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running sitcom. For the uninitiated, this 1992 episode involves Homer starting a successful
snow plow business that is ultimately spoiled, first by friendly rivalry then by an
unseasonably warm winter day. It also includes one of the earliest mentions of the greenhouse effect in
scripted media; and is one the first, but hardly the last, to undercut the
It might not seem like much, but if you are watching this
video, then you must care - at least a little- about climate change. It probably puts you among
the 59% of people in the US who see climate change as a major threat1. The time for
collective climate action is upon us, which means we must try to reach the 41% of people
who don’t seek out information about climate change. And those people watch TV. On any
given day, 80% of Americans will watch - or stream- TV3, making it one of the largest
episodes”, scripted media can be powerful in raising awareness and changing minds. When it
comes to general environmental issues, television, particularly children’s media, has devoted
countless hours to covering pollution, endangered species and the importance of recycling.
environmental programs all across the country4. However, of all the environmental issues
covered, climate change has gotten comparatively tiny amounts of screen time. When it is
discussed, we found that it is usually framed in a way that casts doubt on its existence, treats
activists as scam artists, and discourages action. For this video, graduate students studying
science communication through the National Center for Science Education went through the
past 30 years of television comedy to find and analyze how climate change is framed. You
can find out more about our methods in the description here, but a quick note: We only
looked at scripted, narrative comedy that had a point-of-view about climate change. That
means no Daily Show segments or climate disaster movies- their impact has been well-
studied by others. However, we‟ve still probably missed some examples, so feel free to leave
a comment and help us expand our list. Comedy has to take a point of view, and
understanding what a writer thinks is funny about climate change can be suggestive of how
they - and the audience they are writing for - think about the issue. [Dharma and Greg clip].
This approach relies on the humor of violating the norm of “global warming is bad” by
highlighting a positive side, almost always something to do with warm weather. Of course,
this approach only works when the vast majority of viewers see this violation as, well,
benign. In the 90s, when this framing was popular, climate change seemed distant enough to
make this appear harmless. That‟s why comedies from the Simpsons to Frasier used this
framing, often with the same set-up and punchline, over and over. As we became more aware
of the true impact of climate change, this framing gradually became less popular, dying out
While television comedies have become much less glib about climate
change, writers still struggled to frame climate change in a way that made people want to learn more.
Moving into the 2000s, a lot of humor centered on the perceived obnoxiousness
of characters that cared about the environment. The humor here came from the outlandish
and extreme environmental views expressed by these characters, from not owning a car, to
making their own clothes to the perennial favorite - drinking their own urine. 30 Rock, My
Name is Earl, and Modern Family all had episodes where the main cast was subjected to
mental and physical torture at the hands of these annoying characters. While the exact
scenarios differ, these occurrences have three broad similarities. First, the environmentalist
character is an “outsider” to the main cast, and often low status, suggesting that their
perspective is less valid than the main characters‟. Second, the character receives a
comeuppance by the end of the episode that suggests that they are either lying about their
environmental passion or equally as imperfect as the main character. Finally, the take-home
message for the audience is often “we know that you - like the main character- are doing
your best and that‟s fine.” While viewers may find this positive message reassuring, it
ultimately frames taking even minimal action as extreme and negative. Viewing episode after
episode with this character archetype can lead to skepticism about motives and general
disinterest in learning more. Though thankfully this type of humor has become rarer, one
only needs to watch an episode of “The Politician” on Netflix to see the Obnoxious