OLIVIA: Cross-gartered! MALVOLIO: Go to thou art made, if thou desirest to be so, 35 OLIVIA ‘Am | made? MALVOLIO: if not, let me see thee a servant stil ouivia: Wy, this is very midsummer madness. Enter Servant Extract 2 Guiding question: How far do both Olivia and Viola use manipulation in this extract in order to serve their own individual purposes? Livia ’s pyypoy wy. +? Vids I on Act Three, Scene One lene a1 fant wit Core) [on a cekascinened ~s Olivia Stay’ SDlivia 6 dererare For Vel /lerario's ['plithiee tel me what thou think’st of me. lone Viola: That you do think you are not what you are. Olivia: If | think so, | think the same of you. Viola: Then you think right: | am not what | am.—> Viol. Fre 40 wows Olivia: | would you were as | would have you be. Livia’s KR E Viola: © Would tbe better madam, thaniam? \_ -Y'* Ae a ae a I wish it might, for now | am your foo! ond Att wreaks hae [Aside] O what a deal of scorn looks beautiful \ “%»,, e “e h In the contempt and anger of his lip! 10 i ee ee $ amar S& ‘Than love that would seem hid. Love's night is noon. SHE ‘Cesario, by the roses of the spring, , a thee so that, maugre all they pride, : ve wit nor reason can my passion hide. Oia "to, 9 not extort thy reasons from this clause, * ® ‘or that | woo, thou therefore hast no cause; ont - rather reason thus with reason fetter: gen eri goo ak ines eter 20 ‘have one heart, one bosom, and one truth, >“ And that no woman has; nor never none oat Mang Shall mistross bo oft, save I alone. ~Yy Se gi And 80, adieu, good madam; never more ise : ‘ ‘Will| my master’s tears to you deplore. i de SMet yg Re Me tivia: '~* Yet come again: for thou perhaps mayst move ‘That heart which now abhors to lke his love.