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How They Softened The Stone. Sigiriya. Part 1. Softening of The Stone
How They Softened The Stone. Sigiriya. Part 1. Softening of The Stone
Publications ONWARD TO THE PAST 19.01.2015. How they softened the stone. Sigiriya. Part 1.
Softening of the stone.
Everybody, who is familiar with the essence of the problem understand that the ancient humans could not
possess with such technologies, something is wrong here. Either they knew more than we, or they were not
humans, or humans, about which we know nothing. About this they say from all screens, write books and
create sites. More and more people begin to be interested in how it was in fact, many realize that in the history
of the seemingly well-known, there is mass completely unknown. We can say that we are not familiar with it
at all. However, we will continue.
Modern science has theoretically proved the possibility of giving a crystalline solid one body plasticity,
followed by a return to the hardness. And today it is a accepted fact. Another thing that implement this
method in practice, we cannot, because it is associated with radiation, neutron emitters and huge costs. But,
now we have the important fact that the softening of the stone is possible. Intuitively, all understand this,
because very often face with a similar phenomenon. For example, the heated rosin becomes viscous, upon
cooling it becomes solid again.
But granite is not rosin, and how much it is not heated it does not become softer. If melt stone to a liquid state,
and then cool down, then it will be completely another material with other properties. I.e the crystal lattice of
stone, of course, is amenable to thermal effects, but it breaks down and loses its properties. Therefore, it is
necessary to affect on the mineral so, that only slightly weaken the bonds in the crystal lattice without
destroying it.
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There is another assumption, how softened stone, many ancient legends say about it, by the way, the stone can
be plastic, acting on it with specific, specially selected sound waves. Inky say that the stone watered with
juice of unknown tree became soft.
In any case, we do not possess such technology, so let us see how it made other builders in the past. Judging
by the results of their work, the ancient masters could do stone plastic in different ways, depending on the
tasks. They were not afraid of any weight or volume. With multi-ton blocks they worked easily and not
compulsory.
One of the best example of such work is Sigiriya rock in Sri Lanka. Translated from Tamil language, Sigiriya
means - "Lion Rock". Rock is rocky plateau with area of 1.5 hectares, which stands alone on the 170 meters
above the surrounding plain in the center of Ceylon island. Since 1982, Sigiriya was included in the list of
World Heritage Site UNESCO.
But let us look at recesses.. In the study numerous photos of Sigiriya appeared such law, wells are mainly of
two types, big and small square, and the same but rectangular. As a rule, in one location meet close both
types. So boulder which we see in the picture is typical. Here we see a large square recess coming up, and
large rectangular coming horizontally to the left.
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If to assume that for softening the stone was necessary application of two types of devices, for example, for
creation of vibrations with different frequency, then the square tracks it is one "contact" and rectangular the
other one. Machines, moving on boulder made it soft and gave it the desired shape.
There is a reasonable question at once- why? The explanation may be very simple. Still, it's a palace and the
shapeless lumps here for nothing. Slightly trim the flattened corners, and get a beauty.
It should be noted a very important moment. Those who created this and many other similar objects, never
did anything for nothing. In everything had to be present versatility and harmony this is a characteristic and
distinctive feature of monumental structures of such level.
It is unclear how all these giant boulders were in this place. It is possible that they were broken out of the
rock, planning the top part of plateau and then having gave aesthetic form, made garden of rocks.
But let's go further. As seen in this image, the upper part of rock slope differs from bottom part. And it is
impossible to escape from feeling that rock was poured with something from the top. This is because it is so.
In some places the top layer even is folded up like an ordinary plaster. This occurs due to the fact, that
although this layer is integral with the parent material, but has other characteristics, it is more solid. This layer
causes many disputes in the scientific environment.
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If such similar to enamel coating was not, then the water would seep into
the rock and gradually destroyed it. There is s no sense to build such
monumental structures on the rock, which in 200-300 years can collapse.
Therefore, the upper part of Sigiriya was treated and strengthened.
Now let us see how it was made. Only first, imagine yourself the mad
monk who would agree in this place to cut down a "steps". If you can not,
then you will be easier to perceive reality.
In fact, those are tracks from setting, which were going and melted the
rock. Viscous mass flowed down, covering the appropriate sections with
protective layer. Agree that with the naked eye you can see that those are
dents left in something viscous, like plasticine. And nothing to do with
erosion, this cover makes nothing for hundreds of years.
There is another simply amazing artifact. Moreover, that weakly represents how it was possible to make such
a drain, on such height but in order to the lower part had ledge it was necessary to cut out all the rock around.
On the rock, as we see there is no trace of machining.
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But if we assume that the rock was soft, then from material of drain gutter
it is possible to make the bottom part. And no matter how much they
would break your head, there is no other explanation.
In addition, on the left lobe of the gutter, it is clearly visible, familiar to all
alternative men ledge, so-called "nipple", to which apparently were
connected mechanisms.
But that's not all. On the left side of the wall from the gutter, it is clearly
visible straight line, which can be formed only if to the soft material press
a narrow, straight object, such as a ruler. So that the drain seems to be
made on the left side, and the band, this is the second "contact".
If you look on the right side of the stone it is clearly visible imprint of something flat. As if they put an
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uncured cement sheet of metal, and then removed. Apparently held flow ability or vice versa accelerated. Or
maybe "warmed up" the stone.
Of course, we can say that the stone was pretreated and then slipped brick but it seems that this has not been
done.
Return to the rock garden, to a boulder, which we saw in the beginning. Let us look at it from the other side.
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9/12/22, 7:25 AM How they softened the stone. Sigiriya. Part 1. Softening of the stone.
The following photo again shows that the boulders it is covered with melt like chocolate cake icing.
If you open a large image (click on photo) and to bring the stone in the background, you can see that on the
parent rock is also affected direct "attachment". Did it seems to melt dotek to the right place rocks below its
widest part. Now the water will drain, without destroying the monolith.
In the foreground, the block a little Patanjali, and the excess is simply pulled forward. Do shovel, when
interfering with the concrete.
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wrapped around the stones under the monolith. This photo takes all questions and unambiguously says that
the stone was liquid.
In this part, we looked at the objects, which, most likely, was treated with "rough" machine that can melt large
volumes, but not fitted to do fine things. Therefore, in the next part we will consider small architectural forms
Sigiriya, which were made with the help soften stone.
All photos used in this article comes from website A. C. Koltypin dopotopa.com
How they softened the stone. Sigiriya. Part 2: Small architectural forms.
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9/12/22, 7:25 AM How they softened the stone. Sigiriya. Part 1. Softening of the stone.
I am asking permission to quote your work (properly cited and credited) in my upcoming article based around
Sri Lankan ancient history? I believe it would compliment my article greatly.
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