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  • Odyssey of The Hands

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    Alan
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    This musical composition consists of layered instrumental parts including synthesizer, piano, and saw synthesizer. It is made up of repeating motifs and progressions over 13 bars that are varied and developed throughout the piece. The piece modulates between the keys of D minor and E minor before resolving back to the tonic key of D minor. It features call-and-response passages between the different instruments and layers complex interweaving melodic and harmonic lines.

    Original Description:

    odyssey

    Original Title

    Odyssey_of_the_Hands

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    © © All Rights Reserved

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    This musical composition consists of layered instrumental parts including synthesizer, piano, and saw synthesizer. It is made up of repeating motifs and progressions over 13 bars that are varied and developed throughout the piece. The piece modulates between the keys of D minor and E minor before resolving back to the tonic key of D minor. It features call-and-response passages between the different instruments and layers complex interweaving melodic and harmonic lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    11 views2 pages

    Odyssey of The Hands

    Uploaded by

    Alan
    This musical composition consists of layered instrumental parts including synthesizer, piano, and saw synthesizer. It is made up of repeating motifs and progressions over 13 bars that are varied and developed throughout the piece. The piece modulates between the keys of D minor and E minor before resolving back to the tonic key of D minor. It features call-and-response passages between the different instruments and layers complex interweaving melodic and harmonic lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Odyssey

    of the Hands
    Alán Encinas

       
           


     
    dm em(b5)
    Saw Synthesizer

           
        
      
    dm em(b5) Bbmaj7 A

    
            
              
           
    Piano


         


         
    7 Aaug7

    
    dm/A A7 Bb7 A7 dm


    Synth.

        
            
          
        
                 
    Pno.

       

               

       



    13
    dm em(b5)
    Synth.

       dm     Bbmaj7
           
            
    em(b5)

         
    A

      
       
                
    
    
    
     
    Pno.

    

       dm/A 
               
      
      


    21 A7
    A7 Bb7 Aaug7 dm
    Synth.

     
                   
          
                 
                
      
    Pno.

    
               
    2

     
       


    27
    dm em(b5)
    Synth.

      dm  em(b5)
       Bbmaj7
             
    
            
        
    A

     
     
                      
         
    Pno.

    

      
           
         


    
    35 A7 dm
    dm/A A7 Bb7 Aaug7
    Synth.

     
                 
          
                  
            
    Pno.

      

       
        
     
       
     


    42 em(b5)
    dm dm/A
    Synth.

       dm  
            
          
       
    em(b5) Bbmaj7

    
    A


          
         
    
         
     
     
    Pno.

     

      A7  
             



    50


    Bb7 Aaug7 A7 dm
    Synth.

     
               
        
                
                
    Pno.

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