Professional Documents
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What are your favourite movie endings? One Flew Over the Cuckoo’s Nest? Dead Poets Society? Casablanca? On the
basis of the clips I show in class, these seem to have an enduring and largely universal appeal.
Of the more recent films, my favourites would include Dead Man Walking, Brokeback Mountain, Lars and the Real
Girl, and the German Oscar-winning film, The Lives of Others. They all do it for me (and, in television, I’d give a
special mention to the end of the Danish TV Series The Bridge Season 1 – which made me sob).
What’s going on in these great movies (and TV shows) that elevates their endings above the rest?
Over the next ten days, I am going to try to identify the things that tend to happen in the final reel of a truly
Transcendent Story.
Great Endings #4: Hero can do in Act 3 what they couldn’t in Act 1
Great Endings #6: Two key moments that set up your ending
Great Endings #7: Want a massive high? First you’ll need a shattering low
Great Endings #9: Does your screenplay have a Bow and Arrow Moment?