“Asturias (Leyenda)Performance Notes v 2 3) 4) 5) 8. 8) Stickings are numbered in the classical‘ manner, ie., left to right, low to high. Arrows indicate that the preceding group or individual mallet is to be repeated. Dynamics, trills, or notes in parenthesis are those of the editor. ‘The symbols used by the editor to notate suggested roll types are explained below. All are approximately notated. ‘The performer may vary the speed of the roll as seems appropriate. double z + or any other double lateral lateral permutation: 4312, roll a ga. 2134,etc. traditional roll 4.3 4 3.4 2 independent roll = = Independent rolls may start on inner or outer mallets. ‘When both hands are rolling independently, the specd of the roll in each hand need not be the same. ‘The use of independent rolls in both hands ("double independent rolls") in the places suggested by the editor will improve the contrapuntal clarity of the lines and facilitate dynamic emphasis of melodic notes, but, the traditional rolling techniques may be substituted when the performer finds it necessary. ‘A smooth independent roll on one pitch is more easily executed by positioning the ‘mallets on the center and end of the bar, rather then positioning both mallets in the Center of the bar. This allows the spread of the mallets to be wider, reducing the torque necessary for any given volume. ‘This transcription was prepared from the original piano version, not the many better- ‘known guitar transcriptions. Mallets: medium-hard, such as the Malletech CN14 or LSiSH.RAE fn = ar G2 2 ALMASSECA (Valine Asturias (Leyenda) 1. Albeniz trans. L. H. Stevens Allegro @1S8S Keyboard Percussion Publications= cresc. poco a poco oa1 Qs 1 >aod (212 at (12)1 a> @433.9 4 (1) > 2 1 mb90 hod (i922 212122 the @—> 496) (Qe 21) 1 a “Tempo I ie130 135 6 6 6 140 mf 19.4(28 4) —>"145 3 6 6 3 6 6 3 6 6 150455 160: 170 143(243)—> 175 1342 34 :185 s a 190 a©) (cresc.) 313