Professional Documents
Culture Documents
doi:10.1111/ijst.12004
For several years I have included essays from Rowan Williams’ collection On
Christian Theology in the syllabus for my introduction to systematic theology.
Although they often find Williams’ arguments somewhat difficult to tease out, my
students, most of whom are preparing for ordained ministry, enjoy the challenge. But
that is not why I assign them. I draw students’ attention to how Williams constructs
his proposals, and the kinds of arguments he makes, in order to show them what the
performance of good theological thinking looks like. Appeals to isolated themes
in Williams’ theology have become quite commonplace, but there has been little
sustained attention to his theological methodology. To be sure, Williams himself
hesitates to set forth a methodology; yet his orientation to the theological task
implicitly identifies both the best starting-place for theology and a set of intellectual
habits that provide the best approach to the subject-matter. Closer attention to his
methodology suggests that the key themes in his theology cannot be properly
developed in isolation from a set of intellectual habits that help keep theological
thinking faithful to its subject-matter. In this article, I suggest that what distinguishes
Williams’ theological work is his emphasis on the way we do theology: theology is
* Cranmer Hall, St John’s College, Durham University, Durham DH1 3RJ, UK.
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346 Medi Volpe
always a risky business, and so the theologian should approach the subject-
matter with the right attitude (humility) and make judgements in the right spirit
(provisionally). I will argue that Williams’ theology (both ‘constructive’ and
‘historical’) centres on certain essential habits of thinking. My analysis draws out the
notion of ‘taking time’ as the essence of the practice of theology, then uses ‘making
sense’ to introduce a partial critique of Williams’ method. Although I find Williams’
method fruitful for constructive work in theology, I will argue that it lacks attention
to the condition of possibility of its employment – namely, the process of formation
of the theologian. I have divided the article into three sections: the first two sections
centre on the habits of ‘taking time’ and ‘making sense’; the third sets forth my
critique of Williams and suggests a way forward.
For Williams, theology’s primary task is the construction of narratives of the
development and practice of Christian faith, which communicate to believers
the character of Christian life.1 In this context, theological language serves ‘to make
sense of [the] world; not so much to explain it as to find words that will hold or reflect
what in the environment is sensed to be solid, authoritative and creative of where we
stand’.2 This language, Williams suggests, emerges from a process of careful
discernment and provisional judgements. ‘Taking time’ names the habit required for
the theologian to engage faithfully in the conversation that, for Williams, is the arena
for discovery and reflection. ‘Making sense’ is the fruit of patient conversation: it is
– to gloss over the nuances in Williams’ description – an interpretation that does not
preclude further interpretations.3 Note that Williams is describing the parameters for
fruitful theological conversation: theological work should be pursued in patience and
humility. This seems good advice for intellectual endeavors in general. But I will
show that in Williams’ theological method these habits are inseparable from living
Christian faith.4
Although taking time and making sense are inseparable in Williams’ theological
method, I start with the former, which is logically prior. The concept of taking time
emerges most clearly in his account of self-knowledge. At the centre of Williams’
concept of self-identity is the rejection of the idea that a ‘real’ self exists at some
deeper level of consciousness. Williams does not so much reject the idea that there
is more there, beneath the surface, than we are able to grasp, as he rejects the notion
that practices of excavation can unearth the ‘real’ self. There is more to the self than
we can know, but our inability to know it is not due to lack of skill.5
Williams offers dream interpretation as an analogy: he suggests that if dream
interpretation is ‘presented as the uncovering of a deeper and determinative truth, it
deprives us of possibility . . . by taking us away from the constraint of here and
now’.6 To give the interpretation of dream symbolism is to claim ‘to know
independently of agreement . . . to have a knowledge that is nobody’s in particular’.7
Instead, he invites us to consider successful dream interpretation as a performance of
interpretation that occurs in the context of an ongoing course of treatment involving
particular people. The persistent obscurity that characterizes this and all human
relationships is not a puzzle ‘waiting for fruitful suspicion to uncover the real
script . . . [it is] to do with the inescapability of taking time’.8 Neither autobiography
nor confession will sidestep the taking of time.9
The impossibility of complete self-possession further complicates the quest for
self-knowledge. All selves lack comprehension of the principle of their unity. This is
so, first, because the self is living a history whose conclusion is uncertain.10 Williams
explains that ‘the relating of a history is not the fixing of the self’s definition or the
uncovering of a hidden truth, but part of the process of construction’.11 In spite of
the impossibility of final self-definition, the attempt at narration is thus necessary
for the development of the self. Relating a history provides a sense of self that
influences future action and self-perception.12
Williams offers a second reason for our lack of self-possession: the other is a
constitutive part of the self. In Williams’ theology this other is first and foremost God.
God acts and speaks, and we come into being in response to God. Williams offers
Bonhoeffer’s experience in prison as an example: Bonhoeffer felt turmoil within,
yet he was seen as calm by fellow prisoners. Rather than identifying the ‘exterior’
presented to his companions as somehow false, and the turmoil as representing
Bonhoeffer’s ‘true’ self, Williams suggests that the unity of these two apparently
conflicting experiences does not reside within Bonhoeffer’s self at all: ‘the wholeness
of Bonhoeffer’s selfhood lies in its belonging to God’.13 There is no submerged ‘true
self’, which might be brought to light in its entirety: our wholeness exists only in God.
We are mysterious to ourselves in a manner analogous to that in which God is
mysterious to us, and for the same reason – our finitude.14 We have only glimpses of
ourselves, from which we discern as best we are able who we are; the same is true
in our relations with others. Thus, taking time never produces an explanation or a
solution to the ‘problem’ of the identity of the self: each articulation of self-identity
is an endeavour to make sense of the evidence available. Authentic communication
requires time, because there is no formula for interpretation of a self.15
In reading Williams one finds that it is not so much the case that taking time is
required for making sense. That is true, but the more important fruit of taking time
is the discovery that making sense is not the same as knowing. What happens in the
process of self-narration, to take one example, is that one discovers with increasing
precision what cannot be known. Williams suggests that the goal of reflection is ‘the
learning of patterns of behavior that reinforce the awareness of [our] finite and
provisional status, [our] being in time’.16 The limits on human life and human
understanding form the conditions for our existence. For Williams, literary tragedy
captures the finitude and provisionality that characterize human life.17 It often
presents a view of the world that is ‘deeply theological – and it demands of us a
certain degree of “venture, slowness and strain” ’.18
Although Williams emphasizes the provisional nature of our making sense of the
world, making sense is interpretation, and involves making judgements.19 In order to
grasp the full import of Williams’ statement here, we must bear in mind his account
of interpretation. Success consists not in ‘right’ interpretation but in the reception of
an interpretation by those to whom it is offered. Understood in this way, the
judgement that sense-making implies does not resemble a sentence handed down so
much as a reading of a literary text or work of visual art offered in a community of
common interest in the object at hand.20 Williams’ characterization of the sort
of work involved in constructive theology as ‘taking time’ is important because it
takes into account (often implicitly) the ambiguity of our knowledge and so
emphasizes the necessity of provisionality in judgement.21
We should note that both the question Williams poses regarding the nature
of self-identity and the answer he suggests are framed by prior theological
commitments: the truest self we can identify is the self that acknowledges God as its
source. Moreover, ‘the acknowledgement is inseparable from converted behaviour
. . . the meaning of self-knowledge here is displayed in the performing of acts
intelligible as acts of a finite being responding to an initiative of generosity from
beyond itself’.22 The ‘converted behaviour’ corresponding to the acknowledgment
that one receives selfhood from God also serves as a clue to one’s own character. To
know oneself as existing in and for relation to God is inseparable from acting on that
knowledge.
In what follows, I show how the habit that emerges in self-knowledge is mirrored in
the narration of history.23 For Williams, all human activity, and especially the activity
of making sense of the world by ‘imaginative “reading” and reordering’, is an
ongoing search for and creation of meaning. Making sense involves the construction
19 Rowan Williams, ‘Between Politics and Metaphysics: Reflections in the Wake of Gillian
Rose’, Modern Theology 11 (1995), p. 13.
20 In Williams’ discussions of judgement, there is a sense in which the ambiguity of the
world is like the ambiguity of a text or work of art. See Rowan Williams, Grace and
Necessity: Reflections on Art and Love (Harrisburg, PA: Morehouse, 2005). See also
Williams, ‘The Judgement of the World’, in On Christian Theology, pp. 29–43.
21 This provisionality in interpretation accounts for the ‘dangerous’ character of history in
Williams’ work. See Benjamin Myers, ‘Disruptive History: Rowan Williams on Heresy
and Orthodoxy’, in On Rowan Williams: Critical Essays (Eugene, OR: Wipf and Stock,
1999), pp. 47–67.
22 Williams, ‘Know Thyself: What Kind of an Injunction?’, p. 219. For discussion of
‘intelligible action’, see Williams, ‘Between Politics and Metaphysics’, p. 6.
23 Williams observes the similarity in approach to self and tradition, for example, in
Rowan Williams, Why Study the Past?: The Quest for the Historical Church (Grand
Rapids: Eerdmans, 2005), p. 24: ‘Just as, in a good analysis of individual self, we emerge
with a heightened awareness of the strangeness within, so with history.’
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24 See Lewis Ayres, Nicaea and its Legacy: An Approach to Fourth-Century Trinitarian
Theology (Oxford: Oxford University Press, 2004), pp. 384–429. John Milbank also
implies this necessity in the final chapter of Theology and Social Theory: Beyond Secular
Reason (Oxford: Blackwell, 1990), pp. 380–434. It is worth noting that both Ayres and
Milbank were taught by Williams.
25 Williams, ‘The Nature of a Sacrament’, in On Christian Theology, p. 198.
26 I owe the phrase ‘form of attention’ here to Lewis Ayres, ‘On the Practice and Teaching
of Christian Doctrine’, Gregorianum 80 (1999), p. 78. It should be noted that the
distinction between ‘attention’ and ‘activity’ is not clear: taking time is at once a form of
attention and an activity.
27 Williams’ description of reading Gillian Rose illustrates the kind of attention making
sense requires. Rose writes ‘in such a way that you have to work with her and almost
“perform” with her when you’re reading: you have to sense with her the pressures
that shift her writing this way and that’ (Breyfogle ‘Time and Transformation’ p. 296).
Anyone who has spent time trying to digest Rose’s work will certainly
appreciate Williams’ description.
28 Williams, ‘Prologue’, in On Christian Theology, p. xiii. For an interesting parallel
to Williams’ understanding of loss as partially constitutive of selfhood, see Frantz Fanon,
Black Skin, White Masks, trans. Charles Lam Markmann (New York: Grove Weidenfeld,
1991), pp. 109–11.
29 Williams, Why Study the Past?, p. 24.
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Rowan Williams on Theological Imagination 351
30 So the answer to the question Williams poses in the title of the essay, ‘Does it make
sense to speak of pre-Nicene orthodoxy?’ is yes, insofar as orthodoxy can be defined as
commitment to the story of Jesus. But the story must include Jesus in cosmic perspective
as well as being in communion with bishops of apostolic succession who share the basic
story. In fact asking ‘whether there was an identifiable “orthodoxy”, a prevailing sense
of the norms of Christian identity, prior to ad 300’ raises a whole series of questions about
the definition of a religion. Rowan Williams, ‘Does it Make Sense to Speak of pre-Nicene
Orthodoxy?’, in Rowan Williams, ed., The Making of Orthodoxy: Essays in Honor of
Henry Chadwick (Cambridge and New York: Cambridge University Press, 1989), p. 2.
31 Rowan Williams, Arius: Heresy and Tradition, rev. edn (Grand Rapids: Eerdmans, 2001),
p. 234.
32 Williams, Arius, p. 235. For Williams, the ambiguity in theological language is not
complete. It is tied to ‘a set of commitments as to the limits and defining conditions
within which the believing life is lived, and the metaphorical or narrative beginnings of
theological reflection necessarily generate new attempts to characterize those defining
conditions’ (Arius, p. 236.)
33 Williams, Lost Icons, p. 144.
34 Rowan Williams, ‘Introduction’ to John Henry Newman, The Arians of the Fourth
Century (Notre Dame, IN: University of Notre Dame Press, 2001), p. xlii.
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understanding our study of the Christian past as the quest for final answers or certain
foundations for doctrine.40
The obscurity encountered in human relationships mirrors the interpretative
undecidability that obtains in situations in which doctrines are produced.41 Engaging
the history of Christian faith and practice thus involves venturing judgements
based on the available evidence, while knowing with certainty that the evidence is
incomplete. The patterns of attention that shape this engagement guide its outcome.
Yet the act of imagining the narrative continuity of Christianity is itself a function
of the set of principles that generate practices (or habits) of interpretation, which
involves the cultivation of attitudes and perceptions commensurate with those
practices.42 To take a belief or practice as ‘traditional’ involves a judgement and a
narration – and this judgement is also a judgement of faith that such narration is
possible.43 Ideally, each attempt at making sense of a particular doctrine or practice
reinforces the habits of attention best suited to the practice of sense-making.
As the foundational work of theological reflection, making sense requires
provisionality in judgement and an appreciation of the ambiguity inherent in the
materials available for theological reflection and construction. Here, I want to draw
attention to a crucial feature of Williams’ method that is easily overlooked: Christian
theology is to be practiced in the context of what he describes as eucharistic living.44
Making sense takes place in two interdependent moments in his theological thinking,
each of which has the Eucharist as its point of reference. First, theological
interpretation is displayed in an act of narration. Telling a story about the world and
one’s place in it that begins and ends with Christ as creator and redeemer and the one
whose body Christians become as the Spirit binds us together in the mystery of
the Eucharist. Thus, Williams suggests that the primary sense-making activity is the
Eucharist. Each celebration of the Eucharist narrates again the story of God’s
generosity to God’s people, supremely evidenced in the death and resurrection of
40 Myers makes similar observations, but takes the conversation with tradition in a different
direction. See Christ the Stranger, pp. 43–9.
41 See Williams, ‘The Suspicion of Suspicion’, p. 50. I owe the phrase ‘interpretative
undecidability’ not to Williams, but to John Milbank. For Milbank, the situation of
interpretative undecidability means that doctrines cannot be described as articulating in
propositional form the basic meaning of the narrative. See John Milbank, Theology and
Social Theory (Malden, MA: Blackwell, 1991), p. 383.
42 See Pierre Bourdieu, Practical Reason: On the Theory of Action (Stanford: Stanford
University Press, 1998). Bourdieu names these ‘generative principles of distinct and
distinctive practices’ that at the same time involve ‘classificatory schemes, principles of
vision and division, different tastes’, a habitus (p. 8). The attitudes and perceptions do not
simply generate the practices; rather, the two aspects of habitus develop together and
reinforce one another. Perceptions and attitudes cannot be isolated from practices.
43 See Rowan Williams, ‘Doctrinal Criticism: Some Questions’, in Sarah Coakley and
David Pailin, eds., The Making and Remaking of Christian Doctrine: Essays in Honor of
Maurice Wiles (Oxford: Clarendon Press, 1993), pp. 239–64.
44 See, for example, Williams, ‘The Nature of a Sacrament’, in On Christian Theology,
pp. 200–6.
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Jesus.45 Second, we live accoding to the ‘sense’ Eucharist makes: eucharistic living
is a creative performance in response to God’s ‘ “absolute” creativity’.46 Christian
living and theological imagining meet here: the church and its self-understanding are
in process, and each narration of the church’s history is an aspect of its
construction.47 What is involved in articulating Christian identity is what Williams
terms ‘making sense’: it is both trying to understand and creating meaning in the
process.
Making sense, therefore, does not attempt to decode the world or ourselves.48 It is,
rather, a performance that takes the form of conversation with the world as well as with
the Christian past.49 This performance may be creative, even improvisational, but the
stage is set and the plot has been given. The ‘play’ is unpredictable to a certain extent;
it exists between the players, and there is a considerable amount of latitude in the
performance. The scope of this freedom is not absolute, however: there are limits to
what constitutes an acceptable rendering of the story. Importantly, one develops a
sense for fitting performance as one participates in the Eucharist-shaped life of the
Christian community.50 Learning the habits of taking time and making sense cannot be
removed from their proper context: Christian discipleship, which Williams portrays as
growing into the image of God in Christ. The marks of that growth are the habits of
attention appropriate to making sense of ourselves, others and the world around us.
I suggest that, given my reading of Williams’ theological method, the actual
practice of theology depends on the development of a habitus.51 He suggests that
faithfulness to the mystery of God informs and shapes a theologian’s practice,
implying that the possibility of the production of a faithful and constructive
proposal to some extent depends upon the theologian being herself in a process of
transformation. That is, though Williams does not explicitly deny the possibility
of the theology student understanding the subject-matter without believing any of it,
he nonetheless prescribes habits of imagination that centre on growing appreciation
of and respect for the divine incomprehensibility, habits best cultivated in the
context of particular liturgical practices. Because the rules for the practice of
45 Here again, the repetition is non-identical; see also Talal Asad on the liturgy training
the Christian self in Genealogies of Religion: Discipline and Reasons of Power in
Christianity and Islam (Baltimore: Johns Hopkins University Press, 1993), pp. 153–9.
46 Williams, ‘Trinity and Revelation’, in On Christian Theology, p. 140.
47 See Williams, ‘Know Thyself’, p. 222.
48 Williams, ‘The Suspicion of Suspicion’, p. 39.
49 See, for example, Williams, Why Study the Past?, pp. 4–31.
50 For an account of the way narrative structures the theological imagination, see also
Graham Ward, ‘Narrative and Ethics’, Literature and Theology 20 (2006), pp. 452–3.
51 Here, I am operating with a narrower definition of habitus than Christopher Brittain in
‘Can a Theology Student be an Evil Genius?’ (Scottish Journal of Theology 60 (2007),
pp. 426–40). He applies the term to a broad set of practices that instantiate theological
concepts; I am working with a more strictly sociological concept, the notion of habitus
that Marcel Mauss sets out in ‘Techniques of the Body’, in Techniques, Technology, and
Civilization (New York: Durkheim Press, 2006), and which Pierre Bourdieu and Talal
Asad develop in different directions. Also see note 42 above.
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Rowan Williams on Theological Imagination 355
theology are flexible but indispensable, doing theology implies an ability not only to
recognize those – largely implicit – rules but to know how to apply them: in order
to follow Williams’ own theological method requires participating in a process of
formation. That is, the theological habitus Williams recommends corresponds to the
way of life he describes as eucharistic. How, then, does the theologian learn to live
eucharistically?
Before I can take Williams’ methodology forward, I need to bring into view two
aspects of the problem with his account of the practice of theology. First, as I have
suggested above, although Williams recommends a practice that depends on the
development of specific intellectual habits, he stops short of describing a process of
formation that might cultivate these habits. His reflections on Christian practice for
a lay audience emphasize the mutual interdependence of learning doctrine and
being in a process of spiritual formation. Christian theologians, in order to follow
Williams’ lead most faithfully, ought also to be in a process of formation: one grows
in ‘understanding’ the doctrine of the Trinity, for example, not by studying a
particular formula, but by contemplation of the mystery. Second, even given the
reflection on formation Williams does offer, his account is incomplete without
considerable reflection on soul-obscuring sin, which we might expect to find in the
context of Williams’ account of the self. Yet Williams does not give much space to
discussion of human sinfulness. Being conformed to the image of Christ is a difficult
process because our sinful habits, which obscure, violate or subvert that image, must
be overcome. Sin blocks conversation, since sinful habits run counter to the forms of
attention required for taking time and making sense. Because of the epistemological
and ontological effects of sin, which Williams seems to recognize, his failure to
describe sin in detail or to discuss strategies for forming Christians to resist it is
problematic.
I have argued that Williams’ account of the working of theological imagination,
and of Christian faith and practice more generally, involves a transformation of the
self. Yet Williams does not offer sustained reflection on the transformation involved.
Therefore, I suggest that further attention ought to be directed at the subjectivity of
the theologian. While I leave open the question whether faith is a requirement for
theologians (although Williams’ account seems to imply this), it seems safe to say
that, for Williams, the disciplining of theological imagination to attend properly to
the mystery of God is a process that might more fittingly be pursued as an aspect of
Christian life. In what follows, I argue that the production of a disciplined theological
imagination involves two interrelated aspects of subjectivity: desire and memory.
Accordingly, I first sketch Williams’ account of desire; then I use Talal Asad’s
account of the transformation of subjectivity in the medieval monastic context to
suggest a direction for the development of an account of Christian formation
commensurate with Williams’ account of the practice of theology.
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52 Williams compares this desire to sexual desire in Rowan Williams, ‘The Body’s Grace’,
in Charles Hefling, ed., Our Selves, Our Souls and Bodies: Sexuality and the Household
of God (Boston: Cowley, 1996), pp. 58–68.
53 Rowan Williams, The Wound of Knowledge (London: Darton, Longman and Todd, 1999),
p. 130.
54 See Williams, ‘Living the Questions’, p. 29.
55 Williams, The Wound of Knowledge, p. 52.
56 Williams, The Wound of Knowledge, pp. 64, 128.
57 Williams, The Wound of Knowledge, p. 83; see also p. 46.
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Rowan Williams on Theological Imagination 357
62 That is, for Williams, the intellectual habits of everyday life include all our habits of
thinking, not just high-level cognition. See also Martha Nussbaum, Sex and Social Justice
(New York: Oxford University Press, 1999), pp. 74–5.
63 Bernard would have been familiar with Augustine’s terminology. See John Cavadini,
‘Bernard of Clairvaux’, in Allan Fitzgerald, ed., Augustine through the Ages: An
Encyclopedia (Grand Rapids: Eerdmans, 1999), p. 99.
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Rowan Williams on Theological Imagination 359
This redescription of memories is a long and complex process. In it, (1) the
authoritative preacher and the monk addressed, (2) the monk interacting with
fellow monks, (3) the confessor and the monk in confession, and (4) the
remembering religious self and the secular self remembered, all contribute in
the production of a moral description by which the monk’s desires and feelings
are reconstructed.64
Williams’ own theological method calls for precisely the sort of ‘new moral space’
in which the theologian can exercise the humility that grounds the habits of taking
time and making sense. In his account, Christian tradition and the narrative of
Christ provide ‘moral space’ and ‘discursive practice’ as the context for constructing
those narratives essential to the practice of Christian life. The juxtaposition of
Williams and Asad highlights the importance of deeper and more sustained attention
to sin.
I have suggested that, for Williams, at the heart of the development of Christian
theological imagination is a form of receptivity. Relinquishing the desire to
explain or to control the outcome(s) of conversation involves the theologian in an
engagement with others past and present whose end-result cannot be predicted or
foreseen. And yet this engagement is not directionless: it parallels the process of
transformation of the monk entering the monastery, whose goal is conformity to the
image of Christ. It is clear from Asad’s account, as well as in Williams’, that
the original desire, which initiates the transformation by placing the subject in a new
discursive context, needs strengthening against the tendency to go astray. This
original desire need not be pure: as Augustine suggests, the reason for one’s decision
to go into a church is of very little consequence, because the church is the place
where desire is converted.65 The ‘willing obedience’ that is the primary Christian
virtue in Asad’s estimation is the emulation of the kenotic career of Christ. Such
obedience reflects a purified desire, the fruit of monastic discipline. Seen from this
perspective, the desire that must ground the development of Christian character is the
basic desire to be formed in the image of Christ. Then the desire for God that
develops is a participatory desire: properly-oriented Christian desire unites the
believer to Christ, and so doing involves her in the love of God. In Christ, believers
come to participate in the love and desire of God for God.66
Williams’ account of Christian subjectivity presupposes the reformation that
Asad discusses, but neither attends sufficiently to the obstacles to its development.
Given that Williams sees an attitude of patience and humility as the heart of the
practice of theology, as of the practice of Christian faith, we should be aware that this
attitude does not develop except through conscious effort to resist the temptation to
explain, foreclose or gloss over the difficult bits. In particular, we should not be
misled into thinking that the habits Williams recommends can be cultivated in
isolation from a notion of Christian faithfulness that extends through the whole of
one’s life.67 Patterning one’s life after the example of Christ forms the context for
developing habits of theological thinking. Apart from this context, the practice of
patience and humility might be read merely as analogous to – for example – the style
of engagement Alasdair MacIntyre proposes in Three Rival Versions of Moral
Enquiry, which does not depend upon the kind of Christian commitment at the heart
of Williams’ account of the practice of theology and does not attend to the problem
sin poses in cultivating the virtues.68
I suggest, given the need for formation in Williams’ account of theological
imagination, that there is more at stake in the pursuit of theological integrity than a
set of rules for charitable discourse. For Williams, there are habits essential to the
whole enterprise of doing theology, which suggests that there is more to developing
theological imagination than training within an academic discipline. The close
parallel between the habits of Christian life and the habits of theological integrity
points to the importance of receptivity and the corresponding discipline of desire
for both endeavours. Good theological discernment rests as much on a form of
faithfulness in relating to God and others (past and present) as on the development
of other intellectual skills.69