HORATIU RADULESCU PRACTICING ETERI opus 91 string quartet nr. lucero printto Parc Sermons and is ov for the pus 131 a cempnsin eee ‘STRASBOURG MUSICA FESTIVAL 13 fo he "ARDITT STRING QUARTET OF LONDONHoratiu Radulescu PRACTICING ETERNITY opus 91 STRING QUARTET #6 199 ‘This Sting Quart wes a spectral scrdara, he frances of 6 nine Boosie spectrum ae aged ote open sng lls ‘iaoncet.o i S17 camoee 8.8 caiowe wet eoee zene zeee g 2 5 F mz eRo ee Bom Qreg w 2b enter 207 aterent pte steps win an ambit of ca 70 sep on normally tempered scl re bined antral harmonics fhe 16 stings (rom tamonis on th sings oth iis up 0 32 hari onthe V8 sing of te voce), ‘They ae ested whe mio spicy “drunk” ves oe Broek (valeurs iniaes" ef he 8 “tytn cance ‘The sues wie nan inet oven roars 2 ions -cach ifleret pub of su-srucurs negra a complex macs her special eerave seca an ieee eps lyons. eteroptonc ad mond sac pecial sund te) singin "seat plasma” - beyond ths fou isrcpatemns of sya‘practicino ETERNITY ost serum 95 text of introduction PAGE2 ‘The hamonics shouldbe practiced on each ofthe 16 strings accord to a quasi no-byzanine spectral mod toniea 9-124 8 16 2 dominant 3 6 2 4 major third ented 5 0 » subtonica doweo 7 “ 2 contradominant 9 18 ‘neutral fourth Genes pet than is) 11 2 ‘neutral submediant (supradominan) B 6 sensible 1s 30 phrygian second 0 M minor third 19 ours owe) a. (ee rtomus 2B (owe) submediant (Napolean supradominans) 2 Dori supradominant a (ig subonicn » hypersensible 31 UA tone oii tonica 3 Fora powerful modal independence of al these functions and of ther jst octaves (double order umber), ‘bow the high harmonic very near the let hand fingers: you get more energetic and heautifl tne. In Das Andere opus 4 fr viol or ceo or voln alone all my players have reached (by practicing) the demanded 20" harmonic (acoustic major third two octave higher than the * harmonic) In Credo opus 10 (1969) and in the very new Ultimo Credo opus 10 = (1995) for nine vilonceli, ‘the world premide of which conducted in France ast Api, and which willbe agun performed at hevenany mossy “practicing oternity* ee er Satenamy moaesou “practicing etemity" ‘Violino 1° ie ” [>o * aay apo e | edo viol a no 2, a a i “Lb too =o i peli ” isle Ele eae | oe teal reese TSS fa os “Ered 6 ed 6 Sele O fol 14 1a, 10 Tosa: use your ow ght and ren to te Source of ht hs sevem meme ig “practicing eternity”