2

Most Common "Jazz blues" : Secondary dominants in bars 4&8

3 and also I - VI - II - V Turnaround in bars 11-12

F7 Bb7 F7 F7(b9)
                

Bb7 F7 D7(b9)
                

Gm7 C7 F7 D7 Gm7 C7
                

4 "Jazz blues" with even more chords : II-V interpolation in bars 4&8
and also : Passing Diminished chord (#IV) in bar 6.

F7 Bb7 F7 Cm7 F7(b9)

                

Bb7 Bº7 F7 AØ D7(b9)

                

Gm7 C7 F7 D7 Gm7 C7
                