Professional Documents
Culture Documents
past and present while giving meaning and purpose to life. I took this photo while riding on a
friend’s land south of Cayley. This old water wheel is a remnant of the first settler homestead
built on this section of land in the early 1900s. The exact history and story behind the wheel are
unknown to my friend. The presence of this wheel is representative of settler colonization, but it
makes me acutely aware of the Indigenous stories that preceded it. Europeans considered history
“as a document-bound discipline” which undermines the richness of the stories that exist in oral
tellings (Dickason & McNab, 2008, p. ii). Written histories are placed external to humanity and
are constantly in danger of undergoing a final death. Records of the water wheel are potentially
locked away in the Cayley archives where it is unlikely that they will ever be brought back to
light. Conversely, Indigenous stories are not limited to the generations before the building of the
water wheel but are retold and recreated with the passing of time. Stories are a part of creation
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and “creation is continuity” (Little Bear, 2000, p. 3). Even through challenges due to
suppression, and horrific abuse, the story takes on a life within the culture it is birthed in. The
Part of bringing a community together around a story involves being in a circle. The
circle is holistic and leaves no one out. When we first entered this class and sat in a circle we
shared where we are from, and where we are going. The circle is situated, much like the story
that is about to be told. I came to understand that the circle is not a grand abstract concept, it is
entirely in the moment and shapes a current understanding of the world. Colonization fractured
the circle of community that was so integral to Indigenous communities and their thriving. The
effect of having “jagged worldviews” leads to “contentious, fragmented, and competing desires
and values” (Little Bear, 2000, p. 8). It is the stories that “carry our memories – real, imagined,
or envisioned” (Poitras Pratt & Daniels, 2014, p. 180). As educators, we are called to listen
deeply to these stories and become witnesses (Poitras Pratt & Daniels, 2014, p. 180). Stories of
missing and murdered Indigenous women, stories of inadequate resources on reserves, stories of
residential schools, stories of Indigenous revival, stories of traditional medicine, and stories of
holistic communities are all equally important. Part of the wholeness of experience and the
cyclical nature of stories encompasses the good and the bad – the parts that we would like to
submerge, and the parts that are exposed to the sun. It is about reclaiming creation and re-
engaging with the renewal ceremonies; “the telling and retelling of creation stories, the singing
The water wheel and the individual who built it are unnamed. I cannot help but believe
that if these names were known, I would feel a deeper connection to the story behind the wheel’s
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existence. The Truth and Reconciliation Commission’s Calls to Action involve the reclaiming of
names changed in residential schools, as well as funding for Indigenous language initiatives
(Truth and Reconciliation Commission, 2015, p. 2). Authentic names are critical when engaging
with stories. The wisdom of Elders is passed on through the remembrance of their names as was
witnessed by our class when we watched the moose story presented by Richard Van Camp
(2020). There is great respect for the past, but by naming important figures in the community, the
story also becomes situated in the present context. Most current Indigenous tribal labels “were
imposed by Europeans and do not represent how the people termed themselves” (Dickason &
McNab, 2008, p. xii). I believe that land acknowledgments are also a chance to engage in oral
storytelling experiences that extend much deeper than reading scripted words. Using the
that gives value to the people reflected in the statement. With the importance of names goes the
importance of language. In Indigenous cultures knowledge is primarily passed down “from the
importance” (Little Bear, 2000, p. 6). The story translates differently across mediums, and across
languages. Concepts are defined by the language that they are birthed in. For example, many
Indigenous languages are “verb-rich languages that are process or action-oriented […] and
everything is more or less animate” (Little Bear, 2000, p. 3). One author struggles to explain the
cultural values of tunnganarniq through the English language and likens it to “trying to climb
over a big boulder” (Anoee, 2015, p. 90). I have learned that the preservation of Indigenous
In my future classroom, I envision having the power to weave stories in and out of the
science curriculum. I might not share a cultural consciousness with Indigenous peoples, but there
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are Elders that I can connect with and videos that I can tap into as resources. Weaving stories
into the curriculum is an intentional way “of welcoming and validating students” (Anoee, 2015,
p. 90). Through stories, “customs and values are taught and shared” anew (Little Bear, 2000, p.
6). In my classroom I envision those values to reflect “intercultural understanding, empathy, and
mutual respect” (Truth and Reconciliation Commission, 2015, p. 7). Stories provide examples of
embodied knowledge and characters like Kwezens and Nanabush model how to live life through
understanding of the importance of storytelling to pedagogy when she writes “story-telling is the
most important way of sharing the experience of Indigenous peoples” as it allows “sharing
Indigenous stories have been subject to the storms of the past, but stories cannot be easily
erased from the Indigenous consciousness. Residential schools were systematically designed to
strip Indigenous children of their “language, oral narrative, and storytelling […] and the essence
of an effective means of education,” but Indigenous stories are invested in the land, the people,
and the water itself (Poitras Pratt et al., 2018, p. 8). That sense of interconnectedness is the
foundation of the Indigenous circle of storytelling, and it is eternal. The flow of the waterway is
the very flow of life itself. If we consider the wheel as the story, we see the timelessness of the
circle. The story wheel pauses it for a minute, captures a moment situated in change, and then the
References
Anoee, N. (2015). Learning through tunnganarniq. In F. Walton & D. O’Leary (Eds)., Sivumut,
Towards the future together: Inuit women educational leaders in Nunavut and Nunavik
com.ezproxy.lib.ucalgary.ca/lib/ucalgary-ebooks/reader.action?docID=5652479
&ppg=176
Founding Peoples from Earliest Times (pp. x-xvii). Oxford University Press.
ca.ezproxy.lib.ucalgary.ca/ID/404356
Poitras Pratt, Y., Louie, D.W., Hanson, A.J., & Ottmann, J. (2018). Indigenous education and
doi: 10.1093/acrefore/9780190264093.013.240
Poitras Pratt, Y. & Daniels, L. (2014). Métis Remembrances of Education: Bridging History with
.ca/index.php/des/article/view/22170
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http://trc.ca/assets/pdf/Calls_to_Action_English2.pdf
Van Camp, R. (2020, October 27). Contemporary Indigenous Storytelling by Fort Smith, NWT,
https://www.youtube.com/watch?v=5Kp9T_34VmI&t=36s