Professional Documents
Culture Documents
Lesson 1 (07/01/2021)
MARKETING = Marketing is a process by which companies create value for customers and
build strong customer relationships in order to capture value from customers in return.
1
• Production concept: Consumers will favor products that are available and highly
affordable.
• Product concept: Consumers favor products that offer the most quality, performance,
and features.
• Selling concept: Consumers will not buy enough of the firm’s products unless the firm
undertakes a large-scale selling and promotion effort.
• Marketing concept: Know the needs and wants of the target markets and deliver the
desired satisfactions better than competitors.
• Societal Marketing: The company’s marketing decisions should consider consumers’
wants, the company’s requirements, consumers’ long-run interests, and society’s long-
run interests.
2
“Marketing strategy describes the direction the business will pursue within its chosen
environment and guides the allocation of resources and effort.”
• American Marketing Association, 2014.
Simple idea:
• Strategy is a theory of where to compete.
• Focus where you can be better or at least different.
• Define “location’” by differences in customers.
3
• Economists tend to take an industry-level perspective, and management scholars adopt
a firm-centric perspective, but customer is an even smaller unit of analysis.
• Helps explain variation in firms’ performance by addressing smaller and smaller units of
analysis.
4
o Better prices and margins (improve loyalty, brand image, relationships, products,
targeting of high margin customers).
o Reduce costs (WOM, brand, relationships, retain with loyalty).
PRINCIPLES
1. Customers are different (heterogeneity).
2. Customer change (dynamics).
3. Competitors react (pressure & disruption).
4. Resources are limited (opportunity costs).
5
• Thus, firms are targeting smaller & smaller segments.
o Mass marketing → niche marketing → 1-to-1 marketing.
o Competitive race as firms targets smaller segments.
o Fashion (H&M vs. Net-a-Porter).
• Why?
o Matches inherent customer desires (real, perceived).
o Faster response to customer trends and changes.
o Technology enabled (more economical to target/customize).
o Limited by tradeoff in efficiency (cost) vs. benefit of better match to need (solution)
6
First Principle # 2: All Customers Change
• Customer’s desires/needs for most products and services change overtime or due to
specific events.
o Consumer needs change: cars, clothes, food, financial services, and healthcare as
consumers age.
o Trigger events: marriage, kids, job change, finances, move, graduation, acquisition,
new managers, legal changes.
o Industries/Markets change: experience curve, diffusion, competitive responses,
overproduction.
• Customer's needs vary not only due to inherent differences in people (heterogeneity)
but also as people and markets change (dynamics).
• Thus, segmentation and targeting needs to account for lifecycle changes/customer
dynamics.
7
First Principle #3: All Competitors React
• Competitors are always copying successful strategies and innovating new ones.
o Only one firm remains from the original Dow 30 firms (GE).
o Given enough money and time most strategies can be copied.
• Thus, companies need to build a “barrier” to being copied, giving them time to adapt to
innovation by others.
• These barriers are termed sustainable competitive advantage (SCA) and are critical to
long-term superior financial performance.
8
o Many “messages” are mutually exclusive (high status and low price) or (high
performance and economical).
o Short-term vs. long-term tradeoffs.
• Thus, need to balance marketing resources across:
o Customers (STP)
o Acquisition, Expansion, and Retention stages (AER)
o Brand, Offering, Relationships (BOR)
o Marketing mix elements (4 Ps)
Lesson 2 (17/01/2021)
BRANDING BASICS
Brand: Name, symbol, or design used to identify the products and differentiate them from
competitive offerings.
→ Brand = anything that help us identify a product in the marketplace.
Evolution of Brands
• Times change. People change. And the identities of some organizations - although not all
- change right along with them.
• Brand identities reflect and evolve with customer needs.
9
- What are the product categories without any brand?
- What is the difference between a brand and a product?
Benefits of Branding
- Customer Recognition
- Customer Loyalty
- Credibility
- Gives Confidence
- Consistency
- Brand Equity
- Attracts Talent
- Allows Shared Values
Limitations of Branding
- Cost: Maintaining a strong brand presence is expensive.
- Negative Image if brand fails in the market.
- Switching costs for consumers.
11
Brand Identity – Symbol
• Symbol help customers memorize organization’s products and services.
• Symbol are easier to memorize than the brand names as they are visual images.
• These can include logos, people, geometric shapes, cartoon images, anything.
- For instance, Marlboro has its famous cowboy,
- Duracell has its bunny rabbit,
- Mc Donald has Ronald,
- Fed Ex has an arrow.
• It should be simple
• It should be distinguished/unique.
• It should be memorable
• It should be easily identifiable in full colors, or in black & white
• It should be a perfect representation of the organization
• It should not loose it’s integrity when transferred on fabric or any other material
12
Brand Identity – Sound
• Called audio branding, sonic branding, sound branding
• Cognitive studies show that relevant sounds and musical cues can truly influence people
in ways marketers want
o Create A Distinctive and Memorable Brand Identity. If a company plays their tag
alongside advertisements or content that match their brand’s positioning, eventually
that audio tag by itself will conjure up the intended feelings around that brand.
o Amplify Your Brand Values. Audio branding requires a system of sounds based on a
proprietary audio DNA that expresses your brand’s values and personality–and it
becomes an identifier across all your touchpoints.
o Impact Your Customer’s Mood. The right background music can have a calming effect on
customers, easing their stress and leading to larger purchases.
13
• Station messages considered travelers’ anxiety. For those, the music was calm and
reassuring.
• So, what does it sound like: SNCF Sound Identity Program.
• The audio brand has turned into a significant asset for SNCF.
o Correctly identified in testing by 92% of the listeners.
o 71% of them now see the brand as being “attractive”.
o 18% increase in the perception of leadership.
Memorable taglines
• Nike – “Just Do it”
• Apple – “Think Different”
• L’Oreal – “Because you’re worth it”
• KFC – “It’s finger licking’ good”
• Coca-Cola – “Open Happiness”
• McDonald’s – “I’m lovin’ it”
• MasterCard: "There are some things money can't buy. For everything else, there's
MasterCard."
• M&M: "Melts in Your Mouth, Not in Your Hands"
14
Lesson 3 (28/01/2021)
Value of Brand
“The whole purpose of branding is to differentiate your product in the marketplace and to
get consumers to identify it as different, better, and special.”
- Sergio Zyman, former Chief Marketing Officer, the Coca-Cola Company
Brand Equity
• ‘Brand equity’ is used to access value of a brand.
• It’s based on the idea that owner of a well-known brand name can generate more
revenue simply from brand recognition.
• In marketing literature, brand equity has been studied from two different perspectives:
information economics and cognitive psychology.
• As per information economics: a strong brand name works as a signal of product quality
for imperfectly informed buyers (information asymmetry), thereby generating price
premium as a return on brand investments.
• As per: cognitive psychology, brand equity lies in consumer’s awareness of brand
features and associations.
Financial Measure
• Firm level approaches measure the brand as a financial asset. A calculation is made
regarding how much the brand is worth as an intangible asset.
• Income Split: estimates the present value of firm’s income attributable to brand; but
uses reported earnings, which can be manipulated.
• For example, if you were to take the value of the firm, as derived by its market
capitalization - and then subtract tangible assets and "measurable" intangible assets- the
residual would be the brand equity.
• Price Premium: compares branded vs. unbranded products to determine increases (or
decreases) in customer willingness to pay.
• The classic product level brand measurement example is to compare the price of a no-
name or private label product to an "equivalent" branded product.
• The difference in price, assuming all things equal, is due to the brand. More recently a
revenue premium approach has been advocated practiced worldwide.
• Brand Equity of products - The added value to the firm, the channel, or the consumer
with which a brand endows a product.
• Brands with high brand equity have a high degree of preference and insistence.
15
Consumer Mindset Measure
• Consumer Level: This approach seeks to map the mind of the consumer to find out their
associations with the brand.
• This approach seeks to measure the awareness (recall and recognition) and brand image
(the overall associations that the brand has.
• Brands with high levels of awareness and strong, favorable, and unique associations are
considered as high equity brands.
• Associative Network Memory Model of Brand Equity: This leading psychological model
describes how brands work.
• The associative network memory model argues that the human mind is a network of
nodes and connecting links.
o The key characteristics of a brand, which influence its brand equity, are captured as
nodes and linkages.
o Brand awareness, which reflects the customer’s ability to identify a brand, is
indicated by the size or strength of the node for that memory.
o Brand image, or customers’ perceptions and associations with the brand, are
represented by the links of the brand name node to other informational nodes in the
model.
• In the network memory model, brand strategy involves first building awareness to
provide an anchor point, then building linkages to positive, unique memory nodes to
establish an identity that matches target customers’ needs in a cost-efficient manner
16
Customer-Based Brand Equity
• Basic premise: Power of a brand resides in the minds of customers.
• Challenge is to ensure customers have the right types of experiences with products &
services and their marketing programs to create the right brand knowledge structures:
- Thoughts
- Feelings
- Images
- Perceptions
- Attitudes
A) Brand – Salience
• Depth of brand awareness
o Ease of recognition & recall.
o Strength & clarity of category membership.
• Breadth of brand awareness
o Purchase consideration.
o Consumption consideration.
17
B) Brand – Performance
• Primary characteristics & supplementary features
• Product reliability, durability, and serviceability
• Service effectiveness, efficiency, and empathy
• Style and design
• Price
→ Product Related = Ingredient Based.
→ Non-Product Related = Price, Packaging.
C) Brand – Imagery
• User Imagery
o Who is using the product
- Demographic & psychographic characteristics
- Actual or aspirational
- Group perceptions -- popularity
• Usage Imagery
o Where the product is being used
- Usage situations
- Time (day, week, month, year, etc.), location, and context of usage
• Personality & values
• History, heritage, & experiences
- Nostalgia
- Memories
D) Brand – Judgement
• Brand quality
o Value
o Satisfaction
• Brand credibility
o Expertise
o Trustworthiness
o Likability
• Brand consideration
o Relevance
• Brand superiority
o Differentiation
→ Rational Assessment
E) Brand – Feelings
• Warmth
• Fun
• Excitement
• Security
• Social approval
• Self-respect
→ Emotional Assessment
18
F) Brand – Resonance
• Behavioral loyalty
o Frequency and amount of repeat purchases
• Attitudinal attachment
o Love brand (favorite possessions; “a little pleasure”)
o Proud of brand
• Sense of community
o Kinship
o Affiliation
• Active engagement
o Seek information
o Join club
o Visit web site, chat rooms
19
Building Brand Equity
• Building a high level of awareness among the customers – which then provides an
anchor point for linking the brand name to the elements.
• Linking the brand name to the brand’s points of parity and difference, helps define the
brand’s relative advantage – this step defines how the brand is positioned against its
competition.
• Building a deep emotional connection between the brand and customers – moving
beyond functional differentiation implies a true, emotional connection.
• Persuasion Process using IMC – this is most effective for brands in large consumer
markets, such as soft drinks, beer, fashion, or automobiles.
• It’s important to analyze how consumers process info + persuaded to change behavior
• The model can be broken down into six steps that customers must pass through to be
persuaded by the different communication formats:
o The customer must be exposed to the communication message.
o The message needs to capture customers’ attention.
o The customer must understand the desired marketing message.
o The customer needs to develop favorable attitudes toward the message.
o The customer must generate intentions to act based on the information.
o The person then must actually behave in the desired way.
• This six-step process called as the “think → feel → act” model.
20
→ IMC example
• Turkish Airlines has been investing in sponsorship agreements and advertisements in
order to expand its brand visibility and global reach.
• Its advertisement titled “Kobe vs. Messi: The Selfie Shootout” has been viewed more
than 100 million times on YouTube and was named the advertisement of the decade.
Lesson 4 (31/01/2021)
• Brand positioning is defined as the conceptual place you want to own in the target
consumer’s mind - the benefits you want them to think of when they think of your brand
• Key components of a positioning
o Category frame of reference: What is the competitive context? With which product
category should the brand be associated?
o Definition of target market(s): Who is the brand being built for (i.e., the center of the
targeting bullseye)
o Statement of the key point of difference: What benefits should the brand stand for
and deliver on?
o Reason(s) to believe: What proof points need to be demonstrated?
Positioning
• Process of improving your relative advantage in the minds of your targeted customers:
o Changing both your actual (e.g., innovation) and perceived offering (e.g., branding,
relationships).
o Uses all three “Cs” as inputs: customer, company, competitors.
• Nearly everything you do impacts your positioning:
o Channel (place): Samsung dropping Kmart.
o Price: No discounts at Tiffany.
o Promotion: Tiger Woods at Nike, Starbucks.
o Product: Bose, Apple.
21
• Perceptual maps: analysis tool to aid in positioning decisions.
• Repositioning: process by which a firm shifts its target market.
Positioning is a strategic process that marketers use to determine the place or “niche” an
offering should occupy in a given market, relative to other customer alternatives. When you
position a product or service, you answer these questions: Place, Rank, Attitude, Outcomes.
Differentiation is the process companies use to make a product or service stand out from its
competitors in ways that provide unique value to the customer. Differentiation identifies a
set of characteristics and benefits that make a product different and better for a target
audience. Ideally these qualities are things that 1) customers value when they are evaluating
choices in a purchasing decision, and 2) competitors cannot easily copy. When both
conditions exist, the offering is more attractive to target customers.
22
Positioning Statement Must Address Three Key Questions
1. Who are the customers?
2. What is the set of needs that the product or service fulfills?
3. Why is this product/service the best option to satisfy your needs? (Relative to
competition or substitute; support for why)?
• This statement is the roadmap for a plethora of implementation decisions involved in
marketing a product (both inside and outside the company).
JC Penney: For [Modern Spenders and Starting-outs in mid-income levels who shop for
apparel, accessories, and home furnishings] we offer [private-label, supplier exclusive, and
national brands] that [deliver greater value than that of our competitors] because of [our
unique combination of quality, selection, fashion, service, price, and shopping experience].
Kellogg’s: For [For people on the go who want to eat healthy] we offer [Nutri-Grain is the
cereal bar ] that [is a healthy snack you can eat on the run] because [Nutri-Grain is made
with real fruit and more of the whole grains your body needs and comes in individually
wrapped packages that you can eat anywhere].
o Relevance : Customers must find the positioning relevant to product category. If not,
the brand won’t make it into the consideration set.
o Differentiation: The brand must be unique vs. competitive offerings.
o Credible and attainable: If you cannot credibly provide the offering, the customer is
left with an empty promise.
23
- Cathay Pacific had to change campaigns
o With Arrive in Better Shape.
• Better than competitors or better than when you boarded the plane?
• Any competitor becomes a benchmark.
• External pressure from customers; Internal pressure from employees.
o New campaign “Heart of Asia” (mid 1990’s).
• Warmth.
• We are a hub.
• Asia is dynamic and successful.
Brand Personality
• Brand personality refers to the set of human characteristics or traits that can be
associated with a brand. It is the personification of the brand.
• Brand personality is a set of human characteristics that can be associated with the brand
like gender, age and personality traits like warmth, honesty, integrity etc.
• Brand personality gives consumers something with which they can relate to which
effectively increases brand awareness, popularity, and brand loyalty.
• By establishing a brand personality, businesses can form emotional bonds with their
consumers.
• The physical aspects of a product can be copied but it is very difficult to copy the
personality of a brand. Thus, brand personality helps in building a sustainable
competitive advantage
• Celebrity endorsements help in creating a brand personality as they help consumers to
understand the brand in context of the celebrity.
• Author Jennifer Aaker classified brand personality on 5 dimensions
24
Brand Personality – Starbucks
• Sincerity: Down to earth, honest, wholesome, cheerful.
• Excitement: Daring, spirited, imaginative, up-todate.
• The brand mantra of Starbucks Coffee was to create a "rich, rewarding coffee
experience.” Starbucks demonstrates a "persona" that goes far beyond their functional
benefits.
• Starbucks also demonstrates a ‘persona’ through their packaging, store atmosphere or
ambience, their store décor, product offerings, service interactions, in-store music and
corporate culture.
• Starbucks states that they ‘believe a coffeehouse should be a welcoming, inviting and
familiar place for people to connect’. Starbucks has designed their stores to reflect these
unique characteristic.
o Green is associated with health, security, growth, tranquility and nature. Green is also
associated with money and wealthy people or brands.
o White is associated with goodness, purity, balance, calm and sophistication.
o Relaxing Using green promotes a sense of relaxation, inviting customers to take a break
and de-stress.
o Mermaid The use of a mermaid logo stimulates the customers associations with nature.
o Warmth Brown or Mocha colors are used to create a warm, inviting feeling.
25
• The six elements are:
o Physique
o Personality
o Culture
o Relationship
o Reflection
o Self-image
• Expressing the brand consistently across all six elements creates brand coherence, which
strengthens the connection between the brand and the consumer.
• Physique: These are the fundamental physical and tangible aspects that differentiate
your company’s products, such as their functional characteristics, colors, logo, and
packaging. Being able to quickly identify a brand based on these elements is a good sign
that it has a strong identity.
o A good example of a brand with distinctive physical characteristics is iPhone. Some
ideas that come to mind when we think of iPhone include modern, sleek, and
minimalistic.
• Personality: the traits of the brand in the eyes of the consumer. One way of
understanding this concept would be to imagine your favorite brand as a living thing.
What kind of living thing is it? How does it behave?
o For example, Coca-Cola uses its iconic typeface and the color red to communicate
happiness and the moments of joy the brand personifies.
• Relationship: is about the nature of the relationship between the brand and its
consumers, including both abstract aspects of the relationship as well as more tangible
aspects, like what specific services are offered. How a brand connects with its audience
and the type of relationship it wants to build is entirely up to that brand.
o Amazon trying to build a fun, casual, chatty relationship with its customer.
26
• Self-image: Associating with a brand through the purchasing of its products can
reinforce one’s desired self-image as well as convey how one wants to be perceived by
others. Self-image is like a mirror the target group holds up to itself — by associating
themselves with certain brands, they see themselves differently.
o For example, BMW India launched a campaign for people who see themselves
driving a BMW, now or in the future. The campaign was “Don’t Postpone Joy.”
• Reflection: The stereotypical user of the brand. Reflection is a set of stereotypical beliefs
or attributes of a brand’s target market, which is often highlighted in ads and other
communications.
• While the terms sound similar, Self-image and Reflection differ in a noteworthy way:
Self-image refers to the customers’ ideas of themselves, whereas Reflection refers to
how a brand portrays its target audience.
o Apple, for example, associates its products with cool, creative, smart, irrespective of
age, race.
o For example, Fanta many depict their consumer base as fun, friendly teenagers,
because doing so creates a desired impression of the soft-drink brand.
27
Lesson 5 (24/02)
Brand Architecture
• Brand Architecture is a system that organizes brands, products, and services to help an
audience access and relate to a brand.
• A successful Brand Architecture enables consumers to form opinions and preferences
for an entire family of brands by interacting or learning about only one brand in that
family: aka Brand DNA
• An established Brand Architecture is an important guide for brand extensions, sub-
brands, and development of new products.
• It will also provide a road map for Brand Identity development and design and remind
consumers of the value proposition for the entire brand family.
Limitations
• Maintaining a brand isn’t easy. Maintaining many of them can seem nearly impossible.
There are many considerations to be made when constructing a House of Brands.
• Overwhelming – creating and implementing multiple marketing strategies and operating
many individual service lines is difficult and costly.
• Image – significant confusion over the parent company can occur (do they represent the
brands, or do the brands represent the company?)
29
Strengths:
• An endorser brand can work as assurance of quality for the product brand, it can
increase consumer’s perception and confidence.
• Marketing activities advertise both the product brand and the endorser.
• The connection between product brands can facilitate cross-selling.
Weaknessess:
• If a brand goes through a crisis it is hard to control the damage because the crisis can
extend to the parent brand and also to the other brands.
• There will be creative, legal, and time-to-market costs for every endorsed brand.
• Ex. Sony instead uses a sub-branding strategy when it assigns some major product
categories, such as PCs, the Viao brand name. Branding a laptop as a Sony Viao means
that it enjoys spillover benefits from Sony (awareness and linkages) but also
differentiates the Viao name so that it can establish linkages unique to PCs.
Strengths:
• You can target many different customers because the sub-brands have different names,
logos, different promises, positions and personality traits – you can address conflicting
audiences.
Weaknessess:
• Legal and creative / marketing costs of creating new sub-brands.
30
o GE uses a branded house architecture.
o When GE launches a new product, it immediately enjoys the positive associations of the
GE parent-brand.
o Product launch and brand building costs decrease, accelerates product diffusion
throughout the marketplace.
o Each new GE product starts with high overall brand awareness and meaningful linkages
to the high-quality manufacturer of electrical products, which lowers consumers’
perceptions of product adoption risk.
o However, these linkages must be credible. If GE were to launch a new line of perfume,
many of its brand linkages would be inconsistent with the desired attributes for this new
product, undermining the perfume’s brand image.
Strengths:
• It is easier for consumers to recognize the products and to understand them because of
the descriptor.
• It increases brand awareness.
• Efficiency – one marketing strategy and one brand code covers every offering.
• Ease – confusion + competition are avoided by keeping every offering under same brand
• Evolution – a strong brand can lead to greater success for future offerings/new products,
as consumers are more willing to accept change from brands they already trust.
Weaknessess:
• Though Branded House strategies make sense for many businesses, there are still a
number of potential issues to consider.
• Reputation – products and services are tied to your brand’s public perception, leading
some consumers to take an “all or nothing” approach.
• Limitations – a great product doesn’t mean great success if the parent brand is weak or
underperforming.
• Ambiguity – confusion over what your brand does (e.g. Apple: Is it a computer
company? A music store? A phone manufacturer?)
Rebranding
• Rebranding is a marketing strategy in which a new name, term, symbol, design, concept
or combination thereof is created for an established brand with the intention of
developing a new, differentiated identity in the minds of consumers, investors,
competitors, and other stakeholders.
• It could be done for different reasons such as:
1) Rebranding – Merger
• Rebranding is required when a company merges with another brand
• A merger is when two companies unite forces and become one. Both arrive to the mix
with their own branding and logo so a new identity needs to be created. This involves a
complete rebrand that showcases the best qualities of each company. → Ex. PwC
31
2)Rebranding – Acquisition
• When one company buys another, it is called an acquisition.
• Name changes depend on the power of each company involved, like with mergers.
o Recent acquisitions is Facebook buying Instagram.
o When Facebook bought the photo-sharing application, it changed a lot; not only the way
the app works but also how it looks
o Although Facebook bought the photo-editing and sharing app in 2012, it wasn’t until last
year that Instagram finally underwent a full rebrand. The original logo, a representation
of an analog polaroid camera, was replaced with a digital version in pink and orange.
3) Rebranding – Repositioning
• Rebranding is required when one brand has acquired the wrong image
• Almost everyone can recognize the checkered fabric of a Burberry scarf.
• Burberry's image was affected by poor marketing choices. In the 1990s, the high-end,
luxury brand decided to expand and reach more people by lowering prices.
• The company decided to create a rebranding strategy. Their facelift went much further
than changing just their logo; in fact, the logo hardly changed at all.
o Rebranding is required when your brand needs to catch up with the market
o Staying relevant is important for any brand. Some brands renew their image and logo
constantly, while others change them every decade in a minimal but memorable way.
o Some famous brands that have stayed relevant over the years are Starbucks and Apple.
o These brands have been around for a long time and they always know how to stay
ahead of the game, or at least never fall behind. Their logos have changed over time to
represent the brand perfectly. They know how to keep their loyal customers happy and
coming back for more.
Brand Extensions
• Pertain to the approach the firm uses to launch new offerings by leveraging an existing
brand, whether through line or category extensions
• Brand line extensions (often called simply line extensions), the new offering is in the
same product category but targets a different segment of customers, usually with a
slightly different set of attributes
• Brand category extensions, the new offering instead moves to a completely different
product category
• The key benefits that brand extensions offer a firm are:
o Accelerates new product acceptance by reducing customers’ perceived risk.
o Lowers the cost of new product launches by building on the established brand.
o Reduces the time needed to build the new product’s brand by leveraging existing
brand characteristics.
32
o Increases the probability of gaining channel access by reducing perceived risk.
o Helps enhance the image of the parent brand by linking it to newer and/or emerging
product features.
o Expands the size of the market that the firm can access, by serving additional
subsegments with new offerings.
Brand Extensions
• Not all brand extensions achieve all these benefits.
• The many examples of unsuccessful brand extensions (e.g., Kleenex diapers, BenGay
aspirin, Smucker’s ketchup) highlight the limits on a firm’s ability to stretch its brand into
new segments and categories.
• Over time, researchers have developed some guidelines for improving the chances of
success for brand extensions:
o There must be perceived fit between the parent brand’s image and the extension on
a dimension that is relevant to the customer.
o Brand extensions can be stretched farther if done incrementally.
o Higher quality brands generally can be extended further.
• Vertical extensions of brands to lower priced markets often undermine the image of the
parent brands.
Lesson 7 (07/03)
Innovation = Critical
• Today, innovation is the number one strategic priority at 40% of companies
versus 19% in 2005 (BCG).
• 86% of senior managers believe that “innovation is more important than cost
reduction for long-term success” (Bain).
• However: short-term business pressures often undermines innovation
o CEOs want returns from marketing in 6-12 months
o Resources taken from long-term initiatives to hit short-term targets
o Accounting practices for market-based assets impact decisions
• Innovative new offerings build and maintain barriers to the competitive attacks that
arise as competitors continually react to a firm’s success.
• Offering is a purposely broad term that captures both tangible products and intangible
services provided by firms.
• Most offerings must link to brands and relationships to ensure the firm’s competitive
edge, because it generally is relatively easy for competitors to copy offerings, given
enough time and money.
• Intel still spends nearly $3 billion each quarter on R&D, to maintain its leading
performance in the semiconductor industry.
Innovation Radar
• Innovation Radar: helps define the innovation space according to what, who, how, and
where aspects
o Change what the firm offers, in line with a traditional view of new product or service
innovation
o Changing who the customer is represents another route that involves innovations
related to customers, experiences, and value capture
o Changing how you sell to customers pertains to the processes, organizations, and
supply chains that a firm uses
o Changing where to sell to customers comprises presence, networking, and brand
innovations
34
Innovation Strategies
• Most firms rely on a stage-gate development process to increase the speed of their
offering development and enhance their likelihood of success, while also reducing
development costs
• A stage-gate model divides the development process into a series of steps or stages
• Each project is evaluated, on many dimensions, by independent evaluators in all stages
• This method thus helps ensure effective development approaches through elements.
35
Idea Generation
• Idea generation is the systematic search for new product ideas.
• Sources of new product ideas
o Internal
o External
Design Thinking
• Empathy — Understanding the needs of those you’re designing for
• Ideation — Generating a lot of ideas. Brainstorming is one technique.
• Experimentation — Testing those ideas with prototyping
• Lead user: Lead Users are people who deal intensively with a problem for which there is
no suitable solution existing on the market. A Lead User is not necessarily a single
person, but can be a group of a variety of users.
Ex. 3M uses the Lead User workshop methodology to innovate many of their products.
Thus, the lead user method represents an cooperative product development process of a
company with its “customers”.
Re-launching Strategy
• An innovative offering can result from dramatically repositioning an existing offering,
such as removing some features or adding others, so that the total offering appeals to a
different customer segment with a “new” value proposition.
• The advantage of this strategy is that it generally does not require a new technology or
invention, and marketers thus can take the lead in these efforts.
• Red Ocean markets—thus named to reflect the metaphor of blood in the water—are
very competitive and populated by “sharks” fighting over the same customers.
• To pursue more disruptive repositioning strategies, firms instead can seek out Blue
Ocean markets, a metaphor reflecting markets with no competition.
36
o Economies of scale (Wal-Mart)
o Brand (Cirque du Soleil)
o Express delivery (Fed Ex)
o Coffee bars (Starbucks)
37
o Incumbents Usually Win the Battles of Sustaining Innovation
o New Entrants Usually Win the Battles of Disruptive Innovations
Disruptive Innovations
o Vanguard’s index mutual funds
o Dell’s direct-to-customer business model
o eBay online marketplace
But why market leader fails to respond??
o Walmart to Amazon
o BlackBerry to Apple
Disruptive Innovations
• Must Manage Portfolio of Red Ocean/Sustaining and Blue Ocean/Disruptive Innovations
• Ensure business is conducting classical STP and stage-gate innovation
o Constant flow of new products (incremental)
o Need uncompromised customer/competitive input
• Develop a forum/process to enable/manage radical and disruptive innovation
o Challenge managers to change the game
- Radical changes to offering and new markets
- Disgruntled customers (lost customers)
• Offsite scenarios
• Outsource, partners, alliances, acquisitions
• Hire outsiders from different industries
• Track potentially disruptive technologies, use internal “startups”
38
• Adoption is often very slow
o Especially, if consumer has to give something up (endowment effect)→ Electric car
• Developers’ curse
o Developers often overweight their innovations relevant benefits by a factor of
between three or more
o Results in a 9x difference in perceived value of feature
• Some examples launch strategies
o Eliminate the old
o 10x improvement to make the benefit overwhelming
o Seek out new to category customers (not endowed with existing features), Kodak
10$ camera
• Another long stream of research, starting with Everett Rogers, shows that specific
product characteristics can capture 40–80 percent of the variation in the speed
with which offerings diffuse
• Changing each of the five factors can alter the product diffusion, all else being equal
1. Relative advantage
2. Compatibility
3. Complexity
4. Trialability
5. Observability
A) Relative Advantage: degree to which an offering is perceived as being better than the
ideas it supersedes
o Economic: cost, price
o Status, prestige, etc.
o Necessary but not sufficient (i.e., new keyboard)
B) Compatibility: degree to which an offering is perceived as consistent with existing values
and experiences
o Often must break habits, perceptions, beliefs
o Plastic wine corks
C) Complexity: degree to which an offering is perceived as relatively difficult to
understand/use
39
o Education is key (online banking)
o Speed of Google
D) Trialability: degree to which an offering may be experimented with on a limited
basis
o Free samples, demo, test drive
o Especially salient for high cost, time, risky products
E) Observability: degree to which the results of an offering are visible to others
o Especially salient for status products
o Can be negative (parking by a “men’s club”)
40
Lesson 8 (22/03)
Product Diffusion
• Who are the first people to buy?
• Real world characteristics of Innovators
o Very knowledgeable about the category (expertise)
o Heavy users of related products
o Buyers that are up-to-date with latest developments
o Receptive to new ideas
o Less risk averse, venturesome
o Don’t follow “industry conventions”
41
Failing to “Cross the Chasm” is Common Barrier to Success
• Firm takes on more visionaries than it can handle.
• Cannot take on more custom projects, but no pragmatists ready to buy.
• Early market becomes saturated, and revenue growth tapers off or declines.
o Key personnel become disillusioned.
o Venture capital well begins to run dry.
• Marketing strategies that lead to success in selling to visionaries actually hinder success
in selling to pragmatists.
Customer Lifetime Value (CLV) is a Key Analysis Tool for Making AER Decisions
• How do you know best customers to acquire/expand/retain?
o In many banking initiatives only 1 in 3 “customers” remain after incentive ends
o Are all customers worth acquiring or retaining?
• CLV approach: evaluates a firm’s profit as the sum of each customer’s lifetime
discounted cash flows
• Approach captures “true” contribution of each customer at any stage by accounting for:
o Customer heterogeneity and dynamic effects (individual level, uses transition
expectations, and discounts future profits)
o Tradeoffs among AER strategies (e.g., how acquisition may affect retention)
43
Simplified Customer Lifetime Value Analysis
• Several simplifications make CLV calculations even more straightforward
• Assuming that T → infinity and that the contribution margin and marketing costs (weak)
do not vary over time
• Assuming that the contribution margin and marketing costs do not vary over time, the
CLV in dollars for the ith customer reduces to just five inputs:
1. Mi = margin for ith customer in $ (sales $ and margin as %)
2. Ci = annual marketing cost for ith customer in $
3. ri = retention rate for ith customer as a %
4. d = discount rate as a %
5. AC = acquisition cost for ith customer in $
Conjoint Study
• Research technique developed in early 70s. Marketer’s catchphrase: “CONsidered
JOINTly”
• The objective is to determine what combination of attributes is most influential in
consumers’ decision making
o Product superiority drives financial success
- Largest predictor of new product success
- Good designs are 5 times more likely to succeed than poor designs
44
• It is used frequently in testing customer acceptance of new product designs. By
analyzing how they make preferences between these products, the implicit valuation of
the attributes making up the product or service can be determined
• For ratings data, simple regression can be used to compute the partworths for the
attribute levels
• Create a “baseline” profile
- Partworths for these levels set to 0
- Partworths of other levels = deviations from this baseline profile
- Total Value of baseline profile captured by the intercept
45