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  • Berkeley Symphony Principal Oboe Audition

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    Arthur Marins
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    The document outlines the requirements for the principal oboe audition for the Berkeley Symphony. Candidates will be expected to perform the first movement of Mozart's Oboe Concerto in C major without cadenza as their solo repertoire. They will also need to prepare excerpts from orchestral works by composers such as Bach, Bartok, Brahms, Debussy, Mendelssohn, Ravel, Rimsky-Korsakov, Rossini, and Shostakovich. The specific sections they must prepare from each work are listed.

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    BSO 2022 Principal Oboe Audition Excerpts FINAL

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    The document outlines the requirements for the principal oboe audition for the Berkeley Symphony. Candidates will be expected to perform the first movement of Mozart's Oboe Concerto in C major without cadenza as their solo repertoire. They will also need to prepare excerpts from orchestral works by composers such as Bach, Bartok, Brahms, Debussy, Mendelssohn, Ravel, Rimsky-Korsakov, Rossini, and Shostakovich. The specific sections they must prepare from each work are listed.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    51 views13 pages

    Berkeley Symphony Principal Oboe Audition

    Uploaded by

    Arthur Marins
    The document outlines the requirements for the principal oboe audition for the Berkeley Symphony. Candidates will be expected to perform the first movement of Mozart's Oboe Concerto in C major without cadenza as their solo repertoire. They will also need to prepare excerpts from orchestral works by composers such as Bach, Bartok, Brahms, Debussy, Mendelssohn, Ravel, Rimsky-Korsakov, Rossini, and Shostakovich. The specific sections they must prepare from each work are listed.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 13

    Berkeley Symphony

    Principal Oboe Audition

    Audition Requirements

    I. Solo Repertoire
    Mozart Concerto in C: Movement 1, No cadenza

    II. Orchestral Excerpts

    ● Bach Cantata No. 202 Hochzeit (“Wedding”) No. 7 Aria m. 1-60

    ● Bartok Concerto for Orchestra


    Movement 2: Allegretto scherzando

    ● Brahms Violin Concerto


    Movement 2: m. 3 - 32

    ● Debussy La Mer
    Movement 2: Reh. 17-Reh. 18
    Movement 2: Reh. 25 to four measures after Reh. 27
    Movement 3: Rehearsal 54 to nine measures after Reh. 55

    ● Mendelssohn Symphony No. 3 (”Scottish”)


    Movement 2: Rehearsal A to rehearsal B
    Movement 2: m.83-99

    ● Ravel Le Tombeau de Couperin


    Movement 1: m.1-14

    ● Rimsky-Korsakov Scheherazade
    Movement 2: Rehearsal A to rehearsal D

    ● Rossini La Scala di Seta


    m.6-21 (slow solo)
    m.37-53 (fast solo)

    • Shostakovich Symphony No. 5


    Movement 3: Rehearsal no. 84 to rehearsal no. 85
    Bach: Cantata No. 202 Hochzeit (“Wedding”) No. 7 m. 1-60
    Bartok: Concerto for Orchestra Movement 2: Allegretto scherzando

    2nd Movement continued...


    2nd Movement continued...
    Brahms: Violin Concerto Movement 2: m. 3 - 32
    Debussy: La Mer Movement 2: Reh. 17-Reh. 18
    Movement 2: Reh. 25 to four measures after Reh. 27
    Movement 3: Rehearsal 54 to nine measures after Reh. 55
    Mendelssohn: Symphony No. 3 (”Scottish”)
    Movement 2: Rehearsal A to rehearsal B

    Movement 2: m.83-99
    Ravel: Le Tombeau de Couperin Movement 1: m.1-14
    Rimsky-Korsakov: Scheherazade Movement 2: Rehearsal A to rehearsal D
    Rossini : La Scala di Seta m.6-21 (slow solo) and m.37-53 (fast solo)
    Shostakovich : Symphony No. 5 Movement 3: Rehearsal no. 84 to rehearsal no. 85

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