"The last of the mohicans"

(El Último Mohicano) Trevor Jones

    
q=60

Flutes 
 
pp

 
Clarinet Eb    

    
Solo Clarinet Bb  
pp

 
Clarinet 2-3 Bb    


Alto Saxophone     

   
Tenor Saxophone  

   
    
Baritone Saxophone  
p

  
Solo Flugelhorn    


Flugelhorn 2    


Trumpet 1 Bb    

   
Trumpet 2 Bb  

 
Horn 1 Eb    

   
Trombone 

       
Euphonium C
p


 
Tuba
     
 
    
p
Tom-toms

Drums                                      
mp
q=60
 
Timpani
  
Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
2

      

3

Fl. 


Rqto.    

      
Cl. 1º 


Cl. 2º    


Alto    

   
Tenor 

     

Bar.    

 
Flis 1º    


Flis 2º    


Tpt. 1ª    


Tpt. 2ª    


Tpa.    

   
Tbón. 

      
Bomb.  


Tuba
       
 
   
Drums                                                  


Timb.
   
 
3

 
A
 
h=40
      
6
   
Fl. 
f


Rqto.             
f

    
         
Cl. 1º  
f

  
Cl. 2º     
f


Alto      
     
f

      
Tenor 

       

Bar.    
mf f

           
Flis 1º    
f

 
Flis 2º      
f


     
      
Tpt. 1ª 
f

 
    
Tpt. 2ª
f


   
Tpa.     
f
mf
  
      
Tbón. 
f

  
Bomb.
       
mf f

 
Tuba
           
mf f

    
Cymbals
                 
  
Bass Drum


Drums

mf f
h=40
  
Timb.
    
f
4

   
B
11
                     
Fl. 

Rqto.
 
                        

                        
Cl. 1º  


Cl. 2º          

                 
Alto       


         
Tenor 
f

 

Bar.         

                         
Flis 1º  


Flis 2º          

                        
Tpt. 1ª  


Tpt. 2ª        
      

       
Tpa.     



 
  
 
    
   
Tbón.    

         
Bomb.


Tuba
          

Drums          


Timb.
         
 5

   
C
20
         
Fl.       

       
Rqto.           

                          
Cl. 1º  
mf


         

Cl. 2º

   
mf
      
Alto          
mf

         
Tenor 
mf

   

Bar.        
mf

                           
Flis 1º  
mf


Flis 2º         

                       
  
Tpt. 1ª  
mf


Tpt. 2ª                  

            
Tpa.        
mf

     
       
Tbón. 
mf

 
Bomb.
         
mf


Tuba
         
 

mf

Drums         


Timb.
        
6


D
 
28

Fl.         
f

  
Rqto.         
f

                        
Cl. 1º  
f


         

Cl. 2º

        
Alto           
f

        
Tenor  

  
        
Bar. 

                         
Flis 1º  
f


Flis 2º           
f

                     
  
Tpt. 1ª  
f


Tpt. 2ª           
f

         
Tpa.  
f
 
   
 
   
Tbón. 

  
Bomb.
        
f


Tuba
        
  

Drums         



 
Timb.
   

     
mf
  
7
  

E
36
          
Fl.  
ff

       
Rqto.          
ff

                
Cl. 1º  
ff


Cl. 2º       
f ff

       
Alto        
 
ff

     
Tenor  
f
ff



Bar.       
f ff

                 
Flis 1º  
ff


            
Flis 2º

ff

                
Tpt. 1ª  
ff


Tpt. 2ª              
ff

      
Tpa.        
ff

    
     
Tbón. 
f ff

Bomb.
           
 
ff


              
Tuba
f 
 
ff

 
 
3   
Drums                              
f  ff       
        
Timb.
   



        
 

f f ff
         
8


42

Fl. 

Rqto.
 

      

         
Cl. 1º 


Cl. 2º    

        
Alto 

      
 

Tenor

 
Bar.
   

          
Flis 1º 


Flis 2º    

         
Tpt. 1ª 



   

  
Tpt. 2ª

    
     
  
Tpa.

      
  
Tbón. 

    
 
  
  
Bomb.


       
Tuba

         
 3      3
Drums                                         
            

Timb.
 













 
 








    
9
     

45  F

Fl. 

   
Rqto.        

           
Cl. 1º 


Cl. 2º     

   
Alto        

    
Tenor 



Bar.     

            
Flis 1º 

 
     
Flis 2º
  
           
Tpt. 1ª 

 
    
   
Tpt. 2ª

  
Tpa.       

   
  
Tbón. 

    
Bomb.


                 
Tuba

     
     3     3
Drums              
                                  
               
            
Timb.
 





  

          
      
10
 
 
49

Fl. 

   
Rqto.        

        
Cl. 1º  


Cl. 2º    

   
Alto        

   
Tenor 



Bar.    

          
Flis 1º  

 3 
      
Flis 2º
     

        
Tpt. 1ª  

 3 
       
Tpt. 2ª
    

    
    
3
Tpa.      

  
   
Tbón. 

Bomb.
   


  
     
Tuba

          
      3     
Drums                                          
             
     
               
        
Timb.
         
11
  

52 rit.  
Fl. 

        
Rqto.      

             

Cl. 1º 

 
Cl. 2º              

         
Alto      

    

Tenor 

  

Bar.    

              

Flis 1º 

 3 
      
Flis 2º
     

             

Tpt. 1ª 

 3 
       
   
Tpt. 2ª

     

   
3
Tpa.     

   

    
Tbón. 

   

Bomb.


 

         
Tuba

     
 3      3 

Drums                                          

            
    
rit.

Timb.
 













 
 
    
 "The last of the mohicans"
Flute 1 Trevor Jones

           
q=60

 
pp

A h=40
            
7
   

f

B
         
13

      
 


C
       
19
     
 


D
32
           
  
f

E                   
40


ff

46     F           


51          rit.     



Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.

Flute 2
"The last of the mohicans"
Trevor Jones

q=60
           
  
pp

A h=40
            
7

    

f

B
        
13
      
 


C
       
19
     
 


D
32
           
  
f

E
              
40

    

ff

F
       
46
   
    

        
51 rit.
     

Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Solo Clarinet Bb Trevor Jones

q=60
            
 
pp
A h=40
 
              
7


f
B
                 
13


C
              
19
   

mf
25
               

D
             
30
    

f
E
              
36


ff

                
42


F
           
48

 

             
52
rit.


Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Clarinet 2-3 Bb
Trevor Jones


q=60 A h=40
  
       
f

B

15

         

C

24

         

mf

D

32

         

f

E F

40

         
ff


rit.

49

                
Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
Alto Saxophone
"The last of the mohicans"
Trevor Jones


q=60 A h=40

                 
f

B
   
13

               


C
    
19
         



D
  
27
            

mf

E
  
35

              
f ff

   
41

                

F

47

            

    
52 rit.
         

Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Tenor Saxophone Trevor Jones

 
q=60 A h=40 B
       
 
f

C
 
22
      
 
mf

D
  
31
 
      
f

E

40
        
   
ff


F
      

rit.

48


Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Baritone Saxophone Trevor Jones

q=60
    
     
 

  
p

A h=40
     
6
       
 
mf f

B

13

         

C
 
22

     
   
mf

D
 
30

         
f

E

38

        
ff

F

rit.

47

       
Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
Solo Flugelhorn
"The last of the mohicans"
Trevor Jones


A h=40
           
q=60
   
 
f
B
                 
13



C
              
19
   

mf

25
               
 

D
30
           
      

f
E
              
36


ff

42
                 


F
           
48

 

         
rit.
   
52


Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Flugelhorn 2 Trevor Jones


q=60 A h=40
  
       
f

B

15

         

 
C D

24

             
f

E

39

        

ff

F
 
48
 3

  
 
  
        


rit.

52
3
       
    
Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
Trumpet 1 Bb
"The last of the mohicans"
Trevor Jones


A h=40
           
q=60
   
 
f
B
                 
13



C
              
19
   

mf

25
               
 

D
30
           
      

f
E
              
36


ff

42
                 


F
           
48

 

         
rit.
   
52


Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Trumpet 2 Bb Trevor Jones


q=60 A h=40
 
        
f

B

15

               


 
C D

21

           
f

E

36

           
   
ff

F

43

 
           
 



rit.
 
50
3 3
      
              
Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Horn 1 Eb Trevor Jones


q=60 A h=40
       
    
mf f

B
   
14

  
 
       

C
  
21
   
       
mf

D
 
28
         

f

E
  
36
             

ff


F
43
  
            



   
rit.
 
50



         
 
3 3
  

Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
Trombone
"The last of the mohicans"
Trevor Jones


A h=40
q=60
    
 
 

       
f

B
        
    
15
    

24
C
     
D
      
mf

33      
E
 
      
f ff

       
F

  
42
   


     rit.
 

  
49
    

Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Trevor Jones
Euphonium C

q=60
           
   
p

  A h=40
        
6
  
mf f

B
 
13
       


C
22
       
    
mf

D
30
          
 
f

E
37
             
     
ff
 
F
 
44
    



50 rit.
      

Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Tuba Trevor Jones

q=60
  
    
  
    
p
6
A h=40
 
          
mf f
13 B

 
       
22
C

   
  mf     
30 D

   
     f  
38
E


     
          
ff
43

              
         
47
F

                   

51 rit.


                    
Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.
 "The last of the mohicans"
Drums
Trevor Jones

q=60

                            
mp Caja (sin bordón)

h=40

  
7
A B
 
Tutti

Platos

Bombo 
           
mf  f f

   
C E

 
24 D 3
          
f  ff   

   
  
41

              
2 2 2

   

  
F


48
3
                        
2

       

    
52 rit.
3
                           
        

54
3 

              
 
Transcripción  Eduardo Ramírez
e instrumentación:  Parra, 2002.
 "The last of the mohicans"
Timpani (C-D) Trevor Jones

   
q=60 A h=40 B
 
      
f f

   
C

 

17

      
mf 

 
D E
31
   
    



    
f ff
f

      
41

    
   
         
        


F
45
            
                    

     
49

       









  
 
 
 

     
52 rit.

  







  
 
  
 
   
Transcripción e instrumentación: Eduardo Ramírez Parra, 2002.