Professional Documents
Culture Documents
2 – Literature Review
CHAPTER 2
LITERATURE REVIEW
This chapter includes a detailed explanation of the term and terminology of the
current fields of study “Psychology of Architecture” and principles about
Productivity in office environment that will lead to a better understanding of the
problem statement and the research questions seeking an answer through this study.
To assist produce a clear strategy to the analysis work environments, and to help
manager’s choice making, this chapter examines, compares and synthesizes from a
different variety of resources, the discoveries of exploration that has researched
Psychology, Architecture and Productivity indicators in their workspace. The
outcome of this chapter will lead to a better understanding of the problem statement
and the research questions seeking an answer through this study.
The contents of this chapter is listed below;
2.1 Psychology
2.1.1 Environmental Psychology
2.1.2 Workplace Psychology
2.1.3 Personality
2.1.3.1 Personalization
2.1.4 Psychology of Architecture
2.2 Architecture
2.2.1 Architectural Elements
2.2.1.1 Colour
2.2.1.2 Lighting
2.2.1.3 Form and Furniture
2.2.2 Office Design
2.3 Office Productivity
2.4 Summary of literature review and the gap
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2.1 Psychology
Wilson (2005) determined another approach to define the relationship between
philosophy and Psychology. It was between truth and need and he concluded that:
Psychology works with human need.
Philosophy works with truth in the world.
Morgan et al. (2001) describe Psychology as the investigation of behaviour
and psychological procedures. They considered three ideas important to the
meaning of Psychology; science, behaviour, and psychological procedures.
Psychologists use scientific methods to observe, describe, estimate, and explain
actions and psychological procedures. An individual with a degree in psychology
will have the ability to apply the knowledge of actions and psychological procedures
to a wide range of job possibilities in business, service areas, and research.
Gordon (2004) indicates that Psychology is a science which studies mental
factors which affect actions performing, and psychologists apply psychology
towards the arrangement of issues in different settings in various configurations
such as educational institutions, medical facilities and companies. The
psychological issues have been recognized by behavioral, psychological,
psychodynamic, humanistic, and natural parameters. The points of view are
established in changed philosophical presumptions, and depict human instinct in
distinctive ways such as improvements in neurosciences, investigation of culture
and cooperation with different significant ways. All these developments will have
its own influences on interior design as the mood is often influenced by the settings.
According to Stangor (2011) a significant objective of Psychology is to
estimate behaviour by knowing its causes. Prediction of individual’s behaviour is
difficult because they differ and react in a different way in different circumstances.
Individual variations are is about the differences among individuals on physical or
emotional measurements. For example, many individuals meet at least some signs
of depressive disorders at some times in their lifestyles, the reactions differs
considerably among individuals. Due to this personal distinction factors that impact
behaviours, it is not possible to estimate who will become competitive or who will
execute best in graduate student school or on the job.
As reported by Bogdan (1993) Psychology describes and expresses the brain
in terms of the inner design and function of the brain. It provides a scientific
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different levels of ecological support for the work being performed; Functional
comfort scores are suffering from building variations, as well as by the type and
location (situated on the floor) of performance.
2.1.3 Personality
Barry (2012) describes Personality as mixture of aware (voluntary) and
subconscious (involuntary) aspects of individual's inner characteristics. At some
level our genetics and environment and to some level our total freedom performs a
part. But most likely the biggest part is performed by the connections of these two;
how we learn to deal with life and using the sources we’ve got. From his viewpoint,
essentially recognizing the lifestyle of the spirit and totally freedom, the character
is the lower level while the spirit would be in higher level. Personality is the
‘costume’ used by the soul as it features in the content globe in individual type.
Personality is defined by Cubel et al. (2014) as the combination of
emotional, attitudinal, and behavioural characteristics which are unique to an
individual, and hence, are part of her set of productive skills.
Perceptions of selfhood obviously vary from person to person and one way
of categorizing these variations is by personality type. In 1921, Carl Jung proposed
a system of personality typing that now forms the basis of the Myers-Briggs Type
Indicator (MBTI) assessment tool. In this system there are four dichotomous
indicator sets: Extraversion-Introversion (E-I), Sensing-Intuiting (S-N), Thinking-
Feeling (T-F), and Judging-Perceiving (J-P) (Myers & McCaulley, 1985). These
combine to create 16 different possible personality types that can be differentiated
into four groups according to their mental function.The reliability and validity of
the MBTI instrument has been widely studied and documented in literature and the
instrument meets and exceeds the standards for psychological instruments in terms
of its reliability (Myers Briggs Foundation, 2010).
The present study investigates the interior design with the consideration of
individual’s Personality. In a similar study, Russ and Weber (1995) had a survey on
234 interior design student at 12 universities in the United States. The purposes of
this study were to explore students' career aspirations in interior design and identify
any relationship between their self-assessed curriculum strengths, career
aspirations, and personality types. They applied Myers-Briggs model of personality
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in their research. The results of this research indicated there was not a definite link
between personality and career aspirations in interior design.
Hammer (2010) states that different personality types are much better in
some career, which depend on their abilities, skills and creativities. With respect to
personality style, several researchers have found strong correlations between
creativity and personality style (Meneely and Portillo, 2005; Houtz et al., 2003;
Prabhu, Sutton and Sauser, 2008; Helson, 1999; Sheldon, 1995).
Portillo (2002) conducted an exploratory study to compare the personality
of interior designers, architects, landscape architects, and engineers. Results
indicated that each group were described with specific personality traits.
2.1.3.1 Personalization or Territorialisation
As outlined by Altman (1975) territory and territoriality refers to behaviours
that a person can personalize, mark, own and defend a geographic area. Marking
devices such as fences, furniture, and personal belongings and nameplates create
and show the human territories boundaries. Steele (1986) believes human
territoriality at work has psychological value represented both by space for one's
work and by one's place in the organization. It also affects employees' interaction
with the environmental milieu. According to the literature, territorialisation is a
broad concept which may lead to Personalization.
As reported by Sundstrom (1986, p. 218), the term Personalization comes
from environmental Psychology: “It describes the display of personal or work-
related items or the arrangement of the workspace to distinguish the occupant from
others. Personalization is an extensive issue which is not only about the temporary
items, sometimes it deals with the room’s physical aspects.
In private workstation Personalization would be applied to entire space, but
in open spaces, it would appear to the personal distance. According to a definition
by Noorian (2009) ‘personal distance is a distance which people feel comfortable
within to have interaction with other people that they know. The near phase (45-
75cm) is used by people who are familiar which each other. Also Personal space is
explained as physical distance from the others.’ For example, in a private office
employees can personalize their Workplace with some family photos on the wall,
but in open sector which the entire office can be perceived in one look, like a
pharmacy, pharmacists only able to apply Personalization in their personal space.
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associates new methods to create the connection more effective and fulfilling in the
future. This forms the pioneering thought of marriage between Architecture and
Psychology.
Mikellides (2007) evaluate the impact of research in Architectural
Psychology and human aspects in design and practice of Architecture. He believes
that Psychology is integrated within a design-based course and so many students
have studied different researches in this scope. Because the architect who had no
training in Psychology or human aspects of design as part of his/her education, can
never give out any livable space for human life which can be usable for a long time.
Popow (2000) in “a report on Psychology and Architecture” narrates that
environmental Psychology might also be employed by various components: interest
or knowing how individuals agree to their environment; Understanding and
perceptive applying or how individuals cognitively map what they encounter
centred on everything they might understand, feel and perceive about their
surroundings. His research was on the people’s inspirations showing that individuals
normally like to encounter locations where they will feel qualified, assured,
convenient or enjoyable.
Rush (2008) gave a psychological value to Architecture. He said that
Architecture is connecting with different feelings of humanity. A designer must
develop the spaces based on psychological principles of human’s mind which helps
to create more comfortable lives in regard to art, lifestyle, sociology and appearance.
He also describes Architecture as a creative perception enriched with the genuine
distribution in reaction to nature, history and behavior design.
Kopec (2012) investigated on how a room impacts an occupant's actions and
well-being and how does a building effect its residents' health. The author examines
these questions with an in-depth look at psychosocial reactions to the developed
environment. Kopec also examined the connections between surroundings and
human actions and well-being and demonstrated how individual variations relevant
to age, gender, and social qualifications effect that connections. Many practical
projects are also developed to reduce stress and increase customer fulfilment,
assisting to make more relaxed areas that will both fulfil the needs of the developed
citizens and increase the opportunity of design.
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2.2 Architecture
According to Anthes (2009), Architecture would be defined as a food for
thought. Where designer creates or changes the setting; effects not only how
individuals like and understand the world, but also, how they communicate within
it. The main concept is that the mind translates structure through the mind and
results in impacting the ideas and following actions. As Anthes indicated
Architecture is always delicate to making areas humane, by truly considering for
individual reaction.
As Šafránková (2006) indicated Architecture and urban space assume an
essential part in human's physical and non-physical life and their well-being.
Sociology and Psychology analyse the role of Architecture in the conscious shaping
of urban space in the 21st century. Sociological and psychological aspects of the
influence of Architecture are connected with human, his perception and needs. The
relationship between Architecture and sociology is also part of the topical idea of
Sustainable development of Architecture which has a positive influence on human
perception.
Ulrich (1991) described that there are two very primary and essential
concepts regarding to structural design:
Function follows form: This idea indicates something designed according to its
features. We are not considering the Form at the preliminary level of structural
design.
Form follows function: It indicates something is designed in a way, which allows
it to execute its function.
Gifford (2007) revealed that the principles of design manage the connections
of the components used and set up the structure as a whole. Effective design is
depended on use of the guidelines and components to provide the producer's aim and
visible objectives. There are no guidelines for their use but designers must keep
design purposes in minds and produce a proper result with balance between the
components. According to his study, the design principles are: Harmony, Contrast,
Repetition (rhythm, pattern), Balance, Proportion, Variety, Emphasis, organization
and harmonization of accessories, etc.
As Ayers (2007) indicated, Architecture can promote, restrict or minimize
public communication. The style and material of buildings and places can promote
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the space users; for whom they are developing? Which type of design would make
them satisfied? They might end up with dangerous or ‘bad’ design outcome, when
they forget about principles of psychology. As design is a technology as well as an
art, for having a successful, functional and artistic design project, Psychology must
be considered as an intrinsic aspect of Architecture.
According to Brooker and Stone (2007) for developing a connection between
the current building and the new components that occupy it, the nice placements of
internal component are essential. With effective design of components within the
space, every part of internal structural planning is functionally protected. Brooker
provides an uncomplicated, easy-to-follow method for examining, knowing, and
using current structures to make new decorations that are architecturally appropriate,
efficient, and wonderful.
Haddad (2001) has statements about internal decoration. He believes that
interior design has to be significantly above the simple decoration of a particular area
of internal spaces. Internal decorators must have a wide qualification and be able to
perform with designers and field-related professionals engaged in internal areas. The
decorator must be aware of the purpose of design of internal areas, as a part of the
human environment. Many decorators today meet the requirements for professional
interior designers, and their performance is a good evidence of their achievements
and popularity. But an actual strategy to achievements needs from the internal
decorator to consider the consumer as the focus of the total process. Unless the
internal decorator is aware of the behavioural factors of his customers and the
restricted image of space, under which he must perform. Internal decorators must
apply the artistic factors with techniques that must be employed, and they should
reduce the possibilities of improper performing, both functionally and mentally, to
make satisfy their customers and space occupants.
2.2.1 Architectural Elements
The challenge of interior design lies in the task of resolving a wide variety of
functional and aesthetic requirements into a consistent, satisfying design. The
attempt to solve the different requirements would make use of certain design
elements by arranging the properties of these elements into a consistent whole
(Augustin, 2009). According to a report by Regents of the University of California
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(2006) design of interior spaces must enhance the function and quality of life and
increasing productivity.
Callari (2015) defined Elements of design as true building blocks. She
believes they never change but they help to accomplish the meaning and quality in
the room. According to her research these blocks are; line, Form, shape, space, Light,
Colour, pattern, and texture.
The following section reviewing briefly the earlier studies in the scope of
three elements of design; Colour, Lighting and Form, as the main concern of this
study.
2.2.1.1 Colour
Colour is applied in design of interior spaces, because of various reasons
since it is a multipurpose and effective design factor that works like a device of
interaction among individuals and the designed environment (Holtzschue, 2012).
Reported by Smith (2003) Colour performs a crucial part to the factors of
environmental design such as concept, atmosphere, perform, built shape, location,
and orientation. Therefore, the correct application of Colour can enhance users’
capability to communicate with their atmosphere effectively. In addition, Colour as
a design device is appropriate for introducing the aesthetical, representational or
cultural implications of the surroundings by the proper utilization of Colour mixture.
Based on an earlier study by Mahnke (1996) there are different requirements, and
design objectives for environment that require unique ambiences, provide for varied
functions. In addition, Colour can have powerful impacts on people’s feelings,
thoughts and choices. Thus, it has influence on individual’s views and very
subjective opinions regarding their physical surroundings. For example, it is revealed
that while red symbolizes energy and passion, blue symbolizes pleasure and
peacefulness.
English and stone (2002) believe that task type, poster presence, and
workspace colours have effects on mood, pleasure, and efficiency. Satisfaction and
efficiency are not affected by workplace Colour, although efficiency is reduced or
increased for the high or low quality of Colour contents over time. Posters make the
office enjoyable, and also improve recognized process requirement. Perceived
process requirement is also related to office colours. Perceived process requirement
may average the effects of posters and office colours on feelings and other views.
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Other data supports the idea that cool colours are soothing and warm colours are
exciting.
According to Guest and Van Laar (2000) structure of colours and the
application of their different shades influences spaces and their function. This data
confirmed the uniqueness of basic colours terms as compared with the non-basic
terms. Colour will make spaces more attractive, pleasant and efficient, when that
linked to the preferences of occupants of the spaces.
Gibson (2011) indicated most of the individuals can remember particular
things from areas with organized components, in a certain design. Identifying these
items can help designers to create spaces linked with the psychological and structural
functions. Colours cause different behaviours from one space to another because of
variety in their spectrum (Table 2-1).
Table 2-1: Colours and their Psychological Effects (Adopted from Johnson, 2005)
Black Colours of strength and power. It takes in light and dims an area usually
making the area less suitable to users.
White Mirrored light and makes an area lighter and usually more enjoyable to
be in.
Red Colour of love and romantic endeavours, Tends to cause a quicker pulse
rate and breathing.
Blue Is the Colour of the imagination and is primarily comforting; it
influences people psychologically, Even so, it can be recognized as cool,
unemotional and undesirable.
Green Green has the positive influences on our mental, emotional and physical
conditions. It’s also the Colour of Balance, refreshment, rest and peace.
Yellow A happy Colours, yet it is more common for people to reduce their self-
control in yellow-coloured areas and children usually cry more. Yellow
tends to improve metabolic rate.
Purple Colours of royals, violet implies luxury, prosperity, and complexity. It is
also elegant and loving. However, because it is unusual in nature, violet
can appear synthetic.
Brown Colour of qualities, Represents durability and reliability. It is a strong,
trusted colour and most people discover as lightly supportive.
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The study indicates that designer must be aware of the tendencies of space
users, then they can design for betterment of all interior spaces.
According to Eiseman (2006), there is no one in the business enterprise who
questions the impact of colours. Those involved in marketing, interior design,
advertising, and retail needs to be as advised as possible about the application of
colours as an important and impressive factor which helps to create proper
functional environment with appropriate Colour choices. This information describes
the emotional reaction to Colour and includes the latest guidelines for effective
Colour mixtures such as the incorporation of colours styles. With up-to-date
graphics and printing therapies to eliminate anxiety, this information encourages
and provides its users to create smart advised choices.
Birren (1984) provided a kaleidoscopic view of Colour information that has
been a source of interest. He considers that Colour and individual reaction offer
fascinating actual and theoretical findings on the impacts of Colours in life,
reinforced by traditional sources and the latest medical data. Birren examines the
medical, visible, emotional and intuitive reactions to Colour mentioning both to
ancient representational uses of Colour as well as its application in the modern
atmosphere. His requirements for colours in homes, workplaces, hospitals, and
educational institutions are designed toward reducing device stress and tensions.
Complete with sketches, Colour pictures, and personal significance of Colour
choices, colours and human response will, according to the specialist, captivate
anyone concerned with a person’s environment, such as psychologist and scientist.
In fact this work has become a basic reference for designers, instructors, interior and
commercial designers.
Reed (2010) offered concept in terms of design concepts such as variety,
unity, emphasis, proportion, rhythm and balance. He introduced few ideas with
respect to people understanding Colour, and helping the young interior designers
focus on the client experience of a space. The research has shown the Colour must
be planned in the process of design and relevant parameters like textures and light,
should be considered.
According to Meerwein et al. (2007) colours are a feature of both the natural
and the man-made environment. They express information of all kinds and perform
a wide range of functions, telling, planning, and caution. But they also serve a visual
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purpose, impacting the declaration, effect, and approval of things and areas. While
people’s responses to Colour differ widely, in design questions it is still possible to
set up generally legitimate Colour ideas to coordinate the objectives of the various
categories of users. This research is a guide based on a variety of medical results
and may be discussed as a a reliable referrals by the structure student and the
professional as well. (e.g. RGB -Red Green Blue- is very common, being used in
virtually every computer system as well as television, video etc. and HSL (Hue
Saturation and Lightness) represents a wealth of similar Colour spaces. Alternative
names include HSI (Hue Saturation Intensity), HSV (Hue Saturation value), HIS
(Hue Intensity Saturation), etc.
Despite the years of research on the Colour, we are often not aware that
stress, tension, visible problems, and a variety of other problems may actually be
due to a badly designed atmosphere. According to this analysis Colour is now
dealing with a rebirth in design. Used properly, Colour and Lighting can enhance
efficiency at the workplace, increase the protection of commercial facilities;
enhance greater attention covers in students; create more delectable food-service
establishments; and enhance the mood of medical centre sufferers. Developers,
designers, directors, planners—anyone enthusiastic about developing valuable,
glare-free surroundings—will find all the information, they need to advertise
physical, visual, and emotional well-being with Colour and Lighting (Mahnke,
1996).
As indicated by Vischer (1989) to enhance the quality of work, the physical
surroundings and the customers who take it up must be regarded together as a whole.
Colour is regarded as one of the ecological factors of organization area that may
impact the efficiency.
One of the research relevant to this issue has been performed by Ainsworth,
Simpson and Cassell (2002) about the consequences of red, white and green
coloured workplace on participants’ feelings and efficiency. The given process was
to type terms and the work efficiency was calculated by writing mistakes and the
rate of mistakes to terms entered. They discovered no important efficiency
distinction between the categories and recommended that this was because of the
short-term period of study.
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The other research was designed by Kwallek and Lewis (2003) to evaluate
the consequences of red, green and white-coloured workplace setting on workers’
efficiency and feelings. Users conducted an editing test in three configurations. The
results indicated that participants in the white-coloured workplace made
considerably more mistakes than the participants in the red workplace.
Küller, Mikellides and Janssens (2009) had analyzed the connection among
Colour, enjoyment and efficiency. They found that red shade and styles in the
internal space put the mind in a more thrilled state and introverted individuals, who
are also has damaging feelings became more suffering from the environmental
stimulation than others became, which triggered serious changes in their efficiency.
This research is designed to comprehend whether there are variations between
achromatic and chromatic colours of an office with regards to process efficiency and
also self-report of the process.
With colours individuals can set a feeling, entice interest, or create a
particular message or meaning. They can use colour to motivate, or just relax during
working hours. Since researchers couldn’t introduce guidelines and formula for the
use of Colour, others developed them. As Sloane (2002) indicates into the twentieth
century, many seekers appeared to believe that the arts, especially the visual arts,
could not be considered genuinely respectable unless law could be found that
explained them and defined their purposes. If Colour harmony and other forms of
beauty could be shown to have a rational basis, the arts would be revealed as more
than just aesthetic.
Lehrer (2011) in University of British Columbia analyzed on effects of
Colour application as a background screen. His research revealed how certain
background Colours affected efficiency in several psychological projects. According
to his study, test-takers in the red environments were much better at skills that
required accuracy and attention to detail, such as catching spelling mistakes or
keeping random numbers in short-term memory. Though people in the blue group
performed worse on short-term memory tasks, they did far better on tasks requiring
some imagination.
2.2.1.2 Lighting
The earlier research on the consequences of Lighting mainly targeted on
functional aspects like exposure and visible convenience. During the 1960’s and
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1970’s Lighting designers and scientists began to think that Lighting also affected
people’s subjective opinions of the environment around them. Consequently, besides
providing the appropriate classifieds of Lighting for visible efficiency, it became
important for designers considering substitute alternatives, which may provide
different ideas for very subjective reactions of occupants (Murdoch and Caughey,
2004).
In spite of the fact that offices are mainly work-focused, other results of
Lighting on long-time occupant's satisfaction and prosperity should be regarded in
the design approach. There is a body of literary works that focuse on the very
subjective reactions to Lighting. Flynn (1977) carried out an early study about the
consequences of Lighting circumstances on very subjective opinions. Four features
of Lighting have been found to be important in the design process, which are
overhead/peripheral, bright/dim, uniform/nonuniform, and creatively warm/visually
awesome. Modifications in strength, submission and shade i.e. overall tone of the
Lighting impacts on very subjective opinions about the surroundings such as space,
pleasure, visible quality and comfort.
Juslén et al. (2007) examined a controllable task Lighting system which can
improve efficiency under real working circumstances. They experimented for a
period of 16 months in a luminaire manufacturer in Finland in which such a task-
Lighting system was set up above 10 individual work stations. The illuminances
chosen by the customers and efficiency were documented. The improvement of
efficiency for the analyse team was +4.5% in comparison to a referrals team, and
mathematically important. The procedure for this improvement can be enhanced
visual comfort, biological impacts of light, or emotional results.
According to Izsó et al. (2009), humans may prefer dynamic over fixed
Lighting because they are biologically accustomed to responding to natural Lighting,
which is inherently dynamic. Accuracy and speed of task performance were not
significantly different between the “down” (decreasing luminance) or “up”
(increasing luminance) dynamic Lighting conditions, though speed was more
variable during the “up” than the “down” condition. Time and luminance were the
most important factors in determining speed and accuracy, indicating that biological
factors associated with time (e.g., habituation, fatigue) may result in worse
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performance over time. However, the “up” dynamic Lighting condition may offset
the effects.
As indicated by Oberascher (2002) Architecture is not features that can be
easily acknowledged. The perception of Colour and Lighting appear from the
continuous process of adjusting and are the result of a complicated mixture of
various features. Colour and Lighting are identified in the perspective of space, time
and movement; content, area and Form as well as attributes and actions of the
viewer.
Clements (2009) demonstrated that the variety of Lighting in one’s office
would make a very significant contribution to the overall satisfaction that a building
occupier and customer will experience. Visual comfort in a room will rely on the
Lighting of areas such as light sources inside the area of view. If areas are too shiny
or the contrast amongst lit areas is too high, it would cause glare. His research
revealed that personal control over an individual’s work table has a positive impact
on their convenience and inspiration. Individual control can be over shutters, the
illuminance level on the table and the air conditioning of that area.
Quality of Lighting concerns determination on the sufficient Lighting for an
effective visual performance of the workplace process (Table 2-2). Understanding
about visual projects, their importance in the function of the workplace and the age
of the users are essential for the requirements of the Lighting design (IESNA, 1993).
Table 2-2: Expected illuminance quantity for visual tasks (Adopted from IESNA,
1993)
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According to Philips annual report (2008) the computer screen has a great
role in case of light reflection. The computer screen additionally works like a mirror.
Reflectance Form the materials, bright surfaces, and any Lighting resource, all lead
to glare. Glare would result eye discomfort and force the individuals to an
uncomfortable situation, hence occupants attempt to stay away from having the
glare. These positions lead to discomfort and problems in the upper body that would
also worsen eye strain. It is more effective to handle the glare by appropriate
Lighting pattern and location of the monitor, utilization of an anti-glare monitor.
Many screens at present are accessible and well-equipped with lower reflective
monitors.
According to NTSP (2009) report, visual comfort is an important factor in
any workplace, and generally need proper Lighting to avoid eyestrain, enhancing
convenience, and improve Productivity. Appropriate Lighting design is important
for a secure and effective workplace. It is significant that the ambient Lighting gives
efficient illumination for employees in the work area. The optimal Lighting level
will depend on the task. Too much light can be as fatiguing as not enough.
Manav (2007) performed an empirical research on the impacts of Colour
temperature and amount of Lighting in the office environment. It was found in this
research that advanced Lighting level (2000 lux) was preferred to low stage
illuminance (500 lux) for the impact of convenience, spaciousness, saturation, and
brightness level. Moreover, 4000K Colour temperature was recommended rather
than 2700K for the impact of convenience and spaciousness, yet 2700K was
recommended for leisure and relaxation. Akashi and Boyce (2006) performed an
study in a modern office to analyze employee’s reaction to decreasing the normal
illuminance level and brightness conception related with Colour temperature. As
research indicated office personnel were generally pleased with the reduced level of
Lighting for work environment, after an initial variation period and they improved
the use of process Lighting at their process. Moreover, implementing 6500K light
improved the conception of Lighting, with the lower level of ambient Lighting.
Moreover, to the analysis relevant with the very subjective opinions of
participants in the offices, there are analysis particularly targeted on the impact of
Lighting on efficiency in the workplaces. Manav and Küçükdoğu (2006) performed
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a study motivated by the report that efficiency and performance at workplaces can
increase as long as conditions are convenient.
2.2.1.3 Form and Furniture
Prina (2009) in his study discussed about the main art elements from
concept, programs, and patterns to architectural components such as arches, domes,
and columns, to decorative items and construction supplies. Any wonderful Colour
images and in almost each page, identified with specific titles that targeted
significant features of every single image. Moreover he tried to present an
understandable and useful identical grammar of the almost endless range regarded
ccomponents of Architecture that utilized in buildings around the world from
Western Europe and Greece to the Americas, the Middle East, China, Japan, India,
and Africa.
Matthews et al. (2010) had some study about the influence of personality on
form in residential buildings. Their study revealed that there is a strong relationships
between personality type (MBTI) and three-dimensional form in design choices
made for the creation of personal home environments.
Ergonomic is an important concept which should be considered during the
process of furniture designing. Adams (2008) had focused on improving user's
productivity through developing more suitable and convenient objects in work
setting. Furthermore the ergonomics influences user's individual relaxation, so
would count it as a purpose of environmental impact on work Productivity. Based
on his study performing in a work room lighted by fluorescent lamps could influence
their hormonal development, particularly for females workers. Accordingly,
optometrist might recommend to wear eyeglasses to eliminate or minimize the
negative influences of any light source. As Adams indicated, in workplace every
parameter which dealing with user's comfortableness, should be considered as an
ergonomic factor.
In a survey study Dazkir and Read (2011) assessed the psychological
reactions to simulative and managed spaces, presenting curvilinear outlines in
comparison to a space furnished with objects being surrounded with rectangular
lines. Attendees of this study were scholars educating in art and design courses.
Nevertheless the attendees estimated these simulative environments as dull and
boring, but they determined curvilinear types much more attractive and satisfying
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rather than rectangular types. Entirely positive and calm feelings like happiness,
relaxing, comfortableness, quiet, and peaceful were existing in the environment,
while using the curvilinear configurations over the rectangular ones. The
uncomfortable and negative psychological expresses like feeling pressured,
frustrated, and madness was connected with the rectangular configurations in their
study.
About the importance of furniture, Grey (2006) illustrated that decorating
any places with furniture is a job greater than placement the chairs, rugs or tables.
It's an approach to create the quality with innovative mixture of creativity and
replacement in case of furnishing objects, with looking at the people’s feelings. A
traditional part of furniture would be sitting items that provides beauty and attraction
for spaces. In accordance with this study, the workplace furniture would have
significant influence on worker's efficiency. Work areas need to be secure and
convenient, in case of body posture and emotional states, for the individuals to
experience pleasure and Productivity.
2.2.2 Office Design
The present research is investigating the office interior design with respect
to the employees’ personality types. Portillo (1996 and 2002) found personality to
be an important indicator as well as embodiment of creativity in interior design and
related disciplines.
Gosling et al. (2002) gave specific attention to personal living spaces and
how the materials in offices and bedrooms contain clues as to the identity of the
occupant. They found that independent observers had similar impressions of
personal environments and could form, with some accuracy, valid impressions of
the occupant's identity.
In the field of interior design, Peggram (2007) used the MyersBriggs Type
Indicator to predict the success of interior design students. Peggram (2007) found
significance between Judging personality types, senior classification, older ages,
higher ACT scores, and higher high school ranks along with higher cumulative
GPAs. Peggram's (2007) study concluded that the four most common MBTI types
in college senior interior design students were:
Introversion/Sensing/Feeling/Judging (ISFJ),
Extraversion/ Sensing/Thinking/Judging (ESTJ),
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Extraversion/Intuiting/Feeling/Perceiving (ENFP),
Extraversion/Intuiting/Thinking/Judging (ENTJ).
This finding has potentially important implications for interior design education and
curriculum development
As outlined by Wineman (1982) the environmental conditions can be listed
as noise, temperature, air conditioning, ventilation and Lighting. Generally, these
conditions are considered as basic factors which are required to perform a particular
duty, but there are other relative specific elements that have to be taken into
consideration in design of spaces such as Colour, aesthetics and furniture. Colour
and other physical presentation items of space are elements extremely concerned
with aesthetic aspects of spaces. The issue of additional resources that may enhance
motivation and ability of work in spaces would be furniture, plants, presentation
items and audio systems, which are usually not included into charges. While
arguably these parts of design is dealing with performing progress and concentration
potential.
ASID (1999) had some study about design of physical environment of
workplaces and exposed that this issue is important because it is dealing with
comfort, happiness, efficiency and Productivity of workers. This research outcomes
revealed that 31 percent of individuals in study feeling great about their tasks and
are satisfied about their physical surroundings. Around 50 percent of individuals
who were looking for new jobs, mentioned that they would like to work in
workplaces with an attractive and appealing environment, which provides feelings
of pleasure and comfort.
According to HSE (2013) important concepts in office interior design are:
human factors, agronomics, environmental Psychology and human Psychology.
They had some study about human factor in offices. They defined human factor as
any aspect involving humans in their work. Human factors is grounded in
Psychology. According to their research, the worker’s physical and emotional
features in a work environment are listed as the following: body properties including
shape and size, physical fitness, position, the senses particularly vision, hearing and
touch, Psychological capabilities, character, awareness, abilities and practical
experiences. All of these factors should be considered as human factors of
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Figure 2-1: Efficiency, Effectiveness and Productivity Diagram (Source; McGee, 2002)
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