DON JUAN RICHARD STRAUSS Transer by Mark Hi. Hindsey INSTRUMENTATION 1, Piccolo) and Ist Flutes 19, Tenor Saxophone 2. tat Flutes, flrs desk 20, Baritone Saxophone 3. tet Flutes, excopt First desk 21. Ist Comets 4, 2nd Flutes 22. 2nd Cornets 5. lat Oboe 23, Bed Comets 6. 2nd Oboe 24, tat Trumpets 7. English Horn? 25, 2nd Trumpets 8. Ist Bassoons 26, at Horns (F) 9. 2nd Bassoons 27, Ind Hons 10. Contrabosscon* 28, Sd Hoens 11, tat Clarinets 29, th Horns 12, 2nd Clarinets 20, 1st Trombones 31. 2nd Trombones 32, 3rd Trombones (Bass) 15, £ Contrabass Clarinets 33. Euphonium 1, Sting Bases 34, Toba 17. 1st Alto Saxophone 35. Timpani 1, 2nd Alto Saxophone 36, Triangle, Cymbals, Balls 37. Hore “English Hom and Contrabossoon parts same os in orchestr, except when shown {ssre; pars not ordinorily shown in this core, unless they are solo or otherwise Strous wrote the symphonic poem Don Juan in 1888, at the age of only twonty-four basing 1 oe er eee bp Relay Lanau_ The poem follow the ofdest orm of the Spanish Foye which deal withthe her's seoreh for ideal beauty and his dullsionment ta not fing Here et cf pot eton anne wp nh war My Donen ne inode Boh ctsnally Busing women It Tre longing in him to find a woman who is Incarate eosathed” “Becase fe doesnt find ber, although he reels from one to another, of lst ciguat {Jetos hola of him, ond this logs fs the devil thot fetches hin" en we hear the musical interpretation of Strouss, 1s diffcult not to Imagine the hero at shotcblooded” There is fire in the tremendous sweep ofthis music. We cannot refrain from adi Ing the mateal daring of Strust In his portrayal of the dashing hero, where of the ory start the Imuvfe rates upward and then bursts in @ distant kay like a rocket. There are amorous episodes, Jetgesue love tongs of breacth and power. Toward the end the fullity of the search becomes appar Bere Tn hero ttows awey his sword and lets Don Pedro kill him, Weakness, sardonic memories, Shu the tage power of madness precede the final lpae into desolate ennui and oblivion, Here we Fave Souls of his best, @ score thot Ie Pall lighting and swordthrust, musfe that sings or thunders Os it wills, volatile oF mercury, but strong as steel”. Allegre mello an brie (S04) et ienecon le eat en bacamelteangolle Botte ive “Franguille BalleFides Her Poke Ball Harptoa a * yeh] eau Mary ween eneAsien son Tipe bal ary vai Fr Topi Bel ep “Tuerdhedet = Dll Hl i ieTimp aus Traps Bale Heptryngulle 7 settee Ft Hep topHer Flo epHap HeerMe eco a pre Pe vieade Fis HarpFla FleeFlt — to FoeFlues Pz ers Harp Feebatty 5 Bi aan poe genet 09 Fldke Flot 1 came 4 al i (omar Pliny 4fem erm en Toe weFly Tope st aor Fees he lot Hopspe tka: 4 Tuan Harp Toa Tana us bey ‘ix heaps ders) ‘dheago Tote)a oe aBae (ey Bad, thy ‘saee [aolatoge me tamil sagt Barybhp ae hepTota) ; J amy cum + J] amen co J thn dl Haptha Sl wea Faia erpem = de Sipe ealFl Bele Tw] j ] ] } ] j j j i ] ] . yj j j 7 ] Flt Bells Fiagl ett ?Hany7 J yen rote seseeta tt ut ts cau ts ts toate Bell Tue fae ——Harppres ese apeepte Inte, mesg al ace t q i y Teepe pion pore