person who chants the mantras assiduously will be an
This is known as "Angulinyasa". example for others. The ground where such a holy person walks will
become a holy land (Kshetra). Substances they touch will become
 156 Devapuja paddhati Pooja Rahasya 157
God's symbors (Moorthy).
.whatever they utter wi, become 5661rrrr
scriptures. water in *ni.r, IO. NARAYANAMANTRA DEVATADHYANA
thev i.ti" wi1 become Teer,r,r
Aksharanyasa is necess ary tortfris purposl. "Udhyatbhaasvaat......' Meditate on Narayana chanting this shloka.
Angulinyasa is praying to these
Akshara devatas to be prss€nt rrr His glow is like that of a rising Sun. Jnana, Aananda, strength
the eight fingers of the two hands.
ln the eight letters of the Narayarr,, (bala), generosity, are the symbols of Narayana.
Mantra "om Namo Narayanaya',
the eight roopas, namery, Vishw;r
Teijasa, pragna, Tureeya, Athma, He has four hands. He holds in them the Chakra (above, on the
Antarathma, paramatma ar,r
Jnanaatma are described. Ashtangurinyaasa rlght hand), Shankha (above, on the left hand), Gada (below, on the left
is done as forows:
lrand), and Padma (below, on the right hand).
Leave the thumb and touch
the remaining fingers of the right
chanting the forowing Mantras harrrr He is seated in a golden pedestal embedded with rathnas.
from ,,om om vishwaaya nama:
Naam Turiyaaya nama:,, to orrr
Both Sridevi and Bhudevi who are attracted by the ever fresh
Leave the thumb and touch lirihari's outstanding elegance and divine grace embrace Him.
the remaining fingers of the left
chanting the Mantras from "orn harrrl
Ram Aatmane Nama: to om yarrr All around Him the roopas Kruddholka (8 roopas), Vasudeva and
Jnaanatmane nama:.
His other 8 roopas, Keshava and other 12 roopas, Matsya and other 12
These roopas give keeping roopas are present.
Jagra, swapna, sushupthi,
Dehaboga, Atmaboga, Niyamana, samadhi,
and joy of Moksha. Brahma, Vayu, Rudra, Sesha, Garuda, Suparni and likewise lndra
Thus these eight roopas are and other Devatas along with their consorts are worshipping Him. This
wholly responsible for the existence,
state (avastha) and the transactions is the main roopa of the Narayana Mantra.
we-make every day.
9. RISHI, CHANDAS AND OTHERS DEVATADHYANA ln addition to these devatas, eight roopas of Vishwa, Teijasa and
- others explain the eight aksharas of the Narayana Mantra.
lir,,

Bhagavan who is the indwerer

in the Narayana Mantra is 'ji

Establish Him on the head the Rishi ln each of the four hands of the eight roopas Shankha, Chakra,
and offer prr.nu.rs with bowed
metre (chandas) for this mantra head. The Varamudra, Abhayamudra are there. Offer prayers to these eight
i,

is Gayatri. chandas means poetic

metre (shabda roopa) and roopas who are decorated with beautiful ornaments.
is present in the tongue. prayto
others who are the presiding Ramaa and
deities for Gayatri mantra The colors of the first four, that is, Krudhdholka and the other three
the tongue. to be present in
roopas are the same as that of the moola roopa. The color of Veerolka,
The deity for this mantra is that is, the fifth roopa alone is like that of a dark cloud.
Lakshminarayana. Meditating
necessary as He is present on Him is
in the heart. orrer prayers Meditate on all these roopas and perform Narayana Mantra Japa
is residing in our heart. to Narayana who
with devotion.
 Pooja RahasYa
158 Devapuja Paddhati
Janardana Destroyer of wicked Persons
11. MEANINGS OF AJA AND OTHER SHABDAS
Jhatitari DestroYer of the enemies
Aja One who has no birth (Janma); Known bY Sama Veda
Jnama
"Tanka"
Aananda Full of bliss;
tanki One who holds the weapon called
whom Rudra
lndra Master for everyone; thalaka; thakala Giver of bliss to Rudra and lndra; for
Eesha Supremely competent; is another Part (Bhinnaroopa);
Agni;
Ugra Frightful forwicked; daraka Giver of brightness to Chandra and
free
ddhari One who gives bliss to the liberated souls
Oorja Most powerful; gunas;
from Satva, Raja and Tama
Rutambhara One with common knowledge, controller of the
nnaatma Blissful roopa; enjoYer of bliss;
real universe; (Samaara);
taara One who helps to cross the wordly life
Rugha Destroyer of the daityas; one who killed Brahma;
thabha Giver of knowledge to Brahma;
Lrusha Giver of Joy to Deities;
dandi Ruler and controller of everYone;
Lruji Conquerer of Brahma; One who gave birth to Brahma;
dhanvi One who holds a bow;
Ekatma Lord who is supreme among all; Supreme Lord;
Namya One who is PraYed bY everYone;
lyra One who likes Vayu; Giver of bliss to Rudra;
Para Possess special attributes; Supreme;
Ojobhrut One who is competent to defeat all; Controller of all tYPes of rewards;
phali
Aurasa One who is present in the heart; One who has enormous strength;
bati
Anta Annihilator of everyone; Possessor of six gunas;
bhaga
Ardhagarbha One who is totally satisfied; One who holds Manu Form of knowledge (Jnana roopi);
Brahma and others in the belly; yaga;
Yagna Revered by all while performing a
Kapila "ka" -btissful; "pi" - protector of the universe;
Raama Limitless joy;
"la" - destroyer;
Master of Lakshmi;
Khapati Master of the sensory organs; LakhshmiPathi
Vara Supreme among all (sarvottama);
Garudaasana One who is seated on Garuda;
Shaanthasamvil Filled with btiss; full of knowledge;
Gharma One who possesses a radiant form;
Possessor of six gunas;
Shadguna
Ngasaara Supreme among all substances;
Sarvothama; enioyer of the best things;
Saaraatma
Carvanga One who is handsome;
Faultless; Possessor of all gunas;
Hamsa
Chandogamya One who knows all the sacred scriptures (Vedas) Giver of ioy to Brahma and lndra who
are already
Laluka
liberated.
160 Devapuja Paddhati Pooja Bahasya 161

Lakshminarasimha L Do not perform japa as you are walking.

12. METHOD OF DOING THE JAPA
10. Do not be seated in a place which is not level and stable.
To get the complete benefit of the Japa, one should have attributu', ll. Be clean while performing the japa.
as prescribed in the following shloka:
12. Counting and the number of times the Japa is chanted is
T{:r6fui Hhf utt qqrrl futt' r
necessary.
sfasrEr r{r€R{ qq €rrft fT{.
13. Do not yawn while performing japa.
mana:pra-harShaNaM saucaM maunaM mantraartha cintanaM I
t4. Do not relax while performing the japa.
avyagratva manaalasyaM japa saMpatti hetava: ll
t5. Do not go into slumber while performing the japa.
One should have an ardent desire and spirlt to perform the japl
16. Do not lose temper while performing the japa.
There should be no room for undesirable thoughts in the mind. Know
the meanings of the mantra before starting the japa. The mind shoukl t7. While doing Japa if anyone talks by mistake, he should think of Lord
be focused to perform the japa. Body should be alert and activo Vishnu and start the japa all over again.
Success will be achieved only when a person performs japa 0!, 18. Japa should not be done wearing wet clothes.
stipulated above.
19. lf unavoidable, the wet cloth should be thrown seven times in the air
illltrr,,

13. RULES TO BE OBSERVED WHILE PERFORMING THE JAPA and then used.
ffiliii
10, Start the japa only after understanding the meanings of the mantra. tL[Lltt,l,t.r,.. 'r

1. lf some pujya acharya visits while performing the japa, chanting ol

ilflllliiiiir,i;iririri;illr

fliil1iltrxtti,r,'r'rrr't,,,
I l

il

the japa should be stopped for a few seconds; the acharya shoukl u. Japa should be started only after doing pranayaama three times.
be offered a seat, otfered obeisance, and his welfare should bo
ffi[il|ifliiiiiiitiifliill]rrllili

12. Pranayaama should be done after the japa iscomplete.

enquired.
13. Do not forget to submit (Arpana) the japa to Srihari.
2, Do not show one's back to gurus, devotees, temple, ponds or lakes,
14. Do not perform japa without knowing and narrating the Chandas,
ffiflilffiffiffiffi

pupil tree, fire and Sun while performing the japa.

Rishis or Devatas.
3. Do not talk in complaining tone while performing the japa and
15. As far as possible perform the japa either in the house before God, ffi[ffi*H
maintain total silence.
or in the cow shed or on the banks of sacred rivers or on the sea illlliriiri'*-

4. Do not laugh while performing japa. shore or in the temples or sacred ashrams or before Guru.
5. Do not see any object which is not relevant to the japa. 16. As far as possible the stomach should be clean and kept empty.
ffi,
6. Close one's eyes and mentally meditate on the figure of God. The mind should be focused without being distracted by indigestion
or any such cause which diverts the mind.
7. No sound should originate from the mouth. I
tr. One should not spit. I
8. Do not touch anything or article. ll

M
 J

162 Devapuja Paddhati Pooja Rahasya 163

28. Do not use your fingers to scratch any part of your body or do not 42. Japa should not be done holding the sacred thread (yagnopavita) in
move any other part of your body under any circumstances whih' the hands.
performing the Japa. japa mala.
43. Japa should be done only with a
29. Japa is of three types; (i) Uccha; (ii) upamshu; and (iii) Maanasir
u. Japa should not be performed wearing a old sacred thread or
Uccha is the method in which the mantras are stated loudly; lrr broken sacred thread.
Upamshu mantras are told only by the movement of the lips withorrt
others hearing them; Maanasa Japa is performed without drry 45. There should not be any fear or grief in the mind.
movement of the lips or the teeth with mouth closed and chantinll 46. Do not be shy because others are watching or laughing at you for
the mantra only in the mind. Maanasa japa is superior to Upamslrrr doing the japa.
Japa and Uccha japa.
47. Upper cloth should always be worn while doing Japa.
30. The body should be kept straight and erect while performing thl
japa.

3L. Perform japa without stretching the hands outside the knees.
32. Do not touch any part betow the navel. lf one touches such parts by
mistake, then wash the hands and then start the japa again altor
praying to Lord Vishnu.

33. Do not keep any eatables or things in the mouth.

34. Japa should be performed by hiding one's hands so that others dtr
not see the hands.
35. Do not wear a hat or turban or any other head dress whikr
performing the japa.
36. Do not wear any shirt on the body.
37, The sikha should be tied while performing the japa.

38. Kecha should be worn when performing the japa.

39. Do not be seated on a bed while performing the japa.
40. Japa should not be performed wearing dirty clothes.
41. Japa and auspicious rituats should be done wearing clean, whito
clothes.
 li

Pooja Rahasya 165

164 Devapuja Paddhati
POOJA PADDHATI
I4. IMPORTANCE OF TULASI

Purandara Dasa, in one of his Krithis, says

"yella saadhanaviddu Tulasi illada pooja

Ollano Hari taa kollano"

This verse means that Pooja without Tulasi is not accepted by

Srihari even though all other materials required for Pooja may be
present.

Two types of Saadhanas (materials required) for performihg Pooja

lo Srihari are Antaranga saadhana and Bahiranga saadhana.

I 5. ANTHARANGA SAADHANA
POOJA PADDHATI (TNTERNAL R EOUTREMENTS)

(l) (Bhakthi) Devotion to Srihari and other deities;

(li) (Jnana) Knowledge that Srihari is Supreme in the Universe and

among all Jivas.

(lli) ldentify the hierarchy among the Devatas;

(lv) (Anusandhana) Knowing that Srihari is independent, all pervasive,

the Ruler of all and all Jivas are dependent on Him;

(v) (Chintana) thinking that Vayu and Rama Devi are the two Golakas
in the pratima

(vi) The Narayana Ashtakshara mantra, Sri Vishnu Sahasra Nama,

Purusha Suktha and other mantras are the important components
of the Pooja.

16. BHAHIRANGA SAADHANA (EXTERNAL MATERIALS)

Tulasi is an indispensable component among the materials

required for Pooja. Although Tulasi, Milk, Curd, Swadudaka (water

166 Devapuja Paddhati
mixed with cardamom, Pachakarpura etc'), Gandha (Gandha), Vastr;r
Ornaments, Dhupa, Deepa are all important components of Bahirang;'
Poolr
saadana, Tulasi is supreme and is the best among them. Hence,
without Tulasi is totally unacceptable to Srihari. Although Srihari mav
be decorated with a necklace studded with Navarathna (preciott''
gems), if Tulasi were not to be there it is not Vyjayanti (Necklace ol
Vishnu). However, Tulasi is not superior to Antharanga sadhanas. Tht.'
is the intention of Purandara Dasa in his above quoted verse'
17. METHOD OF COLLECTING TULASI
(i). Chant shlokas on Sri Tulasi pour water to the roots (holy feel
(lt
Tulasi) and pluck Tulasi from the plant ensuring that the rails rl'
not touch the Tulasi PlanUleaves.
(ii). only Tulasi in a bunch (Tulasi Dala) consisting of at least lw'
leaves with a sprout should be plucked; individual leaves shotrl't
not be Plucked.
(iii). when Tulasi dala is not available one may use Tulasi leaves.
(iv). lf Tulasi leaves also are not available one may use dried Tul'r
leaves; or, Nirmalya Tulasi (Tulasi used for Pooja the previol
day) may be used after washing it thrice.
(v). When Nirmalya Tulasi also is not available, one may USe Ttrl'''
Kashta (sticks of dried Tulasi plant) or the mrittika (holy mutl) 't
the roots of Tulasi Plant.
(vi). As a last resort, if none of the above are available perform Pt"'l
to Srihari chanting "Tulasi", "Tulasi".
(vii). Tulasi should be collected only after taking a bath (after Snartrr''
Tulasi should not be plucked on Dwadasi days, Amavasyds, 'tt'"
on grahana days. Tulasi should not be plucked after rneals t'r
the evenings (after Sunset).
ro[i,
Pooja Rahasya 167
18. AGRYODAKA
(CoLLECTTON OF WATER FOR POOJA)
After Snana collect water in the Kalasha, filtering it with a clean
cloth and chanting the Narayana Mantra. While bringing water from a
tank or a river or any water source cover the mouth of the Kalqsha with
a vastra and carry it in the right hand or on the head. Be careful and
onsure that the shadow of any human being does not fall on the
Kalasha and the nails do not touch the water. Keep the Kalasha in a
clean place purified with Gomaya (cowdung).
It is always the best to bring water exclusively for Pooja in nine
noparate vessels from a tank or river, When this is not possible, water
rnay be brought in one vessel and distributed to difterent vessels for the
lollowing purposes:
(i) Poorna Kumbha; (ii) Snana Kumbha;
(iii) Nirmalya abhisheka; (iv) Neiveidya Prokshana;
(v) Water for giving Arghya etc.;
(vi) Water for Naivedya (Paneeya Kalasha);
(vii) water to wash our hands;
(viii) Shankha Bhramana;
(ix) Water to prepare Gandha (Gandha)"
I9. DWARAPALA NAMANA
' (WORSHIPPING THE GUARDS AT THE ENTRANCE)
The sacred and holy Poojagruha of Srihari, the Lord of the entire
thtivers€ (Akhilandakoti Brahmaandanaayaka) has four corridors
rl'rakaras) around it, one enveloping the other; These Prakaras are
rur:nted in all the four directions. Each of these four Prakaras has one
onlrance (Dwaara) in each of the four directions (See Figure). Thus,
168 Devapuja Paddhati
Pooja Rahasya
there are sixteen entrances in all; all of them are guarded
atthe rtr,,,
by devatas (dwarapaarakaas) as described berow:
ENTBANCE 1 2 20. DEVAGRUHA PRAVESHA
3 4
(ENTERTNG THE POOJA ROOM) itil

EAST SRI
DYU
(BHARATt)
PRANA - JAYA-VIJA YA
ii;
rl'l
ll

CHAKSHU - SURYA Our heart is the abode of Srihari. These deities (Devatas) are also ir,
v:l
irr'

;iliil

SOUTH SRI
DIK
(BHARATt)
VYAANA
SHROTRA -SOMA
- BALA-PRAB Al I'
Dwarapalakas for this abode of Srihari. tii!::,

ltir:
|lilli,

Prostrate (perform Shastaanga Namaskara), with all sincerity, to all

iiliil
'ill

PRITHVI
WEST SBI
(sRr)
APAANA - NANDA-
lhese great deities (mahadevatas) and Subsidiary deities (upadevatas).
tl;

VAK -AGNI SUNANDIA

NORTH SRI
VIDYUT SAMANA- KUMUDA1- We are now about to enter the poojagruha in which the
MANAS-INDRA
(BHARATt) KUMUDAKSSttn Akhilaandakotibrahmaandanaayakaa Srihari, who is the supreme
among all, is present.

What eligibility do we have to enter such a holy poojagruha? After

all, what are we? Having been born from a mean human body, do we
not require the permission of these dwaarapaalakaas to enter the best
and the finest poojagruha of the Bhagavan?
APMNA VAK
AGNI
Therfore, seek permission of these deities, with full devotion, to step
I pRrrHVr (sRr) | lnto the divine Srihari's abode, praying thus: "Please permit me to enter
the poojagruha".

f-sRl | , All these deities are great devotees of God. They know
wEsT -t
I His
VTMNA-
J L methods and intentions very well. We are only ordinary devotees. So,
0rK mentally assume that the digdevatas successively oblige us and give

SHROTRA
SCIr4A
-
(BMRATt)

{f*Tlx@g ! rarrxl
MANAS"
INDRA
permission to enter the Poojagruha through the various entrances.

Open the door of the Poojagruha chanting the mantra "Vaayavaa

yaahi darshate...."
SRI ,-J T_
KU[-1UOA|($ tn

Then, chant the shloka "Vande Vishnum....." and offer Pranaams to

Srihari, Sri Devi, Bhoo Devi, Brahma, Vayu, Saraswati, Bharati,
Garuda, Sesha, Rudra Deva, Suparni, Vaaruni, Parvati, lndra, Kama
and all other Devatas and Gurus.
PRANA. CHAKSHU

-SURYA
Then, clap thrice and enter the Poojagruha with right foot forward
and without stepping on the threshold chanting the mantra
"Yaccah nch it jagatsarvam. "
JAYA VUAYA
ki

170 Devapuja Paddhati
Srihari is present everywhere in the Devagruha. One must imagin,'
that Srihari is the indweller in the ground where we stand, the walls all
round, the door outside, elegant mantapa sacred pedastal (peetha), tatt
pillars, vessels we use, pure water, flowers, fruits, gandha, deeprr
dhupa, naivedya, and the idols for which we perform archana, abovl
all, in every part of the person performing the pooja and his mind.
21. DEEPA PRAJVALANA (LIGHTING THE LAMP)
Chanting the mantra, "Agnina agni.....", light the lamps.
22. VTGHNA NTVARANA (PREVENTTON OF OBSTACLES - "Tvaameva Sharanam..,.. "l surrender unto you. You are my sole
BHUTHOCCHATANA)
Different types of obstacles are possible in the Dyuloka (Heaven),
Antariksha (the loka between Heaven and Bhooloka) and Bhoolok;r
(Boomi). The obstacles in the Dyuloka are removed by a mere look witlr
the eyes. The hindrances in the Antariksha are got rid of by showerinll
flowers. The obstacles in the Bhooloka are eliminated by thumping thrr
ground with the heel three times. The Boothas are driven away by
clapping the hands three times and chanting the mantra "Apasarpantrr
ye bhuta..... "Naracha (arrow) Mudra should be employed to bind all tht'
directions (Dikbhandana).
Obstacles for the proper performance of auspicious peeds aro
bound to occur. These hindrances are mainly caused by the Asuras
(Demons), Boothas (Evil Spirits) and Pishachas (Ghosts). There will be
many sources of obstacles for Deva Pooja and other such auspicious
acts. lf these are not prevented Deva pooja will definitely be hindered
Therefore, one should pray to Rudra, Vayu who is the indweller
(Antaryami) in Hudra, and Narasimha who is the indweller in that Vayu
to remove these obstacles. To ward off these obstacles chant the first
two shlokas frorn the Vayustuti "Panthvasman....." etc. lmagine thal
Rudra and the indweller in him, Bharati Rarnana
U!,-*-
flh,
Pooja Rahasya 171
Mukhyapraananthargatha Narasimha remove these obstacles and
help us perform the Pooja.
23. PRARTHANA
Chant the shloka "Lakshmi Kanta Namaste....." Oh, the master of
the Universe (Jagathinodeya)! Oh,! Praanaams (Salutations) to you.
Swamin! I have become tired and worthless in this ocean of Samsaara.
Oh, Lord of the Lords (Sarvesha)! Supreme among all (Sarvottama)! I
am performing your Pooja today. Show pity on rne.
protector. I have no one else to go to. Oh, Vasudeva! Ensure that the
Pooja I am doing is fruitful.
You are worshipped by Lakshmi Devi. lam an ordinary man;
lgnorant, foolish, tired of worldly pleasures, arrogant, and lack Bhakti. I
do not deserve to do this Pooja.Make me worthy to do this Pooja. Be
mercif ul.
"Kaayikaan vaacikaan....." Please forgive me from the wrongs done
by me by thoughts, deeds and speech either knowingly or unknowingly,
(sometimes knowingly, but pretending ignorance), or because of
helplessness or laziness or because of evil thoughts. Burn all the sins
that might have accrued because of hatred towards Vishnu or
Vishnubhaktaas.
"Aparaadha sahasraani....." I am doing thousands and thousands of
sins day in and day out.Please excuse me.
"Anyathaa Sharanam naasti....." I have no refuge from anyone else.
You are my Protector. Hence, please show pity on me and protect me.
Thus, appeal again and again to Srihari to pardon our blemishes
(doshaas) and pray for His mercy.
172 Devapuja Paddhati
Srihari's mercy is like a milky ocean (Ksheera saagara). He will,
without doubt, wipe off all the sins of devotees who bow and pra! lo
Him with humility.
Our prayers should reflect the inner feelings of a man sincerely
repenting for the sins he has committed. Mere words from the lips aro
not sufficient. There must be a keen desire for salvation.
Plead to Srihari with bowed head, folded hands, and with a pur(!
heart to pardon all our Doshas and accept the Pooja performed by us,
and cast His kind and merciful glance on us.
24. MANUSHYA GANDHA NIVARANA
(AVOTDANCE OF HUMAN SMELL)
We are all mortal human beings. Our body is made up of mortal
parts, emanates bad smell and is filled with dirt. Srihari has Aprakrutir
Shareera; that is, His body is not derived from Nature. Paramatma ha:;
a sacred smell (Punya Gandha) and is the very form of good fortune
(Bagyaswaroopa). lt is a great sin for persons like us to go near Him
Even common Deities stay far away from human beings like us who
emanate bad smell, Srihari who is the supreme among all Devata:;
(Devata choodamani) stays far, far away. Srihari exists in all materials,
they may emanate bad smell. Although He is not affected by bad smell
such materials should not be placed near Him.
However, we cannot perform the Pooja without going near Hinr
Therefore, we have to appeal to God, with folded hands, to tolerate oll
bad smell and excuse us for approaching Him. Chant the mantrir
"Ebhyo maataa....."seek His pardon.
Pooja Rahasya 173 I
ll:iill
l
l.r,ll
llL,.:,llll
llt Ll .r l
ill
l
ili'rt"'
r';
25. BRAHMA PARA STOTRA
lmagine that there is a thin screen in front of Srihari. Then, sit on a i
raised platform (Vedika). Chant the invaluable Brahmapaara stotra. ii
This stotra was experienced by the great Kandu Rishi. This is a very
i
precious Stotra. Srihari will be very pleased with this verse and will iiilrir,
wipe off all dreadful sins such as Brahmahatya Dosha. iiiir
This stuti is also capable of driving away passion (Raga), hatred
(Dwesha), jealousy, ego (Ahankara), infatuation (Moha), and
attachment (mamate) from one's mind. This stuti is a very important
tool for Srihari's worship. Chanting this shloka is essential for the total
success of the Pooja. One who does not chant this is not fit for
performing the Pooja. Chant this Stotra and become free from all
doshas (blemishes) and perform the Pooja.
Once, a king who was badly affected by Brahmahatya Dosha
approached a sage and sought remedy so that he will be rid of the evil
offects of the Brahmahatya dosha. The sage advised him to chant
Brahma Paara Stotra. The king also followed the advice. One day he
Eaw a Jiva leave his body and go out. Amazed at this, he asked the
sage what it was. The sage said that the Brahmahatya dosha which
had occupied his body has left. The king also was relieved. Such is rhe i
power of Brahma Paara Stothra. This incident has been stated by
Srimad Acharya in his "Anuvyaakyaana" to illustrate the power of the
Brahma Paara Stotra.
26. GHANTA VADANA ( SOUNDTNG THE BELL)
Brahma Deva (Lord Brahma) is present in the Ghanta . Garuda
Deva is present in the crown; Shesha Deva is in the central stem,
Goddess Saraswati (Vak Devi) is in the sound (Naada) and Prajapati
Deva is in the tongue (Naala). Recognize the presence of these
Deities in the various parts of the Ghanta, invoke them, offer
Namaskaras and then ring the bell. Only with their favor and inspiration
lrom all these Devatas, we will be able to reap the full benefit of the
sound of the bell (Ghanta Naada). When the bell is sounded before
ifi
I
r,

174 Devapuja Paddhati
starting the Pooja, the Devatas and the divine power will enter tho
Pooja gruha and the Asuras are driven out of the Poojagruha.
Garuda
Brahma
J
Unless Bell made of bronze is sounded the evil spirits are not driverr
out. Therefore only bells made of Bronze should necessarily be used.
It is said that Srihari resides in the house of that person who has :r
Ghanta with a Garuda or Sudharshana Chakra. lt is necessary that ono
should ring the bell whenever Abhisheka, Dhupa, Deepa, Naivedya,
Alankara and before putting Him to sleep (shayana) are offered
Performing Abhisheka and simultaneously ringing the bell is very
sacred.
Then, think that the screen is removed.
]rflilrr
Pooja Rahasya 175
27. MANTAPA DHYANA
(MEDTTATION OF THE MANTAPA)
Then, meditate upon the decorated Mantapa. The Deva mandira
has doors made of Gold; that door has splendorous and intricately
designed Gems (Rathnas); it has ornamental festoons (Thorana) made
of very superior quality diamonds; the threshold is made of crystals.
Outside the praakaara of the Devamandira swan, parrot, cuckoo
and other birds are sporting and making sweet and pleasant sounds
which provide entertainment. Lotuses have bloomed in the beautiful
tank in front of the Devamandira. Agaru, Gandha, Kunkuma, Kasthoori
and other fragrant substances make the environment yield a pleasant
smell. The cold air is spreading the sweet aroma all-round. The entire
area is full of brightness because of light emanating from the rows of
lamps made of gems (Ratna deepas).
lnside the Deva mandira, there is a raised seat (vedika). The
Mantapa has a raised altar (Peetha) made of gold. lt is as fresh as gold
which has been taken out of fire after purification. The walls are made
of crystals. Pillars are made of gold and are decorated with bunches of
pearls. Steps leading to the peetha are made of diamonds and crystals.
The peetha is studded with Diamonds and Rathnas and is decorated
with Navaratna garlands. The mantapa itself is made of Gold. Four
props support the Crown (kireeta) above the mantapa. Pure white
Chamaras (Bushy-like fan) are inserted in these supportsi they are also
decorated with flowers. The devamandira is beautified with colored
Thoranas (Ornamental flowers in curves) around it. Visualize that the
asana (seat) for Srihari is prepared in a peetha decorated thus.
Then, remove the vastra covering the face of the pratima chant the
shloka "uttapto......." and look at the face of the pratima.
176 Devapuja Paddhati
Meditate on Srihari with folded hands thus:
"krupayottiiyatam....." "Hey Bhagwan ! I am doing this
Shodashopachara Pooja (Sixteen ways of worshipping God) inspired
by you and for your joy. Therefore, awaken from your shayana (yoga
nidra). You have long, broad and pleasing eyes. Look at me with your
kind and merciful eyes and favor me".
"Aayatabhyaam....." Offer prayers with folded hands and awaken
Srihari. Then, take the idols of Srihari and place Him in the Mantapa; do
bhuthocchatana displaying the Chotika mudra (snapping the forefinger
and the thumb) from the place where you are already seated and chant
the shloka "Apakramanthu...." lt is sufficient if one picturises, with
sincerity and devotion, the mantapa of Srihari and its affluent
surrounding thus. Srihari will be delighted and pleased.
28. NIRMALYA VISARJANA AND ABHISHEKA
Rudra Deva is present and is waiting on the left side of the God. He
needs the Nirmalya (flowers used for Pooja the previous day) of God.
Therefore, he is holding a vessel on his head to receive the Nirmalaya.
lmagine that Rudra Deva is present with this intention and place the
Nirmalya in the vessel on the left side of God (Right side of the person
performing Pooja). Chant the Ambhruni Sukta "Aham Rudrebhir ....."
while removing the Nirmalya.
At the same time, Nirmalya from the idols of Goddess Lakshmi
Devi, Vayu Deva, Sesha Deva and Garuda Deva are removed.
First, perform Abhisheka for the Shankha and discard the water.
Then perform Abhisheka for Srihari with Shankha and discard this
water also.
After this, perform Abhisheka with Shankha for Srihari chanting
Purusha Sukta and Rishabhasukta etc.t this is the Nirmalya Teertha.
This Nirmalya Teertha is collected in a vessel; distribute this in two
vessels; the first one is used to give Nirmalya Teertha to Goddess
Pooja RahasYa 177
Lakshmi and other Devatas after their Abhisheka; we also take this
Nirmalya teertha and give it to others; the Nirmalya Teertha from the
second vessel is kept separately and used for performing Brahma
Yagnanga Tarpana (Brahma Yagna means teaching and reciting
Vedas and Vedangas; tarpana is offered to Rishis to show our
gratitude), etc.
Before performing Suddhabhisheka invoke Goddess Lakshmi,
Vayu, Sesha, and Garuda in their respective idols. Their presence
ohould necessarily be invoked in the respective idols. While thus
lnvoking, TaWanyasa and the Matrukanyasa should be performed.
Then, perform Abhisheka for Lakshmi Devi chanting the Mantras
Sree Sukta, Ambruni Sukta, Lakshmi Hrudaya, Sri Srisaguna darpana
of Vadiraja Swamy, Lakshmi Ashtaka by Yadavaryaru. Discard the
water collected after performing Abhisheka for the first time. After
performing Abhisheka the second time for Lakshmi Devi, sprinkle this
holy water on the head (Prokshana) and keep the remaining Teertha in
a vessel separately. According to Shastras, Teertha collected after
Abhisheka for Lakshmi Devi should not be taken.
Perform Abhisheka for Vayu Deva and discard this water. Perform
:i,
a second time chanting the Mantras Pavamana Sukta,
I
Abhisheka
:i:
Balitha Sukta, Sundara Kanda (Tatparya Nirnaya), Vayustuti,
,i:;
::,
Sumadhva Vijaya. Water collected after performing Abhisheka the
aecond time is the the Teertha of Vayu Deva. Keep it separately in a
vessel and should necessarily be taken after the Pooja.
Likewise, Perform Abhisheka twice for Sesha and Garuda; discard
lhe water after performing the Abhisheka the first time; perform
Abhisheka the second time for Sesha and Garuda chanting the
corresponding mantraas; this holy water is just sprinkled on the head
nnd should not be taken.
lltl
 Pooja Rahasya 179
Devapuja Paddhati

Another important point is to be noted here. infinite virtues (Ananthagunaparipoorna Sachidaanandatma) and
invoke Him.
Pooja for Lakshmi Devi, Vayu Deva, Garuda Deva and Sesha Dev;r
alone should be performed while performing Pooja to Srihari. No othor ldols Golaka -I Golaka -2
devataas are worthy of Pooja in His presence. 1. Vishnu Vayu Lakshmi Paramatma

Pooja for Siva, Navagruha, Ganapati and other devataas, Rishr:, 2. Lakshmi Vayu Lakshmi Paramatma
and Padmanabha Teertha, Jayateertha, Vyasaraja, Vaadiraja, 3. Vayu Vayu Lakshmi Paramatma
Raghottama Teertha, Raghavendra and all other Gurus and thorr
ln the other idols of Sesha and other Devataas, the respective
worship should be performed only after completing Srihari's Pooja. Thi:,
Devataas are the first Golaka; Vayu Deva is the second Golaka, and
means that Pooja for these devataas and Gurus should be done only
Lakshmi Devi is the third Golaka.
after keeping the idols and shaligraamas in the God's box.

Pooja for Devatas. other than Lakshmi, Vayu, Garuda and Sesh;r
ldols Golaka - 1 Golaka -2 Golaka - 3

in the presence of Srihari is against the rules prescribed in th, 4. Garuda Garuda Vayu Lakshmi Paramatma
Shastras. 5. Sesha Sesha Vayu Lakshmi Paramatma

Likewise, perform Abhisheka for all Devatas chanting tlrl One should recognize the presence of Srihari in each of these
corresponding Mantras. Golakas thus.

29. GOLAKA CHINTANA 30. DEVATA AVAHANA IN PRATIMAS

Pooja for Srihari may be performed in any idol, Agni, etc. I r,
perform Pooja for Srihari in any idol, or Agni two Golakas should [r,,
imagined. Golaka is idol (Pratima) . When Pooja is performed to Srih;u,
in any idol or Agni two or three Golakaas should be imagined; Golaka r'.
the establishment of the subtle form (Devata svaroopa) of the Devatn,'
or Srihatri in the idol.
Sri Hari who is invoked in the three idols of Vishnu, Lakshmi arr,t
Vayu Deva, has two Golakas. There are three Golakas for Sri Hari wlr,
is invoked in the idols of Sesha and Garuda. ln the idols of Vishnu
Lakshmi and Vayu Deva, Vayu Deva is the first Golaka. ln that Vayr
Deva, Lakshmi Devi who is pure spiritual intelligence (chinmaya) is tlr,,
second Golaka. ln this Golaka of chinmaya Lakshmi Devi ffi€ntalli
picturize the presence of the blissful Sri Hari (Paramatma) who is full .t
(TNVOKTNG DEVATAAS rN THE IDOLS)
Srihari is Swatantra (independent) Superior to all (Sarvottama); All
other Devatas and Jivas are not independent. We may perform Pooja
to any Devata or Guru. Our main and ultimate aim is to perform Pooja
to Srihari and seek His Grace. lrrespective of the Devata to whom we
perform Pooja we must, most importantly, invoke Srihari in that Devata
ldol. After invoking thus, we must perform Pooja to that Devata and
Srihari who is the indweller in that Devata idol.
(l) lnvoking Sri Hari in the Vishnu idol
Chant the shloka "Udhyad raviprakara....." and meditate upon Vayu
Deva and invoke him in the Vishnu pratima. Thus Vayu Deva is the first
0olaka.
180 Devapuja Paddhati
Chant the shloka "Kausheyapethavasanaam" and meditate upon
Mahalakshmi Devi and invoke her in the Vayu golaka. Thus, Lakshmi
Devi is the second golaka.
Chant the shloka "Udhyad bhasvat Samaabhasa:... " and meditato
upon Srihari and invoke Him in the Lakshmi golaka.
(ii) lnvoking Lakshmi Devi in any pratima of Lakshmi Devi
Shankha is the idol of Lakshmi Devi; pratimas of Lakshmi Devi may
be made up of metals or stones. To invoke Lakshmi Devi in these idols,
chant the shloka "Udhyad raviprakara....." and meditate upon Vayu
Deva and invoke him in the idol of Lakshmi Devi. Thus, Vayu Deva is
the first Golaka.
Chant "Kausheyapethavasanaam " and meditate upon
Mahalakshmi and invoke her in the Vayu golaka. Here, Lakshmi Devi
is the second golaka.
Then, chant the shloka "Udhyad bhasvat Samaabhasa:..." and
meditate upon Srihari who is residing in Lakshmi golaka and invoke
Him.
(iii) lnvoking Vayu Deva in Vayu Pratimas.
Chant the shloka "Udhyad raviprakara....." and meditate upon Vayu
Deva and invoke him in the Vayu Pratima. Here Vayu Deva is the first
golaka.
Chant the shloka "Kausheyapethavasanaam" and meditate upon
Mahalakshmi Devi and invoke her in the Vayu golaka.Here, Lakshmi
Devi is the second golaka.
Chant the shloka "Udhyad bhasvat Samaabhasa:..." and meditate
upon Srihari and invoke Him in the Lakshmi golaka.
Pooja Rahasya 181
(lv) lnvoking other Devatas:
Chant Garuda Mantra and meditate upon Garuda and invoke him in
the Garuda pratima.Here, Garuda is the first golal<a.
Chant the shloka "Udhyad raviprakara....." and meditate upon Vayu
Deva and invoke him in the garuda golaka. Thus, Vayu Deva is the
second golaka.
Chant the shloka "Kausheyapethavasanaam" and meditate upon
Mahalakshmi Devi and invoke her in the Vayu golaka.Here, Lakshmi
Devi is the third golaka.
Chant the shloka "Udhyad bhasvat Samaabhasa:..." and meditate
upon Srihari and invoke Him in the Lakshmi golaka.
Likewise, invoke first Sesha in the Sesha idol; then invoke Vayu,
Lakshmi and finally Vishnu and meditate upon them.
lnvoke Rudra, Skandha, lndra, Surya, Chandra, Ganapathy, Shani
and other Devatas in their respective idols; then meditate upon Vayu,
Lakshmi arrd Sri Hari who reside in all these golakas and invoke them
ln the respective golakas in that order.
31. BHUTOCCHATANA
lir
After golaka chintana, perform bhutocchatana as described in i.
section 22
32. PREPARTNG THE ASANA (SEAT)
Place the mat made up of Darbha grass (Dharbhaasana) on a
wooden plank (Mane) where we sit to perform Pooja; Above that place
Krishnaajinam (Deer skin); above that place a vastra. Remember and
respectfully bow to Srihari, and other devatas who are Adaara shakthi,
Mandooka (Frog), Kurma (Tortoise), Varaha, Sesha, Kalatnirudra,
Vajra and also Pruthvi. Visualize that Sudharshana Chakra (Srihari's
weapon) protects us in the eastern and other directions. Display the
lshu (Arrow) Mudra and bind all the four directions (Dikbhandhana).
;ii,,
fllilli

182 Devapuja Paddhati
Raise the hands above the head and show the Chakra Mudra
directions.
Do Pranayama and mentally resolve (Sankalpa) to perform Pooj;r
with devotion stating the details of day, tithi, Nakshatra etc.
33. SANKALPA
While doing Sankalpa contemplate as given
Srihari makes us perform all acts in the present birth based on tho
acts performed by us in the previous birth. Srihari commands Lakshmr
Devi, Brahma and all other devataas and through them make us do all
our Karma (acts)
"Sri Hari is the doer of all our deeds; Without Srihari':;
(Purushothama) initiative no one can do anything.
Srihari's strength is our strength
Srihari's valor is our valor
Srihari's splendor is our splendor
Only if Srihari acts we can act
lnspired and motivated by Srihari who is the controller of our body,
sensory organs and mind and with the strength and energy provided by
Him, and as guided by Him at every step, I perform this Pooja witlr
devotion, to please Him, according to my ability, using the article:;
collected by me and as explained in the Tantra Saara and a:,
prescribed by Srimadh Anandateertha Bhagavadh Padhacharya.
Resolve thus and perform Pooja:
34. DEVA PRARTHANA
Offer prayers by chanting the shlokas "Nishuseeda ....."
Bhagavan! Hey Adorable Srihari! You are the master of everything.
Reside in Lakshmi Devi, Brahma and other Devatas and order me.
Pooja Rahasya 183
Be present in all my mental activities and enhance the good
all
qualities; occupy all my sensory organs and make me perform all good
deeds.
Be present in the whole host of my relatives and friends and help
me to perform.
Be present in all the materials consumed by me and purify them.
No action can be done without your permission, initiation, power,
stimulation and favor.
With your compassion even a person who consumes dog's flesh
(Shvapachasu)) will become "Brahma"; otherwisei even Brahma will
become one who eats dog's flesh.
You are supreme. You be present in me and make me perform the
Pooja. Give me only the benefit (phala); it is amazing that one performs
Pooja for one's own self ; it is even more amazing when one performs
the Pooja to Himself and gives the benefit to someone else.
"Aradhyase Pranabrutham..... ." Oh Narayana! You are blemishless.
You are full of Knowledge. You are full of bliss. Oh! My Lord! Vayu
Deva is serving you.
Where do I have the competence to do the Pooja? That Vayu Deva
ls the motivator for everyone. He is the guide to all. He is the master for
all living things. Oh, Lord of everyone! You are worshipped b! such a
Vayu Deva. Be pleased with my actions.
You are the Master of everyone and you are worshipped by Vayu
Deva who is supreme among all the Jivas (Jivottama). Oh Lord of
Lakshmi Devi! Be gracious to me.
"Bimbosi Pratibimbosi....." Bhagavan is the original form (Bimba);
we are His image (Pratibimba). Pratibimba simply means reflection or
lmage.
 184 Devapuja Paddhati
Pooja Rahasya 185

We see our reflection in the mirror. ln such a situation when

we, ir amaller than the first one, is Poorna Kalasha. Abhisheka with Snaneeya
Bimba, move the reflection also moves; when we do not move
llr, Kalasha is performed with Shankha; Abhisheka with Poorna kalasha is
reflection also does not move.
performed directly.
The characteristic features seen in the Bimba are also seen in tlr,
I

Display the Shankha, Chakra, Gada, Padma, Dhenu, Garuda,

reflection (Pratibimba). lt is not possible to see any feature
i
in ttr, Chandra, Naracha and Hamsa Mudras chanting the relevant Mantras
I
reflection that is not there in the Bimba.
l
lo the two kalashas. These Mudras yield results as described below:
ln the same way, Shastras describe animate beings (Chethanas)
the reflection of Bhagavan (Chetanottama).
ar, Garuda Mudra Visha Nivarana (removal of poison, if any, from
the kalasha water)
Jiva appears similar to Bhagavan. He is under the control of Mudra Ensures sacredness of the Kalasha water
Sriharr Shankha
He is the pratibimba of such a Bhagavan.
Dhenu Mudra Amruta Paripoorna
"oh, swamin! you are the original form (Bimba); lam your
imag.
(complete conversion of Kalasha Water into
(Pratibimba). amruta)

But you are blemishless. I am full of blemishes. Chakra Mudra Provides protection
You are limitless; I am finite.
Gada Mudra Provides control in all eight directions
Padma Mudra Jalashodhana
You are blissful; I am full of sorrows. ( Purifies Kalasha water)

You are the very form of knowledge; I am full of ignorance. Chandra Mudra Ensures coolness

I am full of countless blemishes, lgnorance, wrong knowledge, Naracha Mudra Drives away the enemies
suspicion, lust, anger, arrogance, attachment, selfishness, cheating, Hamsa Mudra Ensures purification
cruelty, wickedness, crooked nature, ungratefulness, and other
such Draw a six-cornered lotus figure with a Tulasi dala, on the water
flaws. Oh, Bhagavanl Relieve me of my faults. lgratefully
acknowledge Burface in the Kalashas and place the right hand above the kalashas.
your favor. For this favor bestowed on me I prostrate
before you,,. Thus,
offer your prayers to Srihari. lnvoke Lakshminarayana who is present in Vayu Deva (Bharati
Famana Mukhyapraanantargata) and who is the indweller in Budha
35. KALASHA POOJA and Varuna who are the deities for water (Jala Devatas) in these
After Deva Prarthana, perform Kalasha pooja waters. Add gandha, Tulasi, and flowers and worship them.

Out of the nine vessels in which water was collected for the pooja, Then, touch the kalashas with the right hand and chant the Shloka
two vessels are selected for the Katasha pooja. The first one (the 'Kalashasya Mukhe Vishnu: .....".
bigger one) is the Snaneeya Bruhat Kalasha. The second vessel,

li

iC
186 Devapuja Paddhati Pooja Rahasya 187

Eost
Also pray to the nadi (river) devatas of Ganga, Yamuna, Saraswati,
Narayana
Shutudri, Asikni, Godavari, Narmada, Sindhu, Kaveri to come and be
present in the Kalasha Jala.

Request the presiding deities of all oceans, rivers, and rivulets to

come and stand by with respect for the Abhisheka of Srihari's Pooja.

Chant the two mantras "lmam Me Gange..." and "Gange cha

Yamune...,." and add Tulasi dala to the two Kalashas and perform
Pooja.
South
North
Vasudeva Perform Pooja for Narayana, Vasudeva, Pradyumna and Aniruddha
Aniruddha
along the eastern and other directions of the Snaneeya Kalasha (East,
South, West and North directions) with Gandha (in the fdrm of a
sphere) along with Tulasi. .{

Then, perform Peetha Pooja for the two Kalashas in which Srihari
has been invited to come and be present.

"Oh! Narayana, indweller in Surya, I beg of you, please come along

with one hundred Devatas starting from Aja and be present in the
PradYumna
Snaneeya Bruhat Kalasha."

l{xt ln that Snaneeya Kalasha, invoke Sri Narayana Chanting twice "Sri

Kalasha; Rudra Narayanam Avahayami, Avahayami" along with one hundred deities
Lord Vishnu is in the mouth (uppe0 portion of the
t.,

in tlr" etarting with "Aja".

in the neck portion; Brahma is in lower part of the Kalasha;
part are the Matru Ganas (as also Ajaadi 100 Rupas of sri Hartl
middle lnvoke Moola Narayana and all devatas from "Aja" to
islands' llr" "Shimshumara" from the beginning to the end, in that order, in the
lmagine that all Devatas in the seven oceans, Seven
entire world, Rig Veda, Yaiur Veda, sama Veda and
Atharva veda;ttt't $naneeya Bruhat Kalasha; also invoke all the deities from
the six components of Vedas (Vedangas) such as
shiksha, Kal1"r "Shimshumara" to "Aja" in the reverse order (from the end to the
present in the stom;t'
Vyakarna, Nirukta, chandas and Jyotisha are boginning) in the Poorna Kalasha.
t

savtl''
portion of the kalasha. ln addition, pray to devatas Gayatri,
help keep away all n'i Then assume that "Aja", "Ananda", and all other roopas come out
Pushtikari, Shanthi to come for Deva Pooia and
lrom Surya and enter the Kalashas.
sins (Durita).
188 DevaPuja Paddhati
Thereafter, perform Matrukanyasa, Tattvanyasa, Kruddholka dntl
the other five Anganyasas, Aksharanyasa, etc.
Then, chant the shloka "Udhyat Bhasvat..... " and touch both thtr
Kalashas and chant the Moola mantra twelve times to ensure tho
unique and special presence of Srihari.
Then, Pray "Oh, Devatas! Please be present in this place until thtr
pooja is over and accept the Pooja performed by me with devotion antl
offer protection."
Thereafter, show the following six mudras: Aavahana, Sthapana,
Sannidana, Sammukheekharana, Sannorodhana and Avaguntanrr
chanting the Narayana Mantra.
Chant Narayana Mantra and offer the ten upachaaras, Viz., Arghya,
Paadya, Achamana, Madhuparka, Punaraachamana, Snaana, Vastra
Vibhushana, Upaveeta and Asana, with flowers or by pouring w?ter in ;r
separate vessel to these devatas.
Then, offer gandha, Tulasi and flowers. Then, perform Aavaran;r
Pooja to the presiding deities (Mooladeva) invoked in these Kalashar;
(Aavarana Pooja is described later). Once again offer the twelvl
upachaaras (Arghya, paadya, Achamana, Madhuparka, Punaachamarr,
Snaana, Vastra, Vibhushana, Upaveeta, Asana, Gandha and flowerr,)
to these Aavarana devatas.
\. After performing all these upachaaras show Naiveidy;r,
Ndmaskaara to the peetha Devatas, Aaavarana Devatas and also
Moola Roopi.
Then, Chant the Mantra "Kalasha Keertimaayushyam...... " Tlrt'
kalasha Devatas for whom we performed the Pooja bestow on us faml
long life, good knowledge, intelligence, lot of wealth, strength, display ot
self-worthiness and redress our sins and increase our Punya (Virtues)"
Pooja Rahasya 189
Chant "Sarva Kshetra Mayo....." "AIl the Kshetra Devatas and other
devatas are present in the Poorna Khumba Kalasha. Oh, Poorna
Khumba! Similar to the manner in which Kshetra Devatas are loved by
Srihari, you are also liked by Srihari. Hence, I bow unto you. Please
nhow mercy towards me".
Offer prayers thus; chant "Yasya smrutya......" and submit the
Kalasha Pooja to Sri Lakshminarayana in whom Vayu Deva is present
nnd in that Vayu Deva, Budha and Varuna are present.
36. SHANKHA POOJA
Lakshmi Devi is present in the Shankha.
Do the Sankalpa to perform the Shankha Pooja.
Pooja for Vishnu should be performed only with Shankha. Pooja
with Shankha should be performed only for Sri Vishnu. These two
norms are very important and are of great significance.
Srihari does not accept any Pooja performed without Shankha at
atry time. Since Goddess Lakshmi is present in the Shankha, Srihari
,rrrdertakes the seva through Goddess Lakshmi Devi.
Only that seva performed to Srihari with Shankha (Lakshmi Devi)
ylolds many rewards. Seva that is performed without Shankha does
,rot yield any phala (benefit). lt is unfruitful.
Chandra
SurY!
k,
N]Ganga,
Saraswati
Prajapati (Backside)
190 Devapuja Paddhati Pooja Rahasya 191

Besides, Goddess Lakshmi performs Pooja only to Srihari and nontr
else.Hence, Pooja with Shankha which symbolizes Lakshmi Devt
should not be performed at any time to any other Devatas.
When Pooja is performed with Shankha to any other Devatas it i:,
equivalent to Lakshmi Devi performing Pooja to other Devatas. Thi:'
would result in harmful consequences. Therefore, it should not be donl
at any time.
performs Pooja willr
The virtue (punya) attained by a devotee who
Shankha is matchless.
To begin with, prayers should be offered to Shankha chanting
shlokas as follows:
"Tvam pUra Saagarotpanna....." Oh, Shankha! YOU are bOrn in llr''
oceans and Srihari is holding you in the right hand. All devatos ollr'
prayers to you with devotion and respect. I bow respectfully unto you'
"Garbhaa Devaarinaarenaam ....." ThouSands Of wiveS of daity'r'
live in the deep oceans. Their pregnancy is aborted to thousand piet.r''
when they hear your sound (Naada).
"TaVa Naadena ....." Oh, Panchajanya! YOur radianCe is
"shankham Chandraarkadevatyam ....." Lord Surya and Lord
Chandra are the presiding,deities for the Shankha. Varuna is present in
the central part of the Shankha; Prajapati is present at the back of the
Shankha. Ganga and Saraswati are present at the tip of the Shankha.
Praise Shankha with these shlokas and offer prayers to Shankha.
Take water from the Snaaneeya Kalasha with Uddharini and fill the
Shankha. Collecting water for doing the Pooja by immersing the
Shankha in water is forbidden; Shankha should not be placed on the
ground; it should always be placed on a peetha only.
Add Tulasi and flowers and chant repeatedly the mantras "Om
Namo Bhagavathe Pancha Janyaaya" and "Pancha Janyaaya
Vidmahe" three times. Then offer the eight upachaaraas to Shankha.
Viz. Dhyana, Aavahana, Asana, Arghya, Paadya, Achamana,
Madhuparka and punaraachamana; pour water in the Pela for this
purpose. Offer prayers to Lakshmi Devi by pleading "please favor me to
perform pooja for Srihari".
Then submit the Shankha Pooja to Lakshminarayana with the
rnantras "yasya smrutya....."
37. ARGHYADI PANCHA PAATRA POOJA
ltl"

thousands of moons (Chandra) shining. I bow unto you. Name of the Abhimani Mudra to be
Direction
"Darshanena Hi Shankhsya ,...." Just like the Snow fflelts wlr"' Vessel Devata displayed
sun rises, all the sins will be washed off by a mere look at !ou. Wlr"'
Arghya Vaayavya Sri Dhaana Mudra
more I can say when I touch you (to perform the Pooja)?
Paadya Neirutya Saraswati Anjali Mudra
"NatvaaShankham ... "That Vishnu Bhaktha who prayS to Sharrl'l'
with these mantras and performs pooja holding the Shankha irr l' Achamaniya Eeshanya Rathi Gokarna Mudra
hand will receive matchless virtues (Punya).
Madhuparka Madhya Brahma Sukari Mudra
"Trilokyaam yaani....." By the order Of Srihari, all the Teurll '

l) unaraachamana Madhya Shanthi Hamsa Mudra

Devatas of the three worlds will be present in the Shankha. Therch"'
one has to perform Pooja for the Shankha. Snaaneeya Aagneya Varuna Hamsa Mudra
 Pooja Rahasya 193
192 Devapuja Paddhati
When these substances are not available, Gandha and Tulasi alone
East ,t, may be placed in the vessels.
wss -1 '% After this, sprinkle the holy water from the Shankha (which was
reL
3 6 sanctified during Shankha Pooja) thrice on the flowers, fruits, gandha,
Achamaniya Snaaneeya
?
and naivedya padaarthas and on the idols of Paramatma.

Chant "yasya smrutya..... ." and submit the pooja to Srihari.

Madhya 4 5 Madhya
Madhuparkha Punaraachamaniya 38. POOJA FOR PANCHAMIRTA SUBSTANCES

As described below, invoke the Bhagavad Roopas in the

I 7 Panchamruta substances used for Devara Pooja.:
Argya Paadya
1* J,o* Direction Substances Bhagavat Roopa
{e
,rp
West +e"
Center Mitk Govinda
lnvite and invoke these Devatas in the Pooja vessels;
display tho East Curd Vamana
Mudras; place the substances as specified below and
offer pooja to
them. South Ghee Vishnu
The substances that are to be praced in the Arghyadhi paatras
are. West Honey Madhusudana
Arghya: Tip of the Darbha grass, Mustard, Til, Fruits,
Frowers, North Sugar Achyuta
Akshathe, Yava (barley, rice) and Gandha.

Paadya: vishnuparnee, Tir, Bent grass (Dhoorva),

shaamaaka, Pooja for all these Devatas should be performed. Then, display the
Lotus and Akshathe.
five Mudras Viz., Garuda, Dhenu, Shankha, Chakra and Gada Mudras
Achamana: Lavanga, Jaji Kayi, Kankora, cardumum (Erakki), chanting the corresponding Mantras. Then, offer Tulasi and flowers.
Camohor (Karpoora) and Gandha (Gandha).
Then offer Pranaams for the above Bhagavat Roopas chanting the
Madhuparka : Curd and Honey. sacred Moola Mantra eight times and Vishnu Gayatri, "Naraayanaaya
snaaneeya : Makaranda, Devadaru, corar (pravaara), Vidmahe.....".
suragandha
and Dhaatri (Amla).

Punaraachamana : Lavanga, Nutmeg (Jaji Kayi), Berry (Kankora),

Gandha and pushpa.

l^
 J h

194 Devapuja Paddhati Pooja Rahasya 195

39. PEETHA POOJA wlththe other hand and are always meditating their bimbaroopa
We must first do pooja for the Peetha Devatas to invoke tlrc ltmage) of Paramatma. Meditate on these Gurus thus, and offer
Bimbaroopa Srihari in the pratimas for which we are performing the pooja. lrrayers to the Gurus before starting the Pooja; a person who meditates
llrus will be a Jnani (sage).
West
l)evatas who are positioned at the foot ol the Peetha (Paada):

Agneya : Garuda; Neirutya : Vedavyasa;

Vaayavya : Durga;
Eesaanya : Saraswati.

0evatas who are positioned above the foot of the Peetha:

0lrecti on Abhimani Devata Form Color

ln the form of
Ag neya : Dharmabhimani Yama Red Color;
buffalo
sky blue
ile irutya Jnaanaabhimani Vayu Body of Lion
Color;
l, rayavya Vairaagyabhimani Siva Bhutakara Yellow;
Body of
Icsaan ya lshwaryabhimani lndra Black. iii,l

Elephant iili

rli'

,ill

iil

By offering prayers to these Devataas, we get Dharma, Jnaana, tiil

iir
iiili

Vairagya and lshwarya. ii!irr,r,;,

ri,

Devatas positioned on the platform of the Peetha:

Sarasvathi
East Adharmaabhimani - Nirruti;
South Ajnanaabhimani - Durga;;
The peetha (platform) has four legs. The two parts of the four legs West Avairaagyadhipati - Kaama;
are the lower part and the upper part. There is a broad 'phalaka'
(platform) on these legs.
North Anaishwaryabhimani - Rudra.

Establish Paramatma for whom Pooja is performed in the center.

Vayu Deva and all other Gurus (Sanaka, Sananda, Sanatkumara,
and Sanatsujata) are on the left side outside the peetha while all other
Devatas stay on the right side of the Peetha. These Gurus arc
holding a book on one hand and are displaying the Vyakhyaana Mudra
By offering prayers to these Devatas, we get rid of Adharma,
{vairaagya, Ajnaana and Anaishw arya.
Pray to all these Devatas and request them to be present in their
'cspective places in the peetha kept for Srihari.

M
196 Devapuja Paddhati
Pooia Rahasya 197
Recall to mind and perform Pooja to all Devataas who ?rrr 7 Saryanr
6Tape,
present, one above the other, from underneath the Brahmaand;r 5 Jan*r
(Universe) upto the Pooja peetha. 4 Maha:
3 $va:
We live in Bhooloka. Below that are the seven Loka:, 2 Bhuva:
Underneath them is the Deluge (Pralaya Jala). Holding the Pralaya Jal;r :{< Bhuloka
is the Brahmaanda Karpara which is like armor. Beyond this is Prutvr e
lAtala
tatva Aavarana (cover); Outside this there are other Aavaranaas whiclr 2Vttala
are Water, Agni, Vaayu, Akaasa, Ahankaara, Mahat-tatva and the triph, 3 Sutala
4 Tiilaatala
Gunas namely, Tamas, Rajas, and Satva (constituents of everything rr, 5 Mahatata
Nature or Prakruti) and are placed one outside the other; thus, th, 6 Ra**talr
second Aavarana (the outside Aavarana) is ten times more extensiv. 7 Patalo
than the first one and so on (i.e. each of the outer Aavarana is 10 timo:, t
seaha
bigger than the inner Aavarana that immediately preceeds it). [frFJ
A
This entire Brahmanda and the seven Aavaranaas outside dr, ,ff vayu Kurma
supported effortlessly by Parama Purusha Narayana who h;r', t
inconceivable, boundless, incomprehensible, capacity and strength. * !r-f vishnu Kurma

Brahmanda Karpara
Above Him is the Aadhaara Shakti Ramaa Devi, who is dependerrt
+
on Sriman Narayana. (Central Part of the lotus) .; yrsnnu Rurrna

Above Lakshmi Devi is the Koorma Roopi Vishnu (Koornr,, t t

Elght Petafled Lotus Prutvi tatva
incarnation) holding the Brahmaanda (Universe). On the back of llr, t t
Koorma Roopi Vishnu is the Brahmanda Karpara. Steps (Four Sides) Water
1. Atma (East) t
Within the Brahmanda is the Pralaya Jala. ln that Pralaya Jala r',
2. Antaraatma (South) Agnl
the Koorma roopi Vishnu. Resting on the tail of Vishnu Koorma r'. 3. Paramaatma (West) t
"Koorma roopi Vayu Deva". 4. Jnaanaatma (North) WInd
t t
Above the tail of Koorma Vayu is the thousand headed Seslr,' Six Petallod Lotus Spaoe

Deva, who has immense strength. On one of the thousand headr, f t

Ahankaratatn
Prutvi comprising the fourteen lokas is positioned just like mustarrl Golden Mahamantapa
Presiding Devata for Prithvi is Dharaa Devi. t t
Mahar tawa
Shweta Dweepa
Above that is Varuna who is the Abhimani Devata for t]r, t
t Thmas
Ksheerasagara (Ocean of milk). Above that is the Rama Roo; ,, Ksheara Sagara t
Swetadweepa. A Mahamantapa made of Gold and fitted with preciorr', t Rafas

Navarathnas is there. Sri Devi taking the roopa of this mahamantapa r',
t

@
Sarra
performing seva to Srihari. t
Remadenl (Adharacaktt)
:lu' gtruloxa
t
Paramapurushr
198 Devapuja Paddhati Pooja Rahasya 199

Within this mantapa there is a lotus; That is also Rama Devi. That
lotus has six - petals; three petals are in the front and three petals arl
in the rear side.
ln the rear left petal is Sathvabhimani Sridevi; in the rear centr;tl
petal is Rajobhimani Bhudevi; and, in rear right petal is Tamobhimarl
Durga Devi.
Atma, Antaraatma, Parmaatma and Jnaanaatma are the four forms
(roopas) of Srihari. These roopas of Bhagavan are in the form of a flight
of steps. These are Atma (in the East), Antaraatma (ln the South),
Paramatma (in the West) and Jnaanaatma (in the North).

ln the front left petal is Surya; in the central petal is Chandra; and rl
the right petal is Agni.

Utkarshinee

ln the eight petals of the eight-petalled Kamala referred to earlier, lie

At the center of the above six-petalled lotus is an eight-polrrtt'' different Stree roopas of Srihari each performing a certain service
tlro

lotus. Steps are there in all the four directions to climb to the elov,tl'' tnva) as described below:
eight-petalled lotus.
1. Vimala: Chatra (holding the umbrella);
2. Uthkarshinee: Chamara;
 Devapuja Paddhati
3. Jnana.; Vyajana (Fan);
4. Kriya: Showing the mirror;
5. Yoga: Singing;
6. Prahvi: Dancing;
7. Satya: Vadya;
8. Eeshana: Sthotra; and
9. Anugraha: Stays in the central part of the lotus and offers thl
service of these eight Roopas to Srihari.
Each of these nine Roopas has three Boopas; these are lchch;r,
Jnana and Kriya. For example, for the Vimala Roopa these Roopa:,
respectively are Vimala lchcha, Vimala Jnana and Vimala Kriya and so
on for other Roopas also. Thus there are (9X3=27) Roopas. All thesu
Roopas are none else but Sri Hari Himself.
Special phala is achived when meditating the existence of all
these Roopa Devataas thus.
After this, recollect and offer prayers to the Sesha Deva who i:,
adorned with divine gems and who is the personification of yogapeeth;r
on the Anugraha Devata. ln this Sesha Deva, Lakshmi Devi resides in
the form of woolen blanket studded with gems (Rathnakambala), col,
bed and pillows. Paramatma is seated there.
Mentally remember all these Devatas who are present outside thrr
Brahmanda upto the Peetha of Srihari and offer prayers to thenr
Finally, invoke the indwelling Bimbaroopi Paramatma at the center of all
these peetha Devatas.
lnvoke all Devatas as described above and offer the salutationr:,
(Upacaras) - Arghya, Paadya, Achamana, etc. with water.
Chant "yasya smrutya..... ." and submit the pooja to Srihari.
Pooja Rahasya
40. HRUDHAYAKAMALAVIKASA
(BLOOMTNG OF THE LOTUS WlrHlN THE HEAHT)
First offer prayers to the image of Srihari within us. This image form
of Srihari resides in our heart.
Various types of similarities exist between Srihari and us. Also, we
have special numerous and varied types of dependence on the
Bimbaroopi of Srihari every moment. Recollect as lar as possible this
dependence individually, everyday and every moment; and also,
mentally recollect the image - reflexion (Bimba Pratibimba)
relationship between Srihari and us and perform the Pooja.
Such an image (Bimbaroopa) of Srihari is present in three forms in
our entire physical body, in the central portion of the heart
(hrudayakamala) within our physical body, in the entire energetic soul
(Jivachaitanya) and also in the heart (hrudayakamala) of our energetic
eoul (Jivachaitanya).
These three forms (roopas) in the hea,'t are
(i) Praadesha (ii) Moolesha (iii) Agresha
(l) The Bhagavat roopa known as Praadesha occupies the entire
heart, provides refuge to the soul (Jiva) and also is the residing
place for the soul (Jiva).
(li) Moolesha stays at the base of the central (core) portion of the heart
(Hrudayakamala). He carefully holds the Jiva so that it does not
move here and there. His size is just as much as the top portion of
the thumb.
(lll) Agresha is of the same size as that of the full thumb. He stays in
the top portion in the center of the heart (Hrudayakamala).
While sleeping (Sushupti), Agresha drags the Jiva within Him and
holds the Jiva tightly and puts the Jiva to sleep. He is the Paramatma
Itnown as Praajnya.
"" ," , . - JW
202 Devapuja Paddhati
Jiva wakes up only when he comes out of Praajnya (Agresha).
Praajnyaroopa Paramatma, known as Agresha, is in our heart
(Hrudayakamala). We invoke Him in the idols. Meditate on this form ot
Bhagavan, perform pooja once within the heart and invoke Him in thl
idols. When we perform Pooja to the idols belonging to someone else,
we must invoke Suryantargata Narayana in the idols and then do thl
Pooja.
First, meditate upon this image of Srihari (Bimbamurti) within us
The abode for this Bimbamurthi is the Hrudayakamala. Thir,
Bimbaroopa is unique for each one of us. To invoke this Bimbaroopa irr
the idols outside, the lotus within our heart (hrudayakamala) should first
be made to bloom.
This lotus in the heart (Hrudayakamala) is in an upside down fornr
The tip of the lotus petals (Kamaladala) is slightly bent. Chant the Vayrr
Beejakshara "Yam" and make this Hrudayakamala stand upright; therr,
Chant the "Omkaara" and lift the front part of the bent lotus petal:i
Knowledge (Jnaana) that Srihari is supreme in the form of Sun make:,
this lotus bloom.
After this think, once again that all the Peethadevatas referred kr
earlier are present in the lotus and offer salutations (Pranaams) to thl
magnificent Bimbamurthy who resides above all thesn
peethadevatahas.
There is an eight petalled lotus in our heart. Surya Mandalir,
Chandra Mandala and the Agni (Vahni) mandala are located one ?bovo
the other in that lotus.
There is a peetha. On that peetha, imagine that the majestic Sriharr
(Bimbamurthy) is present above Sesha and meditate on Him startirrrr
from foot (Paada) up to the crown on the head.
i*
Pooja Rahasya
41. BIMBAROOPA DHYANA, AVAHANA
(MEDTTATTNG AND TNVOK|NG BTMBAMIIRT|)
It is very neccessary that one learns first about the Bimbaroopa
within us.
It must be realized that everything starting from Goddess Lakshmi
Devi up to even a grass are all under the control of Srihari.
Our existence is because of Srihari's desire. Our breathing is
because of His support. Our knowledge is dependent on Him. He is
responsible for our actions. He is present in our mind, sensory organs
and body. Let us understand these statements a little more in detail.
Human brain is very strange. lt has not been possible for any
scientist to understand it completely.
Even the smallest defect in the brain will cause danger to life.
The numerous cells in the brain which undergo the cycle of births
and deaths everyday disclose the unfathomable extent of this universe.
Number of activities is taking place without the knowledge of the
soul (Jiva). Bimbaroopi Paramatma, who is present in the various parts
and cells in different forms, is carrying out these activities. Therefore,
we are under the control of the Paramatma.
Thus, the Paramatma pervades everywhere - inside, outside and in
all places. From the beginningless period to the endless period He has
been the origin, seed, source and support and carries out all our
actions.
Mentally perform the Shodashopachaara pooja to Srihari and
peetha devatas and Aavarana Devatas.
Admire and meditate on Srihari, the lord, who is seated in the lotus
(kamala) in the central part of the heart; invite Him with devotion and
request Him to be present in the idols outside.

204 Devapuja paddhati
"Oh. Bimba Deva! linvite you to come and be present in the idols irr
the Peetha. "Oh! Srihari! Please come out and manifest yourself in llr,,
Pratima".
Thus pleading, lead srihari from the heart (Hrudaya) t,,
Brahmaranddhra (Spiritual center at the top of the head) passirrrl
through the Sushumna Naadi; (spinal cord); then, request Srihari to
come down through the left nostril when we exhale and occupy Hr:,
position in the Tulasi and flowers placed in the Anjali.
Perform Shodashopacara Pooja to Srihari who is now present in tlro
Tulasi and flowers in the hands chanting "Arghyam Samarpayami"
Place the Tulasi and flowers on the idots and imagine that Srihari in
Tulasi has entered the idols.
The idols for which we are performing the pooja are made up ot
metal. lt should be understood that within this idol is the bright antt
shining idol carved by Viswakarma.
lnvoke Srihari in the idol.
Chant the shloka "udhyad raviprakara....." and meditate upon Vayrr
Deva and invoke him in the Vishnu pratima. Here Vayu Deva is the firsr
golaka.
Chant the shloka "Kausheyapethavasanaam " and meditate upon
Mahalakshmi Devi and invoke her in the Vayu golaka.Here, Lakshmr
Devi is the second golaka.
chant the shloka "udhyad bhasvat samaabhasa:..." and meditatc
upon Srihari; invoke Srihari who is residing in our Hrudayakamala in the
Lakshmi golaka.
Srihari is swatantra (independent) Superior to all (Sarvottama).
It should not be misunderstood that Sri Hari is not already presenl
in the idols. Srihari, is present everywhere; therefore, he is already
llfl|||i|||i||||ll||iii|lll]ll]l]l]]]lflxfl[f,Iflflffi[l
Pooja Rahasya
205
I
present in the idols in different Roopas even before we invite Him.
I
Despite this, we specially plead to the Bimbaroopi Paramatma to flril
occupy the Pratimas and accept our Pooja.
Thinking of Srihari's Form in the idols
(Chintana of Bhagavath Roopa in the ldols):
Mentally think that this form of Srihari is present in the idols as
oxplained below:
One form of Srihari is invoked in the idol for which we are
performing the Pooja. lt is of the same size as that of the idol itself. The
lorm (roopa) of Bhagavan which pervades the entire idol has many
organs (indriyas) and limbs (angas) which are all only the different
forms of Bhagavan. For example, Eyes of Bhagavan is Kapila; Praana
ls Narasimha; Vaak - Bhargavaraama; head - Aniruddha; Right and
left hands - Pradyumna; the two legs - Sankarshana; Middle part of
the body - Vasudeva and so on.
Kapila namaka Paramatma who resides in the eyes also has eyes,
Praana, Vak, head etc., One should realize that all these are once
again Kapila and other roopas of Bhagavan.
Do Matrukanyasa, Tattvanyasa, Panchanganyasa and
Ashtaksharanyasa.
Touch the idols and chant the Moola Mantra twelve times.
Then display the Aavahana, Samsthaapana, Sannidhaapana,
Sammukeekharana, Sannirodhana, Avaguntana mudras.
Chant the Mantras Aavahito Bhava, Sthaapito Bhava, Sannihito
Bhava, Sanniruddhro Bhava, Sammukho Bhava, and Avakuntitho
Bhava.
I
I
I
l
I
206 Devapuja Paddhati
42. ABHISHFKA VIDHI
Mentally think that the weapons such as Chakra etc and various
ornaments adorn Srihari; Offer prayers to them and slowly remove
them. Then, pray to Srihari "Hey Swaminl Please come to the place
where I can carry out your Snaana". Then chant the mantra "ldham
Vishnurvichakrame...." and put on the Golden Sandals to Him.
Perform the upachaaras with Chatra, Chamara, and other grand
services, hold His Hands and lead Him to the Snaana peetha and make
Him sit there; chant the mantra "Bhadram Karnebhi.....".
Again display the six mudras starting with the Aavahana Mudra
Then, wash His hands and legs with holy mud (Mrutika Shoucham); offer
Him water to gargle (Gandoosha), to clean His teeth (dantadhaavana)
and to wash His face (Mukhaprakshalana). For this purpose pour water
in the Pela with Uddharani chanting the Narayana Mantra.
Then, think that Vayu Deva serves Srihari by holding the umbrella
(Chatra), bushy fan (Chaamara), showing the mirror (Darpana) and
offering seat. For this purpoie chant Narayana Mantra and offer Tulasr
to idols of Srihari or pour water exclusively in the pela.
Likewise, think that Goddess Ramaa Devi combs His hair with her
own hands, massages oil to His hands, legs with oil, and applier;
scented oil with Kasthuri and other such scented powders for oil bath,
gives bath with hot water from a golden vessel. For this purpose, offer
Tulasi dala.
Earlier (in Section 37) "Arghyaadi Pancha Paatra Pooja" has beerr
performed. Using the water from those vessels, offer Arghya and other
services (Sevas) to Srihari.
Then, think that the Devatas as described below are offerinr;
services and the upachaaraas:
lmagine that Arghya is offered by Lakshmi Devi. Chant tlrl
Narayana mantra and "Apohishta mayo Bhuva....."; take the Paatra witlr
water for Arghya, touch the Shankha and offer Arghya to Srihari.
l_
Pooia Flahasya 207
when other Devataas like Saraswati, Rati, etc., offer paadya,
Achamana, etc., imagine that these services are offered to Srihari
through Lakshmi Devi. (
lmagine that Paadya is offered by saraswati Devi. chant the
Narayana mantra and "Asmin rashtre....."; take the paatra with water for
Paadya; touch the Shankha and offer paadya to Srihari.
lmagine that Achamana is offered by Rati Devi. chant the
Narayana mantra and "shanno devi....."; take the paatra with water for
ichamana; touch the Shankha and offer water for achamana to Srihari.
lmagine that Madhuparka is offered by Brahma Deva. chant the
Narayana mantra and ,'Madhuvaata,...."; take the paatra with
Madhuparka, touch the shankha and offer Maduparka to srihari.
lmagine that Punaraachamana is offered by Shanti Devi. Chant the
Narayana mantra and "shanrio devi....."; take the paatra with water for
Punaraachamana, touch the shankha and offer water for
Punaraachamana to Srihari.
lmagine that snaana is performed by Varuna Deva. chant the
Narayana mantra and "Asmin rashtre.....,,; take the paatra with water for
Snaana, touch the shankha and perform snaana to srihari.
13. PANCHAMIRTA ABHISHEKA
Perform Abhisheka with mirk, curd, ghee, honey and jaggery. These
tre the only five impdrtant substances used in panchamirta.
Ringing the bell,
Utter the mantra "Om Apyaayasva gotamo.....,'
and perform Abhisheka with milk.
Utter the mantra "Om dadhi kraavno..... ,'
and perform Abhisheka with curd.
Utter the mantra "Om ghrtam mimikshe....."
and perform Abhisheka with ghee.
 J
208 Devapuja Paddhati
Utter the mantra"Om madhu vaataae....."
and perform Abhisheka with honey.
Utter the mantra "Om svaduhu....."
and perform Abhisheka with sugar.
When possible, Abhisheka may be performed with tender coconuts,
sugarcane juice and fruits. But, these are not part of Pancaamruta.
The Shastraas say that when Abhisheka is performed with water
Srihari pardons ten wrong doings; when Abhisheka is performed with
milk Srihari pardons one hundred wrongs; likewise, with curd He
pardons one thousand wrongs; with Ghee it is ten thousand wrongs;
with honey it is one lakh wrongs; with the sugar cane juice it is ten
Lakhs; with tender coconut it is one crore and with scented water He
pardons all the wrong doings.
Perform Abhisheka with Sudhdhodhaka (pure, clean wateQ after
each Abhisheka with pancamruta substance. Offer the ten upachaaras
which include Vastra, Aabharana, Yagnopaveetha, Aasana, Gandha,
Pushpa, Dhupa, Deepa, Naivedya with fruits and Namaskaara.
44. SUDDHAJALA ABHISHEKA
After performing Panchaamruta Abhisheka, perform Suddhodhaka
snaana with Shankha filled with kalasha water simultaneously ringing
the bell (Ghante). At that time, chant Purusha Sukta. Abhisheka should
not be performed without chanting Purusha Sukta. Only when
Abhisheka is performed chanting Purusha Sukta it becomes teertha
When time permits, chant Vishnu Sukta, Gharma Sukta, Samudra
Sukta, Aatvaahaarsha Sukta, and Vishvakarma Sukta; also, chanl
Pavamaana Sukta; at least, the three varghas starting with "pavasva",
one vargha of "Ya lndho" should be chanted. Abhisheka should bc
performed chanting "Jithanthe" Stotra "Suvarna Parmaanuvak",
"Narayana varma", "Brahma Sutra", "Ashta Mahamantra" ancl
"Anubhashya".
Pooia Rahasya 2Og
Then perform Abhisheka with Poorna Kumbha directly chanting the
names of all the Kalasha devatas starting with ,,om Am Ajayanama:"
upto "Om Shimshumaaraaya Nama:".
Then, imagine that "Aja" and other Bhagavat roopas in the Kalasha
merge with the Bimbaroopa in the idol.
Perform Abhisheka with Swadudaka directly.
45. GANDHA.TULASI SAMARPANA (OFFERING GANDHA
& TULASI)
Then invite Srihari with the words "Oh Swamin! Please come
to the
Bhoga simhaasana (decorated simhaasana)"; request Him
to be
seated.
Prepare a paste mixing Agaru, Tulasi Kaashta, Kadambha,
Devdaaru, Bilwa and roots of agastya, gandha and kunkuma; make
small balls from this paste prepared with gandha, Take these
balls
along with Tulasi Dala, touch the Shankha and respectfully place
them
0n the Saaligraama and the pratimas; then, chant the mantras
"Gandhdwaraam....." and "srikantam chandhanam.....,, wash
; the
hands after each upachaara. Then, perform Tulasi archana.
Tulasi Dalas should be offered one by one. Elders have said
that
archana with Tulasi dalas yields enormous benefits. Ctoseness
to
Srihari is one of the greatest rewards.
Even then, it is not possible to list the rewards one gets by
performing archana with rulasi dalas one by one,
each time chanting
Erihari's names. Sri Tulasi is such an important and great means
of
performing Pooja to Srihari.
similar to offering Tulasi, offering tender leaves of Durvaa grass,
Bilva, Brungaaraka, Maatati, Kusha and other leaves is satisfying
the
requirements of the Shaastraas.
210 Devapuja Paddhati Pooja Rahasya

As a result of performing Pooja with tender Durva leaves, Srih;'

ORNAMENTS PRESIDING DEITIES
bestows on us the the reward one would get by performing all tll
Yagnas. For this reason, one should offer tender Durva leaves. 1 Kaustubha mani Brahma
One who submits Bilva grass will be respected after salvatiol 2 Vana Maala Sridevi
Hence, one should offer Bilva leaves.
3 Srivatsa Sri
Even if one offers Shami leaves without knowing it, there is rr,

doubt that Srihari would bless him with the highest state. Mentally decorate Srihari with all these weapons and ornaments.
By performing Pooja with Brungaaraj leaves to Srihari, he will be r,,, Srihari Himself is in the form chakra and other weapons. They are
of all diseases in old age and will attain Mukti. \

tupremely spiritual weapons.

By offering garland to Srihari, it is certain that one begets gains of foorl
Bhagavan who is in these weapons destroys independently all the
Chant the Keshavaadi twenty four Names, the Mathsyaadi l,r onemies by Himself. Rama Devi in the supremely spiritual form ls in
Names (Dasaavathaara Naamaas), Narayanadi hundred fldrIr.' lhese weapons.Various different presiding Devatas are present in the
Vishnu Sahasra Naama and Brahma Sutra. The phala as a resLrll , t Other inanimate weapons.
performing Tulasi Archana is immense.
Bhagavan is with Chakra and other weapons. These are all
46. POOJA FOR SRIHARI'S WEAPONS AND ORNAMENTS Qlendorous weapons.

Perform Pooja to the weapons and ornaments of Srihari and llr,' 17. AAVARANA DEVATA AAVAHANA, POOJA
presiding deities.
(TNVOKING THE PRESTD|NG DETTTES)
I

PRESIDING DEITIES The presiding deities should be invoked around Srihari by chanting
WEAPON I
names. Srihari is in the center; to the left ol Bhagavan is Sridevi;
1. Chakra Durga llheir
to the right of Sri Hari is Bhudevi; positions of other Devataas are
2. Shankha Sridevi Itnd
llhown in the Table given in the next page.
3. Gada Vayu I

4. Padma Bhoodevi
I lnvoke and meditate upon these Aavarana devatas who are facing
I
lhe God and offer them separately Arghya, Paadya, Achamana,
5. Sword Durga lMadhuparka, Punarachamana, Snaana, Vastra, Vibhushana,
UR.rcrta, Aasana, Gandha and Flowers. For this purpose pour water
6. Bow Saraswati l
h tne Pela with Uddharini.
I
The five Tha Pancha Praanaas of Mukhya praana whic ll ,tr,
7. I

Arrows Praana, Apaana, Vyaana, Udaana Samaana.

I

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 POSITIONS OF AAVARANA DEVATAAS
-SRIDEVI
SRIHARI - BHUDEVI

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Sauparni, Garuda

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Brahma
 Pooia Rahasya 213

48 DHUPA AND DEEPA

Show Dhupa Aarathi to Narayana along with all the Peethaavarana
Devatas. This Dhupa has 10 components; these are Gandha, Agaru,
Karpoora, Devadaru, guggula, Jaji pala, Vilva (Kungiliya), Usheera
(Vetiver - fragrant root of a plant), Koshtam and Saalaniryaasa. Cow's
ghee should be added to the dhupa.

Dhupaarati to God should not be performed by blowing air using the

hands or cloth or blowing through the mouth. Dhupaarati should be
held in the hand; and if necessary air should be blown through a hand
lan.

It is necessary to ring the bell while showing Dhupaarati. When one

perceives Srihari with full devotion, crores of generations of his lineage
will prosper.

Although we smell the pleasant scent of dhupa, it is not affected

lnd does not become Nirmalya.
Perform Ekaarathi with three cotton wicks (Trivarthi) soaked in
!hee. This Ekaarathi should be shown three and a half times from foot
b head and then the wicks are put off. Otherwise, Daityas will take
lway benefits of performing the Aarati.

I9. NAIVEDYA
:

, On Ekadasi days only fruits and coconut or milk should be offered as

fiaivedya; Any item which is fried, baked or cooked should not be used for
|,laivedya. The Naivedya offered to Srihari on the Ekadasi day is to be
Cffered again as Naivedya to Lakshmi Devi on the Dwadasi day.

the place in front of the God and wipe the place with
Clean
0owdung. Make a square ligure (mandala) and write the Beejakshara
tri" 1fr; on the mandala. lf Mandala is not made Daityas will take
lWay the Naivedya.
 Pooja Rahasya 215
214 Devapuja Paddhati

peetha; if a thro'' ln the Agneya (South east) direction Bhakshyas (sweets) are
on the square mandala place a three legged ; in the Eesanya (North East) direction Payasa is serued; ln the
flowers and above thill
legged peetha is not available, place three a (South West) direction Lehyas are served; ln the Vaayavya
golden plate or a silver plah'
place a plaintain leaf and when possible a h West) direction side dishes are served. Rice is served in the
may be Placed above that' ter; between the rice and Payasa ghee cup is placed. Water should be
is performed with goltl on the right side of the leaf.
srihari will be very pleased when Naivedya
leaves'
silver, bronze, or mud vessels or lotus
Then think that these cooked items have been prepared for
First,pouralittlegheeontheleaforplate(Paathraabhighars)'Firl;t Narayana by the Devatas.
serve the four types of foorl
rice, then salt and pickles are Served; then
(capable of being licked), Peya (drinkables),
choshy.r One should contemplate and think that the rice is prepared by
namely, Lehya
Saraswati; Bhakshyas by Vayu Deva; Payasa by Bharati Devi; dhall
(sucxaotes),Khadya(capableofeatingafterbiting).
Items by Brahma; Ghee by Mahalakshmi; and vegetables by lndra,
Paramaannam (Payasal
Then, six types of rice varieties such as Shachi and others.
(lemon rice), Kevallanna (simplv
Chitraanna Furiyodara), Haridhraana
Gudodana (rice with jaggery) Take some water which has been separately kept for Naivedya
rice white rice), Huggi (Venn pongal)
- Prokshana (See Agriyodaka); add Tulasi dala to that; sanctify this water
are served.
by chanting the Narayana mantra eight times.
East
North East Sprinkle (Prokshana) this water on the items kept for Naivedya
chanting Vishnu Gayatri - "Narayanaya Vidmahe. . "

Chanting the Narayana Mantra eight times and the Shloka

'sauvarnaihi ... ." touch the Naivedya Padaartas and sanctify thern.

liluona PRADHARSHANA (DrSpLAy OF MUDRA):

Dhenu Mudra is displayed to convert the naivedya padarthaas into
Water Amruta; Chakra Mudra for protection; Garuda Mudra for making it non-
i
poisonous; Shankha mudra for purification; Meru Mudra for increasing
he quantity of rice; Chandra Mudra for coolness (Sheethala). These
Mudras are demonstrated chanting the corresponding Mantras.

Side Dishes
INVMNC SRIHARI TO THE DINING PLACE
SouthWest
Then, invite and lead the omnipresent Srihari who is the lord of
hmidevi and supreme among all the Devataas.
NorthWest West
216 Devapuja Paddhati
Offer golden sandals embedded with precious stones (Ratnas)
Mentally, offer handshake (Karavalambana) to Srihari who is seated on
the throne.
Devataas hold umbrella, swing the Chamara, blow air with Vyajana
(a type of hand fan) and are serving Srihari.
Reverberating proclamations are made before Srihari to the effect
that "let there be victory to the Lord of the Lords! Let there be victory to
the Lord of Sridevil Let there be victory to the omnipresent Srihari."
Rows and rows of torches are held by Devataas. On the sides,
pillars of diamonds (Ratna Stambha) are shining. Carpets studded with
Rubies are spread. Tender Thoranas (festoons) are tied and the arches
are decorated.
The whole area is f illed with pleasant smell f rom flowers
pleasing fragrance from dhupa which is enjoyable to heart.
Apsara ladies are dancing nearby.The sporting gestures of the
different Avataaraas of Srihari are portrayed vividly with action and
emotion.
Some Gandharvaas are singing. Some others are beating the five
types musical instruments and are serving Srihari.
Srihari has been invited and brought to the dining place. The floor
the dining place is made of gold. lt has walls of crystals, diamond
pillars, steps made of Gems (Rathna); windows are made of vaidurya
(Opal - a precious stone); dobrs are made of Maanikya (Ruby); the
thresholds (doorstep) are made of corals; the divine pedestal is broad
and made of gold
The pillars are tied with banana trees. Bananas, wood apple, jambo
fruits, mangoes and grapes are hung in bunches. The thoranas are
made of tender green leaves. Pleasant smelling flowers are sprayed all
over the ground; flower garlands are tied to the walls and pillars; This
mantapa which has four pillars of gold; they are full of Rathnas and are
Pooja Rahasya 217
shining beautifully; Think that the central sacred pedestal has six steps
made of diamonds, crystals and vaidurya.
Mentally think that Srihari along with Sri Devi and Dhara Devi (Bhu
Devi) is seated in the above sacred pedestal located in the dining place.
DEITIES FOR SAAKSHI BHOJANA
(DEVATAAS TO DtNE AI-ONGS|DE SR|HARI)
After this, it is necessary to invite many others to dine alongside
Bhagavan (saakshibhojana) at the time of naivedya for the Bimbamurti.
No one else is eligible to sit in the same row alongside
Paramaatma who is the Master of the world, Lord for everyone, and
Supreme among all.
and Only those who are equal to Srihari can sit to take food alongside
Erihari in the same row. ls it not a fact that Srihari Himself is equal to
Erihari? Therfore, only Srihari should be seated alongside Bhagavan
lor Saakshibhojana.
Therefore, invite Padmanaabha who is in the Anantaasana,
larayana who is in the Shwetadweepa, Vikuntha who is in the
Vaikuntha, Bimbaroopa known as Purusha (Purushanaamaka
pimbaroopa;, Savitrunarayana in Aditya and in addition Keshavaadi
in
fwenty four forms (Roopas) thus:
"At the time of Naivedya for my Bimbamoorti Sri Hari, all of you,
are equal to Him (not different from Him) and although your are all
satisfied, please come for Saakshibhojana".
All these Bhagavat roopas recognize our sincere prayers, accept
r invitation and grace their presence in the Saakshibhojana.
218 Devapuja Paddhati
Sridevl srihari
F.....L-.1 :--" ..r
ASANA PAATRA VINYAASA i-. ... -i.'

(ARANGING THE SEATS AND LEAVES FOR DINING)

(s
c
(g
E
All these Devataas should be seated in the following order: .A

&GI
c.I,
There is prominent (Pradhaana) seat above the pedestal (Vedika); (n

(5
there are twelve seats each on the right and left sides thus making up @

twenty four seats; there are five seats in front of the main seat. E
ut
s
The main seat is meant for Srihari whom we have invoked; Sridevi G'
E
and Bhudevi are seated on either side of Srihari. i' f.'l >
\l,i E'
L
g
On the right side, Keshava, Narayana, Madhava, Govinda, Vishnu, (g

Madhusudana, Trivikrama, Vaamana, Sridhai'a, Hrishikesha, !' 1'J

E
.t5
a
rr-1,, .E
Padmanaabha, Damodara are to be seated.
.E
E
6
On the left side Sankarshana, Vasudeva, Pradyumna, Aniruddha, E
Purushottama, Adokshaja, Naarasimha, Achyuta, Janaardana, il,1 lD
5
(L
Upendra, Hari and Sri Krishna are to be seated. (U
'6'
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u)
Padmanabha, Naarayana, Vikunda, Purusha (the indweller of all .Y
o
a,
Jivas) and Savitru Narayana which are the five forms (Roopas) ol (U
E
Srihari are to be seated in the row in front of the main seat. E
'6
(o
(E
All these Bhagavat forms climb the steps and occupy their seats z,
(E

amidst pomp and splendor of the dance, Music, Vaadya and E

(o

i.1,; .E(,
proclamations of Victory to Srihari. (E
c

Place a broad and full banana leaf with a pointed end in front of
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Srihari. 6 r,'l
6 -"''
,1
-E (tt
A,
-o :c,
c
Above that place a big Golden plate and keep big bowls and many o)
+ (l)
CL
:, ,"Ii! f
Or,li
small cups. J:{i
i.'[ ti
S
q
5
On the right side of the banana leaf, place a big pot shaped vessel o, tG'
with a small mouth - Paaneeya Kalasha embedded with diamonds. IA)
3 i'l ,'i

f. i.t
Place small vessels by its side (upa paatra). or L...L
E
I
1)
[]rg

(lndwoller of all livas)

 Pooja Rahasya 221
220 Devapuja Paddhati

Food ltems Abhimani Roopa of

On the right as well as on the left sides are two golden standing Devatas Sri Hari
lamps (deepastamba). These lamps are lighted with wicks immersed in 14. Jaggery, Sugar lndra Vasudeva
ghee which yield a very pleasant smell 15. Side Dish Bruhaspathi Pradyumna
After preparing thus, think that Anna, Paramaana and other cooked 16. Bitter items Yama Aniruddha
items are served by Sridevi herself in one of her forms. Mustard, Camphor
17. Manmatha Purushottama
Asafoetida, Cardamom
This is one amusement for Srihari who is ever satisfied, This is also Food cooked with
18. Jayanta
one seva of Sridevi. Vayu (Mukhyapraana) deva is blowing cool breeze Milk, oil, Ghee Adhokshaja
with a fan which yields a pleasant smell. Pickles and Salted items
19. Daksha
(Sandige) Narasimha
Bharati Devi and Saraswati Devi and others are rhoving here and
Preperations Made from
there and are serving Srihari all the time. 20. Manu
urid dhall Achyuta

DEVATA FORMS AND THE ABHIMANI DEVATAS IN THE FOOD ITEMS: 21. Salt Nirruti Janardana
22. Fruit Juice Ahankarika
Think that different Abhimana Devatas and different forms of Sri Prana Upendra
Hari are present in the various food items prepared and served as 23. Tamboola Ganga Srihari
Naivedya 24. Water Budha Sri Krishna
Paaka Shuddhi
These should be contemplated as given below: 25. Pushkara Hamsa
lPunfication of food)
Abhimani Roopa of 26. Ruchi (taste) Rati
Food ltems Vishwa
Devatas Sri Hari 27. Leaf Agni Bhargava
1 Rice Chandra Keshava 28. Firewood Vasanta Vrushabha
2. Paramaanna Bharati Narayana 29. Cook Mahalakshmi Vishvambhara
3. Bhakshya (Sweets) Surya Madhava 30. Dining Place, Mandala Bhoo Devi
4. Ghee Lakshmi Govinda Varaaha
31. Naivedya Plate Ganapaty
5. Ksheera (Milk) Vaani Vishnu Sanatkumara
'32. Screen
Vishvaksena Purusha
6. Cream of Milk Brahma Madhusudhana
33. Tulasi Rama
7. Butter Vayu Trivikrama Kapila
34. 9gying Plate Durga
8. Curd Soma, Varuna Vamana Satya
Caretaker for vessels Varunee Ananta
9. Dhal with ghee Garuda Sridhara "35.
10. Keerai varities (Spinach) Mitra Hrushikesha One should realize that we have served to Srihari food
11 Vegetables (side dishes) Sesha Padmanabha items in
which the total presence of the various Roopas
of Srihari and Abhima ni
12. Sour Varieties Girija Damodara Devatas are there.
13. Non sour items Budra Sankarshana
222 Devapuja Paddhati
Take some water in the hand and do Parishechana (pouring w?k,r
all around the food items in a circle) with the mantra "Satyam Thvir,,
Ruthena parishichami"
Then, pray to God by saying "Hey Bhagavan! Mahalakshmi is givirrrl
you the Sudharasa (nectar) known as Aposhana in your right hanrl
please accept this; Oh! Controller of all devoteesl Please drink tlrl
nectar and take food as you please". Utter the mantra "Amruthoprr
staranamasi svaaha" and pour water in the Pela.
Then, offer water five times in the Pela with Shankha or Udhdharirrr
to Narayana, Vasudeva, Sankarshana, Pradhyumana and Anirudhdh;r
who are known by the names Praana, Apaana, Vyaana, l:ldhaanir,
Samaana. This is known as "Pancha Praanaahuthee ".
Then, pray to Srihari thus: "Oh, Bhagavan! All substances such ar,
Anna, side dishes (Sadaka), dhall items etc., prepared in my hous,,
today are dedicated to you. All substances consumed by humarr
beings, animals, cows, birds, insects, trees, animals that live in wator,
Rishis, Gandarvas, Devatas, Supreme devotees are all dedicated to
you.
Oh, Lord of Sridevil You are ever satisfied (Nitya-trupta); lou havo
no worldly desires (Apta-kama); you have an infinite blissful form whiclr
is complete (Ananta-ananda-sandoha Roopa;) your desires orrr
perpetually satisfied; you have infinite roopas; there is nothing thirt
others can do for you (Para-nirapekshya). ln spite of all these, tou arn
affectionate to devotees (Bhakta-vatsala); therefore, whatever I havo
given to you for Naivedya are all yours. Please accept tlrr,
Mahanaivedya."
"Hey Swamin! lhave placed the Naivedya before you.Pleas,,
behold the Naivedya with your divine eyes (Chakshruindriya) which r:,
Kapila roopa.
Please srhell the divine aroma in the Naivedya with your nosn
(Ghraanendriya) which is Narasimha roopa.
Pooja RahasYa 223
Please pacify m0 with your soft words coming from your
Parashurama Roopi Mouth (Vaak lndriya).
Please relish and consume the tasty tood with your tongue in the
lorm of Koorma. Please pardon my innumerable wrongs.
Srihari has unimaginable and wonderful powers. The Roopa of
Bhagavan in our heart, the roopa in the Saaligrama or in the idols, and
the naivedya substances are one and the same. This mental thought is
necessary for the naivedya to be complete.
Then, pray to God to accept the Naivedya prepared by us. Chant
"Dwadasha Stotra" at that time.
Thereafter, offer water; place a curtain, meditate on the form
(roopa) of Srihari who is consuming the Naivedya offered and chant
Moola Mantra 108 times. Then, pour water in the Pela uttering "Madhye
Madhye Paaneeyam SamarPaYami".
Then perform the secondary sacrificial act known aS "anuyaga
Then, utter the mantra "Amruthaapidhaanamasi swaaha" and pour
water in the pela. Chant the shloka "Mahaalakshmya
deeyamaanaam....." and Offer "Uttaraposhana" and reqUest Srihari
, "Please drink the divine uttaraposhana offered by Mahalakshmi with
iner right hand". Praying thus, offer uttaraposhana'
i Then, hand over the naivedya to Vishwaksena. Then offer Srihari
I wooOen sandals (Paduka) and request Him to come
for cleansing the
i franOs and offer Him the seat. Then chant the Moola Mantra and give
I water Wve]ve times to gargle the mouth.
I
Then pour water mixed with gandha, camphor and Kasturi in the
hands and offer water to cleanse His hands.
Offer water again to cleanse His teeth, wash His legs and give
water twelve times to cleanse His mouth.
226 Devapuja Paddhati Pooja Rahasya 227
51. RAMAA NAIVEDYA By doing pradakshina three times, the sins committed the
'!. previous seven days are wiped out.
Take some cooked rice from out of all the substances that were
oflered as Naivedya to Srihari. Divide this rice into two parts. Keep Doing Pradakshina one hundred and eight times
separately one part for performing Vaishvadeva. Keep the second earns phala that
would result by performing a yagna offering
part also separately for performing Baliharana. This rice should not crores of rupees as
dakshina.
be used for naivedya to any other Devatas.
Procedure for doing Pradakshina: Pradakshina
2. Chant "Ramaa-Brahmaadhayo-Deva......" and offer as Naivedya to should be done
slowly; it should be so slow as the walk of a lady
Lakshmi Devi all substances that were offered as Naivedya to in her advanced stage
of pregnancy carrying a pot fuil of water. pradakshina
Srihari (except the portions of rice that have been taken away for is done such
that 1, One foot touches the other foot; 2. The
performing Vaishvadeva and Baliharana , as stated in 'step 1' above.). hands are not swung
very fast while doing pradakshina; 3. Stotras
are chanted; and
\). After the Naivedya to Lakshmi Devi, offer as Naivedya to Brahmir 4.mentally contemplate on Srihari.
Deva and Vayu Deva, Saraswati and Bharati all substances thal
At least four pradakshinas should be done.
were offered as Naivedya to Srihari and Lakshmi Devi.
A After Naivedya to Lakshmi Devi, Vayu Deva and Brahma Deva tako C3. NAMASKAARA
some cooked rice from out of all this Naivedya substances. Dividrr
Shastras specify the number of namaskaaraas
this into two parts. . meditating on Srihari
Jor maximum benefit as 100 or 4g or 26 or 24 or 12 or 6.
i
Offer one part as Naivedya to Sesha and Garuda.
Meditate on srihari and perform at reast
5 Namaskaaraas.
Ofter the second part as Naivedya to Sanaka and other Sdgo:,
Namaskaara has eight parts:
(Fiishis).
"Ihis Naivedya offered to Sesha, Garuda and Sanaka and 1. First place the left knee on the floor;
othor
2. Then touch the ground with two hands;
sages should not be taken by us. Discard them.
3. Touch the floor with the right knee;
5. We should take only the Naivedya offered as Naivedya to Sriharr.
4. Touch the ground with the forehead;
Ramaa Devi, Brahma Deva and Vayu Deva.
5. Stretch the body on the floor like a
stick;
52. PRADAKSHINA 6. Fold the two hands above the head;
Doing one Pradakshina chanting the thousand names of Srih;rrr 7. Rest both the knees on the froor
and raise harfway;
(Sahasranaama) yields that much phala as would be obtained by doirrrl 8. Utter devara strotraas and meditate on Srihari and
a Pradakshina of the Earth with its seven oceans. offer
Pranaams.
228 Devapuja Paddhati pooja Rahasya ZZg

Namaskaara should be performed without any upper cloth
(Uttariya). When one performs Namaskaara wearing the upper cloth,
he will suffer from Kushta-roga for three births. The Namaskaara
should not be done in front of or behind the God or on the left side ol
the God; the best way to perform Namaskara is on the right side of the
God. Yajur vedhis may tie the Angavastra around their waist while
performing Namaskaara.
Then, chant Narayana Mantra 108 times to ensure completeness ol
the Pooja.
Contemplate that Srihari who was brought out from
the heart and
invoked in the pratimas earrier is once .g"in placed,
along with the
Peethavarana Devatas, in the Tulasi and ftowers
that are in the hand;
then realize that the sri Hari, in the Tutasi and frowers,
enters the
Brahmarandra through the nostrirs and then, enters
via sushumna
Naadi into the Hrudhyakamara arong with their respective
forms.
After this, Tattvanyasa and Matrukaanyasa are performed
within us
and pray to forgive our 32 types of mistakes. Then
all the pooja krama
is submitted at the feet of the Sri Hari.

Thereafter, perform Tattvanyasa, Matrukaanyasa, Krudhdolkadi and one should then utter "Naa Aham Kartha....,, upto ,,supreetho
other Panchanganyasa and Ashtanganyasa in the Pratimas. Meditato Bhavathu ...." and say "sri Krishnarpanamasthu,,.
on Srihari and chant the mantras "udyat bhaswaat....", "atma
chant "yasya smrutya..... ." and submit the pooja
devaanaam...." "Yagnena yagnam..." to srihari.

Then display avagundana, sannirodana, sammukheekaraner, As mat G u rvantargata, paramag urvantargata,

sannithaapana, samsthaapana and aavahana mudras starting from tho
Tattvaabh i maan i Devatantargata,
left side and ending on the right side.
sri mad Bharatiramana Mu khyapraanaanthargata,
Then, Plead to Srihari "Oh, king of the lotus in my heartl Pleas,, Ananta Karyaana guna gana daamaa, mama
Bimbamurti,
enter my heart." Mentally assume that Srihari has entered theTula:;r
Sri Lakshmi Narayana: preeyataam.
and the flowers in the hand,
Supreeto varado bhavatu.
The roopas of Devatas invoked in the Kalashas during Abhishek;r
have become one with the roopas of pratimas.
SRI KRISHNAARPANAMASTHU
Then, pray that all the bhagavat roopas starting from Aja Upkr
Shimsumaara merge with Lord Suryanarayana.
***
Then pray to Srihari to re enter the heart.

Take Tulasi and flowers in the hand.

Then know that the Bimbaroopi Srihari who came out of our hc;rrt
occupies our heart along with peethaavarana Devatas.
230 Devapuja Paddhati
54, RIG VEDA VAISHVADEVA HOMAM
We consume food for our existence. When we consume food in t]rn
form of vegetables, rice, cereals, etc., we commit the following sins:
(i) Cut vegetables; (ii) Grind food grains and cereal:;,
(iii) fry them in hot oil; (iv) boil them in water; and (v) kill a number or
minute and unseen living beings such as insects and animals. Theso
sins are called "Pancasoona". To avoid the harmful effects resultirrrl
from committing these sins and to keep food sacred and pur€ w.
perform Vaishvadeva Homa.
The following shloka illustrates the five sins that we commit in our
day-to-day transactions :
Khandanl, pesahani, culli, udakumbhi, ca maarjani I
Panca soona: gruhasthasya, taabhi: svargam na vindate ll
Vaishvadeva should be performed daily in the mornings and in tho
evenings. However, the Vaishvadeva that should be performed in thu
evenings may be done along with the Vaishvadeva that is done in thn
mornings. Whenever we perform ceremony for our parenl:,
Vaishvadeva in the evenings is not done since we do not take food irr
the evening.
Vaishvadeva Homa ls done using the cooked rice kept separately
for this purpose at the time of Ramaa Naivedya.
Vaishvadeva homa is performed after Devata Naivedya.
Procedures for doing Vaishvadeva for Rig vedis and Yajur vedis aro
different.
The following materials are required for doing the vaishvadeva:
(i) Cowdung cakes; (ii) Small pieces of firewood; (iii) Agni,
(iv) Fan; (v) Cooked rice (offered as Naivedya to Sri Hari only);
(vi) Nirmalya flowers after Srihari's Pooja, as also Nirmalya Tulasi,
Gandha; and (vii) Sacred rice (Mantrakshate).
Pooja Rahasya 231
1. Sit facing east;
2. Smear the place where Agni is to be placed with cow dung and
draw a "Rangoli".
3. Perform Achamana twice.
4. Perform Sankalpa stating place, year, ayana, ruthu, month,
Paksha,tithi, day, nakshatra etc.
"Agnyantargatabhaaratiramana........"
Paramatma in the form of Parashurama is the indweller in Agni.
Harini is the form of Lakshmi and is the consort of Parashurama.
Therefore, Harinipati and Lakshmipati both refer to Vishnu only. Hence,
when we perform sankalpa we state
"Motivated by Harinipati (Vishnu) in the form of Parashurama who is
present in Vayu who is the indweller in Agni, I perform this Vaishvadeva
homa daily, in the mornings and in the evenings to please this
Parashurama and also to expiate the sins committed by me because
of the five types of killings (Panchasoona)"
Pour water in the pela.
5. Establishing Agni,
Take some mantrakshate, hold it in the hand and meditate on Agni.
Establish Agni by chanting the Mantra "Om Bhurbhuvasvarom...
pratishtaapayet".
Throw the mantrakshate in Agni and make it blaze.
Chant the mantra "Jushto damoona......" lnvoke
and offer respectful salutations (Namaskaara) to Agni.
Chant the mantra "Ehiyagna iha hotaa........"
and invoke Agni.
Chant the mantra "catvaari shrungaa: trayo ...... ."
and meditate on Agni.
 Devapuja Paddhati Pooja Rahasya

Offer prayers and meditate on Agni by chanting the followinrr Chant the Mantra
mantras which describe the qualities of Agni: 'lgm bhu: Svaahaa Agnaye Aniruddhaya idam na mama" and offer
(i) ghQe to Agni.
(ii) "Svaahaam tu dakshine paarsve...... Cn)nt the Mantra
(iii) "tomaram vyajanam vaaamaihi........" "Om bhu: Svaahaa Vaayave Pradhumnaaya na mama" , and
(iv) "droomradhvajo lohitaakshaha...... ." offer ghee to Agni.

6. Agni always stays facing east. Offer prayers "Esha hi devalr;r Chant the Mantra
pradishonu..." and plead to Agni to sit facing us. Chant these mantr;r,, "Om: Svaha svaahaa Suryaaya Sankarshanaya idam na mama"
and pour water (similar to offering Arghya) on the ground in front ot and offer ghee to Agni.
Agni. Chant the Mantra
Chant the mantra "Udhyat raviprakara........" and invoke Vayu wlr,, "Om bhurbhuvasvaha Svaahaa Prajaapataye Vasudevaaya idam
is the indweller in Agni and meditate on Vayu. na mama", and offer ghee to Agni.

Chant the mantra "Kausheyapeeta.........." and invoke Lakshmi rl

Offer ghee sixteen times in lieu of sixteen sacred rites
(shodashasamskaara).
that Vayu; meditate on Lakshmi.
Chant the mantra "angaaravarna........" and invoke Parashurama r,, L Ahuti.
that Lakshmi; meditate on Parashurama.
While giving Ahuti only that cooked rice which was kept specially for
Chanting the mantra "Agne vyshvaanara shandilya gothra...... performing Vaishvadeva at the time of Ramaa Naivedya should be
Join both the hands and rotate them towards us. lmagine that Atp' used. Cooked rice should be offered to Agni in small quantities
is now facing us, while performing homa. Cooked rice should be taken separately for
7. Chant the eight mantras from"Om Visvaani no"........" upto "orl each Ahuti.
prajaabiragne.amrutatvamashyaam......." and place f lowers rr rr I

Akshate in the eight directions. Chant the mantra

"Om Namo Naraayanaaya svaahaa Naraayanaaya idam na mama",
Offer prayers chanting the mantra "Yasmai Wam svasti"
and offer rice eight times.
Respectfully submit Teertha, Ganda, Tulasi and Flowers to Ar;r',
and worship Agni. Chant the Mantra
"Om kleem Krishnaaya svaahaa kleem Krishnaaya idam na mama",
8. Then, seek permission of the eldersby stating "AahuteranUgn!3s" r,,
and offer rice six times.
invoke Agni and perform Homa olfering "Ahuti".lmagine tlr,rr
permission has been given. Then chant the mantras from "Om Suryaaya Svaaha Suryaaya
ldam na mama" up to "Om Brahmane Svaahaa Brahmana idam na
mama" and offer rice.
234 Devapuja Paddhati Pooja Rahasya 235

10" Poornaahuti 55. YAJUR VEDA VAISHVADEVA HOMAM

Then, Chant the mantras
1. Sit facing east;
"Om bhuhu Svahaa Agnaye Aniruddhaya idam na mama" and offer
rice
2. Smear the place where Agni is to be placed with cow dung and
draw a "Rangoli".
"Om bhuvaha Svaahaa Vaayave Pradhyumnaaya idam na mama"
and offer rice
3. Perform Achamana twice.
"Om Svaha svaahaa Suryaaya Sankarshanaya idam na mama" an(l
4, Perform Sankalpa stating place, year, Ayana,titi, day, Nakshatra etc.

offer rice. "Ag nyantargatabhaaratiramana........"

"Om bhurbhuvasvaha Svaahaa Prajaapataye Vasudevaaya idanr "Motivated by Harinipati (Vishnu) in the form of Parashurama who is
na mama" and offer rice present in Vayu who is the indweller in Agni, I perform this Vaishvadeva
Finally offer the remaining ricee. homa daily, in the mornings and in the evenings to please this
Parashurama and also to expiate the sins committed by me because
11. Agni Prarthana
of the five types of killings (Panchasoona)"
Stand before Agni and offer Namaskara to Agni with folded hands
Pour water in the pela.
chanting the following mantraci.
"Svasti, Sraddaam...... havyavaahana" 5. Establishing Agni.
12. State your Gotra, Sutra, Veda, and your name and perfornr Take some mantrakshate, hold it in the hand and meditate on Agni.
namaskara. Estabtish Agni by chanting the Mantra "Om Bhurbhuvasvarom...
pratishtaapayet".
13. Collect the sacred ash (Bhashma) chanting the mantra
"Maanastoke tanaye......" Throw the mantrakshate in Agni.

Ghant the mantra "Jushto damoona......" lnvoke and offer respectful

Chanting the mantra "trayaayusham jamadagne........" apply it on
salutations (Namaskaara) to Agni.
the forehead between the eyebrows, neck, navel, right shoulder and
left shoulder. Chant the mantra "Ehyaagne iha hotaa........" and invoke Agni.

14. Finally submit the Homa to Srihari by chanting "yasya smrutyaa ca Chant the mantra "catvaari shrungaa trayo ...... ." and meditate on
naamoktya........varado bhava; Sri Krishnarpanamastu". Agni.

15. Agni Visarjana
Chant the mantras "gaccha gaccha ...... ." and request Agni to go
back to his original place where Brahma and other devatas are present.
Offer prayers and meditate on Agni by chanting the following
mantras which describe the qualities of Agni:
(i) "saptahastascatu:shrungaha........"

(ii) "Svaahaam tu dakshine paarsve...... ."

 Paddhati
Pooja Rahasya 237
(iii) "tomaram vyajanam vaamaihi........"
10. Ahuti.
(iv) "dhoomradhvajo lohitaaksha:...... ."
Chant the Mantra
6. Agni always stays facing east. Offer prayers chanting the Manlr,r "Om Namo Naraayanaaya svaahaa, Naraayanaaya idam na
"Esha hi devaha pradishonu..." and plead to Agni to sit facing u:, mama", and offer cooked rice eight times.
Chant these mantras and pour water (similar to offering Arghya) ol
Chant the Mantra
the ground in front of Agni.
"Om kleem Krishnaaya svaahaa, Krishnaaya idam na mama", and
Chanting the mantra "Uddhyat raviprakaara........" meditate offer rice six times.
Vayu deva and invoke Vayudeva who is the indweller in Agni. Then chant the mantras from "Om Suryaaya Svaahaa Suryaaya
Chanting the mantra "Kausheyapeeta.........." meditate on ldam na mama" up to "Om Agnaye svishtakrute svaahaa I Agnaye
and invoke Lakshmi in that Vayu. svishtakrute idam na mama " and offer rice.

Chant the mantra "angaaravarnaabhi........" meditate ()rl Poornaahuti

Parashurama and invoke Parashurama in that Lakshmi. Then Chant the mantras

Chanting the mantra "Agne vaishvaanara shandilya gothra..... '

"Om bhu: Svaahaa Agnaye Aniruddhaya idam na mama" and offer ghee
pray to Agni. Join both the hands and rotate them towards u:,
"Om bhuvaha Svaahaa Vaayave Pradhyumnaaya idam na mama"
lmagine that Agni is now facing us.
and offer ghee
7. Chant the mantra "Tristrihi samaarshti........" and sprinkle water rrll
"Om svaha Svaahaa Suryaaya Sankarshanaaya idam na mama"
round 4gni.
and offer ghee
8. Chant the mantras from "Agnaye Nama: Uptr, "Om bhurbhuva Svaahaa Prajaapataye Vasudevaaya idam na
Yagnapurshaantaryaam i parash u ramaaya Nama:"
mama" and offer ghee
and place flowers and Akshate in the eight directions all round Agrrr
Finally, offer the remaining rice.

9. Chant the mantras "Aditenu manyasva"; "Anumateanu manyasva"; Sprinkling of water again.

"Sarasvatyenu manyasva"; "Devasavitaha prasuva"l Takn Chant the mantras and once again take one uddarini of water and
one uddarini of water and pour as if you are drawing a line all rourrrl pour as if you are drawing a line all round Agni in the four
Agni in the four directions. directions.
Aditenvamamsthaaha Anu matenva mamsthaha: ;
Sarasvatyenva mamsthaaha devasavitaha praasaavihi
Offer prayers to Agni chanting the mantra rom "Om yagna
f

Namaste yagnaha" upto "upa te nama: upa te namaha"

 Pooja Rahasya
238 DevaPuja Paddhati

13. Agni Prarthana Utter each Mantra from

"1) Suryaaya Svaahaa" up to
Stand before Agni and offer Namaskara with folded hands.
17) "Vaastu Devataabhyaha Svaahaa"
Plead to Agni as follows:
place some rice on the ground along the inside periphery of the
Chant the following mantras and offer prayers to Agni.
as Bali starting from East as shown in the diagram.
"Svasti, Sraddaam...... havyavaahana"

Chant the mantra "medhavi Bhuyaasaam..... .Sarva samruddo Utter the mantra
bhuyaasaam" 18) lndraaya Svaahaa and place some rice outside the mandala
in the east.
14. State your Veda, Sutra, Gotra, and your name and perfornt
namaskara. 1e) lndrapurushebhyaha Svaahaa and place some rice outside
the mandala further to the east.
15. Collect the sacred ash (Bhashma) chanting the mantra
"Maanastoke ......vidhema te"; apply it on the forehead. 20\ Yamaaya Svaahaa and place some rice outside the mandala
in the south.
16. Finally submit the Homa to Srihari by chanting " yasya smrutya ca 21\ Yamapurushebhyaha Svaahaa and place some rice outside
naamoktya........varado bhava; Sri Krishnarpanamastu". the mandala further to the south.
17. Agni visarjana 22) Varunaaya Svaahaa and place some rice outside the mandala
in the west.
Chant the mantras "gaccha gaccha ." and "yatra 23) Varunapurushebhyaha Svaahaa and place some rice outside
Brahmaadayo.,......" and request Agni to go back to his original place the mandala further to the west.
where Brahma and other devatas are present.
24) Somaaya Svaahaa and place some rice outside the mandala
56. RIG VEDA BALIHARANAM in the north.
25) Somapurushebhyaha Svaaha and place some rice outside the
Baliharana is the offering to all creatures the naivedya rice (kept mandala further to the north.
separately during Ramaa Naivedya) as shown in the diagram (Page 26) Brahmane Svaahaa and place some rice at the center of the
36/102). Baliharana, like Vaishvadeva, is one of the five Maha yagnas mandala
which should be performed everyday. Baliharana should be performed 27\ Brahmapurushebhyaha Svaaha and place some rice further
immediately after Vaishvadeva. east of the center inside the mandala.
1. Perform Achamana. 28) Vishvebhyo Devebhyaha Svaahaa and place some rice
further south ol the center of the mandala.
2. Perform Sankalpa stating place, year, month, tithi, day, etc.
29\ Sarvebhyo Boothebhyaha Svaahaa and place some rice
3. Clean and wash the place with water where Bali is to be performed. further west of the center of the mandala.
4. Draw a circular mandala
 Devapuja Paddhati
Pooja Rahasya
30) Divaacaaribhyaha Svaahaa and place some rice north of the 57. YAJUR VEDA BALIHARANAM
center of the mandala.
31) Naktanacharibhyaha Svaahaa and place some rice further 1. Perform Achamana.
north of the center of the mandala. 2. Perform Sankalpa stating place, year, ayana, ruthu, month,
s2) Rakshobhyaha Svaahaa and place some rice outside in the paksha tithi, day and nakshatra , etc.
north east of the mandala.
3. clean and wash the place with water where Bali is to be performed.
33) Change the yagnopavita to the right shoulder (apasavya) and
utter the mantra svadhaa pitrubhyaha and place some rice 4. Draw a circular mandala to the west of vaishvadeva Agni.
outside in the south east of the mandala; touch the water. 5. utter each Mantra (ending each mantra with ,,idam na mama") from
34) Change the yagnopavita to the left shoulder (normal position)
1) "om dharmaaya svaahaa dharmaaya idam na mama,' up to
and utter the mantra Shyaamaaya Svaahaa and place somc
rice outside in the south west of the mandala. 22) "Brahmane svaaha....."
35) Utter the mantra Shabalaaya Svaahaa and place some rice and place some rice on the ground along the inside periphe ry ot
outside in the north west of the mandala.
the mandala as Bali starting from North East as shown in the
36) Utter the mantra Manushyebhyo Svaahaa and place some rice diagram (given on pages 40 I 107), perform "parishechana" to all
outside in the north west of the mandala. by sprinkling water on them.
7. Then go out of the house to the courtyard. Outside the house in thc
offer Bali successively in different places as shown in the diagram.
courtyard, spirits, bhutas, pretas, pisachas etc. andallkinds ol
creatures are wandering day and night desirous of having the Bali Place the yagnopavita on the right shoutder (Apasavya),
Chant the mantra"ye Bootaha pracaranti.....dadhatu svaahaa " ancl
offer Bali to them so that they get the energy and strength; Pray uttering the mantra
"Oh, Lord! Please give me energy and strength since you are tho
23) "svadhaa pitrubhya: svaahaa", place some rice in the south.
source for them all."
Perform Parishechana in anti-crockwise direction (apradakshina-
Then chant the mantra "Eindram vaaruna ....mayaarpitam". krama).

Pour water for these chandaalaas, bootaas and crows and offer (wash hands, with Yagnopaveetha in savya i.e. normal position)
Utter
them the remaing rice.
24't "Namo Rudraaya pashupataye svaaha" and place some rice
Then, wash your legs, with water, touch your eyes utter "All evik; outside the mandala in the South East.
should vanish (Sarvaarishtashantirastu) and reenter the house.
(ltem 23 and 24 are offered to the south of the circle)
L Finally submit the Baliharana to Vishnu by utterintl
"Srikrish naarpanam astu".
242 Devapuja Paddhati
(25 to 27 are to be offered in Vaishvadeva Agnikunda as Ahuti)
25) "Vishnurme kaamassamrudhyata:.....";
(This is known "Agra" dhaana; it is offered to Vishnu.)
26) "Devebhya: svaaha..... ."; Perform Parishechana by chanting
Pooja Rahasya
34) "Ye buta: pracharanti...... .dadhaatu svaaha,....,,
Place some rice at the center of the circle.
(This is offered to Bhutaganaas roaming
around day and night
looking for some food. ln return the giver is bestowed with sound
health).

27',) "Vaiyaasika devebhya....." . Do Parishechana. 35) "Aindra vaaruno..... maya batim." This is meant
for the and
place this outside the cicle in the south
28) With Yagnopaveetha in Apasavya position utterring "Pitrubhyas- below item 23.
svadhaastu..... " offer bali and perform parishechana in anti- 36) "Dvau shvaanau......ahimsaake". This is tor the two dogs,
clockwise direction (apradakshina-krama).
Shyaama and Shabala; pray that these dogs
do not cause any
2e) Again change Yagnopaveetha to Savya, after performing harm.
Praanayama, say "Bhutobhyo. Namaha...."; place this outside the
6. collect the remaining rice, go out of the house
circle in the North. to the open
courtyard and sprinkle some water; chant the
shlokas from .Deva
30) "Manushubhyo hanta....." manushyaaha.... upto "te mudita bhavantu"
and throw the remaining
(This is offered in the Vaishvadeva Agni) rice. lnvisible Bhutaas, pretas, pisachas etc.
and a, kinds of riving
creatures are wandering day and night outside
31) "Prajapataye svaaha ... ." the house in the
courtyardi this is offered to them.
and place some rice outside the mandala in the west.

32r. "Parameshtine svaaha ....." 7. Then, wash your tegs, with water, touch your
eyes; ufier ,,Ail evirs
and place some rice outside the mandala further in the west. should vanish (sarvaarishtashantirastu) and reenter
the house.
Chant the mantra 8. Finally, submit the Baliharana to Vishnu by uttering
33) "yathaa kupa:shatadhaara: .sahasra dhaaramakshitam; dhana "Srikris hnaarpanamastu".
dhaanyai svaaha .....".

and place some rice outside the mandala in the east.

(Pray to Dhana-dhaanya Devata to supply with abundant wealttr

throughout the year and supplies of plentiful water from its
hundreds and thousands of water sources all through the year)
244 Devapuja Paddhati
pooja Rahasya
245
58, HASTODAKAM
59. RIGVEDA BRAHMA YAGNAM
Offer Teertha, Tulasi, Gandha etc. to Gurus who have attained the
The important yagna to be performed by ail of us
Brindavana and to whom Hastodaka is to be offered. Then serve the are Brahma
Yagna, Deva Yagna, pitryagna, Bhoota yagna
Naivedya (Hastodaka) on the banana leaf. and Nru yagna. The
devatas, Rishis and Pitru Devatas Have done great
acts for us and for
Chant the Mantra "Om Bhurbhuvasvaha..." and sprinkle Teertha on the welfare of human beings. Therefore we are indebted
to them. To
the leaf. show our gratitude we otter Tarpanas to them.
Take water in the hand, chant the Mantra "Satyanfuartena The Brahma yagna is performed after the morning
parishincaami" and perform parishecana. Offer Aapoashana by "Om Japa and before
the noon Japa. while performing Brahma yagna we
amrutopastaranamasi svaaha. ". should keep our
egs crossed with right leg over the left leg.
Chant the Mantra "Yati haste jalam dadyaat...... dattamarnatakam."
1. Perform Achamana.
Mentally plead with folded hands the Guru who has entered Brindavana
to take his seat for "Bhojana". Chant the shloka as applicable to the 2. Perform Praanaayaama.
Guru.
3. Perform sankarpa stating prace, name of year, Ayana, Ruthu,
Submit the Hastodaka to please Sitapati Sriramachandramurti by month, Paksha, Titi, day of the week, star
etc.
chanting ".....guruvantargata...... "
4. Utter the mantra "om Viddhyudasi vidhyame........,,, take a rittre
For example, for Jayateertha Guru chant "Srimad Jayateertha water in the palm, add nirmarya Turasi, prace
the reft parm over the right
Gurvantargata Bharatiramana Mukyapranantargata Sitapati Sri thigh and chant the Mantras beginning from the pranava,
Ramachandra Murti Priyataam, Preeto bhavatu"; Vyahruti,
Gayatri Mantra, then followed by Rig Veda (,,om
Agnimile
and so on for other Gurus like Sri Vyasa raja, Sri Raghavendra Guru etc. purohitam.......), Yajur, sama & Atharvana
veda mantras, Vedanga
sastras, Meemamsa, Maha Bharata, Bhagavata,
Then utter "Praanaaya Svaaha; Apaanaaya Svaaha; Vyaanaaya Brahma sutra and
other shlokas- upto "..... om shanti: shanti:
Svaaha; Udaanaaya Svaaha; Samaanaaya Svaaha" and offer water shantihi.
five times. vrishtirasi vrushca me........ ,, and touch the
water.
Offer uttara aopasana "Om amruto-abhidaanamasi Svaaha"; Sit facing East and offer Tarpanas.

Then offer water for washing hands and mouth (hasta-prakshalana etc.). 5. DEVATA TARPANAM
Offer Teertha and Tulasi once again. with Yanopavita in the normar position (yagnopavita
on the reft
Finally submit this service to Srihari by uttering "Sri shoulder - savya) offer once water as Tarpana
through the tips of the
Krishnaarpanamastu" t hand's middre finger and forefinger to each of the Devatas
from
246 Devapuja Paddhati Pooja Rahasya 247

'Agni' to 'Bhootani' (30 devataas) uttering the mantras from "Agni:, 60. YAJUR VEDA BRAHMA YAGNAM
trupyatu" up to "Bhootaani Trupyantu. 1. Perform Achamana.
6. RISHI TARPANAM 2. P ertorm Praanaayaama.

Wear the Yagnopavita as a garland (Malakara) offer twice water

a:,
Tarpana through the base of the little finger to each of the 12 Rishi:,
from Shatarcina to Mahaasooktaa uttering the mantras fronr
"Shatarcinastrupyantu"up to " Mahaasooktaastrupyantu"
7. ACHAHYA TARPANAM
Those whose parents are not alive wear the Yagnopavita or thc
right shoulder (apasavya); those whose parents are alive wear thc
yagnopavita in the form of a garland; place the yagnopavita betweerr
the thumb and the index finger of the right hand and offer Tarpana
thrice from the palm between the ring finger and the thumb. Chant tho
mantra from "Om sumantu Jaimini.....Mandookeyaastrupyantu" upto
".....sarve Trupyantu truptyantu"
8. PITRUTARPANAM
Wear the yagnopavita on the right shoulder (apasavya). Offer water
as Tarpana from the palm through the thumb to the following 12 tore
fathers and relatives as mentioned below:
Asmat Pitaram .... Sharma,.... Gothra ...Vasuroopam, Tadantaryami
Pradhyumnam Svadhaa Namaha Tarpayami Tarpayami.
(From Father up to Acharya - Total 24).
9. Chant "ye caasmatkule ..... sootranimshpiidanodakam"
10. Submit the Brahma yagna by uttering "Yasya smrutya.....
.. ..priyatam".
3. Perform sankalpa stating place, name of year, Ayana, Ruthu,
month, Paksha, Titi, day of the week, star etc.
4. Utter the mantra "om Viddhyudasi vidhyame........" and touch water.
Chant the Gayatri Mantra and the following mantras of Yajur Veda,
Brahmana, Rig, sama & Atharvana Vedas, Vedangas, Maha
Bharata, Bhagavata, Brahma Sutra etc :
from "om ishe tvorje...' upto "vrishtirasi vruscha.... ,,and touch water.
Sit facing East and offer Tarpanas.
5. DEVATA TARPANAM
Utter the mantras from "Brahmaadayo....." up to ,,om bhurbhuvaha
suvardevan tarpayami" and offer Tarpana to Devatas.
6. RISHI TARPANAM
Utter the mantras from "sarvaan rishin tarpayami .....up to*om bhur
bhuvahasuva rishin tarpayami" and offer Tarpanas.
7. PITRUTARPANAM
chant the mantras from "sarvan pitrun tarpayami" upto
bhurbhuva:suva: pitrun tarpayami" to offer Tarpana to the pitrus.
This Pitru Tarpana chanting the above verses is to be performed
even by those whose parents are still alive.
Tarpana for one's own father, forefathers are to be performed only
by those whose parents are not alive: Chant "Asmat pitaram....
Sharmanam...Gotram...." etc.
8. submit the Brahma Yagna by uttering " yasya smrutya......
... ...priyatam". State "srikrishnaarpanamastu"
 l'
248 Devapuja Paddhati
61. SHODASHOPACHARA POOJA
While offering Shodashopachaara pooja for this image form (Bimb;r
roop!) of Bhagavan, Mentally imagine that the following upacolos ?ro
offered:
1. ARGHYA: We are offering Arghya to Srihari. Bhagavan extend:;
His hands and accepts it.
2. PAADYA: We are washing His sacred feet using water intended
for this purpose (Paadya jala). These feet shine like the glow of onc
hundred Suryas. They are as elegant as lotus.
Brahma washed the same feet and was blessed. Shiva held this
sanctified water and became holy. These feet remove the lgnorance ol
the mind (Ajnaana) from the persons who remember them. Mentally
imagine that are washing such a sacred feet; sprinkle that holy water
(Paada teertha) on our body and the house. We are indeed fortunate;
3. ACHAMANA: We are pouring Ganga water which gains a sweet
srnell because of the addition of Cardamum, Camphur, Keshari and
Kastoori in His palms for His achamana. Srihari accepts it.
4. MADHUPARKA: We respectfully offer the best madhuparka.
Srihari accepts it.
5. PUNARAACHAMANA: We offer water for punaraachamana.
6. ABHISHEKA: Take water in the Shankha rom the Snaniya
Kalasha in which one hundred and one Kalasha Devatas are
present.Perform abhisheka chanting Purusha sukta "Sahasra
Seersha Purusha...... ." to the Sacchidaanandamaya Bhagavan
Srihari who has one thousand heads, has infinite forms and ia
Apraakruta.
lll!
lllt
lltiLu
Pooja Rahasya 249
Although an individual may lack the required Bhakti, Bhagavan
resides in my heart and I am performing this abhisheka with my own
hand. How fortunate!
We are wiping dry using a
cloth the idols in which the
sacchidaananda Bhagavan is fully present. How tender are the
Bhagavanta's body! How soft! How wonderful!
7. VASTRA: Then we offer yellow silk vastra (pitambara) which is
shining like Jambunada gold on top of the Meru hill. lmagine that
we are putting it on Srihari.
8. VIBHUSHANA: We are decorating the Lord of Lakshmi (Siriarasa)
who by Himself is very very rich with ornaments (vibhushana). We
are respectfully offering rings which make pleasing sound for the
toes of the legs, kiripenda, waist string for the waist, waistbelt
(katibandha), rings for the fingers, bangles for the hands, on the top
naagamurige, bracelet (angada) ornaments for the shoulders,
necklace studded with gems and nine types of precious stones (
Navaratna), tulasi mala (Vanamala), Kaustubha ( precious gen
obtained when the ocean was churned) worn by Lord Vishnu in His
chest, earrings for the ears in the shape of crocodile
(makarakundala), massive and heavy diamond crown and Golden
sandals for the legs.
When each ornament is given the self satisfied Bhagavan accepts
each of these ornaments eagerly and with affection.
I
9. YAGNOPAVITA: We respectfully offer the sacgred thread
(yagnopavita) in which the three vedadevatas are present.
10. GANDHA: The most excellent and sweet smelling gandha made by
mixing Kasturi, keshari, camphor and punagu are smeared on
spiritual Bhagavan who is Himself full of pleasant smell.
250 Devapuja Paddhati Pooja Rahasya

1 1. TULASI AND FLOWERS: We worship at the feet of Srihari with q,qe) rqet+{r u.fi:
Tulasi which is His precious gift. Mudras for Kalasha Puia
We place a garland of fresh and tender Tulasi in the neck of Srihari.

At the time of offering Tulasi and flowers we recite the hundred

names of Srihari, His thousand names and other prayers.

12. Respectfully offer dhupa.

13. DEEPA: Then, light the lamps.

14. NAIVEDYA: The naivedya consists of Nectar drops (Amruta) that (FrHSq,<wr{) rr€'sgrr (Brflfro<orrfl tggrr
came out of the orbit of Moon (Chandramandala) and likewise (Nirvishee-kara naartham) (Am rutee-karanaartham)
consists of various types of eatables and food with excellent tastes. Garuda Mudra Dhenu Mudra
We offer this Naivedya in golden vessels studded with diamonds
and precious gems to Srihari who is aprakruta, who can always get
whatever He desires, who never fasts, who enjoys everything, who
enjoys all auspicious things, who has no desire, and who is self-
satisfied with all tastes (svakhya rasa trupta).

We respectfully dedicate rows and rows of kirideepa to the

supreme Lord who has the glow of crores and crores of Surya and who
is the giver of glittering and splendorous brightness to Surya and ail tqkfr*<urnf) rgrr ({{erunf) qqrr
Pavitree-karanaarth am) (Samrakshanaartham)
other planets in the Surya mandala. (

Shankha Mudra Chakra Mudra

1 5. PRADAKSHINA: Mentally perform pradakshna.

16. NAMASKAHA: Respecttully submit the namaskara.

(fur-rr+rrf) lr(tlFr
(Digbandanaartham) Gadaa Mudra
 Pooja Rahasya 253
Devapuja Paddhati

64. POOJA ITEMS

Aavaahanaadi Mudras
LrsT oF ITEMS REQUTRED FgR PqOJA

1. Shaligrama;

2. Two Chakraanike;

Hrke q?r {Fnkfr qEr 3. Sudarshana Chakra;

Samsthaapito Bhava 4. ldols of Vishnu and Lakshmi or Sita and Sri Rama or Sri
Rukmini and Vitthala or any other form of Vishnu; and idols of
Mukhyapraana, Garuda and Shesha;

5. Sampushta for keeping the shaligrama;

6. Somasutra plate;
ii::l l:iri;ilir;i. .r.. : .. l:

nfukd q?r rlif 7. Small tripod for keeping the Abhisheka plate;
Sannihito Bhava Sanniruddho Bhava,
8. Nine Kalashas (l.Poorna kalasha, 2.Snaaneeya kalasha,
3.Vessel with water for Nirmalya Abhisheka, 4.Vessel with
water for Naivedya Prokshana, S.Vessel with water for giving
Arghya, 6. Paaneeya kalasha, 7. Vessel with water to wash
our hands, S.Vessel with Water for Shankhabhramana and
9.Vessel with water for making the Gandha.)
rrt sFr
Sammukho Bhava
(i) Snaneeya kalasha contains pure water for Abhisheka;
Avaguntito Bhava
(ii) All other vessels/kalashas contain pure water.

L Shankha;

10. Two Lamps;

rrT 11, Ghante;

Suprasanno Bhava
254 Devapuja Paddhati

12. Kachola to keep Gandha, Akshata and Angaara;

13. Turmeric powder, Kumkum and Manthrakshata; Tulasi

leaves and flowers

14. Betal leaves, nut (Tambula), Coconut, Dakshina;

15. Arati ladles for Trivarti, pancavarti;

16. Krishnaajina (deer skin).

17. Prepare a paste mixing Agaru, Tulasi Kaashta, Kadambha,

Devdaaru, Bilwa and roots of agastya, gandhaand kunkuma;
make small balls from this paste prepared with gandha.

18. Make Akshata which is a paste obtained by grinding turmeric

sticks and ash obtained from burnt petals of banana flowers.

SRI KRISHNARPANAMASTU
t--- ."'- - j
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