V. Major and minor in the same example ‘Tonal material That which was usd prviowly ‘Choose several melodies inthis chapter for harmonic practice ike the metinod on page 203. la 1b 2a 2b20 14 VI. Major third with neighboring tones Rising and falling leadingtone ‘Don't forget to choose several melodies for harmon practice like the method! on pag 203. ‘The major third, the interval from the first tothe third degrees of text both these half steps have a strong leading tendency - to the the major scale, has half steps on either side ofits notes. Qne leads tonic and to the third respectively. The note below the tonic is upwards from below to the tonic of the scale, and one leads usally caled the leading tone of the scale. So we are working now downwards from above from the fourth to the third. In this con- withthe following group of notes: SSS ST ‘The F (subdominant) and the B (leading tone) in this example were harmonized. Sing and play the following harmonizations in each form a melodic digresion from a starting point - E and C various major keys, paying close attention to the leading tones in respectively, to which they retum. The tendency of these “chang- both voice and pian. ing” notes would be more obvious if the above notes in the group