SOLO TRUMPET

and other B b Instruments

standards for trumpet

Arrangements by Riddle
VOLUME FIVE

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Music Minus One 6845
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MMO 6845
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Music Minus One

6845

CON TEN TS

COMPLETE MINUS
VERSION VERSION
TRACK TRACK PAGE

FOREWORD by Bob Zottola......................................... 4

bl Tuning Notes
1 bm You Make Me Feel So Young.........................................7
2 bn Fools Rush In.............................................................. 11
3 bo My Baby Just Cares for Me.......................................... 14
4 bp The More I See You..................................................... 17
5 bq Everywhere You Go..................................................... 20
6 br When Your Lover Has Gone....................................... 23
7 bs Day In, Day Out.......................................................... 26
8 bt It’s a Sin to Tell a Lie................................................... 31
9 ck Near You...................................................................... 34
bk cl You’re Driving Me Crazy............................................. 37

©2012 MMO Music Group, Inc. All rights reserved.

ISBN 978-1-59615-834-4

MMO 6845
4
FOR EWOR D
With track one, You Make Me Feel So Young, a
huge hit of Sinatra’s, I took the time to study the “Chair-
man of the Board’s” inimitable phrasing, not note for
note, but rather to capture the essence of the subtle
way he transforms melody. Some of these nuances are
available to you in the transcriptions and I strongly rec-
ommend you compare the actual melody with my inter-
pretation, loosely based on Frank’s. I’ve talked about the
importance of studying the great singers’ phrasing in
past albums and here I’d like to label what we’re doing
here as Job One, namely learning the art of phrasing.
This is quite similar to the concept set forth in the
Arban Book section called none other than The Art of
Phrasing. Of course, you should insert the word jazz and
think of it as The Art of Jazz Phrasing.
Fools Rush In, a lovely Johnny Mercer song, is
wrapped in a lush package by Riddle that bids one to
stay close to the actual melody and let the orchestra
fill in the gaps. I felt that by thinking of the lyrics the
phrasing would take care of itself and an occasional
embellishment would suffice rather than what I call
over-inventing or the old, very descriptive phrase “gild-
ing the lily.”
Note: To gild something is to apply a coating of gold
to it. The expression means to add beauty to something
that is already perfect and beautiful. It is excessive and
redundant. In a broader sense, it means to overdo some-
thing, to try to add what it already has and doesn’t need
more of. The expression comes from Shakespeare!
MMO 6845
Well, that’s my point, although we want to be inven-
tive, we should discern when and when not to invent,
which is closely aligned to earlier advice in volume 3
(Gold Standards, MMO 6843), which was a detailed
explanation of The Discreet Use of Space.
My Baby Just Cares for Me is a very simple pop
tune that doesn’t require any comment other than the
usual swing easy with it and take advantage of the high
points in the flow of the song.
The More I See You in The key of B concert?
What? Are you nuts? Yes, I know, how often do
we have to play in that key? It’s true that we tend take
the “path of least resistance” with our key choices and
I’ll admit I do favor the comfort of the usual three keys
Bb, Eb and F. But everyone knows that in order to learn,
improve or progress, we must challenge ourselves.
With The More I See You, I was tempted to trans-
pose the existing key of the background track into
“good old Eb”, where you’ll note that the pesky third
valve is only used occasionally! But, once again to prove
that I “walk my talk,” I decided to go with the B concert,
which, of course, puts us Bb instrumentalists into C#!
(How many sharps is that?)
Let’s make it a tad less overwhelming and use the
alternate or enharmonic key of Db, and here’s where a
little academics comes in handy!
Before you tackle this one—and that doesn’t mean
to skip the singing the opening phrase step—play the
notes of the Db-major scale every which way. If that

means you dig out the Arban and the Clarke book for
stimulus, do it but try to invent jazzy ways to play those
dry exercises. (There’s not room here to show you how I
do that but you’re welcome to contact me for help with
this if you like.)
Don’t be ashamed to take the simplest melodies like
Twinkle, Twinkle, Little Star and play it in Db.
And now if you haven’t already heard it, let me rec-
ommend that you listen to one of the greatest jazz players
of all times playing the melodies from the Great Ameri-
can Song Book and demonstrating two of the seven steps
to acquiring jazz skills that I outlined in volume four
(Stardust, MMO 6844).
I won’t go over all seven steps here, but in Charlie
Parker’s (“Bird”) classic recording with strings, he mas-
terfully shows us what I called Step 4 and 5 or adding
ornaments, embellishments to the melody and using
connecting phrases. Specifically, that means to “impro-
vise connecting phrases but always try to return or echo
the actual melody so as to stay “grounded.”
Another way to say this fifth step is to quote the
musical term obbligato, not in its classical usage but in a
contradictory sense.
Here’s the actual definition from the Columbia
University’s Jazz Glossary: “An accompanying melody
played by an instrument that fills behind a vocal or
another instrumentalist.”
What I’m suggesting is playing both roles and,
excuse the expression, “obbligato yourself!”
5
In other words, play a phrase of the song’s melody
and then fill in the “gap” before the next phrase.
Everywhere You Go is another very old pop tune
from way back in 1927! Apparently, Riddle enjoyed
taking very simple songs and dressing them up in his
easily recognizable style. You’ll notice the actual melody
is not suggestive of swing or jazz so some liberty needs
to be employed here to adapt it to this big-band-style
background. Notice that that I have not strayed far from
the 1927 melody but used my trusty steps 4 and 5 to con-
vert it along with the obvious rhythmical alterations.
When Your Lover Has Gone is offered here as con-
trast to the other tracks in this album, as was the verse to
Hoagy Carmichael’s Stardust from my previous volume
of this series. (Stardust: Standards for Trumpet, vol. 4,
MMO 6844.)
I consider both of these as tone-poems, and here
Riddle includes the short but very pensive verse and
from there it’s a gradual climb to the climax with the
final sad line of “When Your Lover Has Gone.”
Remember to leave space/silence, for it’s the “empty
canvas” that allows juxtaposition (I love that word) of
the musical sounds!
Day In-Day Out begins with one of Riddle’s signa-
ture licks! It was most famous in Sinatra’s big hit on I’ve
Got You Under My Skin and here it is again sounding
fresh because it’s Riddle’s own!
Again, I recommend you listen to Frank’s versions
on YouTube and see how he empowers this song. One
MMO 6845
6
in particular that I admired is from a TV show with the
Nelson Riddle orchestra!
I went with the flugelhorn for the first half of It’s A
Sin To Tell A Lie and ended with the trumpet an octave
higher to give you two approaches in one recording to
this sentimental melody from yesteryear.
Near You—a song from 1947 that sounded famil-
iar but I thought I didn’t know at all—was written by
two obscure songwriters and actually has the distinction
of being the Most Played By Jockeys (that’s what they
called DJs in those days) on Billboard Magazine’s charts,
spending 17 weeks as number one only succeeded in
2009 by the hip-hop group Black Eyed Peas!
It also was used as the closing theme for Milton
Berle’s TV comedy shows and having watched those as a
kid, I had a dim recollection of the melody.
Enough nostalgia and back to the business at hand
which is how do you fit Near You into this series?
All I can say, I called upon my many years of varied
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MMO 6845
demands in the music business to play this very com-
mercial pop tune with “musical ethics” and that’s what
I suggest you do. In other words, imagine you’ve been
asked to play this song at a wedding for a first dance or
more likely a 50th anniversary party because it was their
first dance!
You’re Driving Me Crazy is another “oldie” by
Walter Donaldson who, although he’s is not as well-
known as Porter, Gershwin, Rodgers and the rest of
the most famous songwriters, wrote three songs on this
album!
In order to give a little more pizzazz and excite-
ment to the ending, I took it up the octave for the “flying
finish” to this special edition of Arrangements by Riddle.
I hope you enjoy working with this volume in my
series of Standards for Trumpet and other Bb Instru-
ments. I’m always happy to hear from you with questions
and or your experiences with this mini-course in jazz
styling and improvisation.
—Bob Zottola
Bobzottola@naplesjazzlovers.com
 https://vk.com/saxplayalong

7
SOLO B b TRUMPET
(FLUGELHORN)
You Make Me Feel So Young
Words by MACK GORDON
Music by JOSEF MYROW
(Ten/Sop Sx. cues)
Y1bm BOB'S SOLO
G# 7
o
4
ORCH/FLUTE
j
A G6 A m7 D7
# 4 ˙.
& 4 ‰ œ bœ nœ œ œ œ Œ
œ bœ nœ œ œ œ ˙.
4
0:07
# 4 ORIG. MELODY
& 4 ‰ j
œ bœ nœ œ œ œ w
You make me feel so young,

Bb 7
o ()
A 7 #5
j
B m7 G7
.
D7 G6
7
# nœ œ #œ ˙
B
3
œ #œ œ œ ‰ œ ‰ j œ œ œ
& œ œ œ œ !n œ œ #œ ˙ œ #œ œ
#œ
# ‰ j ‰ j
& œ #œ œ œ œ nœ œ #œ ˙ œ #œ œ
œ œ

you make me feel like spring has sprung. And ev' - ry time I

E b7
# œ-
10
C Maj7 B m7 E m7 D7

œ œ- ‰ j j ‰ œ j
& œ œ œ . œ œ œ. > œ œ #œ nœ
.
# j œ. j
& œ
œ œ œ œ œ œ
œ œ œ œ. œ œ #œ nœ
see you grin, I'm such a hap - py in - di - vid - u - al.

o
G# 7
o
G# 7
#
B G6
j
A m7
j
D7 B m7
j 3

œ # œ œ œ œ.
13
œ.
3
bœ œ
& ‰ œ œ bœ nœ œ œ œ
œ.
œ œ œ œ ‰
œ #œ œ œ œ. bœ œ
œ œ bœ nœ œ œ œ œ œ œ œ.
#
0:22

& ‰ j œ œ w
‰ j
œ #œ œ œ œ
œ bœ nœ œ
The mo - ment that you speak, I wan - na go play

© 1946 (Renewed) WB MUSIC CORP.

Used by Permission of ALFRED MUSIC PUBLISHiNG CO., INC.
All Rights Reserved MMO 6845
8

()
A 7 #5 ()
C # 7 b5
. -
D7 G6 C Maj7
16
# nœ œ #œ ˙
& nœ ‰ j œ œ œ œ œ
œ #œ ˙ œ #œ œ œ œ œ .
# ‰ j
& nœ œ #œ ˙ œ #œ œ
œ œ œ
œ œ œ œ œ

hide and seek. I wan - na go and bounce the moon, just like

C# 7
o
B m7 E m7 A7 D7 G7 G7
# j
C
19 G

& œ- ‰ œ. ‰ œ
œ œ œ œœœ œ w œ œ nœ ˙.
0:36
#
& œ œ œ ˙. Œ ˙. œ n˙ Œ œ
œ œ œ
a toy bal - loon. You and I are

C# 7
o C 7
o
G7
23
# G G

& œ- œ. ‰ j œ
3

œ ˙. œ bœ œ œ
3

œ nœ ˙ œ œ œ
œ œ
œ nœ œ œ #œ
# 3

& œ œ œ œ œ œ nœ w œ œ œ œ œ
just like a cou - ple of tots, run - ning a - cross a

C
- .
A m7 D7
26
# G

& œ œ ˙ œ œ. ‰ œ œ œ œ. Œ
J . !œ œ œ œ
# ‰ œ œ œ j j Œ
& œ œ ˙ J
œ œ œ œ œ œ œ œ œ
mea - dow, pick - ing up lots of for - get - me - nots.

MMO 6845
 9

D G6 G# 7
o A m7 D7 B m7 G# 7
o
29
# œ nœ
3 3

œ œ ˙ œ œ œ œ œ #œ œ œ œ
& œ bœ nœ
œ
œ
œ œ œ œ œ #œ œ œ œ œ nœ
œ bœ nœ œ œ ˙
#
0:51

& ‰ j ‰ j
3

œ bœ nœ œ œ œ w œ #œ œ œ œ œ
You make me feel so young, you make me feel there are

A 7 #5() D7 G Maj7
> >
G A m7 C Maj7
#
‰ œœ œ œ œ œ œ œ œ œ
B
œ nœ œ # œ œ
32

& œ nœ œ #œ œ Œ œ œœœœ œ
# 3 3 3
œ
3
œ
& nœ œ œ #˙ œ œ œ œ œ œ œ œ œ œ

songs to be sung, bells to be rung, and a won - der - ful fling to be

B m7 E 7(b9b5) E A m7
35
# w
‰ j
3

& œ œ œ œ œ œ- œ- w
> 1:06
#
&
w ‰ j
œ œ œ œ œ œ œ w
flung. And e - ven when I'm old and gray,

E7 b9()
>
D7 G F7 A m7
38
#
& ‰ œj œ b œ œ n œ œ ˙ œ! œ œ w ‰ Jœ œ œ œ œ
3

#œ œ J J
3

#
& ‰ œj ˙ ˙ ˙. œ ˙ œ œ
œ œ œ œ œ œ
I'm gon - na feel the way I do to - day, 'cause you make me

MMO 6845
10

D 7sus D7 G ()
E7 b9 A m7 D7 ORCH
7
#
42 F

& ˙. œ œ w ˙. Œ
7
1:21
#
& ˙ ˙ w ˙. Œ
feel so young.

œ œ. œ. œ œ >
G A m7 D7
# j
SOLO

œ œ œ œ œ ‰ ! Jœ
52

& Œ ! œ œ œ œ. œ œ
œ. J ! - .
3 3
1:36

() E7 b9
œ >
G F7 A m7
55
# œ Œ ‰ Jœ œ b œ œ nœ œ œ œ ‰ œ œ œ œ
& bœ nœ œ. J
3
œ .

G E7 b9 () D7
œ œ
A m7
. J . .
D 7sus D7
# ‰ œ ‰ !n œ
H
˙ ˙ ‰ bœ
58
r
& #œ #œ
J
1:47

G E7 b9() A m7 D7 G ()
E7 b9
61
# œ #œ nœ
& #œ œ #œ nœ #œ œ œ œ #œ œ ‰ j
bœ œ œ œ œ ˙
r
œ œ

A m7 D7 G
#
64

& œ œ œ œ œ œ bœ nœ. bœ nœ. ˙. Œ

3 3

MMO 6845
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11
SOLO B b TRUMPET
(FLUGELHORN)
Fools Rush In
(Where Angels Fear to Tread)
Lyrics by JOHNNY MERCER
Music by RUBE BLOOM
B b m7
Y2bn
E b7
bb 4
ORCH 4 A BOB'S SOLO
j
œ œ nœ œ bœ
3

&bb 4 Œ ‰ œ œ ˙ œ œ œ
3

œ.
4
0:13

b bb 4 ORIG. MELODY
j
& b 4 œ. œ ˙ œ œ œ œ œ œ
Fools rush in where an - gels fear to

A b Maj7 F m7 B b m7
b
& b bb w
7

‰ œ œ œ œ œ œ
3 3

œ œ œ œ ˙.
bb
&bb w œ œ œ œ œ œ œ. œ
j
˙
tread, and so I come to you, my love,

E b7 A b Maj7
(Ten/Sop Sx. cues)
3

bb ≈ œ œ œ œ œ œ œ œ œ œ
Œ nœ œ œ œ œ œ œ. œ
10

b
& b nœ w
œ œ œ œ œ œ œ œ œ œ w
nœ 3

bb
&bb œ œ œ œ œ œ
Œ œ
w œ œ
my heart a - bove my head. Though I

B b m7 E b7 A b Maj7
b œ bœ.
& b bb A œ œ œ ˙ .
13

œ nœ œ #œ nœ œ nœ nœ w
J
3

bb
&bb œ œ
w œ œ w
see the dan - ger there,

© 1940 (Renewed) WB MUSIC CORP. and THE JOHNNY MERCER FOUNDATION

All Rights Administered by WB MUSIC CORP.
Used by Permission of ALFRED MUSIC PUBLISHING CO., INC.
All Rights Reserved MMO 6845
12

F m7 ( ) B b 7 # 11
bb œ œ œ n œ.
œ n˙ ˙
16

&bb Œ ‰ œ nœ œ œ œ
3
œ#œ
œ œ œ
œ œ œ nœ. œ #œ œ n˙ ˙
œ œ œ J
b
& b bb œ nœ. œ
j
˙ œ œ œ œ
œ œ œ
if there's a chance for me then I don't

E b7sus ()
E b7 b 9 B B b m7
bb w
19

b ˙ œ nœ bœ œ bœ
3

& b œ œ ˙.
1:03
bb j
&bb w w œ. œ ˙
care. Fools rush in

E b7 A b Maj7 F m7
bb Œ
22

b œ œ œ nœ œ nœ œ bœ Œ
5

& b œ œ w œ œœ œ œ œ
nœ œ œ
b bbb œ
& œ œ œ œ œ w œ œ œ œ œ œ
where wise men nev - er go, but wise men nev - er

B b m7 E b7 C m7 b 5 () ()
F7 b9
j j
bbbb œ œ œ œ
25

Œ ‰ œ œ œ œ œ œ w ˙ ‰ œ œ
& œ. œœ˙ œ w ˙ œ
b
& b bb œ . œ
j
˙ œ œ œ œ œ œ w w
fall in love so how are they to know?

MMO 6845
 13

Ab
B b m7 D b m6
Eb
29
bb j j
& b b œ. œ ˙ œ œ œ. œ ˙
nœ.
œ nœ
œ. œ ˙ œ œ J
bb œ.
&bb j nœ
œ œ
J
˙
œ. œ ˙ œ œ
When we met I felt my life be - gin;

F m7 B b m7 E b7
b
& b bb œ .
32
œ œ œ œ. œ ˙ œ Œ œ œ
J œ œ J J œœ

bb œ.
&bb œ œ œ œ œ œ œ
J
˙ œ œ œ œ
so o - pen up your heart, and let this fool rush

B b m7
A b Maj7 B b m7 E b7
8
C D SOLO
F m7 ORCH
bb
35 3

&bb w ˙. Œ Œ œ œ ˙
œ œ ˙
8
1:54 2:20

& bbbb w ˙. Œ ∑
in.

Ab
D b m6 B b m7
Eb
j
F m7
bb
46

&bb œ j œ œ. œ ˙ œ ‰ œ œ œ œ w
œ œ nœ
œ nœ
J J œ
œ

a tempo
E b7 A b Maj7 F m7 B b m7 E Maj7 A b Maj7 U
U œ œ w
bb œœ
50

&bb Œ œ œ œ w ˙. Œ ‰ œ œ œ
œ œœ
rit.
œœœ

MMO 6845
 14
SOLO B b TRUMPET
(FLUGELHORN)
My Baby Just Cares For Me
Lyrics by GUS KAHN
Music by WALTER DONALDSON
Y3bo
> ORCH
œ œ. # -œ
4 Œ ‰ Jœ # œ Œ ‰ œj # œ
œ œ ˙
&4 œ œ # -œ œ œ œ n œ.
> .

BOB'S SOLO
> - . >
5
A C6 G7 C6 G7

& Œ ‰ Jœ œ œ œ. œ œ œ ˙ Œ ‰ œ œ œ œ
J .
œ œ
J
œ ˙
J
0:07 ORIG. MELODY

&Œ œ œ œ œ œ œ œ Œ Œ œ œ œ œ œ œ œ Œ
My ba - by don't care for shows, my ba - by don't care for clothes,

o
Eb 7
>
C6 E m7 D m7 G7
s. œ w w
œ .~~G~li~s~~~ J
9

&Œ ‰ œ œ œ œ !˙
J .
w w
&Œ œ œ œ œ ˙ ˙
my ba - by just cares for me!

. œ œ œ
D m7 E7 Am
œ ˙ !œ. œ.
13

&Œ ‰ J bœ œ bœ œ
˙ œ ˙ œ ˙
3
J J
œ œ œ œ ˙ œ. œ.
&Œ ˙ œ ˙
J
œ ˙
J
My ba - by don't care for furs and lac - es,

© 1930 (Renewed) GILBERT KEYES MUSIC COMPANY and DONALDSON PUBLISHING CO.
All Rights on behalf of GILBERT KEYES MUSIC COMPANY Administered by WB MUSIC CORP.
Used by Permission of ALFRED MUSIC PUBLISHING CO., INC.
All Rights Reserved
MMO 6845
 15

. >œ . œ ˙
D7 G 7sus G7

‰ Jœ œ # œ œ ! œ bœ œ ˙
17
r
&Œ ˙ J
#œ
#˙
!
œ. œ ˙ œ.
&Œ œ œ #œ œ
#˙ ˙ J œ ˙
J
my ba - by don't care for high - towed plac - es.

- .
B
> >
C6 G7 C6

œ œ œ œ ˙
21

&Œ ‰ œ œ œ œ œ œ œ ˙ Œ ‰ œ œ œ œ
J . J J J .
0:34

&Œ œ œ œ œ œ œ œ Œ Œ œ œ œ œ œ œ œ Œ
My ba - by don't care for rings, or oth - er ex - pen - sive things,

B b7
-
A7 D m7
s. w w
œ ~G~l~is~~~
25 3 3

&Œ ‰ bœ œ
J œ œ œ #œ œ bœ œ
3

w w
&Œ bœ œ œ œ #˙ ˙
she's sen - si - ble as can be.

B b7
œ. œ # œ œ ˙ - >
œ œ. œ œ w
D m7 B7 C A 7
29 bœ œ œ
#˙ ˙
&Œ ‰ J
3

œ œ #œ œ ˙ w w
#˙
&Œ
My ba - by don't care who knows it.

MMO 6845
16

œ. œ. œ œ >œ >œ w
D m7 G7 C
˙ ! œ.
33

‰
& J ‰ J ‰ J ˙ Ó
J
œ œ œ ˙ ˙
&Œ œ w ˙ Ó
My ba - by just cares for me!

37 C ORCH
16 D C6
> .
G7

& Œ ‰ œ œ œ œ œ œ œ ˙
J .
1:01 1:29

C6 G7 B b7
55
j
&Œ ‰ œ œ !œ œ œ ˙ Œ ‰ œ bœ œ œ œ
3

J
œœ œ œ
.

>œ >œ # œ œ >œ

D m7 D m7
. w> ˙.
A7

œ œ
58

& #œ œ œ œ #œ œ œ#œ Œ ‰ J ‰ J

B7 C ()
B b7 A 7 #5 D m7
62 œ. # >œ œ >œ œ . # œ n œ œ. >œ b œ œ w œ- œ œ >œ œ >œ
& J ‰ J J ‰ J

()
F # m7 b 5
C
Eb 7
o
>œ
F m6 D m7 G7 C
>œ œ . w w w ˙
G7 E

œ J
66

& ‰ J Ó

MMO 6845
 17
SOLO B b TRUMPET
(FLUGELHORN)
The More I See You
Lyrics by MACK GORDON
Music by HARRY WARREN

Y4bp In tempo
Db E b m7
A

bb 4
PIANO/ORCH
3 BOB'S SOLO

b
& bb 4 Ó œ œ œ ˙ ˙
rit.
3
3
0:13
bb 4 ORIG. MELODY
œ.
&bbb 4 Œ œ œ ˙ ˙
J
The more I see you,

Db E b m7 Bb 7
o
Db A b7 E b m7
Ab Ab Db

bb
F
œ. nœ œ. œ ˙ œ ‰
œ œ œ œ œ œ ˙.
6

& b b b œ. J J J J œ
œ. nœ ˙
3

bb ˙ œ œ.
&bbb J
œ œ œ œ ˙ ˙
J
the more I want you. Some - how this feel - ing

Ab
Db o E b m7 A b7 Dbm C
œ.
D 7

bb nœ w œ œ œ œ ˙ œ œ nœ œ
F

‰ œJ
10

b
& bb œ J
œ.
3

w œ œ œ œ ˙ œ œ
bbbb
nœ
& b œ œ J
just grows and grows. With ev' - ry sigh I be -

B m7 E7
A b 7 #5 ()
bb b Jœ n œ . œ œ œ œ œ nœ œ ˙. œ œ
A Maj7

J ‰ n œ œ nœ bœ
14

& bb Œ
œ.
3

œ nœ œ
b œ
& b bbb
n˙ ˙ nœ bœ
J Œ
come more mad a - bout you, more lost with -

© 1945 (Renewed) WB MUSIC CORP.

Used by Permission of ALFRED MUSIC PUBLISHING CO., INC. MMO 6845
All Rights Reserved
18

Dbm E b7 A b7sus

b b œ. œ ˙ œ œ nœ bœ nœ œ œ œ œ œ ˙. œ. œ
17

b
& bb J
3 3

b
& b bbb ˙ ˙ œ œ œ w
œ
out you, and so it goes.

()
(Ten/Sop Sx. cues)
A b 7 #5 Db E b m7
bb b b œ œ n œ n œ œ œ œ
B
20
bœ nœ bœ
3

& b œ n œ b œ n œ b œ œœ n œ b œ n œ Aœ
œ œœœ
nœ bœ nœ Aœ œ œ œ
bb œ.
1:00

&bbb Œ œ ˙
œ J ˙
Can you im - ag - ine

Db
B b m7 E b m7 A b7
bb j
‰ œj œ œ n œ œ . ‰ œ œ œ
F
j
22 3

&bbb ˙ œ ˙ ˙
bb œ. ˙
b œ nœ
J ˙ œ œ.
& bb œ œ œ
J
how much I'll love you, the more I

A b m7 D b7
Db E b m7
Db ()A b 7 #5
F
œ œ. œ w œ œ œ œ
bb ˙ œ
25

&bbb ˙ œ. J
œ. œ w œ
b bb ˙ œ J Œ
œ œ
& bb ˙ œ
see you, as years go by? I know the

MMO 6845
 19

Db
G b Maj7 G b m6 Ab B b7 E b7
Bb
b j œ j
. Œ ‰ œ œ œ
œ œ œ
& b bbb œ
29 A
œ
œ œ œ œ œ œ nœ.
3

J œ œ œ œ œ ˙.
J ˙.
œ œ œ nœ
3
˙
bbbb œ.
œ œ œ œ
& b
œ ˙ Œ œ J
on - ly one for me can on - ly be you. My arms won't

Db
A b7sus A b7 Db
Ab
33
bb ˙ œ œ œ œ w œ
b
& bb ˙ œ Œ Ó
3

bb ˙ œ œ
&bbb Œ Ó
˙ œ œ w œ

free you, my heart won't try.

G b Maj7
Bb
7
C PIANO/ORCH D

‰ œj œ
SOLO
b
& b bbb ˙
37 3

Œ œ œ œ œ
1:47 2:11

Db
G b m6 Ab Db
B b7 E b7 Ab
œ.
A
bb œ
œ œ œ
46
œ œ œ
& b b b n˙ Œ œ œ œ. œ ˙.
œ œ Œ ˙.
œ ˙. œ 3
3

A b7sus A b7 U Db

bb j ‰ œ œ 2
œ w w
50

b
& bb œ
rit.

MMO 6845
 20
SOLO B b TRUMPET
(FLUGELHORN)
Everywhere You Go
Words and Music by
LARRY SHAY, JOE GOODWIN and MARK FISHER

^ œ^
Y5bq
œ. œ œ œ-
.
œ- œ
>œ . . ^ œ^ - œ. - .
BRASS
4 œ bœ
&4 ‰ J ‰ ‰ œ
J œ
-
œ ‰ œ œ
J

A BOB'S SOLO
5 C6 C Maj7 C6 C C6

&Œ ˙ œ œ ˙. œ œ w œ ‰ j ˙ ˙
œ œ œ œ #œ !
0:07
ORIG. MELODY

& ˙. ˙. w ˙. Œ ˙ ˙
œ œ
Ev' - ry - where you go, sun - shine

10
C
Eb 7
o D m6 G7 Dm
‰ j ‰œœ ˙
E 3

& ˙. œ œ bœ œ #œ nœ nœ
œ œ w œ œ
#œ - .

& ˙. Œ ˙. œ
œ w ˙.
fol - lows you. Ev' - - - - ry -

()
G 7 #5
.
14 D m(Maj7) G 7sus G7 G 7sus

& ˙. œ œ w w Œ ˙ œ ˙. bœ nœ
!

& ˙. œ w ˙. Œ ˙ ˙ ˙. bœ
where you go, skies are al - ways

© 1927 (Renewed) LOMBARDO MUSIC, INC. and MUSIC BY SHAY

(c/o The Songwriters Guild of America)
All Rights for LOMBARDO MUSIC, INC. Administered by WB MUSIC CORP.
Used by Permission of ALFRED MUSIC PUBLISHING CO., INC.
All Rights Reserved
MMO 6845
 21

19 C B E7

&w Ó ‰ ! œ. ˙ ! œ. œ ˙
˙ J
0:33

&w ˙.
Œ ˙ ˙ ˙ ˙

blue. Chil - dren love you

œ. œ œ œ ˙
23 A7 D7

& œ.
3

œ œ œ ˙ œ #œ œ ! ˙
J œ. ˙

&œ œ œ œ ˙. Œ ˙ ˙ ˙ ˙

they seem to know. You bring ros - - es

j
C C Maj7

‰ œ ‰ œj œ œ ˙ ‰ œj œ
27 G7
Œ r œ œ. j .
3

&œ #œ œ
j
> !œ œ œ œ œ œ œ

&Œ œ œ œ ˙ Œ œ ˙. œ ˙. œ
out of the snow. The whole world says "Hel -

B b7 ()
A 7 #9 ()
G 7 #5
.
A7 D7 G 7sus G7 C D m7
31

&w w Œ ˙ œ ˙. œ œ w w
>

&w w ˙ ˙ ˙. œ w w

lo" ev' - ry - where you go.

MMO 6845
22

15
ORCH
œ # œ œ nœ œ œ .
C D
œ
37 SOLO E7 A7

& ‰J ˙. œ ! œ. œ ˙ Œ ‰ jœ œ œ œ
J œ. >
1:00 1:27

j j j
˙ ‰ œ ‰ œj œ œ
56 D7 G7
˙ .
& œ. œ #œ œ !œ œ ˙ Œ
r
#œ
. . > >

B b7
œ- œ- œ. œ. œ- >œ
E

œ >œ
E m7
˙. >œ œ
C
œ ‰ œ œ œ œ
60 B
r
&˙ Œ #œ
J
1:41

œ. >
˙. >˙ >˙ œ œ w w
A7 D7 G7
64

& Œ Œ Œ

>œ œ
BRASS
. b œ^ œ^ - œ. - .
‰ J
69

&‰ œ œ
J œ
-
œ ‰ œJ œ w Œ Œ

MMO 6845
 23
SOLO B b TRUMPET
(FLUGELHORN)

When Your Lover Has Gone

E.A. Swan
Y6br
()
BOB'S SOLO
D 7 #5
7
FREELY A Gm
j
C m7 Gm
b 4 Œ ‰ j œJ œ œj œJ œ œJ œ œ j œ œ œ
ORCH

&b 4 Ó
œ J œ J
7
0:26

b b 4 Ó Œ ‰ j J œ œ j
ORIG. MELODY
œ œ œ j j
& 4 œ
œ J J J
œ œ
œ
œ
J
œ œ

What good is the schem- ing, the plan - ning and dream- ing, that

Gm
() D 7 #5 Gm
G7
C7
b ‰ j œ œ j
œ Jœ œ
11 B

& b œ. œ
#œ œ œ œ œ ˙. œ J J
3

b j
3

&b ‰ j œJ
œ œ œ œ œ
œ #œ œ œ œ ˙. œ œ J J
comes with each new love af - fair? The dreams that we cher - ish, so

B b7 ()A 7 #5
j j j nn#
D7 Gm D 7sus
b j
14

& b œJ œ j œ œ
œ J
œ œ œ œ œ œ
J œ w ∑

b j j j j #
&b œ œ j œ œ œ œ œ œ œ œ œ w ∑ nn
J œ J J
oft - en might per - ish and leaves you with cast - les in air.

B ( )
C 7 # 11
#
18
G Maj7

& Ó Œ
3 5 3

œ œ œ œ
œ œ nœ w #œ œ œ œ œ
1:04
# Œ Œ
& œ œ nœ w œ œ nœ
When you're a - lone, who cares for

© 1931 (Renewed) WB MUSIC CORP.

Used by Permission of ALFRED MUSIC PUBLISHING CO., INC.
All Rights Reserved MMO 6845
24

#
A7 F7

Œ œœ œ œ
21 3

& œ nœ ˙. Œ œ œ bœ œ w œ œ œ ˙.
3

#
& nœ Œ œ œ bœ w Œ œ œ bœ bœ œ ˙
œ ˙
star - lit skies? When you're a - lone, the mag - ic moon - light dies.

A# 7
o
#
G Maj7 E m7 A7

‰ œJ œ .
26

& Œ œ w œ œ œ œ.
3 3

œ. œ œ œ œ œ ˙.
J
#
& Œ œ œ œ w Œ œ œ œ ˙ ˙
At break of dawn, there's is no sun - rise,

A b7
D7 C
#
B m7 G Maj7 G Maj7
30 A

& Œ ∑ Ó
3

œ œ œ !œ ˙ œ w œ œ nœ
1:59
#
& Ó œ œ œ œ ˙ w ˙.
Œ Œ œ œ nœ
when your lov - er has gone. What lone - ly

(Ten/Sop Sx. cues)

C 7 (# 11)
# œ.
3
35
œœ œ œ œ œ œ œ ˙
& w Œ œ bœ œ œ œ œ œ. œ œœœœ œ ˙
œ bœ œ œ J
#
3

& Œ œ œ nœ nœ
w œ ˙
hours, the eve - ning shad - ows bring.

MMO 6845
 25

E b7
C#
A7
#
D7 C m6
œ.
38

& Œ œ œ œ w Œ œ œ
#œ œ œ œ J
# Œ Œ
& œ œ bœ w œ œ bœ

What lone - ly hours, with mem' - ries

E b7
F#
B7 G
#
G Maj7 E m7 C Maj7

‰ œJ œ ‰ Jœ
41 3 D

& œ œ œ ˙ Œ œ w ˙.
# Œ œ œ Œ œ œ #œ
& bœ œ ˙ œ w
ling - er - ing. Like fad - ed flow'rs life can't mean

G ( )
B b 7 # 11
# œ.
A m7
#œ œ œ œ
42
˙ 44 œ œ ‰ j
45 B

& J J œ œ.
3

# #œ œ ˙ 2 ˙ 4 Ó
& 4 4 œ œ

an - y - thing when your

E b7 ()
D 7 #5
3
#
48 G Maj7

& bœ œ ˙. œ Œ b˙ w w
# 3
& bœ ˙. ˙ b˙ w w
lov - er has gone.

MMO 6845
 26
SOLO B b TRUMPET
(FLUGELHORN)
Day In, Day Out
Lyrics by JOHNNY MERCER
Music by RUBE BLOOM
Y7bs
# 4 ORCH j œ. j . j œ.
& 4 Ó œ Œ œ ‰ œ œ ~ Ó œ Œ œ ‰ œ œ œ Ó œ Œ œ œ œ~ Ó œ Œ
‰
. . > . . > . . > .

~
BOB'S SOLO A A m7
# j
6 D7
8 G9 G

& œ ‰ œ œ w ˙. ˙. ‰ j
. > œ œ œ w œ
0:14
# Ó ORIG. MELODY
Œ
& œ w ˙. œ w ˙. œ
Day in, day out, the

G A m7 A# 7
o G G6 G o
Bb 7
#
13 B D B 3

j
3

& œ œ œ w ˙ œ œ œ
. œ. œ. œ œ œ œ œ !
# j
& œ œ œ œ œ œ œ w œ œ œ. œ
œ
same old hoo - doo fol - lows me a - bout. The same old

D7
D7 A m7 D7
# j ‰ œj œ
A
j j
17

œ- œ- œ. ‰ œ œ .
3

& œ. œ œ œ œ œ œ œ ˙ œ œ œ œ
> . - > !
# j j 3
j
3

& œ. œ œ. œ œ œ œ œ œ œ. œ ˙ œ œ œ œ œ
pound - ing in my heart when - ev - er I think of you and dar - ling, I

© 1939 (Renewed) WB MUSIC CORP. and THE JOHNNY MERCER FOUNDATION

All Rights Administered by WB MUSIC CORP.
Used by Permission of ALFRED MUSIC PUBLISHING CO., INC.
All Rights Reserved

MMO 6845
 27

A m7 ()
D 7 #5 ()
E7 b9
#
G A m7 D7
21

‰ j
3

& œ œ œ ˙ œ œ œ œ œ œ
w ˙.
# j Œ
3

& œ. œ ˙ œ œ œ œ œ œ
w ˙
think of you day in and day out. Day

B 6 A m7 (Ten/Sop Sx. cues)

#
G9
j
D7

‰ œj
25 G
œ œ
& w ˙ œ œ w œ. #œ œ
œ œ
#œ œ œ œ
#
0:42

& w ˙. œ w ˙. œ
out, day in, I

o
A# 7
G G6
j>
A m7
>œ œ
G B C7
œ œœœœ œ œ
D
29
# œ œ œ œ œ œ œ œ
œ w œ
œ ‰ œ œœœœ œ œ
& œ œ œ
. œ- œ >œ œ œ œ œ
J !w œ
J
#
3

& œ œ œ œ œ œ œ œ w œ œ œ œ
need - n't tell you how my days be - gin. When I a -

œ. >œ
A A m7 D
#
33 3

& œ œ œ œ œ œ œ ‰ œ. ˙ ‰ œ œ œ œ œ ‰ œ œ
œ- œ- œ- œ- œ- œ. œ.
>
˙ J œ œ œ œ
- - . œ œ
#
& œ
œ ˙.
œ
œ
œ œ œ œ œ œ œ œ œ œ œ
wake I a - wak - en with a tin - gle, one pos - si - bil - i - ty in

MMO 6845
28

œ œ œ n >œ œ œ n >œ
A m7 D B m7 E m7 A7
36
# ‰ œ # œ œ œ œ #œ
r œ
& ˙ œ œ œ œ œ œ
˙ - - - - -
# j j
& œ œ. œ nœ. œ
w œ œ œ œ œ œ
view, that pos - si - bil - i - ty of may - be see - ing

6 A m7
A m7 D7 G9
# w
39 C G

Ó ‰ ‰œ
3

& œ. w ˙ œ œ œ w
# 1:10

& Œ
w ˙ œ w ˙. œ w
you. Come rain, come shine,

D7 G A m7 A# 7
o G ( ) F 7 # 11
#
44 B

& ˙. ‰ œ. œ- œ œ w
œ œ œ- œ- œ- œ œ- œ >
#
& ˙. œ œ œ œ œ œ œ œ œ w

I meet you and to me the day is fine.

()
E 7 #5
G
>˙ .
A7 C7
# Œ
48 3 D

œ Œ œ bœ
3

& œ œ ˙ œ œ œ w
. .
# œ
3 3

& ˙ œ œ œ ˙ œ œ œ bœ œ œ w
Then I kiss your lips and the pound - ing be - comes

MMO 6845
 29

E 7 b5() A7 D7 G Maj7
52
# Œ Œ ‰ j œ œ œ rœ w
& œ !œ œ œœœœ w œ œ

# j j
& œ œ œ. œ w œ œ œ. œ w
the o - ceans roar, a thou - sand drums.

()
E 7 #5
G6
>˙ .
A7 C m6
#
D
w
56 3 D

& Œ œ Œ œ œ bœ œ œ
3

œ œ ˙
. .
1:38

# Œ œ
3 3

& œ œ œ œ ˙ œ œ œ bœ œ œ w
Can't you see it's love, can there be an - y doubt,

() E7 b9 >
œ > >
~ œ œ w>
œ >œ ˙ ~~~~~
A m7 D7 G6 F7

# œ . . ˙.
Glis
s.
w
‰ Jœ œ œ
60

&
3

#
& œ œ ˙. œ ˙. œ w w
œ œ
when there it is, day in, day out.

Bb 6 A b Maj7

# w w
G

‰ œj
65 BASS

& œ. œ. œ œ œ
œ. œ œ > œ.
# ∑ ∑
& w w

MMO 6845
MMO 6845
 31
SOLO B b TRUMPET
(FLUGELHORN)
It's a Sin to Tell a Lie
Words and Music by
BILLY MAYHEW
Y8bt (Ten/Sop Sx. cues)

3 j
BOB'S SOLO G
# 3
ORCH A

Œ ‰ œ œ œ œ œ
& 4 œ œ œ ˙ œ
œ œ
˙ œ
# 3 3 ORIG. MELODY
0:09

& 4 Œ ‰ j
œ œ œ ˙ œ œ
Be sure it's true when you

D 7 #5() G6 G
G

# œ œ œ
B
œ
6
˙ œ
& b˙ œ ˙ œ œœ ˙ ‰ œ œ ˙
œ
b˙ ˙ ˙
#
D7

& œ ˙. œ œ ˙ œ
b˙ ˙
say, "I love you", it's a sin to

j
E7
B7 C Am D7
# ˙. œ. j
B
œ œ
10
#˙ ˙ œ ‰
& #˙ œ ˙. ˙ œ œ œ. œ
œ
#
& #˙ œ ˙. ˙. œ œ. j
œ
tell a lie. Mil - lions of

o
A# 7
G
A7
# ˙. ˙.
B
œ
14
œ
& ˙
œ œ ˙. Œ œ œ #œ œ
˙ ˙. œ œ #œ œ
#
& œ œ ˙. ˙. j
œ.
˙ œ #œ œ
hearts have been bro - ken, just be - cause those

© 1936 (Renewed) WB MUSIC CORP.

Used by Permission of ALFRED MUSIC PUBLISHING CO., INC.
All Rights Reserved
MMO 6845
32

Eb
C m6 B G
˙.
D7
18
# ˙ œ ˙
‰ œ œ œ œ
& ˙ œ ˙. ˙ œ œ
˙
œ œ
˙
#
0:45

& ˙
œ ˙. ˙ œ œ œ œ
˙
words were spo - - - ken. I love you, yes I

()
D 7 #5 G6 G
G

#
B
œ ˙. œ œ œ
22

& b˙ œ ˙ ‰ œ œ ˙
˙
œ
b˙ ˙. ˙
#
& œ ˙. œ œ ˙ œ
b˙ ˙
do, I love you, if you break my

E7
B7 C Am C6
B
26
# œ ˙. œ œ œ ˙ œ œ
& #˙ #˙
œ ˙. œ Œ œ œ ˙ œ œ

#
& #˙ œ ˙. œ œ œ ˙ œ
heart I'll die, so be sure it's

F7 G F7 E7 A7
˙
30
# b˙ œ œ œ œ
œ ˙ ‰ œ #œ ˙ œ nœ
& b˙ œ œ œ œ œ œ #œ ˙ œ nœ
#
& b˙
œ bœ œ œ œ
˙
œ #œ ˙ nœ
true, when you say, "I love you", it's a sin to

MMO 6845
 33

G
15
D7 A m7 D7
˙ ˙.
ORCH
#
C
34
œ ˙
& œ ˙ ˙. ˙ Œ
15
1:22

# Œ
& ˙
œ ˙. ˙
tell a lie!

D G () D 7 #5 G6
52
# Ó œ œ ˙ œ œ œ b˙ œ ˙.
&
1:58

G B7 C E7

œ œ ˙ œ
G
# ˙ œ ˙.
B B
#˙
56

& ‰

F7

œ ‰ œ œ ˙ œ œ œ œ œ œ
Am C6 F7 G
60
# œ b˙ œ
& J ‰
3

E7

# œ œ œ
Slower A7 D7
64
J œ #œ ˙ nœ a˙
& ‰
rit.

G
A7 C m6
U̇
# ˙. ˙. ˙. .
G
67 G G

&

MMO 6845
 34
SOLO B b TRUMPET
(FLUGELHORN)
Near You
Words by KERMIT GOELL
Music by FRANCIS CRAIG
Y9ck
ORCH 3 BOB'S SOLO
A G9 G7

& 44 Ó
3

œ #œ ˙ œ œ #œ Nw
3
0:10
ORIG. MELODY

& 44 Ó œ #œ ˙ œ #œ Nw
There's just one place for me,

7
C G7

j Œ
3

& bœ. nœ ˙ œ œ bœ ˙ œ œ bœ w

& Œ ˙
b˙ n˙ œ œ bœ œ bœ w
near you. It's like hea - ven to be

C G7 C6
j
11 3

Œ
3 3

& j œ ˙. œ œ. œ #œ œ œ
œ. œ ˙ w œ œ œ œ

& œ œ ˙. œ ˙ #œ œ
˙ ˙ w œ œ
near you. Times when we're a - part, I can't face my

j
16
A m7 D7 G7

Œ #œ œ œ.
3 3 3

&w œ ˙. œ œ œ
œ œ #œ œ œ

&w œ œ #œ œ ˙ #œ œ œ œ œ œ
heart. Say you'll ne - ver stray more than just two lips a -

© 1947 (Renewed) MCA MUSIC, a division of UNIVERSAL STUDIOS, GREAT FOREIGN

SONGS and WB MUSIC CORP.
All Rights Administered by WB MUSIC CORP.
Used by Permission of ALFRED MUSIC PUBLISHING CO., INC.
All Rights Reserved
MMO 6845
 35

B G9 G7 C
20

j ‰ œ #œ j
3

&œ ˙ œ œ #œ Nw bœ. nœ ˙
œ
0:45

&œ Œ œ #œ ˙ œ #œ w b˙ n˙
way. If my hours could be spent near you,

24
E7 b9() E7 Am C7

Œ œ bœ ˙ Œ
3 3

&˙ œ œ bœ w j
œ. œ ˙ ˙.

&œ Œ Œ
œ bœ ˙ œ bœ w ˙ ˙ ˙.
I'd be more than con - tent, near you.

F6 F m6 F# 7
o C
A7 D7
29 G

&Œ œ œ Œ
3 3 3

˙ œ œ œ #œ
œ œ œ œ ˙. œ œ

&œ œ œ ˙
˙ œ œ œ œ #œ
œ œ ˙
Make my life worth - while by tel - ling me that I'll spend the

33
G7 C6
3

&˙ œ œ œ ˙. j
œ ˙ ˙
Ó
œ œ.

&˙ œ œ w Ó
˙ ˙ ˙
rest of my days near you.

MMO 6845
36

15
C ORCH D
37 SOLO G9 G7

Ó
3

& œ #œ ˙ œ œ #œ Nw
1:22 1:58

55
C ()
E7 b9 E7

j Œ
3

& bœ. nœ ˙ œ œ bœ ˙ œ œ bœ w

Am C7 F6 F m6 F# 7
o
59

Œ œ
3 3

& j œ œ œ œ œ ˙.
œ. œ ˙ w

C
A7 D7 G7
j
63 G
Œ ˙
3

& œ. œ œ œ œ #œ œ œ
œ œ

66
C6
4
& ˙. œ œ. œ ˙ w
J
rit. a tempo

MMO 6845
 37
SOLO B b TRUMPET
(FLUGELHORN)
You're Driving Me Crazy
Walter Donaldson

o
Ybkcl
Eb 7
BOB'S SOLO
PIANO SOLO 4 A
j
4
C6 E m7

&4 w œ œ. œ œ œ
.
4
4
ORIG. MELODY

&4 w œ œ œ œ œ

You, you're driv - ing me

D m7 G7 D m7 G7

j ‰ œj œ
7 (Ten/Sop Sx. cues)

& œ. œ ˙ œ œ œ w œ œ œ œ œ œ œ
! w œ ! œ
>
&˙ ˙ ˙ œ œ œ œ œ œ œ
w ˙ œ
cra - zy! What did I do? What did I do?

C6 A m7 D m7 G7 B C6 E m7 Eb 7
o
11
j
‰ œ œ œ œ
3
j 3

& w
œ œ œ œ w œ. œ œ œ œ
w œ œ œ œ
0:22

& œ œ #œ w œ œ œ œ œ
w œ
My tears for you make ev' - ry - thing

D m7 G7 D7

j
15

&! œ . œ ˙ ‰ ˙. œ
œ
>. œ. œ œ
œ œ ˙. œ !œ

&˙ ˙ ˙ œ œ œ œ w
ha - - zy, cloud - ing the skies

© 1930 (Renewed) by Donaldson Publishing Co. and Dreyer Music Co.

All rights for Dreyer Music Co. Administered by Larry Spier, Inc, New York
Used by permission. All rights reserved. MMO 6845
38

G7 C6 ()
B 7 #5 E Maj7
j
18 C

& ˙. ‰ œ.
œ
œ œ
œ w
w ˙
˙
!˙ ‰ #œ œ œ
˙. #œ œ œ
0:36 >
& œ ˙.
w w ˙. œ œ
of blue. How true were the

F # m7 G # m7 ()
G 7 #5
j j j
B7
#œ
22

& #œ #œ œ ‰ œ #œ œ ‰ nœ #œ œ ‰ œ #œ nœ œ
- œ. œ #œ œ. nœ #œ œ. œ #œ #œ nœ œ

& j j j j j j
#œ œ œ #œ œ nœ #œ œ œ #œ nœ #œ œ
friends who were near me, to cheer me. Be - lieve me, they knew.

F # m7 F # m7
j
B7
j
E Maj7 B7
24 3

&˙ ˙ ‰ œ #œ œ ˙ œ #œ œ œ œ #œ œ ‰ œ #œ œ ‰ œ
J > # œ œ œ œ # œ œ. œ # œ œ. œ
!
& ˙. œ ˙. j j j j
œ œ #œ œ œ #œ œ œ
But you were the kind who would hurt me, de -

E Maj7 G7
>
D C6
27
œ œ œ #œ œ œ ˙ œ
&œ œ. œ #œ œ !œ ˙ œ œ œ œ w
.
0:50

& œj œ #œ
j
œ œ œ œ ˙ ˙ w

sert me, when I need - ed you. Yes! You,

MMO 6845
 39

E m7 Eb 7
o D m7 G7
j j j ‰ œj
30

‰ œ ‰ œ œ œ œ
& . . !œ. œ ˙ œ - œ.
œ
œ >

&œ œ œ œ œ ˙ ˙ ˙ œ œ œ œ
you're driv - ing me cra - zy! What did I do

D7 G7 C6
33
>
& ˙. œ !œ ˙. œ œ w ˙. Œ

& Œ
w w w ˙.
to you?

E
Eb 7
o
7
ORCH SOLO C6 E m7
F

‰ œj ‰ œj œ
37

Ó Œ
3

& œ. œ- w œ - .
>
1:05 1:20

œ >œ
D7
>œ ˙. œ >œ ˙.
D m7 G7 G7
47
j >œ . r
œ. œ
& œ. œ ˙ ‰ œ

C6
51 w w w ˙
& Ó
Transcription and engraving by Joel Mott
jtldmott@comcast.net

MMO 6845
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MMO 6845 Pub. No. 0963 Printed in USA