https://www.youtube.com/watch?

v=wmOZgSyQjtA

Fazer este vídeo em portugues com alguns detalhes:

That's not really true. Big Hollywood movies pretty much always have last-second
rewrites due to studio-mandated
changes. "This focus group didn't like the ending." "Put this in there so we can
sell toys based on it."
"Censors in China won't like this." "This actor just got cancelled on Twitter, so
cut all of the scenes he's in."
"This character is popular, so make his part bigger." "This actor put up money for
this movie,
and he wants to be the main character."

Back to the Future is a master-class on setup and payoff. Almost every scene in the
movie is setting up something,
or delivering a payoff. The connections are EVERYWHERE.

Sobre a cena do Star Wars VIII onde as naves fogem:

Classic Star Trek would have said something along the lines of "they have likely
calibrated all their sensors to
more effectively track large ships, small transports at this range may not show up
on their sensors at all",
then when they figure it out someone would say something like "recalibrate our
sensors to their normal wavebands!".

Instead we got "lol they're not looking" and "run our anti-scan cloak decloaking
scan", like they made it a
point to write dialog using only the 1000 most common words in English.
Leia: "They're not monitoring for small transports"
A New Hope literally begins with the Empire tracking escape pods FROM HER SHIP!

Parece que os filmes agora tem TDH:

This is probably hand in hand with the ADHD that movies have now, like they're
trying to pay off 80 different
plotlines rather than, like, a couple. One overarching plot allows nuance,
audience trickery, character development,
and foreshadowing. Cramming action sequences back to back doesn't give much pay
off.

The fact that a B rated movie in the 90s is 1000x better than anything “mainstream”
today tells you everything
you need to know.

Old movies: we need a really good script and some great actors make a great movie.

Current movies: we have some analysis of audience preferences that says we can make
at least $900M worldwide if we
make a movie about zombie urban teens and include a female lead who fits these
particular demographic categories,
plot that involves 3 international locations, story that is accessible and
generic for consumption of international
tastes, and work in some considerable explosions in case there’s any gaps in the
dialog. at least 7 quotable lines
for the trailer even if they don’t make sense.

https://www.youtube.com/watch?v=CQ92cggLMx8

Finalizar com a comparação entre starTrek Next Generation e Discovery, pegar igual
do vídeo mesmo, porém pegar
o episodio em PT.

Comparar filmes novos com liquidificador que vem com aviso para não ligar com a mão
dentro, tratando todo mundo como
burro.