BORN

TO BE BLUE - Soprano Sax James Carter

Transcription Michael Skrigan

            
 
                       
D♭7 C7


 = 60 C F7 E♭7
8

                
3


        

          
Fm

 
A♭ Cm

  
G7


5 Cm D♭7 F7 D7 G7

                
5 3

 
3

                   
D♭7


C 6 C7 F♯7 F7 E♭7
10

 3

               
3

      
3

   
3

  
Cm

 
13 A♭ G7 Cm D♭7 F7

                                
6 3
D♭7

  
Fm A♭7 G7 C A♭m
16 3

6
3


                                 
D♭7 G♭
19 A♭7 D♭7 A♭7 3

      3 3
F♯7 B Fm B♭7

   
                                 

C♯m 3 3 E♭7 D7G7


22 3

 
         
 E♭7 
          
                       
D♭7 C


26 C 3 F♯7 F7 G7 A♭

                       
3 G7

  

3

  
3


3

  
A♭7


F7

 
Cm Fm


30 D♭7 Cm

    
3 3 3

    
3 3 3


 D♭7
 
C C

           
3 G7
33

3
          
   
2

                             
35 C7♯11 F♯7 F E♭7

 A♭ 
   

      
3

            
3

      
G7

 
37 3 Cm D♭7

     F7
       

          
3 3

 
             
Cm


39 Fm D7

                     
6 5
5

  
3

 
41 G7

    D♭7
    3
                  
        
6

 
3


42 C

      3
                                     
43 C F♯7 F7 E♭7 A♭ 6 6 G7


    D♭7
                
3

       
F7

      
3


46 Cm Cm

     
6 6

     
3 3 3

 

6

     
Fm C

        
A♭7 G7
48
6

      
6

    
3

         
A♭7 D♭7
growl

 

50

               
  
3

          
A♭m 3

  
D♭7

   
51

       
A♭m

 
G7

 

 
52
3 3

3
3
             
3

  
     
6

 
53 G7


3

    
6
6

   
              
54 C♯m F♯
5

        
5

   
3

    
B

 
55
3

              
  
6

        
56 Fm E7

           
3

  
                
E♭7 G7
57

 C       
  

   
  
3

                
58 D♭7

 
    
6


6

       F♯7  
F7 5 5

  
        
59 C7

3 3

 

 
 G7
 
                Cm
            D♭7 
   
5


A♭

 
61

 F7

         
3 3 5 5 6 3

              
 
5


         
G7


63 Cm Fm A♭7

6 6 3

                    
6

 
Bass solo

           
65 C G7/B♭ 3 C
7 7

3
                 D♭7
   
        
4 A♭m D♭7 A♭m

   
69

       
             
3 3

 
A♭7

       
D♭7♯5(♯9)


72 G♭

                       
6 3

 


   
Fm

  
E7

       
F♯7 B


74 C♯m

                        
3 3


    
C7
F♯7
E♭7 D♭7

 
D7 G7 growl


77 C

 E♭7   
          3  
3 3 3 3 3

     

    


              
80 F7 A♭ G7

F7 
3

           
3

   
  
6
Cm growl D♭7 Cm


82

                      
3 3


3


3 3

     
84 Fm
Cadenza

                             

6 6
7


7
85

                                   

6 6 6 6 6 6 6 6


86

      
    
6 6 6 6 6 6 6 6

              
 
87

 

       

     
  
7 7 7 7 9

     
 
88

  3 3
   
               
 
  
   
5

     


  
 

90

3
3 3

            
                   
         
C D♭7

 
3


3


93

  
3 3

3
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
       
6

 
C9
97

3
3
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