786 THE STUDY OF ORCHESTRATION -uaumajeu {2243 uo Punos ou Ou a)>xpuy SPeoyarOU ype ‘salves wOHAM feuorssayoud apeOIpUN YIN sure OM TE UT sednos8 mayoure wy Suheyd osomp 05 speayerou yuyq HeKeyd exysotpuo Sumy Baq Jo} Bucs a HEU SHOU OM, uayHn se (dn sqepad aes) dept Ey sas Se ee a a aro Ses usp se Sita nen pels comin Saad eta ssumg ‘syuaui iouorssaeaduayyy ‘Bary Bupunas (qeHoysso1g) oun Bury wari Bune warn, ‘Surdupd rwaysoyar0 wt 10) pares Aqjensn asoth ase pue sTeUOIss9y0: are aray uaai8 souo ay, sakejd jeuorssajord 04 sakeyd Imerajod wo SLNAWNYLSNI aWwa1s3HoUo Gasp ATINSNDZYS LSOW 3H 4O SSONVY== unum se == 2090 sdnou8 teuorssayouduou ‘ur argerreae jou Aqqensy) samo] Wap pape 2 ang ony Ss oe arma APPENDIX A 787 S24 a ———— ered spurmpoom Jamo] a48}e spunos oftreq Joua} Inq ‘WaHEM se ofueg uapuM se uyjopueyy sa enepo mam ‘stow (wuorssafouduoy)) ‘aBury Buspunos quauinagsuy aBumny sn, noprjoud appl Pues 24 19 ee ee ee a ee anges7B8. THE STUDY OF ORCHESTRATION 1yBiy 10 Moy A124 pasos aq 104 pinoys sotioydoxes ayy ‘sda Teuoyssajouduow ur a1qerea® 31 sduos8 yeuorssayorduou MO] LAG FOfeUr -0URI s9M0} \}9 Jofeut oye g amo] puz sofeur :ouesdos 4g es uy ajqeqreae you Aqrensq, samoy aAepo St uoosseqenu0 % syeuoyssjosduou ye Aq ayqedeyd 29 jou Sew a a swore porvanon ees vonunse pepe ses ** ae somo puz sofeus sdnos8 jeuorssejozduou 4 “pap seq wy wayEEM 3 ane UU ajqetieae aq you Sey Ss ‘amor yg roles ees auuep sseg sano] 499 tous sone sau pu sou sexjsoyouo [euoyssajouduow. A ‘Toy puz safe iq es 1 aiqeyieae ame souLeP = damot pug our 5 seq idooxa ‘40 ou Arensp, = samo] puz sofeur gq 7 sounep Ty sensaypuo [euoyseayorduou . URREREACUOPS Kon Ge amor ns payed a= soy yoru ‘syuauwod (ywucyssafouduon)) Bury Suspunog (jouossafoig) quauinaysuy Buy war Bung vayim,APPENDIX A 789 auoquiost Ss = = A : samoy wpz sour Es sadn amo] Wg soleus et ==, seq c pur = Femoy puz Jofeur suzoypesnjy amo] Wg sfeur5869 1 ‘M9} 2a8}0 5509 5 spueq somo pu soleus 21409 uy pasn Aysou axe wong pue "oun pug JOU yeutod arp Serpnppuy ‘sjadumy 1940 seySty puz sofeu :q seq Tre ‘Sesjseypio tapout ut pasn are . amor puz Jofeur ig, Pl pur q sdaoxa syaduma g 40’ 4q Aquo Aqpensp), Ss ‘wayHIM se Ss ‘seduna [ry = = (sajou [epad === mnotspaed pS md) tor sserg so, pz solew wenyd santo 7 800 samo Wp Jofeut we snd aney90 20009 syuaunue> (qotiorssafosduony) ‘s8ury Suspunos (nuorssajoag) yuawnuysuy Bury uaquy, aSuPy aH semor ng soto souas <179) THE STUDY OF ORCHESTRATION sy8qy aaeypo way se 2MOT NE rofew op aygan a poveou fon st Sh nue ee uorssnor3g Sse auoyeg spurq 1 punoz amor WA xoleur sheme yng sex3saypio [euossajoud 4p agen ur 2 vou Ur ajguneae you dens uo a SS tne a van sensaypi0: - rmuogsajorduon * ur ajgepeae jou Aense) WHUM se S44 auoquiory oy ey a 1 SS 0 me a es 5 aed Tramcang— ny Baas (pig) ag aur WaHM Buy watAPPENDIX A 791 a Ee ~ preoqdoxy wena se === sound saying saaepoz ES2=¢ pidsuapotp apy se a auoydesgta, ‘ana See wn aug Suspunog (yonoyssafoad) “seanannsisuy 28mg wan UM,792. THe STUDY OF ORCHESTRATION wna se ea UaHEM se ae em uvdig, ‘WaRUM se == z Paoypisdrepy say ry anepo _ Zz es9[8D, a8ury Suspunog ‘(youorssafosg) fuauinaysuy