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  • My President Is Black-Barítono

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    Alvaro Edson Gutierrez Beltran
    23 views2 pages
    This document appears to be musical notation for a baritone vocal part. It contains repeating phrases of musical notation using symbols like quarter notes, half notes, and whole notes. The notation is organized into lines with bar lines separating measures.

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    My President is Black-barítono

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    This document appears to be musical notation for a baritone vocal part. It contains repeating phrases of musical notation using symbols like quarter notes, half notes, and whole notes. The notation is organized into lines with bar lines separating measures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    23 views2 pages

    My President Is Black-Barítono

    Uploaded by

    Alvaro Edson Gutierrez Beltran
    This document appears to be musical notation for a baritone vocal part. It contains repeating phrases of musical notation using symbols like quarter notes, half notes, and whole notes. The notation is organized into lines with bar lines separating measures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    BARÍTONO MY

    PRESIDENT IS BLACK
    TRANSCRITO POR:
    LIC, ALVARO EDSON GUTIERREZ BELTRAN

        
                    
     = 88

    

                     
              
             
    5

      
                                
         
    7

                
                
            
    9

                    
     



     

         
        
    11

                  
                   
    13

                                
         
    15

                  
                   
    17

                                
         
    19

                  
                   
    21
          
                   
    2

                  
    23

                  
                   
    25

                      
        

         
        
    27

                  
                   
    33

       
                             
           
    35

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