Stravinsky Warmups

e theeasy figures as models for how the air flow should feel. This is your position of strength
prgress through the field offigures my to keepthatair fow free and avoid accumulatingtension
O e back to the easier ones to remind yourself hon i t feels.

Trumpet in Bb

Ist figure, sequence of pitches

(practice patterns)

2nd figure, sequence of pitches

(practice patterns)

Ist x shur: 2nd x tongue lightly

 Play through each of the precedingfigures with these various key signatures

3rd figure, sequence of pitches (practice patterns)

E
E
bend simile Sempre simile

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BQ-1 55
 Stravinsky 1
(Third Part #135 - #139)

Trumpet in Bb d 52 = 156)

(P)

(mf)

p) mf)

(S) (anf)

(P)

mf) P)

E
nf (
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 Stravirsky 2
(Third Part
#135 - #139)
Trumpet in Bb

80

up bend)

(ttk)

(ttk) (tk t) (tk t)

(ttk) (ttk)

(tk t) (simile)
(tktk)

57
BQ-1
 V u a V IlSAy
Trumpet in Bb Part #135 #139)
-

d 88182 (Third

Stravinsky 4
(Third Part #135 - #139)
Trumpet in Bb

()

G)
BQ-1
 (

*
(9)

(2)

Stravinsky 5
(Third Part #135 - #139)
Trumpet in Bb 68132

sempre t kt

sempre ttk

59
 Stravinsky 6
(Third Part #135 - #139)

Trumpet in Bb 156

BQ-1