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b B
Editors
Mitchell G. Ash
P A G E ofPVienna,
University R O OAustria
FS
Thomas Sturm
Max Planck Institute for the History of Science,
Germany
Berlin-Brandenburg Academy
of Sciences and Humanities
PAGE PROOFS
Cover design by Tomai Maridou
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What is a Psychological Instrument?
Horst Gundlach
University of Passau, Germany
195
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1
Davis and Dreyfuss (1986) produced a bibliography of sales catalogues for scientific in-
struments in scholarly libraries. One finds there some trade catalogues for psychological in-
struments but can also register how scarce the holdings of these libraries are and how poorly
they esteem this material. Its value as a source for the history of science was shown by Brenni
(1989). Very useful for our topic is the trade catalogue collection in the Internet site launched
by the Berlin Max Planck Institute for the History of Sciences (http://vlp.mpiwg-berlin.mpg.de/
library/tradecatalogues.html).
198 b GUNDLACH
Let us now examine what the term designates. Just what is a psychologi-
cal instrument? The answer seems simple enough: Any scientific instru-
ment used in or resulting from psychological research, demonstrations
and teaching purposes, or in psychological practice. Alternatively, we
could define the domain of the concept psychological instrument as
the set of all scientific instruments used in or resulting from psychologi-
cal research, demonstration and teaching, or practice.
The entirety of all scientific instruments, however, does not form
classes that can be grouped exhaustively according to genus
proximum and differentia specifica. The word “psychological” there-
fore does not designate a special kind of scientific instrument, one that
differs essentially from other kinds of instruments. Instead, it desig-
nates the functional context in which a given instrument is used. Psy-
chological instruments have always been used in a variety of other
scientific endeavors, and this will not change. They are not psychologi-
cal as such beyond all context; they become psychological instruments
only by fulfilling certain functions. A. J. Turner (1993) noted that “from
the beginning, students of the history of scientific instruments have
9. WHAT IS A PSYCHOLOGICAL INSTRUMENT? B 199
Figure 9–2. Balance (a), apothecary weights (b), deceptive weights (c).
Sound Variation
Mechanical pressure and its effects on living beings are not restricted
to tactile stimuli. Evolution created a special organ for detecting air
pressure variations: the ear. It can distinguish various dimensions of
acoustic pressure, such as force or volume and frequency or pitch.
Again, we can start with the question of sensitivity. Psychologists devel-
oped various instruments to vary the volume of sound. These were usu-
ally designed as drop devices—an object, for instance, a steel ball, was
dropped from varying heights.
Even more instruments were designed to vary pitch. The tuning fork
was invented in 1711 by lute player John Shore—for musical purposes,
208 b GUNDLACH
Figure 9–4. Tuning fork (a) and tone variators (b, c).
Color Mixer
Figure 9–6. Chronoscope (a), card changer (b), voice key (c).
Artificial Environments
Again, we should keep in mind that we are dealing with a fuzzy set. Fu-
ture reflection might help reduce the fuzziness.
For a time in Germany it was almost so, that one had already proven
himself capable of ascending a philosophical chair when he had
learned to type methodically on electrical keys and could show statisti-
cally in long experimental series carefully ordered in tables that some-
thing occurs to some people more slowly than it does to others. That
was not a very pleasant page in the history of German philosophy.
(Windelband 1909, p. 92)
ACKNOWLEDGMENTS
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