Our Great Savior

for Violin Solo and Piano

Rowland H. Prichard
Arr. by Asenath Abad Cadavos, vln
and Sara Morris, pno

  
Heartfelt, with gratitude 

     
               
Violin

 

 
              
         
Piano   
            
      

   
   
6

        

    
       
6

              


           
       

  
  
12

          
 


   
12

        
       
 
             
         

© 2020 Gospel Fellowship Association - Philippines, Inc., Asenath Abad Cadavos, & Sara Morris.
Duplication permitted for church and personal use only.
2

 
     
17

   

     
       
17

         


      

  

  

     
   

22
               
 

22
                  
       
 
 
       

 
     


            
28

   


           
28

      

           
          
      
 3

  
   

33

   
  

33
          
            
    

      
  
        

38
 Marked, with intensity

 
                   
 
38

 
              
 
            
      

44
 
    
         

44

     
  
             

            
       
   
4

50

   
    

    



50

      
    




         
  
   

 
        

55

        
 
55
 
    
           





      
 
           
  
 

  
               
60 rit.


 

    
            
60



   



  
       
rit.

    
        
 
 5

 
       
         
65 a tempo

           

 
        
65

     
  

 
  
a tempo

           
      

     
 

70

   
   

           
70

        
    
 
              
   


75

   
rit.

              
 
 

75

         
    
 
      
rit.

     
      