Scanned with CamScannerPreface MORE MUSIC FOR SIGHT SINGING, like its companion volume, MUSIC FOR SIGHT SINGING, is an anthology compiled to furnish the student with a large number of melodies for the development of skill in sight singing. Also as in the earlier volume, these examples are drawn from music literature representing, all historical eras and a wide variety of composers, as well as a variety of folk music from many parts of the world. There is no duplication of musical materials from one volume to the other. ‘The present volume is characterized by several differences in organization and content when compared with the earlier volume. The collection of sight singing melodies is divided into six large sections, in each of which the melodies range from.easy to more difficult levels. However, these melodies do not contain * the minute grading of both thythmic and melodic elements found in the twenty- two chapters of MUSIC FOR SIGHT SINGING. These elements are compre- hensively covered in the present volume, but the less stringent organization allows the instructor more freedom to choose from those sections, or from material within sections, best suited to his or her particular preference in sight singing pedagogy. ‘New in MORE MUSIC FOR SIGHT SINGING are two extensive series of thythmic reading drills, approached both as rhythmic solos and rhythmic duets. Scanned with CamScannervi The examples in cach of these series, unlike the melodies, are carefully graded. They present onc rhythmic problem at a time and progress from very simple to advanced levels of difficulty. Each series presents those rhythmic problems found in its following collection of melodic lines. Also new are three series of melodic exercises written for this volume. The first series presents scalar patterns only, in all major and minor keys, to precede and facilitate the singing of melodies from literature. The second illus- trates melodic usages of chromatically altered chords. The third series presents pitch and interval problems typical of those to be found in much of the music of the twentieth century. Additionally, separate chapters present special materials: (1) canons and duets from the common practice period; (2) medieval and renaissance music (ingle line and duet) together with modal folk music; (3) music of the twentieth century, including contemporary jazz; and (4) music from non-Western cultures. Music at all levels of difficulty may be found in cach of these sections, providing the student at any point in his or her sight singing development with suitable materials from these important areas of music literature. Scanned with CamScannerpart l Music of the Common Practice Period*: Diatonic Melodies Part 1 consists of examples of melodies ranging from the easiest to the moderately diffi- cult, Included are both rhythmic drills and melodies from the literature of music, folk tunes, and melodies by composers of the period, The examples incorporate the following theoretical materials. Rhythm: Simple time — the beat note and its division into two parts and into four parts. - Compound time — the beat note and its division into three parts and into six parts. Syncopation. , Melody: All diatonic intervals. Treble, bass, alto, and tenor clefs. RHYTHM DRILLS ‘A thythmic exercise may be read by: 1. tapping each note value “Common Practice Period” denotes a time span of approximately 300 years (c. 1600- ¢. 1900) during which most of the music of Western countries displayed similar basic compo- sitional techniques. (See Ottman, ELEMENTARY HARMONY, THEORY AND PRACTICE, ed., Prentice-Hall, Inc., 1970, pages 337-338.) Scanned with CamScanner2. clapping each note value 3. reciting the pattern using rhythmic syilables. Several systems are commonly used. Notes on the beat: 1 2 3 | ead: 1 iy Lyd ge bie jerk idan Simple time values divided into two parts: OHI 1 and 2 and 3 4 1 te 2t 3 4 siswy J | ‘Simple time values divided into four parts: | , FAM IAN, ° tata te 2 tate 3 tated ta 1 1eanda 2eand 3anda4 a 1 Vtateta2tate 3 teta4 ta 1 Compound time values divided into three parts: g 4. TTD | TAL dda al 1 2t2 ta ltt2 1 2anda landa 2 a 1 12 ta loo 1 lalee2 tee 1 Compound time values divided into six parts: 8 Frit I T3| 4 tall Ltt twtata2 tate ta 1 tala tale ta 2 tale ta Pronunciation: ta = tah te=tay a (as in fate) uh Whenever possible, it is best to accompany rhythmic reading and §ght singing with the. conductor's beat, following this procedure: i Scanned with CamScanner1. Read the example all the way through without stopping the conductor's beat and without stopping to make corrections. 2, Review and study measures in which you made errors or which you skipped. 3, Perform the complete exercise again without stopping. Repeat until the pe=formance is perfect. ‘These are the conductor's beats: —seheat for time signatures with a numerator of 2 or 6 (for example, 3, 3, 8, $) for time signatures with a numerator of 3 or 9 (for example, 3, 8) o ape L tL _o eit tL = Scanned with CamScannergt | sgt 1 J I) T gt ttl iT ri, J woud yay redid ) Ty gop, Fm oy, oft Scanned with CamScannerL™ Sectio “(Bs in Section A, with dotted notes and tied notes added “Op Lo oo yy me LO a sf DOM SOL de i i, ep k e op J w4-tto l,l a eg AI dp apt iN ; Section C , Yime signatures of §,3, 12;,), J.,d.,.o-. and equivalent rests Tempo: J. = 1 beat. gogo 2 107) ST) i Tu. ng-—IT Ii TTI ik) bd ST Scanned with CamScannerag FD ye Tt dd wg LO Ld \O: v 272 pode, TO 28-2 J jj. TT. Mum 29 Bop pd. py TT st 20g Mot JN To ape td ped ai re JT oN 6 Scanned with CamScannerseo > wn drills Suggested methods of performance: 1. Two persons: Each recite a line 2. One person: Tap both lines, using both hands. 3. One person: Recite one line while tapping the other. wet tym my = “TT ie f Cr TT | 7 A wey Soe el | ttt , Hi net pd Ao tae ee et = canon ¢° moo eT i, sat ert to tthe wo on i. a ATT root ayy yo ni a ee ne dy Ln SOI Poet = one are ne J—4__}4 4. fT Tt Tot ot Ht ua Scanned with CamScanner4 it th Ab 4 rot + t+—t t . oy eee ra Lam

or s/f. gids iled| « a Ae of Sof 2 2 ge oo 6 The following and similar figures are also included here: FlFly golds yr ies y In these, the accent normally falls on the strong beat, so there is no syncopation. (The figure aa F1. isoften knoivn aia Scotch snap) 26 Wee nm Scanned with CamScanner@et Dy ULES weg did J dud dob d Aylty) Od “4 wo gt Dipl DO pe LEU wf 1 FA UF A vee $A Ty é SAAD LUA LED Et Scanned with CamScannerter fF de ALB Fle. df. LA A. Jp gt pd opt ts ; J. = 1 beat 2g Cy dy dt Tp tte dd d. = 1 beat - , : . 193 pe MIT Scanned with CamScanner198 ¥ Mm) wo? TOU 1 STi py pd pdt dl be ay The hemiola. This thythmic device, shown in measure three below, may look in notation gad jilisisye ddd jd oy 2 groups of 3 hemiola| S.groups of 2 but actually sounds like triple simple time, 3 d dd. the effect is created when two triple groups are converted by means of accent to three duple groups. The result is not syncopation, but rather a change of meter: gid plilidigdsiga dy The effect can be achieved in any meter that uses two successive triplet groups: gd jd fd dd y-gd jd psd | g TIT yl Id) - g TM Id ete. 29 Scanned with CamScannereo] \ 201 - - 202 $4 ++ Puy et nos gd ee Ld iytt ty 204 JTL 1S dd Jott 109 § bE FR (ne ge I Q vi Scanned with CamScanner my ee eB eC v A CS ce ogia Ld Ee SS ASEM ELT EDL have Section M Two-part drills * we “ooo eo wn? ES 0 FFB) i TEE ESOT i i ee ee ee “COSCO aot ttt ou SR by “TT Tee TT eet mete Ly BS a) PP oe soa meee ee ey STTSTT TTT TT tt ttt tpt ny odd de LJ a a a ae ee Ld po poo Scanned with CamScanner) tt 29 X r dptd ten) Da ted Toro Pt Jon Ld Siti to 220 Iu TD JT141. 221 | | 4 i 7 11 JJ = Ji, reat mm 1 coo Tt 222 aucun rf Jie, rite ttt 225 | Scanned with CamScannersss INTRODUCTORY SIGHT SINGING MELODIES (Stepwise Movement Only) “Melodies progressing = Se L T Ty im T We Modérite e 4-9 spite a bs 269 or i Wh Dey v - Allegro iY 2710 1 “5 7 3. France “Til z TF On 4 : : 5 cP ww he 40 Scanned with CamScannersae ep CO ee es ee ee ee ~~, th A 4 {Pp . at25 Mozart, Symphony No. 18, K. 124 [(Q) agg mate : No. 16,124 7 ng oF P—__ oF q 4 y 7 { ss 1 2 Austria Allegro >_> 1 5. 92 4 Sia % Aust 4 Scanned with CamScanner114 Crechosiavakia Joyous Ve a A ZL yo fe de, K. 11 ial Key: F)* s (Allegro) a 44 276 444 France ‘dl revevayma ep PF Lose f 4 < i “This indicates that this melody was written by Mozart in the key of F. Where applicable, this procedure will be used throughout the book. 42 Scanned with CamScannerwv foe Vie it L Misig 3° Reichardt (1781), Der Baum im Odenwald . Peicnanes (US) Ber Geum im Coenen 279 ‘ France Tees yi ee oe 280 bd bs af dt = es pdb tf age 5 P FAS Czechostavakia i 281 43 Cay. CaP Te a ch OP ES SS Scanned with CamScanner“Andante Nethertanas $5 — SE Scanned with CamScannerWest Indies Con moto ‘Netherlands Risoluto ‘ t D.C.al Fine SS = Allegro Czechoslavakia Se ee Germany Scanned with CamScannerAndante sostonutg Ciechostavakia sweden Larghetto Swe 290 af aoe TT ——— Poland Allegretto or 291 VaTAT rere eeere read Animato Sicity 292 2 ft eo ee 7 Scanned with CamScannerGermany Andante Rosseter (1611), /f She Forsake Me Allegro assai Mozart, Serenade, K. 237 f Modéré France 49 Scanned with CamScannerMozart, Symphony No. 10, K. 74 ee Latvia Telemann, Little Suite in D Major Scanned with CamScanner FAA ALA ARRModerato France t 293 4 mp _— on brio Netherlands i allarg, arempo ee y POP ED EGE & A Brittany Andante a 295 eres, eens OF Schubert, Sonata for Piano, Op. 78 Allegro moderato . (Orig 8 major) 47 Scanned with CamScanner; 5 Costa Rica Germany Frolich — Germany Frisch 29% t 4 Scanned with CamScannerEngland 308. ay SoA OS ES ES Poland Germany Deciso 310 wp fren Be SD Ud Nab Sabet BD Ned Leb Reh eS SS Scanned with CamScannerAllegro * Mozart; Symphony, NO. 16, K. 128 * D.Cal Fine Arkansas crese, France Scanned with CamScanner 4 744A% eee4 -aeawp7pDeeeFrance vir es A Germany ego Germany Allegro a P —— ‘Allegretto ————————__ England 318 = : ———— Scanned with CamScannerGermany Lebhaft S repeat p ff repeat p aa Htew-eeeeeeeseeeee ‘tempo 1 Missouri Andantino A France Die. al Fine PHU TE TT 19 1TI HF F9 VV. “f Scanned with CamScannerUU ET Et Ge Allegretto _ ery ad ad Simplice Finland 3S Scanned with CamScanner328 p France France Scanned with CamScannerAndante mipderato R. Jones (1601), What If | Seek for Love Triste et Jent eee a — ™ P Deciso Spain — >. —_— Fire ao DL at Fe Portugal Non troppo lento ——————_ Scanned with CamScanner| | z eee : DC al Fine fo . Netherlands Con mote: ee 336 mf P France Allegro, moderato 337 : : ‘D.C.al Fine Finland * mp. rt, e decrese. ‘Andanting a ih France 339 mp + From DAS LIED DER VOLKER, Vel 13, Henrich NBter een Foe re don of BSchlt Sine, Mant, Cpyiht Ovnerand Eopean Amerian Music Drbutor Cor. : : Sole U8 agent or B. Sehot's Sohne, Mas Scanned with CamScannerbrese*S OF OS Eee gi” be ME Se Germany Langsam : E France ‘Andante Anonymous (1615), Phillis Was A Faire Maide 59 Scanned with CamScanner‘Anonymous (1615), Why Oost Thou Turn Away? Netherlands Larghetto P Leopold Mozart, Lou! (Orig.: Scanned with CamScanner q 2 4 2 gy fuerComodo $$ New Brunswick Se Ld ed 3473 nA Cee, Haydn, Divertimento (Orig.: D) Sea Shenty Scanned with CamScannerBelgium Moderato a a ™ ee Canada "Allegretto Argentine : gre | 352 e 7 = Con moto New Brunswick 353 Scanned with CamScannerMenuet Spain Andante con moto Fine = ee D.C al Fine nat tten Triste Fhe er 63 Scanned with CamScanner358 359 361 Pas trop vif Lentement — Ziemlich langsam mf ceresc. SSS France decrese . West Indie Scanned with CamScannerMournfut_—_——— Norway PP ee ar Febile Mexico Andante Ise of Man qr — —_———_— morendo Qe EEO. 65 Scanned with CamScanner| Con dolore, ae FVAVAAVAAARARARAKRARA: Moderato Sosi, Allegro Spain 3674 ‘Andante Netherlands Scanned with CamScannerPoland Alegetig 369 f ULGELEE uA y Nolte movers ; er 371 mp crese, mp decrese. mp 67 Scanned with CamScanneream Andante esesiva ean oo 372 of =f dim leetand Allegro moderato 373 SE : se\ i F ; ae ee ‘Tehaikovsky, Trio for Piano and Strings, Op. 50 (Orig.: €) _ ‘Andante con moto 375 * P eantabile SS ’ AVANARAAS eee dT TT VTA is ¢ FB. 0009 Oe od Fak? Scanned with CamScannerwien pif lealand D.C al Fine J.C. Schickhardt (1715), Concerto for Four Trebie Recorders (Orig.: G) Scanned with CamScannerMexico Vivace, France _ it 380 ‘Sea Shanty Bien allant Lively 70 Scanned with CamScannerMee et Ireland roger f —_— 383 a Ee Ca —— ‘Andante mosso Pergolesi,.Vorrel porter almeno 384 Obb és} aly — -) — — mt 2s 2 S Scanned with CamScannerTexas = bea - Spal Je = 1 beat —_ ria R Scanned with CamScannerAllegro Germany. g Po Germany Scanned with CamScannerModeraty France 7p 30 Scotland Andante moderato (392 = — a nf P Netherlands Allegro moderato 393. af 14 Scanned with CamScannerLento Wales eS Fine ae mt oS a fre P decrese. = == decree. : —— Brisk Scanned with CamScannerA Z B enbescoin, equenya7 Se lov 66e ‘ofvaifaqie 00d ao — en IN Boe “opustog Scanned with CamScannerHandel, Teseo (suteyy —<— ee 402 — Ss sf erese, LOLOL ELL — SS. Germany Allegro moderat 403 CUO Allegretto, Poland ef, n Scanned with CamScanner