Franck BEDROSSIAN
VAYEHI EREV VAYEHI BOKER
for ensemble
Commissioned by the Ensemble IntercontemporainInstrumentation
2 Flues (1 ute in C,1 Alto ate)
5 Clarinets (1b Soprano Clarinet, 1 Hass Clarinet, | ContrabassC
rine)
+3 Pescusions
1 Cette
<1 Hap
3 Violins
2 Violas
2Celos
1 Doate-bass
Percussion
Poreussion |: Vibraphone, 1 Bass Drum (got skin), Cotes, 2 suspended ey, | Tar-tam (medium), 1 Thunder sheet, | double-bass bow
Percussion 2: 1 Marimba 5 octaves | Bass drum (goat skin), Ceotales, | Thunder shet, | Tam-um (low), 2 suspended cymbals | doublesass bow
Percussion 3: Tubular tells, Taam (high 2 suspended eymbals|
The sores writen in eal sounds, except forthe exotales sounding two octaves higher the cesta, oe octave higher the double-bas and contrabass
sfarint, sounding one octave lower than notated
All accidentals re valid fran entice mess
Many thnks to Oren Bone fr his sls in HebrewPerformance notes
Winds
aa
FEF woesone spec hind on ede sand
[verbo (F1) Breathe very hei nto the emoachure to make he fndamental one ditappear and ring the pe haemonic regions.
‘Tis tehnique soften combined wih wil
4 Breathing tone
EF Breateneise only, slighty coleredby the ptch of the indicated nut
SS tty ign .
—
EEE recrmsigcey
-A@éed voice: Sing into the insrumet. inorder create an hybrid texture hetween voice and instrumental sou. The ation ofthe
voices sometimes assoiated with maliphonics or crashed tone for a einforeement of low freguencies (Fl, C1.)
CCrshod tone (CL complex sur abtanad wth the fingering ofthe writen tone, being care oF binging out the
wperarmoni rexion without making the fandancetl sound diseppear. The overall texture mus! always remain
and complex, comparable tothe one ofan eleconie sound. Tho upprsta indicatas the harmonic region hat shouldbe
trough othe freon,
Gradua change froma mixed seund voice and insrunert)
to. crushed tne, The averall ext is progrsesivly orshodby the ascumslation of upper armanic
a sins|
Strings
Scagll fst (.E.)
“The spread of the fingers remains the sme ring the esa nord to
sroduce a descending or ascending sucetsion harmonics The result prodwes a repetition of small sistndos
comparable tothe steam of eagle,
Exogesoted oscillation:
‘Vibra of ampli, as wide and fit as possible, ikea fast wha-wha pol effeton an
ects gui
erica tremolo played ina parallel movement tothe string (in oppaste othe normal
‘werol,powpendulr tthe sting). In chis piece, this tachrigueiseombied wit ol gn
inorder produce asieoth aoisecolred hy the glssand ofthe wood on thessting.
Cnised one (only nse). obtained by an exteme pressure ofthe bow on the gs
‘The crossed notehsadindicetoy hat the musician must payin fom ofthe bridge, daring the
stings
‘Crushed one (only noise), obtained by an extreme presare ofthe bow on the stsings bat
sounding diferent ton the previous one. Th al-cflewotehea indicts that ane must
‘ay behind the ride, onthe olored zones. The sun is rit xarcsive ad sgucaky
Halll of double harmonics
Play a major third on the sng. ding constantly wit dhe boven farmoaic and ili
theneahove. This action i often combined withthe glissande and tremolo
Geuto vertical
Damp tho stangs, doing tho te vricaly onthe stnegs at tho same time avoiding the itches,
tobe heard. The results nosy, percussive, andthe noes barely peep ble
Pizz. ap, damping atthe same time, so that one can only perceive the nose ofthe Fingors
scoping the stn.
‘izes, where the glssando tas exactly on the acon! frit tobe clearly audible,
Pine. rapestod as fst a possible, with only on FingerHarp
“The setemretar mst prov himself with ting fork the Benning ofthe pce
Place the low Cand D strings between he branches ofthe tuning for, then lide slowly of
auickly as indicated whilst executing att vontcal tremolo, parallel ote tinge.
Th esl isa vrting los, varying constantly ins ear
Scrape the low sings Very vilenty and proce a metalic noise
General signs
encom til: The notes placed nthe Box must he tad as fast as possible ima random
sre,
al
= Repeat the indicated sound randy, imitating the inegularity of morse code yi
= tt This notated random ryt ca apply to cn sounder technique.
Chromatic laste, played on while and black keysVayehierey rays boker
Paid t aE Re ch Sion
— Franck BEDROSSIAN
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