Prélude

No. 2 in C Minor
from “Das Wohltemperierte Klavier” Book I
BWV 847
Johann Sebastian Bach
(1685 - 1750)


                                                   

                                                  

Piano

  
                                                
4

                                                   
 


                                                  
7

                                             
       

  
                                               
10

         

     


       
                          
13

 
                                                  
 
 
2

                                  
16

         
                                               
 


                      
19

     
   
       
                                 


                            
22

             
     
                                    

 
  
        
25

  
      
        
       

                                            
        
28 Presto

                            
   
   

                                      
                                 
31


                    
 

 

3

    
                       
34
Adagio


    


   
   

 
35 Allegro

          

          
                              



    


 
     
     
38


   


