La

donna è mobile

             
Rigoletto, Act3

     
       
G. Verdi

               
Allegretto

                
        
            
    


  

 
               
 
8
legato


     
                  
 
La donna è mobi le Qual piu ma.al ven to, Mu ta d'a

      
   
    
           
    


   

        
  

          
   


16

   

  
    

       
cen to e di pen sie ro Sempre un a ma bile, leg gia dro vi so,

       

     
             
        


    
              

23


              

  

     
In pian to o in ri so, è men zo gne ro. La don na è mo bil


 
      
          
         
  


  
                
            
 leggero


29

  
       

         
   
3

 
        
qual piu ma al vento; mu ta d'ac cen to e di pen sier,

     
 
     
          
     
 
       


     
 
      

35

   
           
   
3

     
  
e di pen sier, e,

  
   
          
 
       
           
3


3

    


               
    
con forza
40

             

        

   
   
             
e di pen sier.

   
   
     





    
       
3 3 3 3

 
 

   
 
 
           
     
     
           
     
 
 
46

           
                     
    
 

  
  
                  

  
 
54
legato


           

          
E sem pre mi sero chi a lei s'af fi da, chi le con fi da mal cau to il

       
     
               
       

 
                  

   


61

      

    

         
co re! Pur mai non sen tesi fe li ce ap pie no chi su quel se no

       
 
     
             
      

 

               
     

  
68

          


    

       
     

non li ba a mo re! La don na è mo bil qual piu ma al ven to;


 
           

                   
    


             
   
leggero


 
74

      
           

3

           
mu ta d'ac cen to e di pen sier,

     
      
       
              


  
      
     

80

     

 
3

  
e di pen sier,

    
 
    
       
3

     
 

      
  
82

                   

            
e,

     

      
            
3 3


3 3

 
3

  


      
   
 
    
86

 
         
  
di pen sier

 

      
      
