Touched by Mozart

Fassung für Alphorn in G und Orgel Rainer Bartesch (*1964)

Allegro
       
5

       

   
Alphorn
in G


        
poco f

  
               
Orgel       
          
mf
      
Ped.
 
mf

                2.

  
10

  
1.
       
 
Ah. (G)

        
             
1. 2.

    
 
                      
                   
 
Org.
  p
   
          
    
     
      
 
15 20

Ah. (G)           

   

   
p

        
         
 

                      
 
mf
 
    
                      
Org.


                  


25

            
Ah. (G)
  

      

  
 
    
 
           
             
Org.
            
             
         
per Carlo Torlontano
 Touched by Mozart (in G)
         
      
30
  
   

Ah. (G)

             
      
         
     
Org.         
          
  
  

   


  
         
        

        
35
      
 
         
Ah. (G)

   
            
    
ff

              
      
ff

Org.                   
   

  
                 

   

    
  

         
40 45

                

Ah. (G)

                  

 
mf

        

leggiero

  
 

       
Org.             
        
             

 50

          
1. 2.
Ah. (G)   

mf

    1.        

  
                    
2.


    
 
Org.       
   
               

per Carlo Torlontano

2
 Touched by Mozart (in G)
55

Ah. (G)               
      
  
       
 
                  
Org.
mf 
 
         
60
   65

           
Ah. (G)
  

    
f

          
      
   
   
           
 
Org.


              
 

   
70
       
leggiero
  
Ah. (G)


                  mf
           
        
      
       
Org.
     
           

       
75
               
Ah. (G)  

          
        

         
                   
    
Org.
     
                
 

per Carlo Torlontano

3
 Touched by Mozart (in G)

       
80

Ah. (G)                    
  
      
                
            
                    
Org.           
   
   
            

85

       
Ah. (G)  

       
    

            
                    
Org.    
   
  
  
    


            
90 95
          
Ah. (G)     

          
     
            
       
                  
   
Org.

              

 
100

            
     
Ah. (G)

           
    
            
Org.        

 

 

            
      
             

per Carlo Torlontano

4
 Touched by Mozart (in G)

 
105

       
Ah. (G) 

                     
      

    
Org.                      
          
     
      
    

        
110
    
(tutti ad lib.)
Ah. (G)  

    
p

               

       
     
               

Org.


       

115

      
 
Ah. (G)


     
 

       
                       
Org.

                              

     
120

               

Ah. (G)

            
              

   
 
 
 
 
   
         
Org.
     
      
            

per Carlo Torlontano

5
 Touched by Mozart (in G)

 
Solo
   
125

            
 
  
Ah. (G)

          
ff
    
   

                

     

Org.
  
         
      


        
130 poco riten. 135 FINE

Ah. (G)  
  
             

   

  
         
FINE

   

        
mf ff
     
   
         
Org.

                 
       
 
mf ff

per Carlo Torlontano

6