1. Authors sometimes tell their stories in a non-linear fashion
(flashbacks). How and for what reasons does Margaret Atwood tell her story in a non-linear fashion.
2. Discuss the idea that literature can be used as a form of protest?
3. What techniques does Atwood use to convey the “thoughts” of her
characters, narrators or speakers and to what effect?
4. “Great literature is simply language charged with meaning to the
upmost possible degree.” Discuss some of the features that make the work you have studied great literature.
The Handmaid’s Tale, a dystopian novel by Margaret Atwood, published in
1985, is about the domination of women by men at a government that has been broken while the society itself is completely changed to the ways a few wanted when the United States of America changed to the Republic of Gilead. The Gilead made women into handmaids which are used just for breeding. Though not all women are handmaids, mostly because not all women are fertile. The entire society has been turned into this religious dystopia, a sharply hierarchical society where clothing as well is used to identify and control people. The entire story is told from Offred’s, the protagonist and narrator of the novel, point of view and experiencing events or very often reflecting on her past. This particularly demonstrates that, Atwood chooses to use flashbacks to tell her story since they offer particularly an insight into Offred’s identity, into the oppression existing in Gilead, into the loss of morality in Gilead and into how is life in Gilead in contrast with the life from the time before in the United States society. It is the ‘Night’ sections that the flashback technique is most obvious and most sustained. The night is a time of freedom for Offred, where she has privacy, a chance to dream, think and revisit her remembered past. ‘We are fascinated but also repelled. I used to dress like this that was freedom. Westernised they used to call it.’ Or ‘Women were not protected then. I remember the rules, the rules that were never spelled out, but every woman knew.’ are an example of how oppressed they are now and how the Gilead society came to be. This is compared to what she was experiencing before with the present. The Japanese tourists she saw one day, reminded to her the freedom she used to have. The second flashback offer what was like when the government was ‘alive’, it shows the unwritten rules that women had to follow before Gilead society existed, where women had to be very careful and mostly implied how women should think and act. As with the issue of clean sidewalks mentioned before these statements by Offred, Atwood raises a dilemma for the readers to consider. Women used to be afraid of rape or abuse/sexual assault. These things do not happen in a strictly controlled regime. This is freedom ‘from’, which, Aunt Lydia, tells the handmaids, should be penetrated. By this flashback it seems that Atwood’s picture of dystopia is not simplistic. Offred tries to hold on/cling into her past and remember memories but however they are fading away simply because Gilead is slowly trying to destroy these memories by suppressing every human right that a person has, and it seems the very first one and most important is freedom. Offred’s flashbacks give the readers an in-depth knowledge about the narrator, other characters and relationships within the novel. In particular, it is sure/certain/obvious that at night, the readers will get another piece of her story to add on their puzzle of Offred’s character, because as she said multiple times: ‘Where should I go?’ where and when is her next stop on her memories? It is her story, it is filled with her own emotions, her experiences and allows the readers to travel into her mind through flashbacks. Offred is an intelligent, kind and perceptive woman even though through her story it seems that she possesses enough faults to make her human and relatable but not too many to make her an unsympathetic character. (On) each night she describes with detail one of these experiences that gives the opportunity for her to tell a story with one or more of her special ones, daughter, husband, friend, mother etc that confirms/proves the above. For example, a good memory of her with Moira was when: ‘Moira, sitting on the edge of my bed…a cigarette between her stubby, yellow-ended fingers. Let’s get a beer…I had a paper due to the next day. Psychology, English, economics, we studied things like that… you don’t need to paint your face, it’s only me, I just did one on date rape... you are so trendy...hahaha get your coat.’ From many flashbacks like this one, it is certain that Moira is Offred’s best friend since college, so they have built a very strong, long-term friendship even though Moira is the leader, a role model for Offred throughout her whole life. Outwardly she is much more of a woman admired for her courage, more rebellious than Offred, she is very outgoing, (domineering/bossy), always stood up for her rights and is a symbol of resistance. Moira’s confidence is something Offred really admires, it is in this was that Moira is like Offred’s mentor. When they are together in the Red Centre, Moira simply is trying to escape so Offred with or without Moira manages to survive and pull through, everything that is thrown at her throughout her life.