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  • Então É Natal-Violino

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    Reverson Oliveira
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    1) The document is a musical score for a violin piece titled "Então É Natal" or "So It's Christmas". 2) It contains musical notation including notes, rhythms, dynamics, and expressive markings across 27 lines. 3) The score concludes with a repeat sign and the words "To Coda" indicating the song structure involves a return to an earlier marked section.

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    Então é Natal-Violino

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    1) The document is a musical score for a violin piece titled "Então É Natal" or "So It's Christmas". 2) It contains musical notation including notes, rhythms, dynamics, and expressive markings across 27 lines. 3) The score concludes with a repeat sign and the words "To Coda" indicating the song structure involves a return to an earlier marked section.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    21 views1 page

    Então É Natal-Violino

    Uploaded by

    Reverson Oliveira
    1) The document is a musical score for a violin piece titled "Então É Natal" or "So It's Christmas". 2) It contains musical notation including notes, rhythms, dynamics, and expressive markings across 27 lines. 3) The score concludes with a repeat sign and the words "To Coda" indicating the song structure involves a return to an earlier marked section.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Violino

    ENTÃO É NATAL
    ESCOLA DE MUSICA SÃO JOÃO BATISTA

        
      
     = 120

                     
    JOHN LENNON AND YOKO ONO



                

                 
     
    7

        

                 
                             
    11  To 

     


                                              
    16

      
    1. 2.

     

                             D.S. al Coda      


                                          
    21

                         
                                           
    1. 2.
    27

     

             
           
                   
    33

     

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