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  • Al Compás Del Amor

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    Alvaro Lazaro Bruzon
    22 views2 pages
    This document is a musical composition titled "Al Compás del Amor" or "To the Beat of Love" composed by Jose María Sánchez Martín. The composition is written using musical notation symbols and contains 5 sections with varying time signatures and melodies. It concludes with a call to feel love's rhythm in one's heart.

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    Al Compás del Amor

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    This document is a musical composition titled "Al Compás del Amor" or "To the Beat of Love" composed by Jose María Sánchez Martín. The composition is written using musical notation symbols and contains 5 sections with varying time signatures and melodies. It concludes with a call to feel love's rhythm in one's heart.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    22 views2 pages

    Al Compás Del Amor

    Uploaded by

    Alvaro Lazaro Bruzon
    This document is a musical composition titled "Al Compás del Amor" or "To the Beat of Love" composed by Jose María Sánchez Martín. The composition is written using musical notation symbols and contains 5 sections with varying time signatures and melodies. It concludes with a call to feel love's rhythm in one's heart.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Al Compás del Amor

    Jose María Sánchez Martín

                     
        
        
     = 72

            
                           

    5

              
    3 3 3

     
                      
     
    12

       
            
    3 3

                    
       
    18

            
    5

                           
          
    23

            


                    
           
    28

        


                        

    32

                          
         
    38

          
      
               
     
    43

         
                   
           
    49
             
                
    2

        
    
    56

                 
     
                

    60

     
                                        
     
    65

                          
     
       
         
    71

                      
           
            
    76

     
        
    
    82

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