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Character Analysis of Fences Group 3
Character Analysis of Fences Group 3
1-Troy Maxson:
The protagonist of Fences, a fifty-three-year-old, African American man who works for the
sanitation department, lifting garbage into trucks. who lives with his wife, Rose, and son,
Corey, in the Hill District of Pittsburgh. He works for the Sanitation Department as a garbage
collector. Troy's willingness to protest the unfair treatment of blacks in his workplace
(they’re only hired to carry garbage, while whites are exclusively hired to drive the trucks),
embodies a progressive view on the possibilities of race which mirrors the possibilities that
his sons see for the future of race relations.
Troy's relationship with his son Cory is good example of how he misses the mark. Cory is
overjoyed because he's been selected for a college football scholarship. Like his father, Cory
loves sports, and this is his one chance to go to college. Troy, however, is dead-set against
Cory going off to play football. Troy wants Cory to work instead of playing which show the
male dominance. One of the greatest sources of disappointment in Troy's life is the fact that
he wasn't allowed to play pro baseball. Troy refuses to let his son play football, claiming that
he doesn't want Cory to suffer from the same sort of heartache. Everyone around Troy tries to
make him see that times have changed, and that Cory will have a better chance.
His wife Rose tells him, "They got lots of colored boys playing ball now. Baseball and
football". Troy can't acknowledge that times have changed. Instead of allowing his son to
pursue football and college, Troy destroys his son's dreams, refusing to sign the permission
paper and preventing the college recruiter from coming.
Troy can’t see anything practical, or therefore worthwhile, in the professions (music and
baseball, respectively) to which his sons Lyons and Cory each aspire. But at the same time,
Troy’s affair with Alberta suggests that he’s perfectly willing to engage in something not
grounded in practicality, but rather in pure pleasure divorced from the needs of his family.
Similarly, Troy’s willingness to protest the unfair treatment of blacks in his workplace,
embodies a progressive view on the possibilities of race which mirrors the possibilities that
his sons see for the future of race relations. But, in Cory’s particular case, he sees such
possibilities as unrealistic.
Troy’s inner conflict seems also to play out in the way he puts a fantastical spin on the reality
of his past, such as telling fanciful tales about encounters he’s had with a personified form
(the grim reaper or the devil) of death. These fantasies of Troy’s suggest that his past failures
and suffering have pushed his mind, perhaps as a kind of involuntary self-defense, to favor
imagination and fictional constructions over any consistent, constant consideration of his real
past.
Wilson shows how Troy is the product of historical, racist forces beyond his control; he
shows how Troy is a vehicle for these forces, for their reproduction and reinforcement on a
new generation.
Bono and Troy relate stories of their childhood in south and tales of their relationships with
difficult Father. Bono describes his father as having. "The Walking blues," a condition that
pretend his father from staying in one place for so long and moving frequently from one
woman to the next.
Bono could barely recognize his father and knew little about him. Because of Bono's father's
unreliable personality, Bono choose not to father children, to ensure he would never abandon
a child Bono was opposite to his father. He was a family person. He's loyal in his friendship
and marriage too.
In every single one of her relationships, but especially in the one she maintains with her children,
Rose Maxson demonstrates the characteristics of compassion. Rose, in contrast to Troy, is an
objective and unbiased judge of character. She has hope for a brighter future and places her faith in
her husband and children, but she does not complain about the stalemate that exists in the here and
now.
Rose is the most powerful dramatic character in Fences. She has her own ways of coping with and
enduring the layers of anxieties and suffering resulting from the racial discrimination and patriarchal
domination. Her ability to cope with her husband's anxieties, his betrayal and her response to
Raynell's arrival at her home and the way she tries to manipulate her son's sympathy and respect for
Troy are the elements in the play that present her as the most dramatic character.
The Maxson family is suffering because of the social discrimination practiced by whites. Within the
family, she suffers as a female. She is thus a victim of double oppression. Under such circumstances
her power to endure is remarkable. Her husband is not loyal to her. He has relation with others as
well. She has planted her hopes and dreams in him, but he has proved to be rocky and infertile.
Despite this, she doesn't desert him. She expresses her anger and pain openly but doesn't nurture any
bitterness. There is a spiritual side to her personality. She is a saint in human form.
Rose builds fences not for keeping people outside, but to have them near her. Fences in her case stand
for protection and love. She accepts Raynell though the baby is the outcome of her husband's betrayal.
The innocent baby has lost her mother, but she finds another mother in Rose. No woman can accept
her husband's illegitimate child. Therein lies her greatness. It is a great sacrifice that a married woman
can make Rose nurtures the baby because the innocent child stands for the hope of better future and
society.
“Jesus, be a fence all around me every day / Jesus, I want you to protect me as I
travel on my way. / Jesus, be a fence all around me every day.”
Given her husband's betrayal and deception, she should be punishing him severely and leaving him.
But no such things happen.
“We’re not talking about baseball! We’re talking about you going off to lay in
bed with another woman . . . and then bring it home to me. That’s what we’re
talking about. We ain’t talking about no baseball.”
Troy and Cory had always had a tensed relation. The father tries to mold his son the way he himself
was trained and conditioned. The son, too, cannot understand the father's point of view. He hates his
father and shows disrespect towards him. He is not even willing to attend his father's funeral. Rose
persuades her son to show respect for his father. After all, he is Cory's father and should respect him
and hold him in awe. Because of these virtues and ability for endurance she is the most powerful
dramatic character in the play.
This line spoken by Lyons not only shows the difference between their personalities but also
the difference between idealism versus practicality and depicts more progressive but still
grossly regressive social atmosphere—as the two have different personal pasts than Troy. By
pitting Troy against Lyons, Wilson again shows us how white power not only separates itself
from blackness, but also separates and divides blacks themselves.
Cory embodies a hope for the future unmet by the pessimism of his father. When Cory seeks
love and compassion in his relationship with Troy, it’s met with a hardened toughness, as his
father believes that his relationship with his son is born out of sheer duty—not love. Raised in
an era where the racism Troy experienced in his youth has, to a rather small yet significant
extent, faded—and where opportunities for black lives have begun to open—Cory has an
optimism about his future. Troy, however, views Cory’s career aspirations as idealistic and
detached from the realities of a racist society where, for instance, he believes the white-
dominated sports world will not support his son’s ambition to become a football player.
August Wilson therefore casts Cory as an opposing force to Troy’s views and the values for
which Troy stands, and this clash drives the story at the core of Fences. Cory also undergoes
his own development over the course of the play, coming of age when he finally stands up to
his father and leaves home to join the Marines.
You ain’t never gave me nothing! You ain’t never done nothing but
Hold me back. Afraid I was gonna be better than you. All you ever did
Was try and make me scared of you. I used to tremble every time you
Wondering all the time . . . what’s Papa gonna say if I do this? . . .
What’s he gonna say if I do that? . . . What’s Papa gonna say if I turn on
The radio? And Mama, too . . . she tries . . . but she’s scared of you.
Cory comes home from the Marines in the final scene of the play, attempting to defy Troy by
refusing to go to his funeral, but Cory changes his mind after sharing memories of his father
with Rose and Raynell.
In other words, Cory must learn to stand up to his father, but also to respect the struggle his
father faced that made him who he was.
Cory comes home from the Marines in the final scene of the play, attempting to defy Troy by
refusing to go to his funeral, but Cory changes his mind after sharing memories of his father
with Rose and Raynell.
7- Alberta:
Alberta is another character that helps reveal some of the complexities of Troy. Alberta is the
woman with whom Troy had an affair. She helped Troy escape from his everyday life
problems. When asked about Alberta,
Troy had replied, “She gives me a different understanding about myself. I can step out
of this house and get away from the pressures and problems…be a different man.”
When he is with Alberta he feels that he does not have anything to worry about. This is
shown when Troy says, “I ain’t got to wonder how I’m gonna pay the bills or get the roof
fixed. I can just be a part of myself I ain’t never been.” Alberta also helped Troy realize the
value of responsibility. When Alberta passed away, Troy was the only one who originally had
to take care of Raynell, until Rose said she would. Alberta was very important in this play.
Troy expresses to Rose that he spent time with Alberta to escape. Rose believes she has been
a good wife and mother and so Troy should have stayed with her. Troy selfishly conveys to
Rose that he used Alberta to get away from the pain of his stagnant career and life goals.
Conflict:
After Alberta dies in childbirth, Troy's wife Rose agrees to raise the child but declares that
she's no longer Troy's woman. All this instability at home leads to an all-out fight between
Troy and Cory. Troy wins the battle and kicks Cory out of the house for good.
Rose rejects Troy as her partner because she takes seriously the Biblical commandment that
decrees, "Thou Shalt Not Sin," but finds forgiveness for the child born to her sinful husband
because of her belief that "when the sins of our fathers visit us/we don't have to play host/we
can banish them with forgiveness.
In August Wilson's play Fences, Raynell, who is seven years old, has planted a garden
(presumably with the help of Rose). On the day of her father's funeral, she is outside, poking
around in the garden, and when Rose calls her and asks what she is doing, she replies,
"Seeing if my garden growed." Rose tells her that it won't grow overnight, but Raynell is
impatient and doesn't think her garden will ever grow. She doesn't want to wait. Rose says
that she must "give it a chance" and assures her, "It'll grow."
Raynell and the garden both symbolize new life and a fresh start. Troy has passed away now,
and the family must move on without him. Life will be different, and it might take a while for
Rose, Raynell, Lyons, Cory, and Gabriel to adjust to Troy's absence. They will have to wait
for their grief to fade and to see what changes will come, but they still have hope. Life goes
on, and the family will start fresh, even though they will still feel the effects of Troy in their
lives. In time, they will grow together and bear fruit just like their new garden.
Raynell is probably the only character in the play who has not been deeply affected by Troy
and all his hang-ups. She is still too young to be overly touched by her father. She shows the
impatience of a child who is engaged in life and ready to meet new experiences head on. She
wants her garden to grow right now, and she is not wise enough to understand that it takes
time. She is young and excited and ready to plunge into life, and she symbolizes her family's
hope for the future.
Like the flowers in the story, Raynell and the garden bring beauty into the world. Raynell is a
beautiful little girl, and her family clearly loves her dearly. She is bright and loveable and
sweet. The garden, too, as it grows, will bring beauty to the Maxson family's little corner of
the world, and it will be a place where they can work together and grow together.
Conclusion:
Art of characterization is an art of presenting people who popular story. They are heart and
soul of the story. We can tell what kind of a person eacj character is by things he does. In
story Fences Troy’s character is conflicted and flawed which is obvious through his actions
For example, he works hard as garbage collector to support his family yet he kicks out his son
from house and cheats on his wife.Rose ( Her kind and nurturing nature is obvious when she
does things like she takes in Troy’s love child, RaynellTroy’s brother , we find him insane
because he runs around all day chasing hell hounds and talking about how he knows about St.
Peter.
For example Rose she is named after a flower she is always kind and nurturing.
Maxson in Troy’complete name is a combination of two words “Mason” & “Dixson” Mason
and Dixson was imaginary line that divides North from South. Which many African
American crossed in the hope of escaping poverty and racial descrimination. Troy left his
home in Pittsburgh and lives in North he still is haunted by ghosts of southern upbringing. He
is the boarder of two different worlds.