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Read the following selection in which some of the words
you have studied in Units 13-15 appear in boldface type.
Then answer the questions on page 195.
The museum that is described in the following passage features “art too bad
to be ignored.”
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One of New York's many superb
art museums is the Museum of
Modern Art (MOMA). MOMA
showcases art and design of notable
originality and excellence from the
twentieth and twenty-first centuries.
Meanwhile, to the north, in Boston,
lurks a lesser-known yet formidable
institution. This rising star vying for
admission to the small clique of the
world’s leading museums goes, not
by MOMA, but by MOBA. It is the
Museum of Bad Art.
According to its statement of
purpose, the mission of MOBA is to
“pring the worst art to the widest of
audiences” by being dedicated
to “the collection, preservation,
exhibition, and celebration of bad
art in all its glory.” And what, you
might ask, constitutes bad art?
What perverse criteria do MOBA
staffers apply when judging a
submitted work?
For MOBA, museum-quality bad
art must be compelling. It must be
so bad that the viewer can't stop
looking at it, yet somehow congenial
at the same time. In the words of the
administrators, works must have “a
special quality that sets them apart
194 = Review Units 13-15
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from the merely incompetent.” Highly
prized qualities include no artistic
control, courage and enthusiasm,
and an inappropriate frame.
The MOBA permanent collection
(housed in the basement of a
community theater) exemplifies
these standards. Many of the works
have an unrivaled pedigree, having
been rescued from Boston-area
dumpsters. “Lucy in the Field
with Flowers” (a scene of rustic
strangeness), “Peter the Kitty,” and
“Two Trees in Love" are just a few of
MOBA’s worst.
In addition, the museum has
mounted many unusual exhibitions
since its 1993 founding, including
“Awash with Bad Art: The World's
First Drive Thru Art Gallery and Car
Wash.” And recent acquisitions are
described as “the worst yet in the
museum's long, proud tradition of
ever-dropping standards.”
The Museum of Bad Art offers a
refreshing, funny alternative to the
world’s collections of “ordinary”
masterpieces, which are profuse in
number.