Stille

amare
from "Tolemeo" Georg Friedrich Händel

    
 
 = 66

         
   
           
Voice

                         
              
           
            
  
   




  
  


  
       
Piano

     

5

   
         
    
                              
  
 
  
             
                           
    

          
           
10

           
                        
          
    
Stil le'a ma re già vi sen to Tut te'in se no, la

           

   
             
        
     

  
        
         
14

      
                            
           
mor te'a chia mar; Stil le'a ma re, già vi sen to Tut te'in se no la

            

   
    
    
               
         
 
     
        
    
18

    
       
                             
mor te'a chia mar; tut te'in se no la mor te'a chia mar,

        
  
                    
   

      
           
22

  
        
                       
 
       
già vi sen to tut te'in se no la mor te'a chia mar;

   


                         
          

  
                      
27

          
      
                     
già vi sen to smor za re'il tor men to, già vi sen to tor nar mi'a be ar,

      
        
             
   
  
   
   
       

  
                   
31

      
                         
già, già, già vi sen to tor nar mi'a be ar, già, già, già vi sen to tor

               
                              
         
   

2
     
    
36


              
              
               
nar mi'a be ar.

      

        


            
   

         
               
41

   
       
                             
   
  
Stil le'a ma re, già vi sen to Tut te'in se no la mor te'a chia mar;

          
    
 
   
  
            
         


                
        
45

    
                        
                              
stil le'a ma re, già vi sen to tut te'in se no, la mor te'a chia mar, vi

      
   
 
                     
         

 
           
    
50

 
                             
    
sen to tut te'in se no, la mor te'a

    
      
                 
    
  
   
   