COMPOSER: Paopagi DIFFERENCES BETWEEN SCORE Wb PHILADELPHIA ORCHESTRA AND PARTS mime: 72a) of Rome PUB re canphe LIBRARY STAFF Ne MALLE GV OPM, _nistpumeyt | Renearsar ¢| measure # [pear | ERROR Acorss 2 as 3 hn: add. ateccote a a7 3 hon Ladle ataceate s 8 clan: add accent 5 1-17 yn ITE, I: adel atacearte (7 45° 1a I aumaoe_¢ :taritom ie 3 1 ahoute ty p: ula T 17 ie dln T Lawn: add # rn Gill 20 9 2 claw. I: aca atent ar Ruceinw tip: 204 nétio aw cpr &b7 DIFFERENCES SETWEEN SCORE conposer: ‘7eeapuphé AND PARTS PHILADELPHIA ORCHESTRA LIBRARY STAFF mime: 7Grie) oy Gord ro: _ivstrumenr | enearsan 4| measure ¢ [sear | ERROR Vubn o 3 13,14, 20,21 ada, alasedten to 32*nato 3 Ra add atactate to 3” néto 4 1 odd ataseate to O# ‘4 u 1 add -ataceato £ 4 add _a.3 to Min 7 = Alyn bie Akae z ¢ add caw. z q 1 add atactato % boty alto M4 1 1 whsuld te AY 1s 4 Aumnbiie =— (he gino muas. 4) 1s uu ! add p lo £ L add dat % Jd /3 7 / add pp ao a“ fume SLWw. Kika IL 2 ao co net Corie alin vnle meso. 21 3 13,14 add atterals G nilio 2-b 4 ! 1 ada $f 4 Ws. 2 amie albtehls cy © Sx 4? adda a3 & div. x “4 de ret contivins alun mile yntte 1S Zz = Aumree Rloe 2 é Odd. cunts. “4 4 4 should to J oo a Aims Ahab. Viele, 2 u 1 add. ateccerte 4 Wy 12 ‘ add. attecle 4 29 add “rar.DIFFERENCES SETWEEN SCORE 3 conroser: — 72ayasgh’ AND PARTS rite: (Quy a Kame PuB: PHILADELPHIA ORCHESTRA LIBRARY STAFF _iystrumenr | Rewearsan #| measure # [pear | ERROR Vilar 2 s aad hin ad 2 Ss Aamave Vise - 7 6 add eeuae. ‘a 3 4 1418 nolo Y tao aw A Me L t appar atedy ohsuld be 3+ F# U7 3 Contr was CY al = ada piu f Orble 4 L L ada p lruw atause 14 43 34 arke : add <=> aan rndo. | 17 4 Lowes atify i Aiminn det 17 18 2 Lown ota: add y 30 G-8 add crue & pero a Peco al ad ada staccates 2l x L ahsubl bo qin f Baow 1 1 Ahould Le p 1 add a 1 ade pop 12 19 Aimee 2 x 1 add gin4 DIFFERENCES BETWEEN SCORE convosen: Year pc AND PARTS murue: 7Zrwo of Lys) PUB: PHILADELPHIA ORCHESTRA LIBRARY STAFF INSTRUMENT. — Bite I REHEARSAL ¢ MEASURE _¢ BEAT ERROR 2 tumovis oun toto rues. #-alyn gods 1 add, atrceaton to Cuypls Qumaie Ano add Cruae qraten haul be Sy ahoute La ff Adate IC Aumsve ersat) add Crise. Pie Ti+ hi a3 whould he low add ataceatrs should be 33% Juma, Vue. add Cee. whould be D,8 ¥ 6%, 14% neteo are Ay Obs TI Odd oLaLeATn fumes Ahdake IN add Rian. tue ahychom ad J add wUaswwate mS eT BE BS fel IR i IS Je lq be fe fey | fo Dimavy omusdger C Rumsey Vsae- SEIN Le bs add Une. a ada accent ~w 18 . 1é add atent a nets io 66DIFFERENCES BETWEEN SCORE PHILADELPHIA ORCHESTRA 5 AND PARTS LIBRARY STAFF conroser: Gapipdi rime: "nwo of Kime rue: __anszrumeyt | pewearsan ¢| Measure # [BEAT | ERROR Erg. fine ao 4s av | edd fous. Chacwmut I 3 | at 1 add staccato 4 g nemrve syn 1 * 7 Ss Pama Aha v @ add ane. 7 20 1 ada ataccoto 13. 1 add “im aogne”™ IS 10 oh le 4 3 edd these. te 7 2 add dum 17 t 4 add det & Ralf rut 17 3 ada Yy 2 s add “in uc” 20 13 34 ada f cov. Clarviut IE £. 1s t add alacrdte £ aT t Dimove sf 7 x Dumsve G conposer: “7ieaaspres’ DIFFERENCES SRTWEEN SCORE AND PARTS aime: /2rto of Kom evs: PHILADELPHIA ORCHESTRA LIBRARY STAFF _tystaumeyr | peweansan ¢| measure ¢ [pear | ERROR _— Baaoorn) E 19 x ! cu shoul te 8, 0,6 Baas I 2 aa Z ada ascateDIFFERENCES SRTWEEN SCORE 1 AND PARTS PHILADELPHIA ORCHESTRA LIBRARY STAFF COMPOSER: Teaprighi- TITLE: ¥2ruq of Some PUB: __iystpomeyr | REHEARSAL #| measure # [BEAT | ERROR Hon I 1 1 z ahould Le ff 1 q add <= ato ff 1 15,1 add —= fam Wat 2 of mite. (5 ‘an s 43 te Bw to 4 2 add crue. be ‘ a4 | amne = Hoan I 3 7 numewy tga 7 4 20 adc creat. & ge change alaccates welgen gz 4 ada gtaxcotes a 10 t add atateate to °™ neste 9 | 20 add 9? Jo 2 add amile a“ & ahoutt Le G da £ 335 te Bw Ma “ te to mea. Md te pumave nlurs lo mias. $ ie a4 Pimrw = 20 3 Ramirve alu ae at odd recon dot & J. aa 1 L phowtd te fff Hown IIE 8 q add ataccectes 3 Jo ' dt ataerate: 8 not cu ade Tniitao u 4 add oumile a 2 1 (poe io a D 12 x 33 te 8%.DIFFERENCES BETWEEN SCORE PHILADELPHIA ORCHESTRA LIBRARY STAFF AND PARTS composer: 7iyaphe = trie: Peiwo of Rome PUB: __iwstrumenr | renearsan ¢| measure ¢ |pear | ERROR How I 12 zs | add p le o 34 pmo —— Marry 6 1 i add staccato “os 4 add ofacents t Jo 1 add atacedts to 3” note 4 11,25 phould be 9 lo 4 whsutd Le 9 iN 3 add tunutes ut 4 add aime 12 2 ! ist nets & D 12 x 43 tie Ba ia odd pp 12 a2 ohousa Le 9! Me & 34 Lane 7 3 phrta Le 9! a2 10 3 add & Humpt I zo 1 6 tur ahoute be J 7 20 2 Laat mst obautd pave _ocent Sesvrmput TE & Pumeves atceats t 4 / pumroe placecte ao 2 change alaceale % accent 3a rumour Laat tiv : aa 3 4 Sant mits 8% & Jump | "2 a1 3 | Aumeve atacecto 3 CAL ft fer while muss. 7 g L add atareate 7 is 1 ac accentDIFFERENCES SRTWEEN SCORE PHILADELPHIA ORCHESTRA AND PARTS LIBRARY STAFF COMPOSER: apps: matue: T2rue of Lipne PUB: INSTRUMENT | REHEARSAL # | MEASURE # | BEAT ERROR Aucmput OT 7 20 f 2 change afccats G aseint 4 1 | 0 phat te J. a g ant nate uw OF Jondow =| ~ 10 20 cue i _fov_tmb Ue I {ou 1 1 add. accent is, 3 2 atau on buphtd cu io B 1 = 2 1st not un beat nucle a ket 2 1 23 ahythm ohndd be dP Drombens 2 23 45 | puna oat Is ue 2 It nite vr leat nunols a clot a 3 2 204ml in Ciplt 6 20 to 3 ohautd bo Cb 2 2 2 change audge te acent Acmbers IE uy = 3 note im mua. io A as 2 2 aM nate in Vupht 6 B Taba. is 3 2 2 nate on Fuplit i 8 te 6 Pumave lim Cam pariti. 4 32-35 add ——$—$——= flog anstla. 2 13 1 add, atusedto Gan dao0a. aa 2. - pumsus UVrtayy tusngoto 2 dn. 2 ada f 3 13 I pumsve akaccalo : 1 2 change 1%e Harp _ 7,8 Rory 2 / 1 add 8--4 3 / f shavid La f L 3 3 2 add glidd)DIFFERENCES SETWEEN SCORE PHILADELPHIA ORCHESTRA AND PARTS LIBRARY STAFF COMPOSER: Thegposghi vitte: LQreza) of rw PUB: 70 INS TRUME! REHEARSAL # | MEASURE # | BEAT ERROR, ap 6 2 1 ahauls te LYS 4, [ 4 aae arr in Com alo 1 ) 1 ahaule Le pp Ss 5 @) | WU ne a D4 4 fg) | [pate ¢ 24 fe £ (D__ | 279 mth oy deat io OF Lame H Hi ! pemewe ataccate - Laurn Atif 35 2 add alaceato 4 29 adh Chua. le 1 3 add hem. Cobati 3 0,12 1 add ataceals Lath hank 2 x amave cnet. to 2" hall of mito is 3 4a hd — te “ 1 add —* t rypw 0G Me ‘ 3 add tiv th Lrww stfp Qrgans ft ul 1 20 note a FH a a 3 add dim 4 poco a psco 22 4 ay AE ne T is aheuld dy 14 made. rut 17 x ZL | sows the chor) _is d4 FS ASzal, Wsplet WASIK EE Vine 2/7 r K ok both scores. On the whole, the miniature score is the ue playing C nat. ur face ‘pu f. ‘more accurate. a § on Score Corrections Ist ae eh oe mot 4 Hin 3: (+) stac. to 3rd beat. Hin: (+) stac. to 3rd beat, (Ch (+) accent (> ). Hias 23,4: (+) Stace; Ha 2: also in m. 18, quarter rest. dyn sftp. "Vin lover divs (+) # over til ! (C11: (+) accent to 2nd beat ‘upper div: a.) s/t Cat. Loversk (yp Otatbeet ‘Solo: (+) << => on beats 3 & 4 as in m. 1. era (2) wastes ok 4 ri Ce toll notes. ot beat afi amste pemel [pow my 10 KeSowe Zou 00h Pies Celtins Snow i Beg. ... at beat ym of (+) = Vioun 1 Bee (+) ppt bet S/iste OAL... (0) ace, to Sed Gh notes Dietorabest, 5) Baw p 1 Ale 3/2 jstace. 103 : é Bamorr FF slur into m. 4; slur only 2nd beat. ) stacs, to triplet on Ist beat. 3) sce. to ed nt ny HY stacc. to C#. at +) stacc. to Ist beat. . ? aac, it ere: 22, tS crese Us oem meh Sai vita “Splat Free add fo sc Ks. Do not continue stu into m. 21 4th note 6/r B-flat (reminder). +) stac. to notes +) fft0 ist beat. +) “a3” todiv. ‘not continue slur into m. 15, ~Beats 2.&3/r 16th notes. -(4) tact a bet; 2nd beater 32nd noes. (4) stace. to Ist beat. “Sa beat ce shytin sf 3 Sd -+)stac. to 1st beat. smudge from Ist beat. ores. “(+ erese. : 16 ; Upper: ates ia 2d haf of ah beat oft A. KOA pres How ‘Upper stat: div. noes on ist beat s/+ B : 1/01 sn (#) aoazat to It beat 87‘Bvause Hons (cont’d.) +) stace. to Ist beat. ae om S/M5 sumsone( +) stace, to Ist beat; () sf. 8 (-) erese. YB 3 5/10 (4) — 16/7 (3 dim to Dad beat Buss Cusnner ) f from Ist beat. note of 4th beat s/r G nat. (+) =p ath beat. ‘Ist beat cue notes s/s: B, C, C. ie to B’s on 2nd & 3rd beats. '+) cresc. to 2nd beat. Son 3rd & 4th beats. tk 8/10 ...---{ +) stace. to 8th note on Ist beat. 9/20 +) bass clef sign. -) — from 3rd & 4th beats. -) Slur from 3rd beat, ”(+) second dot to each dotted half note. 3/9 (sacs 8/10 up . u/s in 2/2 12/5 -(+) tie to B’s on 2nd & 3rd beats. 2/8 +) 16/6 () from 3rd & sth beats. +) stace. +) stace. to 8th note on Ist beat. 9/17, 25 «Clef s/r bass clef. a (4 stace. to Ist beat, 10/4 Clef s/r bass clef. n/3 +) tenutos. 11/4 IG) simile, 22 Ast note of 1st beat s/r D. 12/5 “+) tie to B's on 2nd & 3rd beats. Lp +p 16/6 Q == fom 3rd & 4th beats. “Bf () quarter seston 3ed beat. ‘Trust 1 7/0 +) accent to last note of 2nd beat. 10/15 semen Sth & 6th beat cue note s/r half note. ‘Truwer 2 Beg. /6 sun (-) stace ie... Stace. #rom Ist beat. TD om -) stacc. trom 2nd beat; (+) accent to 8/32 ) last tie 22/3 rma Last note of ath beat s/r 8° G. ‘Trower 3 (©) stace, from 3rd beat. “<= 5/r for entire bar (+) stacc. to Ist beat.(+) accent to Ist beat. {5 ero Bad dt (+) acento st beat s/r dotted half note, ad note of 2nd beat triplet s/rB. (+) dot to 1st note of 2nd beat. ‘€) wedge from 2nd beat; (+) accent to 3rd note s/t A. 2nd note of 2nd beat triplet s/r B. Tax 15/3 2nd note of 2ad beat triplet s/ B. 16/6 © dim. 2/22 sumsne(+)ft0 2nd beat, 3/33 oC) stace. from Ist beat. 6/7 «sue Change eighth rest to quarter rest Rarcuer(raganella) SAS am FY HARE. TO TTB, Baus (cmpanelli) = t beat. 15 ‘move crese. to 2nd half of bar. 4) +) to Ist & 2nd beats. ipper staff: (+) dotted half rest to ist beat. The American rental agent for Ricordi & Co. is Boosey & Hawkes, Inc., NY. The Ricordi miniature scores are available through Hal Leonard Publish- ing Corp, Milwaukee, WI.both scores. On the whole, the miniature score is the ‘more accurate. Score Corrections stacc. to both staves on 1st beat. th note s/r F# (reminder). Ast beat s/r A nat. (-) == which begins in m.4. +)p to 1st beat. +) dot to half note on Ist beat. (+) pp to 1st beat. ©) eresc. Do not continue slur into m. 21. 4th note s/ B-flat (reminder). +) stacc. to notes +) ff to ist beat. (-)stace. from C on 2nd beat. +) “a3” todiv. Do not continue slur into m. 15. 4th beat note s/r quarter note. note s/r G# (reminder). erese. (+) stace. to 1st beat. Ast note s/r B-flat (reminder), “(+) stace. to Ist beat. (+) crese, (+) “a 3” to divs (-) crese. (+) erese. Upper div. notes in 2nd half of 4th beat s/t A. Upper staff: div. notes on Ist beat s/t B 87 Lower staff: (+) & to 2nd beat. “+) eresc. poco @ poco. per die Co) cs to all notes. Ast beat dyn s/t piu. st beat dyn s/t p; (+) == ‘t) pp to Ist beat. a '+) piu to 1st beat. (¢) slur into m, 4; slur only 2nd beat. +) staccs. to triplet on Ist beat. (-)crese. +) cresc. Ast note s/c E# (reminder). Beats 2 & 3 s/r 16th notes. +) staces. to Ist beat; 2nd beat s/r 32nd notes. (-) cresc. crese. beat s/rD, B. ‘6th and 14th notes s/r A nat. ewe rhythm sf: 3d Fed 2 4) stace, to Ist beat, ‘smudge from Ist beat.Excusm Hors (cont’d.) 5 « (~) crese. 6 +) cresc. 18/1 note of Ist beat s/r G-flat. » ‘Last note s/r B nat. (reminder). (+) feresc. to 3rd & 4th beats. '+) stacc. to Ist beat. jem enr ') eresc. eres. Stace. to Ist beat. +) Sin sogno”. + ++) cresc. to 3rd beat. dim. to 2nd beat. dot to half rest on 4th beat. {/,meter sign. ‘tn eco”. feresc. to 3rd & Ath beats. (+) stace. to 1st beat; (2) sf. ) eresc. +) cresc. ———— +) dim. to 2nd beat. ) f from 1st beat. -2ad note of 4th beat s/t G nat. "1st beat dym s/t piu f. stace. to 1st beat. +) meter 6/r */, +) => to ath’beat. st beat cue notes 6/1: B, C, C. +) stace. to 1st beat. 2nd beat dyn 6/t ff. (+) after f. +)———= from 2nd beat of m. 15. +) tic to B's on 2nd & 3rd beats. act (+) cresc. ‘Staces.s/+ wedges. (+) staces. « stacc. to 8th note on Ist beat. eT 3 second dot to each dotted half note. yn s/t ff +4) staces. -+) stacc. to 8th note on 1st beat. +) tenutos. -+) simile. st note of Ist beat s/r D. (+) tie to B’s on 2nd & 3rd beats. +) stace. +) stacc. to 8th note on 1st beat. Clef s/t bass clef, Clef 5/r bass clef. +) tenutos. +) simile. ‘st note of 1st beat s/t D. “(+) tie to B's on 2nd & 3rd beats. Gp = '5/r bass clef, = from 3rd & 4th beats. s/t bass clef. “(+) quarter rest on 3rd beat. f stacc. to Ist beat. (+) accent to last note of 2nd beat. Sth & 6th beat cue note s/r half note. stace. stacc. from Ist beat. ‘stacc. from 2nd beat; (+) accent to+) accent to Ist beat. Saas from 2nd beat; (+) accent to Ist beat s/r dotted half note. 2nd note s/t C#. +) accent to Ist od ota ad beat es nt tpl. dot to Ist note of 2nd beat. ind & ed beat rhythm s/t: ad Bad noe Af ad beat triplet s/r B. 2nd note of 2ad beat triplet s/t B. () dim. +) f to 2nd beat. ac, rom eben ‘change eighth rest to quarter rest. Ravcuer (raganella) ans (+) stace. to 1st beat. ) stace. from Ist beat of lower staff. +) stacc. to 2nd beat. crese. (+) dim. to 3rd beat. (+) stace. to both staves on Ist beat. Oe eore “a a eee +) Uipersat (+ (o Sotted tal est to Ist beat Lower staff: tie to 3rd beat. cyanea} eae “+) dim. poco a poco to Se ea ad through beats The American rental agent for Ricordi & Co. is Boosey & Hawkes, Inc., NY. The Ricordi miniature scores are available through Hal Leonard Publish- ing Corp., Milwaukee, WI.