Breve

Verei o Bom Jesus

    
         
442 HC Orquestração: Renato Pimenta

     = 80 
P.L.M Paulo Leivas Macalão

 
   
       

Flauta

      
               


Oboé 
         
  
             


Clarinetes

   
  
   


Clarone
      

           
       


  
        
Fagote

 
  
     


 
      
Sax Alto

     
  
   



Sax Tenor

  
               


       

Sax Barítono

            

         


Trompas
 

             
 


Trompete 1

 
  
            


  
         
Trompetes 2, 3

      
 
            
Trombone 1

      
 


Trombones 2, 3

       
   


     
    
       
Tuba

                    


                     
         
      
Bateria

     
               
        
D♭ C

 
    
Base

             
     


  
 
       
Violino 1

       
   
    


 

Violino 2

           
     
     
     


   
Viola

      
        



Violoncelo

             
                
 

 
Contrabaixo

 
         
      
            
2

   
4

Fl.

    
Ob.        
         
 

Cl. 
                         
  

 
          
  
Clr. B.

             
Fgt     
          
A. Sax    

                   
Sax. Tn.  

          
    

   
Bar. Sax
 
      
Tpa       
 

   
Tpt. 1           

                  

         
Tpt. 2, 3

  

           
Tbn. 1

        
Tbn. 2, 3  

    
       
       
Tba.

                           
         
                            
          
Bat.

              
           
Fm Fm A♭ /E♭ Fm/C A♭ /C♭ B♭(♭5) B♭ B♭m

    
Base

            
      

  
Vln. 1

     
         
     
Vln. 2

   
     
     
Vla

        
 
 
Vc. 
              
        
Cb.
  
 7                   
3


Estrofe 1

Fl.

  
Ob.        
               
Cl.   
 
   
  
Clr. B.

       
Fgt    

A. Sax                 

               
Sax. Tn.   
 
       
Bar. Sax
 
 
Tpa                   
       
     
 
Tpt. 1

                 

 


       
Tpt. 2, 3

    



      
Tbn. 1

           
Tbn. 2, 3 
    
         

Tba.

                          
      
                              
      
Bat.

           
            
D♭ /E♭ E♭ A♭ D♭ /E♭ E♭ A♭


Base

      
Vln. 1      

         
  
  
Vln. 2

    
 

      
Vla

      
Vc. 
       
Cb.
      
 11     
         
4

   
Fl.

                 
   


 
   
Ob.

             
  


Cl.       

    



  
 
Clr. B.

       
   


Fgt

  
             


A. Sax

           



Sax. Tn.

     



Bar. Sax 
    
         


Tpa    

 
      


Tpt. 1           
 
                

  
Tpt. 2, 3

      

     
Tbn. 1

      


Tbn. 2, 3 
       


Tba.
  
              
       


                   

        
Bat.

            
          
       
A♭ Fm B♭m E♭ A♭ A♭ A♭ /C

 
     
Base

  
Vln. 1           


              
 

  
  
Vln. 2

               
 

   
Vla

     
    


  



  
Vc.

          

 

Cb.
 
 
 15                     


5

Fl. 

     
Ob.               



            
Cl.          
      
Clr. B.       
     



                     


Fgt 
            
  
A. Sax 
  
               


     
Sax. Tn.

                     
Bar. Sax
  
          
Tpa          

   



Tpt. 1

   

 
                
Tpt. 2, 3

  

              
Tbn. 1

     
Tbn. 2, 3       
  
                     
  
Tba.

                                
      
                              
     
Bat.

              
             
D♭ A♭ /C Fm B♭m E♭ A♭


Base

                 
Vln. 1 
  



                
Vln. 2

     
            
             
Vla

     


Vc.

               
        
Cb.
 
   
        
 


6 Refrão


18

  
Fl.

    
   


  
 
Ob.

        



Cl.

  
   



       
Clr. B.

  



 
Fgt

           
  



A. Sax

                
      
3

 
Sax. Tn.


  
      


Bar. Sax
     
      
          


         
Tpa

   
Tpt. 1  

 
                  
3 

   
 3

Tpt. 2, 3

           


    


 

         
Tbn. 1

      
  
    
3 



Tbn. 2, 3

      

3 

            

Tba.

                                   


      
                             
        
Bat.

   
 

       

     
  
B♭m E♭ A♭ Fm B♭m E♭

  
  
        
Base

 
  

Vln. 1

            
 


      

Vln. 2

 

     


      
    
Vla

   



          
Vc.

  
   


Cb.
  

            
21        
7

  
To Coda
Fl.

     
         
   

Ob.

            
Cl. 
    
     
  
Clr. B.

          
Fgt 
       
         

A. Sax

                 




Sax. Tn.

   


Bar. Sax
    
   
          


      

Tpa

              



Tpt. 1

      
       


    
         
Tpt. 2, 3

    



        
Tbn. 1

          



Tbn. 2, 3  
  


Tba.
     
  
                       
        


                        
       
Bat.

    
           
        
A♭ E♭ A♭ A♭ /C D♭

   
     
Base

              
   

       
Vln. 1

          
         

         
Vln. 2

      
    

        
Vla

          
  

Vc.

        
   
Cb.
 
 24        

   
8 Estrofe 2

Fl.      

            
      
 
      
Ob.

  
Cl.       

    
              
  
     
Clr. B.

 
             


Fgt   

             


   
A. Sax

                                
 
Sax. Tn.

    
           


Bar. Sax
   
  
   
            


Tpa 
     
Tpt. 1 
     
  
              
Tpt. 2, 3

       
        
           
Tbn. 1

       
                


Tbn. 2, 3     
     
     


Tba.
      
  
 
     
       
                      


                             
      
Bat.

           
  
                
A♭ Fm E♭ A♭ D♭ /E♭ A♭ D♭maj7 Cm7 Fm

Base
    
 
          
   
   

   
   
Vln. 1

               

       
Vln. 2


              
        
Vla

               


Vc.

         
  

   
     


Cb.
  
28      
       
9

        
 
Fl.

 
                  
 
Ob.

        
          
   
Cl.

       
          
  

Clr. B.

        
          
Fgt
 

                          

A. Sax

      
Sax. Tn.      
                

        
       
        
Bar. Sax

  
Tpa                             
     
Tpt. 1         

     
        
               
Tpt. 2, 3

          

     
Tbn. 1

                         
Tbn. 2, 3 
        
        

         
Tba.

                                  
        
                       
 
Bat.

                    
     
         
G♭ E♭ /G A♭ B♭m E♭ /C C /E Fm C /E C

Base

     
      
     

Vln. 1


          
     

 
Vln. 2

       
     
  
Vla

            
Vc.  
                    
Cb.
        
     D.S. al Coda
 
31    
10

     
  
Fl.

     
      
  
Ob.

          
Cl. 
     
      

Clr. B.

            
Fgt  
  
A. Sax                           

                    
Sax. Tn.              

               
Bar. Sax
             
    
Tpa                             
     
Tpt. 1               

               
     
                     
Tpt. 2, 3

   
    
        
Tbn. 1

                         
Tbn. 2, 3   

    
                           

Tba.

                              
      
                                
  
Bat.

                 
              
D♭ D♭m6 Cm Fm B♭m E♭ A♭

Base

                 
    
  
      
Vln. 1

      
         

   
Vln. 2

       
      
     

  
    
Vla

             
   
Vc. 
                 
Cb.
              
 34         
         
11



       

Fl.

           
        


Ob.

         
           


Cl.

   
    


Clr. B.     
  
            




Fgt

               



A. Sax

                   
Sax. Tn. 

        


Bar. Sax
               

  
Tpa                   

      
Tpt. 1 
      
    


            
Tpt. 2, 3

     



                
Tbn. 1

     


Tbn. 2, 3 
   


Tba.
                 
      
                                
      
                               
     
Bat.

           
             
A♭ Fm E♭ A♭ D♭

 
   
Base

   
           
   
   

      
  
Vln. 1

         
   


Vln. 2
   
       
       
 
  


    
Vla

             
      



Vc.

                  
      


 

Cb.


          
       
       
12

 
37

Fl.

   
Ob.           
   
   
Cl. 

                    


            

Clr. B.

               
 
 
Fgt

            
A. Sax   
                     
 

Sax. Tn.

          

            
Bar. Sax
 
            
Tpa       

  
Tpt. 1              

             
         
            
Tpt. 2, 3

  

                 
Tbn. 1

       
Tbn. 2, 3 
      
             
   
Tba.

                              
        
                            
         
Bat.

                
             
C C /E Fm Fm A♭ /E♭ Fm/C A♭ /C♭ B♭(♭5) B♭


  
Base

           
 
    
    
Vln. 1

       
        
     
Vln. 2

      
       
   
Vla

         
  

Vc.

               
            
Cb.
 
 
40                         

13

Fl.   

    
Ob.                

    
Cl.                       

 
  
     
  
Clr. B.

         

Fgt      
  
A. Sax                   

          
Sax. Tn.               

        
Bar. Sax
      
  
Tpa     
               

          
Tpt. 1    

       
                
           
Tpt. 2, 3

     

          
Tbn. 1

               
Tbn. 2, 3  

   

         
     
Tba.

                      

       
                                     
        
Bat.

      
       
    
B♭m D♭ /E♭ E♭ A♭ D♭ /E♭ E♭ A♭2


      
Base

     
Vln. 1     

          
    
        
Vln. 2

   
 
  
         
Vla

     
Vc.  

           
Cb.
       
Flauta Breve Verei o Bom Jesus
442 HC

    
  
Orquestração: Renato Pimenta


P.L.M Paulo Leivas Macalão

       
    
        

  = 80

          


                 
    
      
4

  
                
          
 
8 Estrofe 1


 


                  
 


         
   

Refrão
15

       
                     



    
Estrofe 2
20
To Coda


                   
         
25



 
          

      
          
  
30 D.S. al Coda

                          

            
    
36

                     
  
     
40
Oboé Breve Verei o Bom Jesus
442 HC
Orquestração: Renato Pimenta

   
P.L.M Paulo Leivas Macalão

 
    
           
  = 80




         
            
4

     
          
8 Estrofe 1

          
                    
13

 
 
     

    
   
17 Refrão

             


          

21 Estrofe 2
To Coda

                                    

26

      
                      
 
30 D.S. al Coda

                                      
      
35

    


                
39
Clarinete em B♭ Breve Verei o Bom Jesus
442 HC
Orquestração: Renato Pimenta

            
P.L.M Paulo Leivas Macalão

  
  
       
  = 80

          
   
                           
4

                  
              
9 Estrofe 1




          
              
Refrão

              

15

     


                        

21 To Coda Estrofe 2

      
                   
     
26

      

             
       
31 D.S. al Coda

                   
            

     
36

      
                    
40
Clarone em Si♭ Breve Verei o Bom Jesus
442 HC
P.L.M Paulo Leivas Macalão Orquestração: Renato Pimenta

 
  
                     
   
  = 80

     
          
5 Estrofe 1

 

     
             
 
13




       


          
   
17 Refrão

              
     
22
To Coda Estrofe 2


 


     
                       
    
27

          

          
 
31 D.S. al Coda

  
                         
36

 
  
42

  
Fagote Breve Verei o Bom Jesus
442 HC

  
   
P.L.M Paulo Leivas Macalão Orquestração: Renato Pimenta

             
  
  = 80

                
Estrofe 1
        

4


  

      
          
11

                      

    

16 Refrão

 
 



        
       
21
To Coda Estrofe 2


                                   
    
26


  


            

          

30 D.S. al Coda

  
                        

35

    
           
39
Saxofone Alto Breve Verei o Bom Jesus
442 HC

    
Orquestração: Renato Pimenta

   
P.L.M Paulo Leivas Macalão

  
        
 
  = 80

            


                   
4

                             
9 Estrofe 1

        
    


             
15 Refrão

   
  
                                  
20 To Coda Estrofe 2




            
        
25

                               
30

         


                 
          
33 D.S. al Coda

                          
       

37

 
            
42
Saxofone Tenor Breve Verei o Bom Jesus
442 HC
P.L.M Paulo Leivas Macalão Orquestração: Renato Pimenta


 
                             
  = 80




                  
              
Estrofe 1
6




 


                          
15 Refrão 3

      

                   
                  
19
To Coda


 
 


                        
24 Estrofe 2




        

                

27

                         
                    
30

  


                                   
32 D.S. al Coda

                             
         
36

       
            
41
Saxofone Barítono Breve Verei o Bom Jesus
442 HC
Orquestração: Renato Pimenta


P.L.M Paulo Leivas Macalão

  
    
               
   
  = 80




 
                            
   
4


             
  
Estrofe 1
9

  

 
                     
      
17 Refrão

   


     
            
22
To Coda Estrofe 2





             
      
  
27

                    
       
30

                  
33 D.S. al Coda

           
                    
     
36

 

      
         

40
Trompa em F Breve Verei o Bom Jesus
442 HC
Orquestração: Renato Pimenta

    
P.L.M Paulo Leivas Macalão

   
   
        
 
  = 80

             


                  

4

                      
        
9 Estrofe 1

     
           


            
15 Refrão

  
                                    
20
To Coda Estrofe 2






              
     
25

     
                          
30

        


                            
33 D.S. al Coda

                            
       

37

 
              
42
Trompete em B♭ 1 Breve Verei o Bom Jesus
442 HC
Orquestração: Renato Pimenta


P.L.M Paulo Leivas Macalão


 
                       
  = 80

          
    
  
6

   
  
         
  
10 Estrofe 1


          


    
   
13 Refrão

3 


                      

20
To Coda Estrofe 2


       
      
25

  


                    
31 D.S. al Coda



   
         
         
36

            
    
40
Trompete em B♭ 2 Breve Verei o Bom Jesus
442 HC
P.L.M Paulo Leivas Macalão Orquestração: Renato Pimenta

          
 
                     
  = 80

   


               
       
  
6

   
  
         
  
10 Estrofe 1

 
            


      
  
13 Refrão 3

 


               
    
          
20 To Coda Estrofe 2


       
      
25




                             
31 D.S. al Coda

          
           
        
36

      
                   
40
Trombone 1 Breve Verei o Bom Jesus
442 HC

              
P.L.M Paulo Leivas Macalão Orquestração: Renato Pimenta

    
  

  = 80

            


     

Estrofe 1
6

                          

14

             




     

18 Refrão

        Estrofe 2
         
3  


     
To Coda


22

                
             
   
26

                       


      

30

      D.S. al Coda
             

     
 
33

              
    

36

             


     

40
Trombone 2 Breve Verei o Bom Jesus
442 HC

                      
Orquestração: Renato Pimenta


P.L.M Paulo Leivas Macalão

      
 
  
  = 80

              


                 
 
 

Estrofe 1
6




                       
    


  
15 Refrão

      
3

           
               




19

 
 

           
      
              

To Coda Estrofe 2

 
23


     
                   


 

27

                                    

30

 
              
              



33 D.S. al Coda


                              

36

       


                    
 
40
Tuba Breve Verei o Bom Jesus
442 HC
P.L.M Paulo Leivas Macalão Orquestração: Renato Pimenta

     
                   
  = 80

      

    
                    
4


     
              
Estrofe 1
8

     
  

    
                        
17 Refrão

  
          
  
21
To Coda Estrofe 2

   

                
        
26

    

  
                 
29

          

  
                            
D.S. al Coda

   
32

       

                  
36

    
   
     
   
 
40

   
Bateria Breve Verei o Bom Jesus
442 HC

                              
P.L.M Paulo Leivas Macalão Orquestração: Renato Pimenta

 
                             
  = 80


    
                                   
                                  
4

        
                             
    
                            
7

     
                                   

Estrofe 1

        

10

     
                                   
         
13

     
                         
Refrão

               

16

   
                                    
          
19

     
             
                    
To Coda Estrofe 2

  
22

     
                                 
                      
25

    
   
                
28

 
                   
2

              
D.S. al Coda

    

31

  

  
                                 

34

   

                                    
                              
37

       

  

        
                            
40

      

 
    
 
     
43
Baixo elétrico Breve Verei o Bom Jesus
442 HC
Orquestração: Renato Pimenta


P.L.M Paulo Leivas Macalão

           
                  
  = 80 D♭ C

 


                
            

4 Fm Fm A♭ /E♭ Fm/C A♭ /C♭ B♭(♭5) B♭ /E♭ B♭m D♭ E♭

           
Estrofe 1

           
8 A♭ D♭ /E♭ E♭ A♭ A♭ Fm

             
                  
12 B♭m E♭ A♭ A♭ A♭ /C D♭

 

        
                 

Refrão

  
16 A♭ /C Fm B♭m E♭ A♭ B♭m E♭

     
             
           
19 A♭ Fm B♭m E♭ A♭ E♭
A♭ /C A♭

                
Estrofe 2

          
D♭ A♭ Fm E♭ A♭ D♭ /E♭ A♭ D♭maj7


23
To Coda

  
  Fm      
              
              
Cm7 G♭ E♭ /G A♭ B♭m E♭ /C C /E


27

                                

30 Fm C /E C D♭ D♭m6 Cm Fm B♭m E♭

 

 
               
A♭ D.S. al Coda A♭ Fm E♭ A♭


33
 
                             
2


36 D♭ C C /E Fm Fm A♭ /E♭ Fm/C A♭ /C♭

 

             
               
39 B♭(♭5) B♭ B♭m D♭
/E♭ E♭ A♭ D♭ /E♭ E♭ A♭2
Violino 1 Breve Verei o Bom Jesus
442 HC


         
Orquestração: Renato Pimenta

 
P.L.M Paulo Leivas Macalão


    
       
  = 80

   

          


              
        
4 Estrofe 1

           
                 

11


 

            


        
       
Refrão


16

          To Coda


                Estrofe 2
      
    

21


                         
  
25

   
                                  


 
31 D.S. al Coda

           

              



35

        


        

    
 

39
Violino 2 Breve Verei o Bom Jesus
442 HC


         
Orquestração: Renato Pimenta

 
P.L.M Paulo Leivas Macalão


    
       
  = 80

   

   


      
                      
4 Estrofe 1


                           

11

 


      
         

 
       
16 Refrão

          To Coda


                        
    Estrofe 2
  
21


                               
  
25

              


   
         
31 D.S. al Coda

           

              



35

                      
 

39
Viola Breve Verei o Bom Jesus
442 HC

    
Orquestração: Renato Pimenta

 
P.L.M Paulo Leivas Macalão

           

                
  = 80

        


       
          
5 Estrofe 1


                                             
13

     


         

     
  
Refrão


18

           To Coda
        

             
22 Estrofe 2


                                
 
27

        D.S. al Coda
          


         
32

                  
        
   
36

       
 
42
Violoncelo Breve Verei o Bom Jesus
442 HC

 
                    
P.L.M Paulo Leivas Macalão Orquestração: Renato Pimenta

     
        
  = 80

    
 

          Estrofe 1
     
     

6

                   
     

13

                

       
    
Refrão


17




         To Coda 
                  

 

22 Estrofe 2

                         
 
       

27

 
                             

  
D.S. al Coda

 
32

    


                 
         

37

   
  

43
Contrabaixo Breve Verei o Bom Jesus
442 HC
Orquestração: Renato Pimenta


P.L.M Paulo Leivas Macalão

    
                           
       
  = 80

 
 

                       
   

   

5 Estrofe 1

  
        
                   
12

                                           


 
17 Refrão

                   
            
23
To Coda Estrofe 2

                 
             
28

                      


  
31 D.S. al Coda

                                           

35

 


                       
      
39