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Alberto

Sáez Menéndez
PROGRESIONES
(tonalidades Mayores)

           
      
QUINTAS

        
 
   
        
   

   
     
CUARTAS

         
      
    
     
     

Nadia Boulanger Cadences

         
Cm - Em - G#m Dm - F#m - Bbm

                     


Mayor triads in the Harmonic Minor scale: V, VI

   
C#m - Fm - Am D#m - Gm - Bm

       
                  

Cm: V VI IV V I Fm: V VI IV V I Cm: VI IV V I Em: VI IV V I
M M m M m M M m M m M m M m M m M m

                    


Cm - Am - F#m - D#m

    
Mayor triads in the (asending) Mayor triads in the

      
    
C#m - Bbm - Gm - Em

   
Melodic Minor scale: IV Natural Minor scale: III


Dm - Bm - G#m - Fm

               

IV I IV I

IV II V I IV II V I III IV V I III IV V I
M m M m M m M m M m M m M m M m
                 
Contrapunto a dos voces D - T Inverisón


   
              

          
Contrapunto a dos voces S - T Inverisón

       
        
         

           

1 Contrapunto a tres voces D - T 2 3

   
            

          
 
1 2


Contrapunto a tres voces S - T

   
      
D

S T

         
            
1 C. cuatro voces D - T 2 1 Contrapunto a cuatro voces S - T


   
     

         
  
   

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