Eb

Alto Sax Against All Odds

(Take A Look At Me Now)


Phil Collins


               
 = 58 Gm7 Am7

How can I just let you walk a way, just let you

                

F/E♭

   
4 B♭ Cm7(add4) E♭(add2)

leave with out a trace, when I stand here tak ing ev 'ry breath with you?

      
              
6 Dm7 Gm Cm F

Ooh. You're the on ly one who real ly knew me at all.

 
            
9 Gm7 Am7

How can you just walk a way from me when all

         
             
F/E♭

 
10 B♭(add2) Cm7(add4) E♭(add2)

I can do is watch you leave? 'Cause we've shared the laugh ter and the pain and


                 
        
12 Dm7 Gm Cm

e ven shared the tears. You're the on ly one who real ly knew me at all.


                
   
14 Fsus F B♭ /F

       E♭
So take a look at me now. Well, there's just an


               
16 C7/F 3 Gm

emp ty space, and there's noth ing left here to re mind me, just the mem

                          
18 Cm Fsus B♭ /F

'ry of your face. Ooh, take a look at me now. Well, there's just an
                 
    
20 C7/F Gm E♭

emp ty space, and you com ing back to me is a gainst the odds and that's what

              
               
22 Cm Fsus F Gm7 Am7


I've got to face. I wish I could just make you turn a round,

 
       
        
     
B♭(add2) Cm7(add4) E♭ F/E♭
26

turn a round and see me cry. There's so much I need to say to you, so

       
                  
 
28 Cm

man y rea sons why. You're the on ly one who real ly knew me at all.


               
   
30 Fsus F B♭ /F

So take a look at me now. Well, there's just an

       E♭

               
32 C7/F 3 Gm

emp ty space, and there's noth ing left here to re mind me, just the mem

                   
      
34 Cm Fsus B♭ /F

   
'ry of your face Now, take a look at me now. 'cause, there's just an emp

           
       
36 C7/F Gm E♭

ty space, but to wait for you is all I can do and that's what


                  
  

Cm Fsus B♭ /F
38

I've got to face. Take a good look at me now 'cause I'll still be

2
         E♭
     
            

40 C7/F Gm

stand ing here, and you com ing back to me is a gainst all odds. It's the

              
         
42 Fsus F Cm7 Fsus F Cm7 F


chance I've got ta take. Take a look at me now.

  
        
47 Cm7 B♭(add2) F(add2)/A E♭(add2) F