-OWNER'S MANUAL 16-BIT DIGITAL SYNTHESIZER - KC10 SPeElTRA KAWAI& a 5 3 AA alte Shc eceBonSoeRR CS. his equipment has been tested and found to comply with the limits for | 3,Class 8 digital device, pursuant to Part 15 of the FCC Rules, These limite ave | designed to provide reasonable Protection against harmful interference in a [eaidental installation. This equipment generates, uses and can radiate radis Krequency energy and, if not installed and used in accordance with the rercitons. may Cause harmful interference to radio communications. However here iS nO guarantee that interference will not occur in a particular installation. f whi ecuipment dos cause harmful interference to radio or television reception, z = 3 e z 2 a 3 3 2 2 3 2 ° 8 z 8 measures: ~ Reorient or relocate the receiving antenna. ~ Increase the separation between the equipment and receiver. | | ~ Connect the equipment into an outlet on a circuit different trom that to which | the receiver is connected. ~ Consult the dealer or an experienced radio/TV techni cian for help. | This digital apparatus does not exceed the Class B limits for radio noise | fhe eoaos ftom digital apparatus set out in the Radio Interference Regulations of | the Canadian Department of Communications UThank you for purchasing Kawai 16-bit Digital Synthesizer SPECTRA KC10! The KC10 uses advanced 16-bit and synthesized waveforms for oplimum sound quality at an affordable price. And the unique function from KAWAI K series, such as MULT! patch and ORUM SECTION, allow you to create hi-quality musical performances. Please read this manual thoroughly before using the KC10. It has been written to allow you to get the most of this instrument’s capabilities with the least amount of effort. FEATURES 126 High Quality Internal Waveforms The KC10 has a total of 128 selectable wave combinations. Each combination is made from high-quality 16-bit PCM and DC (Digital Cyclic) waveforms. MULTI Play Capabilities 4 SINGLE patches may be played at one time freely combining Layer and Split functions enabling a wide range of warm and expressive sounds. 36 RHYTHM Patterns The KC10 contains 36 preset rhythm patterns, which are suitable for any kind of musical environment such as rock, pops, jazz, latin and any others. These patterns come wit INTRO/ENDING and FILL IN’as well AUTO ARPEGGIATOR This function allows you to play arpeggio patterns automatically, by pressing one chord on KC10's keyboard. There are many selectable forms (ex. UP, OOWN and RANDOM) which can also be used in SYNC with the rhythm patterns, DRUM SECTION The KC10 has ils own DRUM SECTION which can be controlled independently trom SINGLE Patches or the 4 SECTIONs of a MULT! patch. Variable Multi-Timbral Operation in the MULTI PLAY Mode, each tone may be set to a specitic MIDI channel, allowing the KC10 to function as though it were four MIDI tone generators. The variable Multi-Timbral function also allows the voice of each section to be played simultaneouslyCare and Maintenance Proper Care Your KC10 synthesizer is a delicate musical instrument. To prevent breakdowns and ensure years of reliable, trouble-free service, shield it from: — Direct suntight and exposure to the elements ~ Extremes in temperature or humidity = Dusty environment ~ Vibration ... especially during transport Power Supply + Use only AC adaptor shipped with the KC10 and connect it only to a power supply with a voltage within the limits stated on the ratings plat on the backs. + Make sure that all power switches are off before changing equipment connections. + Check all equipment connections before applying the power. + Donot connect to the same circuit as a heavy load or equipment that generates line noise. Line Noise Reset The high-speed microprocessor at the core of the KC10 is extremely sensitive to line noise and sudden fluctuations in the supply voltage. Should it “lock up" under such conditions, simply tun the KC10's power off for a few seconds and then reapply the power. Cleaning + Clean the instrument with a solt cloth, a mild detergent, and luke warm water. + Never use harsh or abrasive cleansers or organic solvents Battery Backup The lithium battery that protects the memory contents while the power to the unit is off is good for more than five years of normal use. We recommend, however. that you have your nearest authorized service representative replace it promptly after five years.Let’s Play KC10 1, Name of Parts... 2. Basic Operation A. Connections B. Demonstration Songs 9 C. Selecting a Patch 10 C-4, SINGLE Patch 10 C-2. MULTI Patch 1" C-3. RHYTHM Pattern 12 DRUM SECTION 13 AUTO ARPEGGIATOR. 14 3. Fundamental of MIDI...1. Name of Parts <= ae ttt ttt ; | : li wl iS ee ee cece 3 Cocncacs coca Teel: ty rar) =Name of Parts @ PITCH BEND WHEEL Controls continuous pitch change. The pitch of an electric guitar may be changed, for example, producing a wider range of sounds. @ MODULATION WHEEL Controls continuous modulation of sounds (vibrato). VOLUME SLIDER Used to adjust the sound output from the PHONES and output (R, L/MONO) jacks. © oisPLay Indicates the patch number while playing, and the function number and value of parameter (alternately) during editing. PATCH SELECT SWITCH GROUP 1 (MULTI, SINGLE) Selects between SINGLE and MULTI PLAY modes when selecting patches. © epi switcu Puts the KC10 into the EDIT mode to allow tones to be modified. @ sysTEM switcH Puts the KC10 into the SYSTEM mode. © PATCH SELECT SWITCH GROUP 2 (1-8) In PLAY mode: Selects a patch number. (See p. 10~12) During SINGLE editing: Selects the parameters to be edited. (See p. 22) During MULTI editing: Selects a SECTION (See p. 31) In MIDI mode: Selects the MIDI parameters to be set. (See p. 44) © RHYTHM switcH Puts the KC10 into the RHYTHM mode. @® RHYTHM swiTcH GROUP (FILLIN, INTRO/ENDING, START/STOP) Used to play RHYTHM patterns. (See p. 12-13) to be edited. @® Power switc Turns the instrument's power on and off. @ oc Invack This jack is used to connect the external power supply. @® HEADPHONES JACK The stereo headphone jack is used to monitor the sound of R and L/MONO output. @® output Jack (R, MONO) The output jacks are used to connect the unit toa keyboard ampiiier or PA equipment. @ How wack When an kawai F-1 or other foot switch (optional) is connected to this jack, it may be used to sustain the sound. @ mid jacks (IN, OUT, THRU) These are used to connect equipment to other MIDI devices.2. Basic Operation A. Connections (1) Connect the power adaptor and keyboard amp (or headphone) as shown in below. SPEAKER NOTE: The KC10 has no internal power amp or speakers. In order 10 obtain sound output, you may either use headphones, or connect it to a keyboard amp or PA system. It is possible to use home radio cassette players or audio amps, but caution should be paid to when the power is turned on and to volume, etc., in order to avoid damage to these L appliances. (2) Tur the POWER switch on. The unit is now ready to play. (3) Turn on the power of amps and other equipment connected to the KC10 after turning the KC10 on, to protect the other equipmentBasic Operation B. Demonstration Songs ‘The KC10 contains 3 demonstration songs which show the musical possibilities of KC10. ‘You can hear the songs by following the procedure below: (1) Press EDIT and SYSTEM switches simultaneously. The first demonstration song begins to play. aes mi (1st Song) (2nd Song) (3rd Song) 7 7°95 a i ot 7 4 hie fo These 3 songs play successively. After the 3rd song ends, the Ist song begins again, (2) To skip to the next song before the song's end, Gp Gp press EDIT and SYSTEM switches simultaneously. ye (3) Press START/STOP or SINGLE switch to end the playing. G Go NOTE: Please note that recording these demo songs to tape or other medium is prohibited by law (except for your personal use).Basic Operation C. Selecting a Patch C-1 SINGLE Patch In the KC10, each single tone color is referred to as a“SINGLE patch”. ‘The KC10 has in total 96 SINGLE patches, 64 preset SINGLE patches and 32 user patches. [15488 J preset SINGLE patches 18 __| user SINGLE patches i To select and play a SINGLE patch, use the following procedure. (1) First press the SINGLE switch to enter oS the SINGLE PLAY mode. fa ‘The LED dot “SINGLE” lights to show that now the KC10 is a in the SINGLE mode, and displays what SINGLE patch is currently selected as follows: SME Mi wert TE eee al jap 1 (preset) or 2 (user) (2) Select a SINGLE patch number. (a) Select “preset”( 1) or “user"(2) by pressing SINGLE switch. (b)_ Select a number by pressing two of I~ 8 switches successively (Ex. 1) To select 123 “LOW PIANO”... (Ex. 2) To select @48 “SYN PAD2” ... aw “had — eae Go eet aie eu °) I { t — “hoo aS “St ’ itil ion et ") I ") I : “a4 “sue > Tf eu \} (3) Play the keyboard and listen to the sound of selected SINGLE patch. ee ~10-Basic Operation C-2 MULTI Patch ‘A MULTI patch is structured from up to 4 SINGLE patches. These 4 SINGLE patches are combined in "SECTION 1-4”, Pitch, level, transpose, key zone and MIDI receive channel can be set for each SECTION. Using MULTI you can make more colorful and complex sound than only one SINGLE patch. ‘The KC10 has 16 MULTI patches in total( f 4-118, 12 f= 128). To select and play a MULTI patch, use the following procedure: (1) First press the MULTI switch to enter wan the MULTI PLAY mode. Go \} ‘The LED dot “MULTI” lights to show that now the KC10 is in the MULTI mode, and displays what MULTI patch is currently selected as follows: BREE wa as moe tit T es (2) Select a MULTI patch number by pressing two of 1 ~ 8 switches successively. (Ex.) To select 123 “SPLIT 3 ge [tie 0 I eo Lies 0 (3) Play the keyboard and listen to the sound of the selected MULTI patch. MULTI patches contain numerous settings. Pressing a few keys on the keyboard is not enough to allow you to completely determine what of patch settings have been made. It is possible to create ‘a MULT in which sounds play only in one area of the keyboard, or only via MIDI. =nBasic Operation C-3 RHYTHM Pattern The KC10 contains 36 rhythm pattems. You can play these RHYTHM patterns with introfending and fill in. To select and play a RHYTHM pattern, please take the following procedure (1) Firstly press the RHYTHM switch to enter the RHYTHM PLAY mode. ty / The LED dot “RHYTHM” lights to show that now the KC10 is in the RHYTHM PLAY mode, and displays what RHYTHM pattem is currently selected as follows: ‘Note: In RHYTHM PLAY mode, KC10% keyboard produces the sound of the SINGLE (or MULT) patch selected before entering RHYTHM mode. | (2) Select a RHYTHM pattern number. aoe toro = ieee Press two of the 1 ~ 6 switches successively. & 1 (Ex,) To select 123 “SLAP FUNK”... . Ta wei (3) To change the tempo: we -10 Gale) Press the +YES (or -NO) switch to inerease (decrease) the tempo. ‘The LED shows the tempo now selected 3 am Nag Pressing RHYTHM switch recalls the RHYTHM pattem number. Note: After selecting a RHYTHM pattern, you can return to SINGLE (or MULTI) PLAY ‘mode by pressing SINGLE (or MULT!) switch. ~12-Basic Operation (4) To start playing the rhythm: Press STARTISTOP switch. Gp ‘The RHYTHM pattem stars to play normally.) Or press INTRO/ENDING switch The pattern starts with introduction. During RHYTHM pater playing, LED dot oer “TEMPO/SINGLE” flashed at the beginning of every bar. wo (5) Press the FILL IN switch to add the fill in pattern. co} § (6) To stop playing: om, Press the START/STOP switch ‘The ptt sops noel soe Or press the INTRO/ENDING switch ‘The pattern stops with ending. DRUM SECTION (HAND PERCUSSION) ‘The DRUM SECTION is a separate programmable section of the KC10, independent from any SINGLE or MULTI patch. Drum sounds are programmed for each note on C1~G3 range of the KC10's keyboard (See p. 58 “DRUM SECTION Key Assignment”). These sounds can be played from the KC10's keyboard, and are also available for use with a sequencer or other MIDI device (See p. 53 “Playing Using A Sequencer/Computer”.) DAUM SECTION (HAND PRECUSSION) To play the DRUM SECTION from the KC10’s keyboard, it is necessary to set “HAND PERCUSSION ON/OFF” to ON. (See p.37 "RHYTHM Edit Parameters”) ‘Note: During the HAND PERCUSSION ON/OFF is ON, the keyboard above G3 produces no sound. When you return to SINGLE/MULTI PLAY mode (See p. 10/11), this HAND PERCUSSION operation will be canceled. asBasic Operation AUTO ARPEGGIATOR This function allows you to play the arpeggio pattems automatically, only by pressing one chord on KC10's keyboard (range: C1~B2). (EX.) when you press C chord: (uP) | | = = 5 (Downy wn (RANDOM) To use this function, itis necessary to set “AUTO ARPEGGIATOR ON/OFF” to ON. (See p. 37-39 “RHYTHM Edit Parameters”) Note: This function is not available under the following circumstance: * When the HAND PERCUSSION ON/OFF (See above) is set to ON. L *_In the MULTI PLAY mode. ~14-3. Fundamental of MIDI The letter MIDI stand for Musical Instrument Digital Interface, an international standard for connecting synthesizers, drum machines and other electronic instruments so that they can exchange performance data. If you use MIDI with your KC10, the following operations will be available, (1) Connecting to another synthesizer TTT MU TT When connected as shown in the illustration, you can generate the sound of K4 by playing the keyboard of KC10, because the MIDI data is transmitted from KC10 to K4. Since tone color can be set separately, you can assembly a wide variety of sound combinations, such as a PLANO tone from the KC10 layered with a STRING tone from the K4 for a thick sound. cn) SYNTHESIZER A (KC10) {2) Connecting to a synthesizer module Mio OUT: IOI IN SYNTHESIZER (KC10) SYNTHESIZER MODULE (Kar) ‘Same as (1), you can transmit MIDI data by playing KC10’s keyboard to K4r and make sounds from KC10. =15-Fundamental of MIDI (3) Connecting to a sequencerisynthesizer module Mio! OUT MIDI_IN MIDI OUT MIDI iN SYNTHESIZER (KC10) ‘SEQUENCER (0-60), SYNTHESIZER MODULE (Kr) “Sequencer” is the device which allows you to record and playback MIDI data, On the above setting, if you once record MIDI data by playing KC10, you can playback your performance anytime (without playing Keyboard ‘gain!). And also itis possible to play a synth solo by KC10 with backing ensemble of Q-80 and Kar. If you want to know about the more detailed knowledge of MIDI, please see the following page “MIDI Information’. SpeFundamental of MIDI MIDI Information MIDI Channel With MIDI, any number of instruments may be controlled from a single source, Thus, in order to be able to distinguish one instrument from another, it is possible to assign a channel number from 1-16 to each. When performance data is transmitted, the channel number is transmitted at the head of the information 10 identify for which machine the information is intended. This number is called the MIDI channel. When the instrument is one which supports multi timbres, you will want to control each part, so MIDI channels will have to be allotted to each. teh 2en Boss altar ‘Synthesizer Mode In addition to the channel on which MIDI information is transmitted, information may also be transmitted in different modes. There are both POLY and MONO modes, to determine if the performance data received is to be played polyphonically or monophonically. (KC10 operates only in the POLY mode.) Both of these modes may be set for OMNI ON or OMNI OFF, and when set for OMNI ON, information from all MIDI channels may received and sound produced. -17-Fundamental of MIDI a Note Information Of the different types of performance data which can be transmitted via MIDI, the most basic is the note message. Note messages indicate such information as which key has been pressed (NOTE ON, NOTE Number) with how much force( VELOCITY), and when it was released (NOTE OFF). + Note number {In order to enable the control instrument to differentiate between keys when they are played, a number is assigned to each, called a note number. Middle C (C3) is MIDI note number 60, and each note number corresponds to a half tone, or one key on the keyboard. (MIDI devides the half tones from C-2 to G8 into 128 steps, numbering them in sequence from lowest to highest.) Lc This is a message which tells with how much force a key on the keyboard was pressed (velocity is detected not by the pressure on the key, but by the speed of its movement at the time the NOTE ON message is sent.) + Velocity -18-Fundamental of MIDI Program Change Most MIDI instruments currently in use allow setting, tones, and other data to be programmed. These programs can be switched by a message from the master instrument. This type of message is called a PROGRAM CHANGE. Since MIDI standard say only that numbers from 0 to 127 can be used as PROGRAM CHANGE data, the items in the tone memory that correspond to the PROGRAM CHANGE numbers are different for every type of instrument. Control Change Besides information regarding when a key has been pressed and released and so on, volume, vibrato, hold, portament on/off, damper and soft pedal on/off, pan and aftertouch information, etc., are functions which may be handled in many different ways as performance data. These are transmitted as CONTROL CHANGE message. Pitch Bend This is a message which tells just how far the pitch bend wheel has been turned. The maximum amount Of pitch bend is usually programmed in the synthesizer's patch data. Therefore, pitch range depth may differ between instruments. Exclusive Message While MIDI is a standard accepted world-wide, in order to get the most out of the different types of equipment produced by different manufacturers, each produces to some extent, their own independent specifications. These are outside of the specifications prescribed by MIDI, and consist of messages for the transmission and reception of information unique to a particular piece of equipment. Called SYSTEM EXCLUSIVE messages, these may be used to exchange tone data between equipment produced by the same manufacturer and for storing tone data to a computer. atsEdit the Sound “Editing” is the creation or alteration of synthesizer tones and settings If you want to: — change the KC10's SINGLE patch sound as you like, — or to change the structure of MULTI patch’s SECTION, — and to select other setting on RHYTHM patch/AUTO ARRPEGIATOR, please read this chapter carefully and take your desired operation. 1. SINGLE Patch Editing A. Editing Operation... B. SINGLE Edit Parameters 23 EDIT Group. 24 WAVE Group 25, FREQ Group 25 ENV1 & ENV2 Group 27 C. Writing A Edited SINGLE Patch 30 2. MULTI Patch Editing... A. Editing Operation B. MULTI Edit Parameters. 32 C. Writing A Edited MULTI Patch 35 3. RHYTHM Editing .. A. Editing Operation 36 B. RHYTHM Edit Parameters 371. SINGLE Patch Editing A. Editing Operation To edit a SINGLE patch, it is necessary to enter SINGLE EDIT mode by pressing the EDIT switch, Basic Operation (1) Select the SINGLE patch which you want to edit (See p. 10). (2) Press the EDIT switch to enter the SINGLE EDIT mode. w ‘The LED shows the function/parameter number and its value alternately. HEE wan ors wan mr ‘ot Lf on Tt au —— T 7 function/parameter No. Value (8) Call up the function/parameter by pressing one of the EDIT, WAVE, FREQ, ENV1, ENV2 switches (See p. 23) (4) Change the parameter’s value with +YES and —-NO switches. s¥e5 —n0 (If you have any other parameter to be edited, eaeaeeaaae repeat (3) and (4).) (5) Write the edited SINGLE patch (See p. 30). CO —22-B. SINGLE Edit Parameters SINGLE Patch Editing There are 5 groups of function/parameter in KC10’s SINGLE EDIT mode. So each group consists of function which has a similar character, that you can easily understand what function you should call up 10 make your desired change on SINGLE patch. The following chart is the table of all KC10’s SINGLE EDIT parameters: Function No/Name Value Range Ret. p. EDIT Group VOLUME _ 0-63 é KEY FIX __0ord a3 FIXED KEY NO. | 08 [es CHORUS ON/OFF ord WAVE Group | 10 # WAVE SELECT 1-128 2 SOLOONOFF | sO ort FREQ Group | / VIBRATO SPEED | 0-31 t VIBRATO DEPTH _ —o-3t | | t 72/314 Te ‘AUTO BEND TIME 0 | 1S ‘AUTO BEND DEPTH ENVi Group | i@ 1/13? LEVEL ENv2 122/132 ATTACK TIME 123/433 _ DECAY TIME 1247134 _ SUSTAIN LEVEL t257135 RELEASE TIME 7436 KS LEVEL P. 7/137 VELOCITY CURVE 1721374 29 ~23-SINGLE Patch Editing EDIT Group a tt | VOLUME Value | Effects This controls the whole volume of SINGLE patch. A zs The differences in volume between patches are adjusted so as to | ce avoid any unnaturalness when switching between patches I 63. | Maximum Level a ‘ Libs Value Effects This selects whether pitch is to change depending on the key amin struck. The keys scale normally when OFF (1), but will be fixed at the pitch specified by FIXED KEY NO. when off (0). 1 | OFF 4st | FIXED KEY No. Value Effects Fix the pitch of the SINGLE patch to a particular pitch. eamalica a | 108 | C7 a4 CHORUS ON/OFF sound or not. Selects whether the “chorus” effect is added to the SINGLE -24-SINGLE Patch Editing WAVE Group wtf tort | WAVE Value Effects This selects the desired waveform from the 128 waveforms 1 | Wave No.1 available, | 1 | NOTE: See WAVE LIST (p.66) for available waveforms. 128 jee No. 128 was tic} SOLO ON/OFF Value | Effects Sets the way the SINGLE patch is to sound, polyphonic or monophonic (SOLO). NOTE: When set to 0, 10-note polyphony is available. FREQ Group rt i | 7 | VIBRATO SPEED Sets the vibrato speed | Effes ! 0 Qn i 31 | Rapid Vibrato Slow vorato Rapid vibrato 16 ree VIBRATO DEPTH en 5 Sets the depth of change of Vibrato pitch variation. ca netese || fave 31 | Maximum Vibrato The amount of time after a key is pressed until vibrato| takes effect can be set with AUTO BEND TIME. -25-SINGLE Patch Editing Positive depth Nogative depth ool {i= | VIBRATO SHAPE = aos Sets how the pitch is to be shaped. 1 1 Ta SO | [ Es saw 21 hE * LL. LI cele 4 FIND Random varaton sawiotn Sam sausre (50%) { (4 | AUTO BEND TIME Value Effects Sets the time for the AUTO BEND (automatic bend) function (See 0 NoEffect | next) and the delay before the start of the vibrato effect (See 412). ! 31 Maximum Period 125 | auto BEND DEPTH - = Value | Effects Sets how the pitch alters as each key is struck - the AUTO BEND |~ 3, | Pitch drops to nominal value effect. 7 0 | Noottect 1 31 Pitch rises to nominal value BogSINGLE Patch Editing ENV1 (ENV2) Group ‘The parameters in this group determine the “envelope”, the way the volume of a sound changes with time. For example, a note on a piano begins to fade immediately after you strike it, but one on an organ stays at the same volume until you release the Key. The graph below defines the five phrases of the envelope: nage Bea Freese ‘The KC10 allows you to set 2 different envelope (ENV1 and ENV2) for one SINGLE patch, and make a complex sound by mixing them. ew? SINGLE PATCH iat tat wet ea | LEVEL Value Effects This adjusts the intial level for each of ENV1 and ENV2. 0 | NoOuput \ 1 31 | Maximum Level High level Low level ~27-SINGLE Patch Editing Ht ATTACK TIME T Value 7 This sets the time from the start of the sound until the peak volume is reached (for each of ENV1 and ENV2). | Effects 0 Short Attack 1 31__| Long Attack hs t a — /\. - — vy \ = {ong atack Short attack ot (surely rs) (os oe - ME ie DECAY TH oo — This sets the time from peak volume to the sustain level a (for each ENV). 0 | instantaneous Drop wa ray | Short decay ied {3-4 | SUSTAIN LEVEL This sets the stable level which will be maintained as long as the key is held down (for each ENV). Value Effects 0 | Low Sustain 31_| High Sustain TN. High sustain level (e.g. organ) Low sustain level (e.9. piano) —28-SINGLE Patch Editing iP ac we 5 fata Berea ae Value Effects This sets the time from the point when the key is released until 0 | Shon Rek the sound disappears (for each ENV) eee | ) nen 31 | Long Release Long release time Short release time Tae Tac | KS(KEY SCALING) ih fat | ENVELOPE LEVEL Value | Effects This changes the volume level according to the position (high or +15 | Increase the volume on high low note) of the struck key (for each ENV). 1 | position Setting a positive value (+1~+15) increases the volume on high 0 | Noettect position, while a negative value increases on low position. J fincranee inc vole cnllew! postion Level Level 4 [De (LE CUCU TAT UO UNC ATTT 7: {27 | vevocrry curve You can select the way in which volume is changed by how hard the key is struck, choosing from the following 4 curves. Level Level Level Level Force Force Force Force 0 a ~29-SINGLE Patch Editing C. Writing A Edited SINGLE Patch If you want to store the edited SINGLE patch, write it to one of 32 user SINGLE patch area with the following procedure. (1) After finishing editing, press WRITE switch. == x A LED begins to show the WRITE function number (8 1) and user SINGLE patch number alternately of beef ot c ot ot (2) Select one patch number (for storage) using 1 ~ 8 switches. (See p.10°C-1 SINGLE Patch) (3) Press WRITE switch again, LED shows selected patch number and KC10 returns to SINGLE PLAY mode. NOTE: This procedure erases the data previously stored in the selected patch. Hf you want to recall the factory-preset SINGLE patch data, use the RESET procedure (See p. 55). Etoge2. MULTI Patch Editing A. E ig Operation To edit a MULTI patch, it is necessary to enter the MULTI EDIT mode by pressing the EDIT switch. Basic Operation (1) Select the MULTI patch you want to edit (See p. 11). (2) Press the EDIT switch to enter the MULTI EDIT mode. ‘The LED shows the function/parameter number and its value alternately. 1 |e a cot 2 Teeeeee T T function/parameter No. Value (3) Call up the SECTION and its function/parameter tees by pressing one of the switches sometimes. Cococnca (See p. 32) (4) Change the parameter's value with the +YES sw and -NO switches.(If you have any other SECTION Oo to the edited, repeat (3) and (4).) (5) Write the edited MULTI patch (See p. 35). =31-MULTI Patch Editing _————————— B. MULTI Edit Parameters ‘A MULTI patch is a combination of up to 4 SINGLE patches. Each of the 4 SINGLE patches are used in SECTIONS 1 - 4, MULTI patches have no parameters for creating tones ~ MULTI EDIT parameters are used to set how the tone of each SECTION is to be played. The following chart is the table of all MULTI EDIT parameters SECTION 1 SECTION 2 SECTIONS SECTION 4 | SECTION PLAY SECTION PLAY SECTIONPLAY | | SECTION PLAY SINGLE ASSIGN SINGLE ASSIGN SINGLE ASSIGN SINGLE ASSIGN RECEIVE CHANNEL| | RECEIVE CHANNEL| | RECEIVE CHANNEL| | RECEIVE CHANNEL| TUNE TUNE TUNE TUNE LEVEL LEVEL LEVEL LEVEL TRANSPOSE TRANSPOSE TRANSPOSE TRANSPOSE ZONE HI | ZONE HI ZONE HI ZONE HI ZONE LO ZONE LO | | ZONELO ZONE LO | MULTI PATCH [ nNowname | vawe [Rep "0. SECTION PLAY on2/3 p.33 |__2*/ SINGLE ASSIGN 11-248 p33 |__2"2 RECEIVE CHANNEL| 1-9,11-16 | _p.33 2°3 TUNE 210 p.33 2-4 LEVEL 0-31 p.34 [2S TRANSPOSE |e p.34 2°5 ZONE HI | 36-96 psd L_erzoneto | 36-96 | pe | ‘Though these parameters are the same for each of SECTIONs 1~4, LED displays show which SECTION is now edited as follows: the different number to (SECTION 1) (SECTION 2) (SECTION 3) (SECTION 4) 7 Sun tut uw au ot ‘This chapter explains the details of MULTI EDIT parameters using SECTION 1 as an instance. SSS -32-MULTI Patch Editing Uff | SECTION PLAY Value Effects Sets the way the SECTION is to be played amallorr OFF: The SECTION produces no sound ee KYBD: Produces sound only when the keyboard is played. 2 | MIDI MIDI: Produces sound only when receiving MIDI data from 3 | MIX external MIDI device. MIX: — Produces sound both keyboard and MIDI data. at eee SINGLE ASSIGN Value Effects Selects a SINGLE patch to be played in each SECTION. 111_| SINGLE Patch No. 171 | 248 | SINGLE Patch No. 248 i | RECEIVE CHANNEL Vaue _ Sets the MIDI receivie channel for each SECTION. + | Channel? ~ NOTE: in this mode you cannot set the value 10, because the|| | channel 10 is fixed for DRUM SECTION. 9 | Channel 9 11 | Channel 11 When you set different MIDI receive channels foreach SECTION | | with this parameter, you can play an ensemble performance using | 6 | Channel 16 only the KC10 and a sequencer/computer. (See p.53 “Playing using a Sequencer/Computer’) aa 2 i3 | Tune Vane [Efe This performs fine tuning for SECTION pitch. 7 You can create a thicker sound by slightly varying the pitch of te ere ecees several SECTIONS with the same tone. 0 | Standard Pitch 1 +10 | Semitone Higher -33-MULTI Patch Editing eor4 | Levent Sets the level for each SECTION. Value | Effects 0 | Minimum Level 31) Maximum Level 1% | TRANSPOSE This transposes the pitch of the SECTION up and down in half steps. By layering a SECTION in normal pitch with SECTION transposed by 5 or 12 half steps, you can play harmonies in a 5th ora full octave with one finger. Effects Octave Lower © | Standard Pitch +12 | Octave Higher Setting can be made within a range of two octaves. = “16 | ZonEn— =} 7 | ZONELO ‘Set the upper and lower limits for the tone range of the SECTION. By using these two parameters, a “Layer"(combining two or more sounds into one) or *Split"(dividing a keyboard into several zones, assigning a different sound for each) can be created as follows: om AH | PAN ORCHESTRA (Split) Value 96 | C6 ROASS FANS oseMULTI Patch Editing C. Writing An Edited MULTI Patch If you want to store the edited MULTI patch, write it one of 16 MULT! patch locations using the following procedure. (1) After finishing editing, press the WRITE switch. LED begins to show the WRITE re (2) Select one patch number (for storage) using the 1 ~ 8 switches.(See p.11 "C-2 MULTI Patch) (3) Press WRITE switch again. LED shows selected patch number and KC10 returns to MULTI PLAY mode. NOTE: This procedure erases the data previously stored in the selected patch. If you want to recall the factory-preset MULTI patch data, use the RESET procedure (See p. 55) 583. RHYTHM Editing A. Editing Operation Enter the RHYTHM EDIT mode to change the settings of RHYTHM PLAY mode with the procedure below: (1) First press the RHYTHM switch to enter oD the RHYTHM PLAY mode. (See p.12) = / (2) Press the EDIT switch. G 0) ‘The LED shows the function/parameter number and its value altemately. “1 ar Bote es —— = function/parameter No. Value (3) Press EDIT sometimes until the desired function number appears. (See the following parameter chart.) (4) Change the parameter's value with +YES and -NO switches.(Repeat (3) and (4) SoS to change all parameters you need.) a (6) To leave the EDIT mode: swaie eT (@) Press SINGLE switch + i —_ returns to SINGLE PLAY mode. \ — fora Se) eli (b) Press MULTI switch > ft fetus to MULTI PLAY mode. Y rm try () Press RHYTHM switch “) returns to RHYTHM PLAY mode. 6RHYTHM Editing B. RHYTHM Edit Parameters Function No/Name [Value Range | _ Ret. p. RHYTHM VOLUME 0-31 pv | HAND PERCUSSION ON/OFF _ ort p.a7 | ‘AUTO ARPEGGIATOR ON/OFF Oort p.37 AUTO ARPEGGIATORFORM | __0/1/2/3 p.38 ‘AUTO ARPEGGIATOR RANGE oti AUTO ARPEGGIATOR BEAT ~Oort AUTO ARPEGGIATOR TONE 0-7 a ‘AUTO FILL IN ON/OFF ort ‘AUTO ARPEGGIATOR VOLUME _ 0-63 } Gf | RHYTHM VOLUME a Value Effects Sets the volume of RHYTHM patterns and DRUM SECTION. Gee ini Use 1 | 31. | Maximum Volume oc a oc HAND PERCUSSION ON/OFF Value | Effects Sets whether the DRUM SECTION (See p.13) can be played aealore — from KC10's keyboard. If on, KC10's keyboard produces the sound of drum/percussion instruments (1 sound for each key). 1 [ON 33 "DRUM SECTION Kay Assignment” to know] what sound is assigned to each key. co 4 5 FF & 3 | auto arPeaciator on/o ae Seas Sets whether the AUTO ARPEGGIATOR function is on or off. GeaITGEE ~ NOTE: This parameter will be automatically turned to 0(OFF)| when turning the KC10's power OFF and ON again.|| 1 | ON If the HAND PERCUSSION ON/OFF is set to ON, the AUTO ARPEGGIATOR is always unavailable. oyRHYTHM Editing sixteenth note. ‘Sets whether AUTO ARPEGGIATOR plays in quarter note or o 7 AUTO ARPEGGIATOR FORM Value Effects Sets whether AUTO ARPEGGIATOR pattern plays UP, DOWN, or [9 | yp 7 RANDOM. a oan up: playing chord notes raising up. 2a OWN DOWN: playing chord notes falling down. 3 | RANDOM UP/DOWN: repeating UP and DOWN. RANDOM: | playing chord notes randomly. Bb AUTO ARPEGGIATOR RANGE Taine Entects Sets the note range in which AUTO ARPEGGIATOR plays. 0 | 4 Octave (1 octave/2 octaver3 octave) | 1 | 20ctave 2 | 3Octave & =& | AUTO ARPEGGIATOR BEAT Value Effects 0 | Quarter Note 1 | Sixteenth Note oo AUTO ARPEGGIATOR TONE Selects a tone color with which AUTO ARPEGGIATOR plays. 8 tone colors are available. & SYN BASS _2 FRETLESS 4 SPIELUHR _& CLAV 1 PIANO 1 [3 FAST STRINGS [5 NYLON’ TSHARP BASS: -38-RHYTHM Editing FEF | AUTO FILLIN ON/OFF fo 2 Value Effects Sets whether AUTO FILL IN is on or off. 0 T OFF If or, RHYTHM plays automatically adding fill in pattern every 4 bar (without pressing FILLIN switches). 1 ON B49 ATOR VOLUME & | | auto aRPEGGIATO rane eae Sets the volume of AUTO ARPEGGIATOR. 0 Minimum Volume i 63 Maximum Volume -39-1. SYSTEM Setting Other Settings TUNE TRANSPOSE BENDER RANGE 2, MIDI Setting ...ccccssscnenenen MIDI RCV Parameters RECEIVE CHANNEL OMNI ON/OFF ... RECEIVE PROGRAM CHANGE RECEIVE PITCH BEND RECEIVE MODULATION. RECEIVE VELOCITY RECEIVE EXCLUSIVE MIDI TRS Parameters TRANSMIT CHANNEL TRANSMIT PROGRAM CHANGE TRANSMIT PITCH BEND TRANSMIT MODULATION TRANSMIT HOLD 2 43 43 43 aa 45 45 45 46 48 48 48 48 49 49 49 49 49 50 DATA DUMP 50 ONE PATCH DATA DUMP (SINGLE/MULTH) 50 SINGLE DATA DUMP (ALL PATCHES) 51 MULTI DATA DUMP (ALL PATCHES) 51 DRUM DATA DUMP. 52 3. Playing Using A Sequencer/Computer ....53 4, RESET Operation. 5, TROUBLESHOOTING1. SYSTEM Setting In this SYSTEM mode you can set the values that affect the entire KC10 unit, To set or change the SYSTEM setting, it is necessary to center SYSTEM mode, (1) Press the SYSTEM switch to enter the SYSTEM mode. i The LED shows the function/parameter number and its value alternately. ! Sey a = ‘ uu — T function/parameter No. Value (2) Press SYSTEM again until aa the desired function number appears. Ga (3) Change the parameter’s value with +YES and —NO switches. (Repeat (3) and (4) to change all parameters you need.) (4) To leave the SYSTEM mode: * rr (a) Press SINGLE switch oi > returns to SINGLE PLAY mode. ) (b) Press MULTI switch | i > returns to MULTI PLAY mode. % (0) Press RHYTHM switch erat ere ~ returns to RHYTHM PLAY mode. Lert —42-SYSTEM Setting SYSTEM TUNE Adjusts the KC10's master tuning. -10 | Semitone Lower 1 9 | Standard Pitch +10 | Semitone Higher Value | Effects NOTE: Turning the KC10's power off resets the TUNE value to 0 (standard pitch). = c SYSTEM TRANSPOSE vane Shifts the pitch of all notes up or down in semitone increments. 2 | Octave Lower H 0 | Standard Pitch +12 | Octave Higher a <] | BENDER RANGE vans 5 Sets the amount of pitch bend when using PITCH BEND wheel. 0 | Noettect 7 | Range of 7 semitones ~43-2. MIDI Setting ‘To.use the KC10 with other external MIDI equipment, set the KC10’s MIDI function as necessary. Use MIDI RCV (receive) and MIDI TRS (transmit) mode to set these parameters, (1) Enter SYSTEM mode. (See p. 42) (2) Press MIDI RCV or MIDI TRS switch to enter the MIDI RCV (or TRS) MODE, The LED shows the function/parameter number and ifs value alternately, a a feel ‘ (3) Press MIDI RCV (TRS) again until the desired function number appears. (See the following parameter chart.) (4) Change the parameter’s value with +YES and -NO switches. oc (repeat (3) and (4) to change all parameters you need.) — (8) To leave the MIDI RCV (TRS) mode: — “hae os ee Lito (a) Press SINGLE switch > returns to SINGLE PLAY mode. Wy scat Tad (b) Press MULTI switch fo oo Ltt > returns to MULTI PLAY mode. \ (c) Press RHYTHM switch —| iri — returns to RHYTHM PLAY mode. ~44—MIDI Setting Function No./Name | Value Range Ref. p. MIDIRGV |_4_{ RECEIVE CHANNEL 1-9, 11-16 p.45 Parameters |__@ OMNI ON/OFF ort p.45 _4_3 RECEIVE PROGRAM CHANGE o/t/2 p46 - 47 4_4 RECEIVE PITCH BEND ort p.48 “5 RECEIVE MODULATION Oot p.48 4_& RECEIVE VELOCITY “Oort p.48 4_7 RECEIVE EXCLUSIVE Oot p.48 MIDITRS | 5! TRANSMIT CHANNEL 1-16 L pag Parameters [5 @ TRANSMIT PROGRAM CHANGE Oot p. 49) S_3 TRANSMIT PITCH BEN! | Oort Z p. 49 5_¥ TRANSMIT MODULATION Samoan ___p.49 S_§ TRANSMIT HOLD - Oort p. 50 5 & ONE PATCH DATA DUMP | (SINGLE/MULT!) | 80 |S 7 ALL SINGLE DATA DUMP a __p.5t ("5 @ ALL MULTI DATA DUMP p.51 [[5-@ DRUM DATA DUMP p.52 MIDI RCV Parameters “{ [| RECEIVE CHANNEL Value Effects Sets the MIDI channel(1-16) on which the KC10 receives MIDI aa cece data from external equipment. i [ NOTE: In this function you cannot set the value 10, because the|| 9 | Channel channel 10 is fixed for DRUM SECTION.|| 11 | Channel 11 The SECTIONS in a MULTI patch receives MIDI data on|| | the channel set in MULTI edit. (See p.33) 16 | Channel 16 a] Uo | OMNI ON/OFF ao =r Selects OMNI (See p.17) on or off. aaoeceae = If OMNI is on, data received on any channel will be received and played in SINGLE mode. NOTE: Independently from this OMNI setting, the DRUM)|| 1 | ON SECTION sound will be always played when receiving MIDI data on channel 10. 45 -MIDI Setting u 1 RECEIVE PROGRAM CHANGE [ value Effects Selects whether a PROGRAM CHANGE is to be recognized. 0. | OFF The correspondance between KC10's SINGLE/MULTI patch numbers and PROGRAM CHANGE numbers are as the chart shows: et leece 1 | NORM OFF: All data will be ignored. NORM: Switches between SINGLE patches (0 to 95) and MULTI patches (96 to 111). SECT: Remains in MULTI mode and switches between ‘SINGLE patches within the 4 MULTI patch SECTIONs which have matching MIDI channels. i 2 3 4 s & 7 8 SINGLE (preset) [7 o | 4 2 3 | 4 5 6 7 [a a | 9 | wo [ n | | 13 [14 | 15 Bie | 17 [18 | 19 | 20 | 21 | 22 | 23 ix eta 25 oes (26a ore a | 20 |S eT is |"s2 | 33 [34 [35 | 36 | 37 | 38 | 39 | [i | 40 [at [42 | 43 [aa [45 [46 | a7 49 | 50 | 51 | 52 | 53 | 54 | 55 s6_ | s7_| 58 | 59 | 60 | 61 | 62 | 63 64 | 65 | 66 | 67 | 68 | 68 | 70 | 71 7 | 73 | 74 | 75 | 76 | 7 [| 78 | 79 go_| et | e2 | es | ea | es | 86 | 67 se_| eo [90 [| 9 | 92 [ 93 | 04 | 95 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 105 [| 106 | 107 | 108 | 109 | 110 | 111 SINGLE (user) or] ]ua}ro] ]a3] 25] 6) ca] 2] a5] AG) MULTI =] =|Pe)re] a] |] aa g -46-MIDI Setting When you play a MULTI patch with a sequencer or computer, setting “2"(SECT) allows you to change the SECTION’s SINGLE assignment automatically while playing a song. (Example) If you want to change the SECTION 4(MIDI RECEIVE CHANNEL: 4) from 111 "STRING VOICE" to 123 “LOW PIANO’... SECTION’ | SECTION2 | SECTIONS | SECTION4 BASS E, PIANO BRASS RING VOICE {_ MIDI CH : MIDICH:2 | MIDICH:3 | MIDICH:4 | + [Send PROGRAM CHANGE number “10” from a sequencer/computer according to MIDI transmit channel 4 (section | section2 | SECTIONS [bass E.PIANO | BRASS | LOW PIANO. NOTE: When KC10 receives a PROGRAM CHANGE message according to MIDI channel 10, it always switches between RHYTHM patterns 111 ~ 166 (under the correspondance shown in the below chart) unrelated to this‘ 3 function. a 2 3 4 $ § ufo 1 2 3 | 4 | 5 2 | 6 7 8 9 | to 4 3 ye2_[ 13 | 14 | 15 | 16 | 17 ay | te | 19 | 20 | 21 | 22 | 29 5 24_| 25 | 26 | 27 | 26 | 20 16 30 | 31 | 32 | 33 | 34 £ 35 ~47-MIDI Setting _——— eee 4 4 | RECEIVE PITCH BEND Selects whether PITCH BEND data is to be recognized. _ 1 | ON rf RECEIVE MODULATION value] 5 Selects whether MODULATION data is to be recognized. 0 OF | | 1 | oN uoc le, 1 ECEIVE VELOCITY rene Effects ‘Selects whether VELOCITY data is to be recognized, | o | ore 1 | ON uo) ope ———EE 1 fi ‘CEIVE EXCLUSIVE ——————_ Effects Selects whether EXCLUSIVE data is to be recognized. 0 | OFF 1 [ON L aMIDI TRS Parameters MIDI Setting 5 i TRANSMIT CHANNEL Value Effects Sets the MIDI channel (1-16) on which the KC10 transmits MIDI felon ~ data. 1 16 Channel 16 2 TRANSMIT PROGRAM CHANGE Tiss ence Selects whether a PROGRAM CHANGE data is to be o lorr | transmitted. NOTE: When selecting on, KC10 can transmit PROGRAM CHANGE data to connected external equipment, by||_ 1 | ON selecting a SINGLE or MULTI patch from the front panel. — (See p. 10 or 11) c a TRANSMIT PITCH BEND Value = ‘Selects whether PITCH BEND data is to be transmitted. 0 OFF | on ‘1 | TRANSMIT MODULATION Selects whether MODULATION data is to be transmitted. Value Effects OFF ON aSMIDI Setting TRANSMIT HOLD Taw Eifecte Selects whether HOLD data is to be transmitted. 0 | OFF 1 | ON DATA DUMP ‘The KC10 can transmit/receive its SINGLE/MULTI patch data and DRUM SECTION data to/from another external MIDI device. If you use a MIDI sequencer (ex. KAWAI Q-80) as a MIDI data recorder, you can store your original patch data on it with the following "DATA DUMP” procedure. poo jou: m HUTT | wero SEQUENCER (ex. 0-80) © & | ONE PATCH DATA DUMP (SINGLE/MULTI) Transmits the data of the one patch currently selected. Procedure (1) Select a SINGLE or MULTI patch to be transmitted (in SINGLE/MULTI PLAY mode — See p. 10/ 1) (2) Enter the SYSTEM mode, and call the function 5 <5 > by pressing 6 switch several times. = (3) Press +YES switch. The LED indicates the value { during transmitting, 1 n and shows @ after it. ‘f—*| ou =o"MIDI Setting © 7 | ALL SINGLE DATA DUMP Transmits the data of 32 user SINGLE patches at once. Procedure (1) Enter SYSTEM mode, and call the function <5 > by pressing 6 switch repeatedly. (2) Press +YES switch. | Hm = ‘The LED indicates the value during transmitting, and shows 2 after it. t ur © | at mutti pata pump Transmits the data of 16 MULTI patches at once. Procedure ae a (1) Enter SYSTEM mode, and call the function <5 8> g o by pressing 6 switch several times. (2) Press +YES switch. The LED indicates the value { during transmitting, and shows & after it | -51-MIDI Setting | | pRUM DATA DUMP Transmits the data of DRUM SECTION key assignment. Procedure (1) Enter SYSTEM mode, and call the function <5 9> by pressing 6 switch repeatedly. (2) Press +YES switch. ‘The LED indicates the value during transmitting, and shows @ after it. GD co =a 528]3. Playing Using A Sequencer/Computer With the MULTI mode, the KC10 can function as a synthesizer and drum sound source with up to 4 (5 using DRUM SECTION) parts. This means that an extremely simple setup such as KC10 and a MIDI sequencer (ex. Kawai Q-80) or computer can produce an extensive range of sounds. Let's use the procedure shown below to actually connect a MIDI sequencer for performance. A. MIDI Sequencer Connection In this example, a Kawai Q-80 is used as a sequencer. Connect it to the KC10 as shown in the illustration. or case | Jour x} Jour fin =) 1 oF. xe10 oe NOTE: Set your sequencer to ECHO THAU to hear sound from the KC10 whi keyboard. B. MULTI Setting Decide what SECTIONS will be played, and what tones and MIDI channels they will use. Here we will use the MULTI patch No. {28 “MANUAL” which is preset. SECTION’ | SECTION2 | SECTION3 | SECTION4 BASS. E.PIANO BRASS STRINGS. MIDICH MIDI CH MIDI CH : 1 NOTE: Set the “HAND PERCUSSION ON/OFF" (See p. 37) to OFF (2).nn C. Recording (1) Set the KC10's MIDI TRANSMIT channel * ‘”. (See p. 49) (2) Play the KC10's keyboard, and then you will hear the BASS sound. = you can play the E.PIANO sound. you can play the BRASS sound. = you can play the STRINGS sound. = you can play the sound of DRUM SECTION. (3) Change the TRS channel to "2 And after change to" ‘And afier change to “4 And after change to * ® (4) Start the recording to the sequencer with changing MIDI TRS channel and sequencer’s recording tracks. NOTE: When recording, you should be sure not to use more notes simultaneously than the KC10's max polyphony (MULTI patch: 10, ORUM SECTION: 4).4. RESET Operation If you want to recall the factory-preset SINGLE/MULTI patch data, use the following RESET procedure. (1) Turn the KC10’s power off. , (2) Hold down the SYSTEM switch and 4 switch. 5 B (3) Tum the power on. ‘This operation recalls the factory-preset setting of: opera 32 user SINGLE patch data 16 MULTI patch data AILRHYTHM parameters All SYSTEM parameters (including MIDI TRS & RCV) NOTE: if you want to preserve your original patch data, write all the parameter values down on “SINGLE/MULT! parameter chart” (p.59), or else store the data onto your sequencer/computer using the DATA DUMP operation (See p. 50 ~ 52). -55-5. TROUBLESHOOTING Since the KC10 is equipped with a wide variety of functions, depending on the settings, it may riot operated as expecied. Also, sound may not be output due to connected amplifiers or other equipment: Mhis'chart explains troubleshooting for these types of problems. PROBLEM POSSIBLE CASE PAGE No Sound Is the VOLUME too low? “Adjust the volume on the KC10 or any connected amplifiers iG or other equipment. ‘Can sound be heard through headphone when connected? If sound is heard, the problem cause may be with p.8 connected equipment or cords. Check connections. (When in the SINGLE or MULTI PLAY mode) p.24/ 34 Is the SINGLE's level or SECTION's vol too k (When in the MULTI PLAY mode) p.33 Is the SECTION PLAY mode set for OFF(0VMIDI(3)? Sound is distorted Is the connection to the amplifier's IN secure? p.8 Pitch is out of tune Are TRANSPOSE and TUNE set correctly? p.43 It the pitch of particular patch is out of tune, check the p.33/34 | parameter setting for that patch. No chord produced Is the SOLO ON/OFF set ON? p.25 MIDI data cannot be ‘Are the MIDI functions for the transmitting and receiving transmitted or received ‘equipment set correctly? p.44-52 correctlyAPPENDICES 1. PRESET SOUND CHART SINGLE — 64 preset patches : 2 2 =57- ra] steaevoce | smemass | rwor comes [roma [omens [eonaw | weassrane ‘ex| vomustane [acess |wowrwo | eaus Ue OMTRABASS—_|te2 STRNESARASS ‘ax rua stane [sont fencer pwnd | 000s 0 TETESS | cmRcHoREW | eee. Pe ox earstamcs —[ocremss | were srw | econnen | un aro SaMSEsTANES sx] sece snes | sweussoy | wunc waren | 808 uTAREASS | STAR ec asseun x] eststanes | urs rwoe wut Temas [scons own SHH eSSWOE xf octsinnes —[eussvoce feuan vwarenowce[wwnsn | stnpess | rwowca | ave comes -ax]_waenoneut [ems sana’ | sveuvamm | uns omen ruuess —_[warwess | wor SINGLE — 32 user patches (default) 7 2 z 7 i é z z ‘alee rmanoeuss | wa pox oe we wass1 [woman [ponieao leon] arsimncs —[ewuno2 | ramos rrrarione [pwauie _[suress | asour | smmor fe3x] woun Soros pecerand fee smccvor | MWTERELESE | seortuces | nooo leva] stanesvox [suarioo_[ranoe sveonw | eunner [nazar sonwixa | swno2 MULTI patches (default) 2 3 7 5 @ i @ Tx] cerwener —[ranoerine [ranostanes [emssuvn [ermasim [eawoce [worn wore sur ure sours soure seus sare mu? wwe | RHYTHM patterns 7 z z ¥ 5 é ‘act was waxonon [wart sana | PoPRaoe wornox [suena [siownone |uazware | rors aH ROCKROUSE | HOUSED wou Mo noe SmurLE ROE | weoumu necks sasou TeowO Re | LONE REE TworocK2 | worsowseaT | Poromee | sawn noox? 00K n0mK? one ant | weount moor? | Ro2. DRUM SECTION - Key Assignment KEY NAME | NOTE NO. INSTRUMENT Ct 36 Bass Drum cm 37. Rimshot Dt EY Snare Drum 1 |——_——_{/e 39, Hand Clap 1 40 Snare Drum 2 FA a4 Low Tom = Fat 42 Closed High Hat 1 Gt 43 Low Tom -——_ oc: =| 44 Closed High Hat 2 AL 45 Mid Tom AN 46 ‘Open High Hat Bt a7 Mid Tom c2 48 High Tom cH2 49 Side Cymbal 1 D2 50 High Tom —_———__ Soe 51 Top Cymbal Le eo | 82 Side Cymbal 2 = ee 53 African Bell FH 54 Tambourine 3 55 Splash GH | 56 High Cowbel _ Az 57 Side Cymbal 3 | ‘Anz 58 Low Cowbel 2 59 ‘Agogo 3 60 High Bongo cas 6 Low Bongo 03 [62 Shaker Das 63, High Conga ES 64 Low Conga F3 65 High Timbale FAS. 66 Low Timbale cy 67 Claves ie3._ SINGLE/MULTI Edit Parameters (Blank Chart) SINGLE patch MULT patch function name value function name value EDIT SECTION 1 WAVE. i92 SOLO ONIOFF FREQ VIBRATO DEPTH SECTION 2 6 AUTO BEND TIME ‘AUTO BEND DEPTH ENV LEVEL DECAY TIME | SECTION 3 ENV2 RECEIVE CHANNEL| ‘ 236 _ZONELO i 137 VELOCITY CURVE SECTION 4 | 240 SECTION PLAY RECEIVE CHANNEL| ZONE LO ZONE HI —59-4. MIDI DATA FORMAT 1. TRANSMITTED DATA state Sroveeeeo ot Srvveenci27 on 2, RECOGNIZED RECEIVED DATA me 38 eciten ‘oonane — Spoeoeee ‘oaman 90006060 onvnevey PaonBanae FrvrneYsO“127 {oitacnn Grivsort £0000000. senate a EXCLUSIVE DATA FORMAT, ‘atu ih ecm ot 8 KC, ai ta on HAMA Fo Sem oc ‘Saconmanat EXCLUSIVE TRANSMITTED DATA 4-1. ONE SINGLE/MULTI DATA DUMP ety ames hen ym TS pe Enzo. crocs tn ae Scene oseoce mt Syemeccersene Stow — saecoror Son Sto no fpacicaa ot fucronasimt paren tome sue 19000 Fo Systeme Snare ocecocs Gant Symenter mn aaa frente sacra = Sve foes = oveeneae aon c2 = oreeese paoveaa = cence pocvenaset esMIDI Data Format 4-3, BLOCK SINGLE DATA DUMP 4-4, BLOCK MULTI DATA DUMP ‘i mesg vrei to C19 when atom TS pret (7) at ae “a maage aetna YO wen yao TRS prow) oat Testy era smcurounnee nigra acta onta ne See SRGLEOKTALST noarg et ‘Sen MATIOATA UST mg ea encore Recon im Sao Sowpre oon os ares ss Stine ~61-MIDI Data Format eet 4-5, ALL PATCH DATA DUMP RElbunete on sgee ae ot mma ‘44 MAT ONTAUST pring a, EEEEEEEE © BEREEREE SEREE Stem esse ‘ec aap Sreicoe 5. EXCLUSIVE RECOGNIZED RECEIVED DATA ‘5-1. ONE SINGLE/MULTI DATA REQUEST case m. con Some con Staion, oon 5-2. ONE DRUM DATA REQUEST Frome ‘aoe on ‘Srtemeatee pen ct rst Sremantom Sytem cae ae Gos 5-3. BLOCK SINGLE/MULTI DATA REQUEST 5-4, ALL DATA REQUEST Stem eae ek pc et it Sree oer siege ms Sram ec Seema va ‘5-5. ONE SINGLE/MULTI DATA DUMP 5-6, ONE DRUM DATA DUMP. Sytem ecb rep cua ome row pacronastuma7MIDI Data Format ee ‘§-7.BLOCK SINGLE DATA DUMP =. ss a: 2 S See eee Sa. Ee 3 Sagres = ent —63- s-.8Lock MULT DATA DUMP a x =. = =: z beet aeeee ‘areasMIDI Data Format 5-9. ALL PATCH DATA DUMP 7, MULTI DATA LIST 1 = zo ame mate cmon Function 2H At bock den arp = a pore ne = BC cen oe Soon et E ls: 5 hen 5 fa: = Gee = 3 to Sexo She oa is wo ——— = sm om acca! - fe coool act ea es : fs pany Pp fel fy = Soo ieee ee ie) ees oa : Seep oe ae Si a eee a Se eee oi = Se : 8. ORUM DATA UIST eee See oe es S005 15) eee Sears ements tcMIDI Data Format __—_ ata Format 9. EXCLUSIVE FUNCTION TABLE FuncTion FUNCTIONNO. SUBCUNDY — SUB.CUND2 DESCRIPTION As ACU (One Pach Dump Request © (oom) ° ee95 ‘ONE SINGLE DATA REQUEST x 0 ° Soon ‘ONE MULT OATA REQUEST x 8 , ° ‘ONE OFUM DATA REQUEST to Block Patch Dum Request + om ° Cy ‘ALL SINGLE DATA REGUEST 0 ° % ‘ALL MULTI DATA REQUEST x 0 ‘At Pacn Du Request 2 an ° ° ‘ALLDATA REQUEST oe ao) (One Pten Data Due 220000) ° 5495 (ONE SINGLE oxTA DUMP Oo ° seat ‘ONE MULTI DATA DUMP: 2 8 : ° ‘ONE DRUM DATA DUMP gg Bio Patch Data Dune nan ° e ‘ALL SINGLE OATA DUMP 2 0 ° 6 ‘ALL MULTI ONTA DUMP o 8 ‘ALL Patch Oata Our 42am ° ° ‘ALLOATA UMP oo 10. PROGRAM NO. CONVERT TABLE. SINGLE PRESET : “0 ae oe or a8 a 8" eel om 8 oH Oe ect tole ee ail 0) owt ee at set oe 2 1 om oOo mH 25 1H 33H ato aH aH Ble ze elle: 0) out HANH HSH 43 oH oon HO a eH 35 HH Sah ese: owl: tral Joel WH cH as aH eee 6 5 ea oon fo ee ao) tone areata] foe esl tert soa ee ote ee ual cee we 50 EH 38H ke age 8 7 om ts on RT sale sg ern ek tren ool ar teal sel SINGLE USER 7 a oa 2 or a Be i ee et 3 He SHS St re eee eo) ae nie ao 5 a un etch emt gts ee ee 7 7 4H eH SH SEH 8 om am me Ho Sm SS SE MuLTiuser 1 8 on 10k aH 2 7 BIN 0s. GH 3 8 eos aa 4 8 eH tar can 5 10 GH toa ect & or et top. eon 7 te set ose i Gon een -65-5. WAVE LIST PIANO & PIANO 1 PIANO & PIANO 2 PIANO & PIANO 3 PIANO & PIANO 4 PIANO & PIANOS PIANO & PIANO G PIANO & RIDE, PIANO & PIANO E 1 PIANO & PIANO E 2 PIANO E & PIANO E 1 PIANO E & PIANO E 2 PIANO E & RIDE BASSE @ BASS E BASS E & BASS SYN1 BASS E & BASS SYN2 BASS E & BASS WOOD BASS E & GUITAR A BASS E & RANDOM BASS SYN & BASS SYN BASS SYN & BASS WOOD BASS SYN & GUITAR A BASS SYN & CONGA BASS SYN & SDH BASS WOOD & BASS WOOD 1 BASS WOOD & BASS WOOD 2 BASS WOOD & GUITAR A GUITAR A & GUITAR A GUITAR A & GUITAR FUZZ 29 GUITAR A & CONGA 2 GUITARA& SDH 1 GUITAR FUZZ & GUITAR FUZZ 32 STRINGS & STRINGS 1 33. STRINGS & STRINGS 2 34 STRINGS a STRINGS 3 35 STRINGS & STRINGS 4 35 STRINGS & VOICE 1 STRINGS & VOICE 2 38 STRINGS & CRASH 39. STRINGS & RIDE 4a STRINGS & RANDOM 41 VOICE & VOICE 42 VOICE & CRASH 43. VOICE & RIDE 44 BRASS AC & BRASS AC 4S BRASS AS & BRASS SYN 46 BRASS AC & PIANO. 47 BRASS AC & PIANO E 48 BRASS SYN & PIANO HI Yd BRASS AC & CRASH 8 BRASS AC & RIDE i BRASS SYN & BRASS SYN 52 BRASS SYN & PIANO E 53 BRASS SYN & RANDOM 54 FLUTE & FLUTE 55. FLUTE & BASS AC 56 FLUTE & BASSE 7) FLUTE & GUITAR A 58 FLUTE & SDH $4 DCSINTa2 2 DCSAWT 51 DCSAW2 52 DCSAW3 &3 0G SAW1 & RANDOM 64 0G TRIANGLE nc Base Freniese Tate FRETS « ease Lar pa eaby Hegre oe Be SUA Secu scanane ceaune eau FEN nA pecunnescumaaey coc peter Beetle peed erancend peers OE RANE onaan ez Be crease! 2 Sree 6 onan et pecneeeanae Pare Es ee ore e Seeceaaans Be irre tee a annod Seana BEN Ea aie Se Eee a Mate can Seer patents Caer ee paNDOM a BE Vee mannou pate pate ere oan Pa peerrobermnen pouurees pees DC OBOE & RANDOM peerey DC SAX & RANDOM SE PANO & COWBELL @ii SE PIANO & PIANO ‘SE STRINGS & BRASS AC SE STRINGS & PIANO SE STRINGS & PIANO E SE STRINGS & PIANO E (L) SE VOICE & BRASS AC SE VOICE & PIANO E ‘SE BASS SYN & BD SE PRG & BANK 10 ‘SEDC OMNI DR RIDE & CRASH SP BASS E & CLAVI SP BASS E & PIANO E 7 ‘SP BASS SYN & STRINGS i ‘SP BASS SYN & VOICE ‘SP BASS WOOD & PIANO SP STRINGS & BRASS AC SP VOICE & BRASS AC SP VOICE & BRASS SYN 10 SPLIT REV DRUM -66—INDEX ~ ae A ALL MULTI DATA DUMP ALL SINGLE DATA DUNP...... ATTACK TIME(SINGLE EDIT) AUTO ARPEGGIATOR(RHYTHM) 14, AUTO ARPEGGIATOR BEAT(RHYTHM EDIT) . AUTO ARPEGGIATOR FORM(RHYTHM EDIT). AUTO ARPEGGIATOR ON/OFF (RHYTHM EDIT), AUTO ARPEGGIATOR RANGE(RHYTHM EDIT). AUTO ARPEGGIATOR TONE(RHYTHM EDIT) .. AUTO ARPEGGIATOR VOLUME(RHYTHM EDIT) AUTO BEND DEPTH(SINGLE EDIT) AUTO BEND TIME(SINGLE EDIT) AUTO FILL IN ON/OFF(RHYTHM EDIT) © Eosoe0 ercnaen0 c CHORUS ON/OFF(SINGLE EDIT) COMPUTER, ‘CONNECTIONS CONTROL CHANGE(MIDN) o OATADUMPQALL MULT Data DUMPLALL SINGLE) DATA DUMPIORUM) Data DUMPIONE PATCH Secae mmeaInoce EIT) Sam SeerioNeHy Te DRUM SECTION KEY ASSIGNMENT DRUM SECTION RECEIVE CHANNEL @ Gunes oata oun E Eorr MULT coir SINGLE EDIT RNY ENVELOPE ENV Env? ExCLSivElMiby FE FILL IN(RHYTHM). FIXED KEY NO. (SINGLE EDIT) “50, 53 13, 37, 53, H HOLD(SYSTEM) 37-39 88 | 38 INTRO/ENDING(RHYTHM) or 38 key FrsmaLe OM KEYBOARD SCALING — KS 36 KS ENVELOPE LEVEL (SINGLE EDIT). 88 LAYER(MULT) LEVEL (MULTI EDIT) a oy MAX POLYPHONY MIDI(FUNDAMENTAL OF MIDI)... MIDI CHANNEL MIDI CONNECTION (8 MIDICONTROL CHANGE 8 MIDI DATA OUMP ~» DATA DUMP. MIDI DATA FORMAT MIDI EXCLUSIVE $1 MIDI IMPLEMENTATION CHART. 51 miDl MODE 52 MIDI NOTE INFORMATION 24 50 MIDI NOTE NUMBER 28 MIDI OMNI ON/OFF 54,58 Mi1 PROGRAM CHANGE $8 MIDI RECEIVE(RCY) 33,45 MIDI RECEIVE CHANNEL(SYSTEM) MIDI TRANSMIT(TRS} MIDI TRANSMIT CHANNEL (SYSTEM) MODE(MID} 31-35 MODULATION WHEEL 22-30 MULTI EDIT MODE 36-39 MULTI EDIT PARAMETERS. 27-29 MULTI PATCH 27 MULTI PLAY MODE 27 19.48 O ‘OMNI ON‘OFF (OMNI ON/OFF (SYSTEM) 13 ONE PATCH DATA DUMP 24 HAND PERCUSSION(DRUM SECTION) .. HAND PERCUSSION ONOFF (RHYTHM EDIT, -67- 13 24 poner 4 15-19 17, 33, 45, 49 15, 16, 50, 53 19 60-65 19, 48 69 17 18 18 17 19, 46, 47, 49 45° 48 45 49-52 49 17 7 31 32-34 11,31 35, 53 "1 17,50 45, 50INDEX P PROGRAM CHANGE(MIDI) R RECEIVE CHANNEL(DRUM SECTION) RECEIVE CHANNEL(MULTI EDIT). RECEIVE CHANNEL(SYSTEM) RECEIVE EXCLUSIVE(SYSTEM) RECEIVE MODULATION(SYSTEM), RECEIVE PITCH BEND (SYSTEM). RECEIVE VELOCITY(SYSTEM) RELEASE TIME(SINGLE EDM. RESET OPERATION RHYTHM EDIT MODE. RHYTHM PATTERN. RHYTHM PLAY MODE RHYTHM VOLUME(RHYTHM EDIT) s SECTION(MULTH).. SECTION PLAY (MULTI EDIT) . SEQUENCER... SINGLE ASSIGN(MULTI EDIT) SINGLE EDIT MODE....... SINGLE EDIT PARAMETERS SINGLE PATCH...... SINGLE PLAY MODE SOLO ON/OFF(SINGLE EDIT) ‘SPLIT(MULT) ‘START/STOP(RHYTHM) SUSTAIN LEVEL(SINGLE EDIT) ‘SYSTEM SYSTEM BENDER RANGE SYSTEM RECEIVE CHANNEL. SYSTEM TRANSPOSE... SYSTEM TRANSMIT CHANNEL. SYSTEM TUNE...... ‘TRANSMIT MODULATION(SYSTEM) ‘TRANSMIT PITCH BEND(SYSTEM) TRANSMIT PROGRAM CHANGE(SYSTEM) ‘TRANSPOSE(MULTI EDIT). TRANSPOSE(SYSTEM ‘TROUBLESHOOTING... TUNE(MULTI EDIT) TUNE(SYSTEM).. v VELOCITY(MID)) EDI). VIBRATO DEPTH(SINGLE EDIT), VIBRATO SHAPE(SINGLE EDIT). VIBRATO SPEED (SINGLE EDIT)... VOLUME(RHYTHM EDIT) > RHYTHM VOLUME VOLUME(SINGLE EDIT)... —— w WAVE(SINGLE EDIT) WAVE LIST. WRITE MULTI..... WRITE SINGLE... z ZONE Hi(MULTI EDIT). ZONE LO(MULTI EDIT) ~68-Date: Jun. 1990 Synthesizer : Model: KC10 MIDI Implementation Chart Version: 1.0 Received Received Function Tranamited | Recdved | Recsled | nema 116 Toate | 10 Momorzed 116 iene | x 3 13 3 x ommioworr | x x Q x 24108 12-120 36-67 Number :Tiue Voice |“ 12-120 26-67 7 "1 3 x x x x x x x x Pitch Bend 4 4 x 1 1 a x I Modulation Controt 6| + 4 x bata Entry Change 7| x 3 5 | Volume 6a 4 x | Hots 100,101 : x | RPN se, mse Program 10-11 a a | Change :TrueNo. |“ on tit o-35 Exclusive 4 4 : Song Pos x x x eee Song Sel x x x : Tune x x x System: Clock oO o x RealTime : Commands | x x x : Local ON/OFF | x x x | Aue :AllNotes OFF | © (125) Otias-127) | x Messages: Active Sense | © ° x : Reset x x x Notes “1 = Can be set O or X. “2 = RPN#t: Only recognizes Pitch Bend Sensitivity. Mode 1: OMNION, POLY Mode 2: OMNI ON, MONO o:Y Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO XIN -69-SPECIFICATIONS KEYBOARD : 61 keys (with velocity) mm WAVEFORMS : 16bit POM + 16bit DC (Digital Cyclic) POLYPHONY : 10 (SINGLE/MULTI) + 4 (DRUM SECTION) ™ PROGRAMMEMORY: — SINGLE patches: 96 (64 preset + 32 user) MULTI patches 16 RHYTHM patterns : 36 mm MULTI CAPABILITY : 4 SECTIONs + DRUM SECTION @ RHYTHM OPERATION : — StarVStop. Intro/Ending. Fill In, Auto Fill In AUTO ARPEGGIATOR : 8 Tone Colors, Beat(1/8, 1/16), Range(1/2/3 Octaves), Form (Up, Down, Up/Down, Random), Volume SINGLE EDIT: * Volume, Key Fix, Fixed Key No., Chorus On/Off + Wave Select, Solo On/Ott * Vibrato Speed, Vibrato Depth, Vibrato Shape, Auto Bend Time, ‘Auto Bend Depth * Level, Attack Time, Decay Time, Sustain Level, Release Time. KS Envelope Level, Velocity Curve m MULTIEDIT: SECTION Play. SINGLE Assign, Receive Channel. Level. Tune, Transpose, Zone Hi, Zone Lo m RHYTHM EDIT : RHYTHM Volume, HAND PERCUSSION On/Off, AUTO APREGGIATOR On/Off, AUTO ARPEGGIATOR Volume, AUTO ARPEGGIATOR Form, AUTO ARPEGGIATOR Range, AUTO ARPEGGIATOR Beat, AUTO ARPEGGIATOR Tone, AUTO FILL IN On/Off, AUTO ARPEGGIATOR: Volume JACKS : DC IN, LINE OUT(R, MONO), HOLD, HEADPHONES, MIDI INOUT/THRU im DISPLAY : 8 Segment LED x3 1 DIMENSIONS : 966.5 x 208.1 x 76.5 (mm) ™ WEIGHT : 4.3kg -70-KAWAI DIGITAL DRUM WACHINE A REFERENCE TO RADIO INTERFERENCE “This equipment generates and uses radio frequency energy and it not installed and used properly, that is, in strict accordance with the manufacturer's instructions’ may cause interference to Tadio and television reception. It has been type tested and found to comply with the limits for a Class B computing device in accordance with the specifications in Subpart J of part 15 of FCC Rules. which are designed to provide reasonable protection against Such interference in a residential installation. However, there is no guarantee that interference will not occur in a particular installation. If this equipment dose cause interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures reorient the receiving antenna relocate the drum machine with respect to the receiver move the drum machine away from the receiver plug the drum machine into a different outlet so that drumma- chine and receiver are on different branch circuits If necessary. the user should consult the dealer or an experienced fadio television technician for additional suggestions. The user may find the following booklet prepared by the Federal Communica- tions Commission helpful How to Identify and Resolve Radio-TV Interference Problems? This booklet is available from the US Goverament Printing Office. Washington, DC. 20402. Stock No. 004-000-00345-4