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Cello Positions - The Cello Companion
Cello Positions - The Cello Companion
Whether you’re finding your way around first position or you’re venturing into the tenor and treble
clef registers, an understanding of the note layout is essential. The more demanding your repertoire,
the more you need a detailed internal ‘sat-nav’ to find your way effortlessly through challenging
passages. The less you have to calculate your route map, the more you can focus on musical shaping,
phasing and interpretation.
The map below is a visual aid to indicate the location and content of each position from first
(including half) to seventh. You’ll notice that some positions go by 2 names (e.g. upper first/ lower
second), and some of the notes on the fingerboard include enharmonic equivalents (different le�er
name for the same pitch). Positions are named according to the note names they accommodate. For
example, the notes in upper first position on the A string are B#, C#, D and D# – predominantly the
same le�er names as those in first position, while lower second position – C, Db, D, Eb share the le�er
names of upper second position. As a rule, positions with the upper label tend to favour sharps,
while those with the lower label favour flats.
Further posts on cello positions:
An Overview of the Neck Positions (h�ps://thecellocompanion.info/2011/01/21/an-overview-of-the-
neck-positions-on-the-cello/)
An Introduction to Stretch Position (h�ps://thecellocompanion.info/2012/01/19/stretch-position-on-
the-cello/)
An Introduction to the Three Finger Positions (h�ps://thecellocompanion.info/2012/04/18/three-
finger-positions-on-the-cello/)
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